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Eight-character calligraphy works
The eight-character calligraphy works are as follows:

1, focusing on octupole, wandering in Wan Ren.

2, perseverance, rotten wood can not be carved.

A journey of a thousand miles begins with a single step.

4, perseverance, stones can be smashed.

5, reading a hundred times, its meaning is self-evident.

6. Words without words are not far away.

7, sensitive and eager to learn, not ashamed to ask questions.

8. Never tire of learning and never tire of teaching.

9, reading thousands of books, writing like a god.

10 Once you climb to the top, you will see that all the other mountains are short in the sky. ..

1 1, indomitable, tempered into steel.

12, aim high, and mind the world.

13, all rivers run into the sea, with great tolerance.

14, Tian Xingjian, a gentleman strives for self-improvement.

15, quiet to cultivate one's morality, frugal to cultivate one's morality.

16, generous and generous.

17, the pen is a dragon snake and the wonderful pen is a flower.

18, snow tree in Linchi, the pool is full of ink.

19, determination is the door to career, and work is the ladder to enter the room.

20. Be ambitious and down-to-earth, and follow Wan Li Road.

2 1, tolerance is great, and the wall is strong without desire.

22. The old man is a thousand miles away; The martyrs were full of courage in their later years.

23, the sound of wind and rain, the sound of reading; I care about family affairs, state affairs and everything in the world.

24. Although my body doesn't have bright wings like a phoenix; The mind acts on the mind.

25. However, although China has our friendship; Heaven is still our neighbor.

26, the embankment of a thousand miles was destroyed in the ant nest; High-rise buildings rise from the foundation.

27. Perseverance can be a stone; Perseverance is a dead wood.

28, good medicine tastes bitter and is good for the disease; Unpleasant advice is good medicine.

29. Three heads are better than one Zhuge Liang; Everyone gathers firewood and the flames are high.

30. There is a road service in Shushan; There is no limit to learning the sea.

3 1, indifferent to Zhi Ming, quiet and far-reaching.

32. Do your best until you die.

33, a century-old tree, education-oriented.

34. What the heart wants is to follow the past.

35, sensitive and eager to learn, not ashamed to ask questions.

36. There is no end to learning, and you can climb the peak bravely.

37. Perseverance makes steel.

38 years old, focusing on Wan Ren octupole.

39, reading a hundred times, its meaning is self-evident.

40. A journey of a thousand miles begins with a single step.

The history of calligraphy:

China's calligraphy is an important part of China's traditional culture, with a long history and profound cultural background. The development of China's calligraphy can be traced back to 2 1 century BC, accompanied by the appearance of Chinese characters.

In early calligraphy, people mainly used brush to write on bamboo slips, silks and other materials. These early calligraphy works, such as Oracle Bone Inscriptions, bronze inscriptions, seal script and official script, all showed their own styles and characteristics, which laid the foundation for the development of China's calligraphy.

With the passage of time, China's calligraphy has gradually developed and become an indispensable part of China's traditional culture. Especially in the Tang Dynasty, due to the emperor's attention and admiration, calligraphy was officially established as "calligraphy" and became one of the official disciplines at that time. Calligraphers in this period, such as Ou Yangxun, Yu Shinan and Chu Suiliang, are outstanding representatives in the history of calligraphy in China.

In the Song Dynasty, with the popularization of printing, calligraphy gradually declined. However, during this period, the art of respecting the sky in calligraphy was still preserved and developed. Some literati, such as Su Shi and Huang Tingjian, still have high attainments in calligraphy creation.

In modern times, with the rise of the New Culture Movement, China's calligraphy has been revitalized. Some representatives of the New Culture Movement, such as Lu Xun and Guo Moruo, have unique styles and opinions in calligraphy creation. In a word, China's calligraphy has developed for thousands of years and has become an indispensable part of China's traditional culture. It is not only an art of writing, but also a way of cultural inheritance and expression.