The most touching scene of "Assembly Number" is the scene in which Gu jumped on the tombstone of Colonel Liu with a bottle when he knew that Colonel Liu had not ordered the assembly number to be blown. Perhaps this is a simple story that Xiaogang Feng wants the audience to see, "The hero is wronged".

The film does not discuss the significance of war or the value of sacrifice. It discusses a simple truth that exists in the hearts of ordinary people: good people are rewarded, and heroes do not shed tears after bleeding.

"Assembly" can cause * * * sound, which caters to the audience's psychology to a great extent. The subversion of Assembly is not only reflected in the upgrading of its technical means and the alternative writing of war.

Its greatest contribution to domestic films lies in how to make good use of commercial elements to make a film that ordinary people can understand and gain something from-this is what China films have been trying to do in the past.

Extended data:

Assembly number is not a war movie in the general sense. Its subject matter is not significant, but it is of great significance. By showing the cruelty of war, people are crushed by the war machine like ants, which highlights the dignity of human nature from another angle.

The theme of the rally is clear. On the surface, it is the theme of war, but in fact it is the theme of human nature. The appearance of the assembly number makes China's war movies not too far away from Saving Private Ryan and Taiji flag.