It's sad enough to go to the cinema alone to watch "The Leftover is King". After watching the movie, my heart became colder.

I admit that I have an evil heart. Although countless people say that "The Leftover is King" is a bad film, I still wasted a night for it without hesitation. To put it mildly, I want to see what new template can be created by the problem of leftover women. To be honest, I want to see how old-fashioned love and marriage choices can be brought forth new ones.

Then Duang, like all disappointed audiences, was slapped by my wishful thinking. The hostess is very car-scrapping. "Love is the principle that I have adhered to for so long. Why should I give up? " But after waiting for that person, I began to force marriage, then broke up with my true love and prepared to marry someone I didn't love. 100 minutes later, the original introduction is that the protagonist is an older woman in the city, without pressure, public opinion and a series of psychological changes. On the contrary, all the cliches of campus youth stories can be found in this film. It can only be said that under the appearance of the 35-year-old woman, there is still a girl of 15 years old. In real life, the director will help you realize the 0. 1% possibility of meeting and falling in love with girls.

I have always had a good impression of Lolo. From Time is an Invalid Letter to Immortality, she established her own unique writing style very early. She is good at turning the dusty details in her life into imaginable language symbols, which is the advantage of the screenwriter but the weakness of the film. Shu Qi said, "As long as I see Lolo, I may know how to act. I basically don't need to imagine many things by myself. I knew what was going on when I saw her. She is a living Sheng Ruxi there. " In fact, writers of every era are narcissistic, and they all enlarge their feelings to find songs. But from beginning to end, the passion of men and women's crackling sound comes from the director's stunt, which may only be explained as that love comes from life. After all, leftover women like Shu Qi have no universal value. Nowadays, best-selling writers all start to be directors in different fields, when we are not ready and they are not ready. The share of Hollywood blockbusters in the box office market, and the rest, are basically fan movie stores. Most of these fan films express the most trite and middle-class ideology in the name of youth films, without any film grammar, and the ending is also stipulated by the stars. This can be seen from the film's emphasis on extremely stiff transition clips and almost zero lens language. If the director has even a little film common sense and aesthetics, he will definitely study how to deal with it here. After all, a few awesome long shots taken by photographers can't save the film from being loose, superficial and unreal. Several leading actors are my motivation to watch the whole movie. It can even be said that this is a lineup with an overall level of more than 80 points except directors and screenwriters. Jin Shijie, who plays his father, was appraised by insiders as a jewel with a tattoo on his head. Presumably, the crew also regarded him as the last trump card, so it was a five-minute conversation that made everyone cry. I have no doubt that she can make the father's monologue touching and tear-jerking, because I have seen the Love Letter to Dad and Magician in the Later Life written by Lolo before, but for the long shot and close-up of grandstanding, I finally exhausted my vitality in the only climax of this film, which was given by the director.