Hu Feng (1902 ~ 1985) is a modern literary theorist, poet and literary translator. Formerly known as Zhang, pen name,,. Qichun, Hubei. From 65438 to 0920, I studied in middle schools in Wuchang, Nanjing and other places, during which I began to contact the May 4th New Literature. 1925 was originally expected to enter Peking University, and one year later it was changed to Tsinghua English Department. He quickly dropped out of school and returned to his hometown to take part in revolutionary activities. Later, he worked in the propaganda and culture department of the Kuomintang. 1929 went to Tokyo, Japan, and joined the English Department of Keio University. I have participated in the Art Research Association of Japan Institute of General Sciences and engaged in general literary activities. 1933 was deported for organizing anti-Japanese cultural groups among students studying in Japan. After returning to Shanghai, he served as the propaganda minister and administrative secretary of the Chinese Left-wing Writers' Union, and had frequent contacts with Lu Xun. 1935 the secret series "Sawdust" edited. The following year, he co-edited Haiyan Literature magazine and wrote What do people want from literature? , put forward the slogan of "popular literature in the national revolutionary war", and thus began the debate about "two slogans" within the revolutionary literary and art team. During this period, a large number of literary theory criticism articles were published, including Literary Notes, The Wind in Miyun Period, the poetry collection Wild Flower Arrow and some translations. After the outbreak of War of Resistance against Japanese Aggression, Hu Feng edited July Magazine, edited and published July Poetry and July Literature, and carefully cultivated new literary talents, which played an important role in the formation and development of July School, an important creative school in the history of modern literature. He used to be a member of the Standing Committee of the All-China Anti-Japanese Federation of Literary and Art Circles and director of the research office, and moved to Hankou, Chongqing, Hong Kong, Guilin and other places to engage in anti-Japanese literary activities. At the beginning of 1945, he edited the literary magazine Hope. During this period, there were poems, essays, swords, literature and man, on national forms, in chaos, sailing against the current, for tomorrow, on the road to reality, essays, two chapters of man's circle and translation. 1949 Up to now, member of China Federation of Literary and Art Circles, director of Chinese Writers Association, and representative of the first National People's Congress. In the meantime, he wrote a lyric long poem "Time Begins", a close-up collection "With the Newcomer" and a short essay "From the Source to the Torrent". Hu Feng's theoretical criticism involves a variety of literary styles, works by Chinese and foreign writers, and theoretical problems in the May 4th New Literature Movement. But the center is around the principle, practice and development of realism. There have been different opinions, criticisms and disputes about some theoretical propositions of Hu Feng for a long time. Hu Feng insisted on his own point of view and made counter-criticism. 1954, he wrote a report on literary and artistic practice in recent years to the Central Committee of the Communist Party of China (namely "300,000-word book"), was designated as the head of Hu Feng's counter-revolutionary group, was arrested and imprisoned, and launched a nationwide criticism and struggle. Published on 1979. 1980 rehabilitated. Later, he became a member of the Standing Committee of the Sixth Chinese People's Political Consultative Conference, a member of the Federation of Chinese Literary and Art Circles, a consultant of the Chinese Writers Association, and a consultant of the Literature and Art Research Institute of the Ministry of Culture. His literary theory works are published in a three-volume collection of Hu Feng's Comments.