Captain's production is super standard, ordinary and great! Even if you know the ending, you can still watch it thrilling! The plot is arranged in an orderly way and the performance is slack. Yolanda deserves to be honed by a stage play, and one look is enough to overshadow other women. The only regret is that because of too many group images, there are too many dimensions to depict the captain, or maybe I haven't seen enough. What impressed me the most was that the senior officials of the last government made a patrol and said with a straight face: Why are you so awesome? This sentence is actually the core of the film.
I have suspense and obsession with captain sally, and then I am still very passionate. It's amazing to shoot the main theme like this. A successful American hero is really awe-inspiring after reading it. The plot is solid and powerful, without deliberately shaping the hero image of the captain, he just keeps telling the truth. He made the most difficult decision at the most critical moment, and the criticism and reputation brought by it were hard to resist. Dongmu's cooking this time is crisp and neat, with no miscellaneous branches. It's really interesting.
Although the film has a small structure, it is unexpectedly not boring at all, because the rhythm and structure are really good. The whole movie is very introverted, even because the ending is so good, which makes me feel that this heroic story has a higher possibility. Immerse yourself quietly in a movie in the cinema. The story is like a gurgling brook, which goes deeper and deeper, returning from the brook to the vast river, and then the forces of calmness and restraint gush out, and generate is shocked and tearful. ? Close to the plain technique of the documentary version, and create an unpretentious heroic hymn. ?
There is a big difference in the angle choice between the captain and the captain Sally. The former only shows the process of disaster and avoidance, while the latter focuses on the influence of events on the parties and discusses the system and human nature. Because of its authenticity, the captain has a sense of presence and shock rarely seen in previous air crash movies. His highly realistic performance of a series of crises is like opening a horror live broadcast of a disaster movie, which finally effectively sets off the professional ability of the crew and ground crew to stay in danger and stick to their posts.
Maybe you will think that 1 10 minutes =35 minutes for boarding the plane to deliver food to the toilet +45 minutes for the captain of the plane to lead the crew back smoothly +30 minutes to celebrate the rest of their lives, while 45 minutes and 35 minutes = 15 minutes for the passengers to stagger and panic+15 minutes for the ground personnel to look at the screen with a worried face. The characterization of the Chinese captain tends to be flat, and a large number of scenes explaining the group image and results are added before and after the duration, which is messy and lengthy.
Frankly speaking, most of the roles and scenes are useless, just to show the group image. Even the captain and flight attendants basically don't see any decision-making power when dealing with the crisis, and they only rely on slogans to output ideas to generate electricity. Speaking so many technical terms is the same as dispatching room. Many stars flashed by, but I really didn't feel the role of these people-maybe they were cheering for the captain through their thoughts. In a word, as a theme film, the failure of characterization is really terrible, and it can barely be regarded as a civil aviation education propaganda film.
In any case, the thrilling high-altitude disaster+collective heroic deeds, the whole movie-watching experience is as ups and downs as sitting on that plane. What's even more surprising is that the film did not add some exaggerated plots to deliberately reflect heroism. It is not luck but experience that overcomes disaster. Liu Weiqiang is still suitable for this kind of film. The preparations for take-off are very detailed and professional. After the incident, the tension between the air and the ground was created, the atmosphere of photography was created, and the rhythm was achieved in one go. Convertible plane? Full of tension.
Sichuan Airlines' 3U8633 alternate landing in Chengdu is a miracle in the history of civil aviation, and Captain Liu Chuanjian is everyone's hero. The film abandons China's main melody, which is the most illogical and awkward thing, and tends to be realistic. In addition to the point-to-point artistic treatment such as crossing the cloud, the film pursues realism as a whole, with a flat story and insufficient character depth, and Guan Xiaotong is redundant. The film focuses on the close-up of group images, allowing the audience to experience this miracle in the history of world civil aviation from the perspectives of captains, flight attendants, ground towers and all walks of life.