In the program "Collection under the World" broadcast on 2012,65438128, Fu Changyong, a Chinese medicine practitioner from Hebei Province, appeared as a treasure holder and showed a pair of "sweet white glazed hand cups", which were identified as modern imitations by three appraisers: Zhai Jianmin, Wang Chuncheng and Rada.

Then the host Wang Gang waved the melon hammer and smashed one of them. Fu Changyong refused to accept this result, thinking that his collection had been carefully appraised by professional appraisal institutions before and after the recording of the program, and the conclusions were all valuable and genuine, while "World Collection" was irresponsible, and the collection was mistaken for a fake only by the opinions of three appraisers.

The cause of the case of "smashing the treasure door" was published by the column "World Collection" 20 12. A comparative exhibition jointly held with the Capital Museum shows the first treasure ancient porcelain on one side and the smashed fake porcelain on the other.

10 from may to June, many experts and collectors came to visit and carefully examined the difference between authenticity and authenticity. Some people think that many smashed "fakes" are genuine, and there are many treasures among them. Gradually, the controversy is rampant.

Extended data:

"Collection in the World" is a treasure column gathered by famous program host Wang Gang, treasure experts, star guests, well-known appraisers and collectors at home and abroad. * * * is debating the collection and appreciation of "treasure". The program focuses on China's traditional cultural and artistic products, highlighting Beijing's regional characteristics. The biggest difference between this program and other similar programs is that.

It is to systematically interpret the exquisiteness and beauty of China's ancient works of art with modern means of communication and international vision. At the same time, the program purpose of "removing the false and retaining the true" shows its unique majesty and position, and shows the cold and individual side of the program besides warmth and femininity. The 360-degree panoramic studio from France condensed the whole series.

For a "circle"-facing a 360-degree panoramic camera, here, every stage is a struggle between "truth" and "falsehood" in quantity, "quality" and "price", and scenes of invisible swords and swords are quietly staged in the "world" of the collection.

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