The general concept of "relative school" for short. Relative painting school (if it is true or unreal): the combination of concreteness and abstraction, seeking harmony in disharmony. Xue, a famous painter and art theorist in China, was founded in 1986. Xue's original works, the founder of Kinship School, all have anti-counterfeiting passwords, that is, encryption measures (Da Vinci code). "Xue, the founder of the relative school of painting and the discoverer of the three laws of beauty, can't imitate the pioneer of painting. 1989 published "New Exploration of Concept Renewal and Techniques of Chinese Painting", which founded the relative school of painting (that is, combining abstraction with concreteness, seeking harmony in disharmony. ) 1987 won the first art patent in China (see China Dictionary of Contemporary Inventors, page 448, patent number 87 10 15749). ..........................................................................................................
Xue: The school of painting is created, not created.
Painting school refers to a form of painting that forms a "symbol of unique beauty" from a unique concept of painting art. (See the dictionary for Xue's qualitative analysis) The painting school must meet the following preconditions and conditions. First, the theoretical premise or condition of painting school. Must have a unique artistic concept or modeling concept. Second, the practical premise or condition of painting school. Create your own unique and distinctive artistic style and technique system. Third, one or more groups. Those who meet the above three preconditions or conditions at the same time can be called painting school. Traditionally, we have always been used to understanding the school of painting as a group, which is a misunderstanding. The formation of painting school mainly depends on its unique artistic thought, modeling concept, modeling form or artistic expression. Does not depend on the number of people. A person, as long as he has the above preconditions, can be called painting school or the founder of painting school. Such as cubism, Picasso; Abstract painting school and Kandinsky; Both surrealist painting school and Dali have successfully become the founders of painting school or painting school. See 2006-3- 17 Xizhi Calligraphy and Painting Newspaper.
Great works of art are the historical basis of great painting art and great artists.
Painting school is created, not created. Great works of art, that is, "the symbol of unique beauty", are the historical basis of great painting art and great artists. Unique aesthetic concept and unique and beautiful symbolic works are the premise of the emergence of painting school.
China's regional painting school is a product of history and has become a thing of the past.
At present, there are almost no new artistic ideas, modeling concepts and unique artistic forms among the regional sects played all over the country. The most unified slogan is "pen and ink should keep pace with the times", but this sentence comes from Shi Tao in Qing Dynasty. What Shi Tao said in Qing Dynasty actually became the artistic thought or main slogan of our new regional painting school. Is this the lack of innovative spirit of our nation? Or is it because you have gone into a misunderstanding? What is not equal to zero? The conclusion of judging the current ethnic regional painting school with the negative theory of dialectical materialism is also zero. That is, every province and city is a painting school, which means there is no painting school. This is a truth that everyone with general philosophical knowledge knows. I often think that our regional painting school has developed into a new regional painting school, so what will it be called in the future? If you don't agree to call it "China School", it can't be called "Xinxin XXX Regional School". In the history of painting in China, except for "literati painting school" and "academic school", other so-called painting schools are actually schools formed by mentoring, disciples and regional relations, rather than painting schools in the real academic sense. See Jeikiy's "Xi Zhi Calligraphy and Painting Newspaper" reporter Xue: In March 2006, the regional painting school in China was equal to zero. Xue, the founder of relative painting school.
Jiangshan opened the civilization history of human society, and every field and every period produced great academic works. These works not only put forward new topics for academic circles, but more importantly, brought us a revolution in thinking mode and a renewal of ideas. Behind the new ideas, there often stands an outstanding genius whose creation has changed the face of history. Xue, the founder of relative painting school, is such a pioneer who dares to innovate. Philosophical thinking armed his mind. He was good at independent thinking and dared to put forward different opinions. Dare to break the old ideas and rigid dogmas in the ideological field and challenge the existing authority. It is the first time to put forward China's new "Xue Liu Fa" modeling concept and other systematic theoretical viewpoints, trying to break the leading position of Sheikh's "Six Fa" in painting, that is, Chinese painting creation for thousands of years, so that painters and theorists can get rid of the shackles of traditional artistic concepts and modeling concepts, so as to renew their concepts and create new traditions. Realizing the declaration of painting means that China's traditional painting moves towards modernization and the world. His artistic innovation has had a far-reaching impact, played a positive role in promoting the development of China national painting, and injected vitality and vigor into the artistic life of ancient national painting. 1989, Xue published the first academic monograph, New Exploration of Concept Renewal and Techniques of Chinese Painting, which laid the foundation for the later publication of Xue's Art Theory. Three years later, it entered the 1990s. On this basis, some people in China painting circle shouted the slogan "Pen and ink equals zero", which aroused strong repercussions in the art world and started a wide-ranging debate. This interesting similar phenomenon, as bacon first put forward in the book "New Tools", "The road of human strength and the road of human knowledge are next to each other, almost the same". These two sentences were summed up by later generations as "knowledge is power", exactly the same. The slogan of "pen and ink equals zero" comes from the academic viewpoint of "non-pen and ink" put forward for the first time in Xue's professional book "New Exploration of Chinese Painting Concepts and Techniques" published by 1989-"No pen is a pen, no pen is nothing". "The mistake of no pen is that you can't tell the difference between' pen' and' brushwork'". "The most important thing is often not the various materials and tools in the art form, but the unique modeling concept and unique expression adopted by the work itself. Pay attention to the beauty or' soul' hidden in the work that infects the viewer. " "Under this premise, what kind of tools and means will be irrelevant. The best attitude towards the pen is not to choose its pen. " "Color comes from a single ink and Chinese painting pigment ..." From this perspective, it is precisely because of Xue's fearless spirit that a new topic was put forward for the academic community for the first time, which triggered a continuous academic debate. Xue's artistic thought is embodied in the academic monograph Xue's Art Theory published by Tianjin People's Fine Arts Publishing House in 2003. This book systematically expounds that Xuanhua is an update of the concept of Chinese painting, and innovates, supplements and perfects the "Sheikh Six Laws". Xuanhua replaces Chinese painting, giving a scientific name and definition to China's painting art: Xuanhua-painting on Xuan paper and silk with pigments. It is the main form of oriental painting art and other modeling concepts, and it is also the discovery and summary of the "three laws of beauty" in artistic innovation. The modern aesthetic tendency he advocated subverted pen and ink and composition; Schools and painting schools are scientifically defined. It provides a theoretical basis for the diversified development and comprehensive innovation of China painting art; The innovative ideas in his artistic aesthetics have played an important role in promoting the diversification, modernization and globalization of China's paintings. And he put forward that "the most primitive painting is language, and art originated from people's language consciousness." Engels' theory that art originated from labor was revised. After more than 20 years of exploration and creation, Xue has formed a complete theoretical system of artistic aesthetics. Xue's artistic theory is the confirmation of long-term artistic practice and the perfection of "relative painting school". He chose the combination of abstraction and concreteness to look forward to the new century; The relative school of painting-the artistic forms of "truth as illusion" and "relative harmony" show infinite space and reverie of eternal beauty in a limited picture. From each of Xue's works, we can hear his passion for the soul of human life and his eulogy of the universe beyond human nature. His pioneering and innovative enterprising consciousness and self-improvement spirit are the concrete embodiment of the cultural spirit of the Chinese nation and the value of Xue's art. Xue's "On Art" is the first academic monograph in the history of fine arts in China, which opposes the traditional aesthetic concept and technique system and aims to create new artistic theories, techniques and schools in an all-round way. It fills the blank in the art history of China and even the world. Xue's artistic aesthetics has exerted a wide influence in China painting circle, providing a theoretical basis for the reform and innovation of Xuanhua, that is, Chinese painting. It provides a research topic for academic circles. In the 265,438+0 century, the issue of cultural innovation has received unprecedented attention from the state. Xuanhua, the innovation of Chinese painting, was once again put forward by the art world in an academic way. Innovating tradition and inheriting tradition are no longer contradictory, and cultural and artistic innovation has become common sense. How to carry out real artistic innovation? How to form an art school? How to embody the artist's professionalism? And so on academic topics are placed in front of contemporary painters in China. Painters are eager to establish a school of painting, and they have played the banner of naming the school after China. Xue believes that it has entered a "zero" misunderstanding, because the conclusion of judging the current ethnic regional painting school with the negative theory of dialectical materialism is also zero. He asserted: "The regional painting school is equal to zero!" And triggered a national academic controversy. As early as more than ten years ago, in his academic monograph "A New Probe into the Concepts and Techniques of Chinese Painting", Xue scientifically defined the genre or painting school: "A real painting school is not only a group, but also has the following preconditions or conditions: First, a genre refers to a unique artistic concept, artistic thought and the formation of its own distinctive ideological system. Second, genre refers to the formation of artistic forms with similar styles and techniques under the premise of the same artistic concept. Schools can not be divided only from the similarities in sects, techniques and performance objects, but from the similarities or similarities in modeling concepts. The technique is single, the object is similar, and it is different from others' or predecessors' ideas. It can't be called the formation of a new school, but it can only be said that the style and school are different. Third, one or more groups can only be called a genre or painting school if they have the above three preconditions or conditions at the same time. For example, Kandinsky, the founder of abstraction, Picasso, the founder of cubism, Dudley of surrealism and so on. " "The whole history of painting is the history of the change and development of modeling concepts, and the aesthetic feeling of painting art forms determined by it. The formation of various paintings and genre styles is first of all the formation of modeling concepts. The change and renewal of the aesthetic feeling of all painting art forms first depends on the change and renewal of the concept of modeling. " Just after the New Year in 2006, Xue started a whirlwind in China painting. In April 2006-1-65438+4, a group of commentary articles by Xue, The Essence of Artistic Innovation, Don't Let Contemporary Art Become Waste, subverted the aesthetic habits and concerns of the whole China art circle and collectors. "Six Standards of Art Waste" has become a guide for the industry. Major domestic professional newspapers and media have reprinted them. On February 22, 2006, China Calligraphy Herald was titled "Can We Make Contemporary Art Wastes" with an editor's note, and on February 24, 2006, Xizhi Calligraphy and Painting Newspaper was titled "We Want Beauty to Make Art Wastes". Yachang Art Network, China Art Network, etc. Reprinted in full. In 2006- 1-2 1, Art Newspaper published Xue's aesthetic theory articles: Art Originated from Human Language Consciousness, Language Symbols of Primitive Painting and Classification of Fine Arts, and Main Differences between Language Symbols of Primitive Painting and Modern Fine Arts, which put forward new topics in the field of aesthetic research. On March-17, 2006, Xi Zhi calligraphy and painting newspaper published "China regional painting school is equal to zero", which aroused strong repercussions throughout the country. On April 8, 2006 and April 65438+May, 2006, Art Newspaper published Xue's "Talking about the Best Investment in Chinese Painting" in succession, which once again attracted extensive attention and reprinting from the art world, collectors, investors and other related media and the Internet. On July 22, 2006, Art Newspaper published Xue's academic research theory article "Xuanhua replacing Chinese painting", which made the national painting art fully international, once again set off a nationwide discussion on the scientific naming and definition of Chinese painting, and pushed the "Xue phenomenon" to a climax. It has aroused the unanimous concern of the national cultural circles. An excellent painter may be satisfied with the perfection of techniques and reach a certain height in his existing field. However, an important artist cannot stop there. He must provide a new artistic concept, create a new artistic aesthetic trend and rewrite the artistic direction of an era. With the rigorous attitude of science and the spirit of seeking truth from facts, Xue used "Xuanhua instead of Chinese painting"-Xuanhua (Chinese painting): painting on Xuan paper and silk with pigments. This is the main form of oriental art, which provides a solution for the comprehensive internationalization of Chinese painting art and completely solves another eternal problem that puzzles us in China. Make its traditional Chinese painting-Xuanhua art convenient for teaching and popularization, break the pattern of oil painting dominating the world, and make it one of the two major international painting types, promote the development of China national painting art, and accelerate the pace of going to the world. Xue's fearless spirit of breaking old ideas and dogmas in the ideological field is shocking. With the progress of history, his enterprising consciousness and pioneering spirit are becoming more and more important and far-reaching. He will make outstanding contributions to the great rejuvenation of the Chinese nation. Xue, the founder of Relative Painting School, is writing a brand-new page for the art history of China and even the world.
2007. 1. 18 Jiangshan
Xue's artistic characteristics and its historical position relative to painting school
The Aesthetic Creation Value of Xue's "Symbol of Unique Beauty" in Related Painting Schools
First, the establishment of the school-the relative painting school
1, relative painting school (if true or unreal): concreteness and abstraction are integrated, and disharmony and harmony are summarized.
School of painting: refers to a painting form that forms a "symbol of unique beauty" with a unique concept of painting art (defined by Xue). The history of world painting art, especially the history of modern painting art, is almost the development history of painting art schools that started from the beginning. 1986, Xue founded the kinship painting school, which is in line with international standards, and became the youngest founder of the painting school in the world after Picasso (Picasso founded cubism at the age of 28 and Xue founded kinship painting school at the age of 29). Known as "1989 epoch-making artistic miracle creator". A series of works are based on transcending time and space, "being as real as fantasy" and the eternal life of the universe. The school of relative painting has created unique artistic forms and aesthetic mood, such as image and abstraction, truth and dream, finite and infinite, ancient and modern, time and space and hyperspace. It has formed a distinctive "symbol of unique beauty", which gives people infinite reverie and strong aesthetic consciousness, which is shocking.
2. The uniqueness, uniqueness and historical culture of Xue's paintings.
In order to ensure the quality, Xue Dui's works have a process of precipitation, destruction and preservation. Xue, like Li Keran and Wu Guanzhong, never performed in person or participated in pen meetings. Never turn art into garbage.
Xue's historical contribution to world art and its historical position.
1, a famous art theory
The renewal of Chinese painting concepts and new exploration of techniques (1989, the iconic works of China's painting art), On the Eternity of Art (1993) and On Xue's Art (in 2003, after Da Vinci's painting theory, Rodin's art theory and Kandinsky's On the Spirit of Art) are the fourth artists' artistic theories in the world. Xue's three artistic theories mentioned above and Sheikh's Catalogue of Ancient Paintings in Wei, Jin, Southern and Northern Dynasties in China have become world-famous artistic theories or painting theories. Become a must-read for today's painters. It has played a vital role in promoting the development of contemporary art and art in China. Xue also renounced the copyright of the above three works.
2. The ranks of famous painting schools
"Kinship Painting School" has been established as a "famous painting school at home and abroad", and it is also a painting school in China that is truly in line with international standards.
3. Important discoveries and contributions of art and aesthetic theory.
The new concept terminology created by Xue: three invariants, six methods of Xue, six elements of xuanhua modeling, three invariants of beauty, three invariants of xuanhua, artistic value law, third world view, virtual reality and other five categories of art, Xue's artistic theory and ideological system, relative painting school and relative painting school. Xue is still publishing several important academic papers. He also made important contributions to aesthetics and philosophy of art.
As Xue said, "truly great art must be a symbol of unique beauty in form." "The content of artistic beauty is the thought and soul of all arts, but the form of truly great art must be a symbol of unique beauty. This is the most important feature of high-end art, and the highest state of art is a symbol of unique beauty, which mainly refers to the form of artistic beauty. Ordinary art is ordinary because there is no unique and beautiful art form. As for the market and price of art, it is reflected in the value attributes of art collection, investment and consumption. Value art is an art of aesthetic creation. Because it is different from the traditional aesthetic habits, it will show a phenomenon of temporary neglect and first low and then high, but the aesthetic creativity of art-the value of art will eventually be consistent with the price of art, time is fair, and history is the best witness. Some "go with the flow, drift with the flow, lack of personal characteristics of art, it will be like a fleeting. Disappear in people's memory. Years leave history, leaving only the most beautiful and magnificent music (selected from Xue's Preface to Art) written by beautiful creators such as Van Gogh, Picasso, Fu Baoshi and Huang with painstaking efforts and life ... Innovation is a brave and lonely road. Even at the cost of life. That's what makes sense. (Jiangshan)