There are five methods of poetry: system, gree, meteorology, interest and syllable.
There are nine kinds of poems: high, ancient, deep, far, long, healthy, elegant and sad.
There are three kinds of employment: beginning and end, syntax and words.
There are probably two kinds: one says that he is not forced to travel, and the other says that he is calm and happy.
Poetry has an extreme: forget me. Poetic and picturesque! All right! I regret to add! Only Du Li understood, and everyone else understood.
Zen master flows, taking the small as the big, living in the north and south, with evil and righteousness. Scholars must learn the first meaning from the best people, have a positive vision and know the first meaning. If you hear Hinayana Zen, it's wrong. Poetry, like Zen, has the first meaning in Han, Wei, Jin and Tang Dynasties. If we return the poems from Dali to Hinayana Zen, we have fallen into the second meaning; I heard that poetry in the late Tang Dynasty was very fruitful. Those who study Tang poetry in Han, Wei, Jin and Tang dynasties benefit economically. Those who learn Dali poems to return them are also under Cao Dong. Generally speaking, Zen is only in the wonderful realization, and poetry is also in the wonderful realization. Long after Meng Xiangyang's academic ability, the person whose poetry is above seclusion is in wonderful enlightenment. Only realization is action, only truth. But there are shallow understanding, limited understanding, thorough understanding and half-baked understanding. Han, Yi, not false enlightenment. Xie Lingyun arrived in the prosperous Tang Dynasty, and he had a thorough understanding. Although he is conscious, he is not the first righteousness. My comments are neither arrogant nor impetuous, and my arguments are true. There are people who can be abolished, and there is nothing to be abolished. The same is true of poetry and Taoism. If you don't think so, you are not familiar with poetry. Try to learn from ten poems by Han Wei, Jin Song, Southern and Northern Dynasties, Shen, Song, Wang, Yang, Lu, Luo, Chen, Kaiyuan, Tianbao, Li, Du Ergong and Dali. If you are still here and don't see anything, it is the heresy of the wild fox. If it blinds its true knowledge, it will be hopeless and will never wake up.
There are different materials in husband's poems, which have nothing to do with books; Poetry has other interests and has nothing to do with reason. However, if you don't read more books and manage poorly, you can't go to extremes. The so-called people who don't care about the road and don't fall into words are also on it. Poets sing about love. In the heyday of Tang Dynasty, people were interested, and the antelope hung its horn without trace. Therefore, its beauty is thorough and exquisite, such as the sound in the air, the color in the phase, the moon in the water and the image in the mirror. Modern masters make wonders, solve problems with words as poems, learn with poems, and discuss with poems. Don't their husbands have jobs? This is not an ancient poem. Gaiyu is embarrassed to sing three sighs. Moreover, he does a lot of things without asking for benefits, and there must be a source for using words and rhymes. After reading the whole article over and over again, he didn't know what to do. What's more, this is noisy and extremely kind and honest. It is almost a cursing poem, which can be described as a pity. However, what about modern poetry? Yue: Yes. I just learned it from the ancients. The early poems of the country still followed the Tang Dynasty, including Wang Huangzhou, Li Shangyin, Gong Liuzhong Mountain, Sheng Wensu, Wei Suzhou, Ouyang Gong, Han Tui, and Mei Xue, all of which were regarded as poems from Dongpo Valley. The wind of the Tang Dynasty has changed. The employment in the valley was particularly deep, and then the French throne prevailed in the sea, which was called Jiangxi School. In modern times, Zhao Zizhi, Weng Lingshu, Ai Yao and Jia Dao's poems recovered a little, and they became victims. Jianghu poets are very influential. At one time, they called themselves Tang Zong. I don't know if they stopped to listen to the fruits of their success, so how can Tang Mahayana look straight at it? Ha ha! The right eye has been passed for a long time! The theory of Tang poetry is not sung, and the way of Tang poetry is sometimes clear. Today, since Tang poetry is sung in its own style, scholars say that Tang poetry is sincere only in the ear, and non-poetry is unfortunate and evil. So I don't measure myself. I need to define the purpose of poetry. I use Zen as a metaphor. From the beginning of the Han and Wei Dynasties, I completely said that the prosperous Tang Dynasty should be Dharma. A gentleman who is condemned by the world does not hesitate. one
Feng Ya died in Song Dynasty, changed Li Sao, changed Wuyan in the Western Han Dynasty, changed the style of songs and miscellaneous poems, and changed Shen Song's poems. Five words originated from Li Lingshu or Cheng Yunmei, seven words from Wu Bailiang in Han Dynasty, four words from Wang Chuan Wei Meng in Han Dynasty, six words from farmers in Han Dynasty, three words from Xiahou Zhan in Jin Dynasty and nine words from nobles.
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From the time point of view, there are Jian 'an style poems by Cao Zijian and his son Nakano and Qizi at the end of Han Dynasty. , Zhengshi, Taikangti, Yuanjiati, Yongming, Yuanjiati, Yuanjiati, Yongming, Yongming and Yongming are respectively Titi, Taikangti, Taijiangti, Yuanjiati, Zhengshi, Taijiangti, Taijiangti, Taijiangti, Taijiangti, Taijiangti, Taijiangti, Taijiangti, Yuanjiati. Dali style (ten gifted scholars' poems in Dali), Yuanhe style (Yuan and Bai Zhuzi), Late Tang style, Modern style (Style, Su, Huang and Chen Zhuzi) and Jiangxi style (Gu Weizong).
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As far as people are concerned, there are bodies (Li Ling, Su Wu), bodies (Zi Jian, business), pottery bodies (Tao Yuanming), bodies (Lingyun), bodies (Xu Ling, Yu Xin), Shen Songti (the question of changes and periods) and Chen Shiyiti (). Cenjiazhou style (also), Wang Youcheng style (king), Wei Suzhou style (Wei Ye), Han Changli style, Liu Zihou style, Wei Liuti (Suzhou combination), Li Changji style, Li Shangyin style (namely style), Lutong style, Bai Letian style, Bai Yuan style (Wei Zhi style, music celestial body) and Du Mu style. Their language is similar, but some of them are similar but incomplete, others are based on their own ears), Wang Ti style (the public quatrains are the highest, and their pride is higher than that of Su, Huang and Chen, but still separated from the Tang Dynasty), style, Chen Jianqi style (Chen Qufei, meaning is also slightly different from Jiangxi) and Yang Chengzhai style (he first learned in the mountains, behind the mountains and finally learned).
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There is also the so-called "style selection" (the poetry selection times are different and the system is different. For example, today's five-character ancient poetry is not a choice of style), Bailiang style (Emperor Wu of the Han Dynasty and his ministers gave seven words, each sentence rhymed, and later people called this style "Bailiang style"), Yutai style (Yutai collection was ordered by Xu Ling, and there were poems in the Han, Wei and Six Dynasties), or Yutai was the person who weaved colorful.
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There are ancient poems, modern poems (that is, regular poems), quatrains, miscellaneous words, and three or five words (from three words to seven words, Sui has this poem: "Autumn wind is clear, autumn moon is bright. When the fallen leaves are scattered, the habitat in western Western jackdaw is full of surprises. The leaves in the wind gather when they gather. Western jackdaw has settled and the moon rises. This day and night are very embarrassing. " ), there are half a dozen words (Fu Xuan Hongyan was born in Saibei), one word to seven words (heather, snow, flowers and plants, etc. are also true, and Sui people should have three crossings, where three words and seven words, one word and nine words, are not enough for the law, so they are not included here), and there are three songs (Gao-zu's Song of the Wind is also true, and 25 ancient Huashan Ji). There are also ancient poems, such as the drama music of the white horse in the Qing Dynasty, the daughter and the son, all in two packages), a song (Don't sing Dong Juvenile in the Han Dynasty), a China nursery rhyme "Riding on the North Mang for a Thousand Times" and a Liang nursery rhyme "White Horse with Green Hair and Shouyang Coming" are all in one sentence. Take the voices of Qi, Chu, Zhao and Wei into Yuefu, whose phonetic characters can be used to string songs, and Yuefu is also unified by the whole people), including Chuci (all imitators of Chuci below Qu Yuan are called "Chuci") and Cao Qin (Shuixiancao was written by Xin in ancient times; Farewell to Crane Fuck, written by Zimu Gaoling, has ballads (Shen Jiong has the Ballad of Loneliness, Wang Changling has the Ballad of Elegance, and Mu Legend has the Ballad of White Clouds), (the ancient word has the Ballad of Longtou, and Kong Ming has the Ballad of Fu Liang, which is similar to the Ballad of Bald Head). There are four styles: Yue Qu (ancient Dadi Qu, Liangwulou Qu), Yue Diao (selected tune, tune and white horse tune), Yue Sang (with breathing singing), Yue Nong (with Jiangnan farmers in ancient Yuefu), Yue Long tune and Yue Shorter tune. There are also those famous for sighing (Chu and Ming in the old saying), worrying (four sorrows in the anthology, and solitary sorrow in Yuefu), mourning (seven sorrows in the anthology, and eight sorrows in Shaoling), complaining (cold nights and jade ranks in the old saying), aliases (Zi Mei has no home to bid farewell to the old and welcome the new), and two-tone rhymes (Dongpo's poem "Amethyst Rhyme" is also true There are four lines of text, four lines of text, which have nothing to do with poetry. There are windmills (double out and double in), advances and retreats (one in and one out), and those who use rhymes in ancient poetry (There is a dilemma in Selected Works of Beautiful Women, Xie's poems describing Zude have two words, and there are many more later. Some people used 20 rhymes repeatedly in ancient poems (as did Mrs. Jiao Zhongqing's poems), and some took six or seven rhymes beside ancient poems (unfortunately, the day was full). Where Dong, Dong, Jiang, Yang, Geng and Qing have mixed rhymes, Ouyang Gong said that when he retired, he "entered Guang Yun next to his rhymes". No, this is an ancient rhyme ear, which is used to collect rhyme. However, Huangzhou, the king of this dynasty, has a five-character rhythm of 105 rhymes, while those who have three rhymes (there are six or five-character rhythms in the Tang Dynasty, such as Li's "Qin Sai Gu Great Wall, Han Yi County", "There are always clouds, no wind and no sand." Today is really sacred for the emperor, who does not fight for peace in all directions. Some poems are right from beginning to end (there are many Shaoling poems, which cannot be generalized), and some are wrong from beginning to end (there are such poems in the prosperous Tang Dynasty, such as Meng Haoran's poem: "Looking at the southeast, the mountains and rivers are far away." The axis strives for profit, and the trend comes and goes. Ask me what I'm doing today. Visit the stone bridge from the roof. Sitting and watching the sunset, I suspect it is a sign of the stone city. "There are two articles, namely" The Water Town is Vast "and" This Night to the West of the River ",which are all in good order, with sonorous phonology and eight sentences without duality. There are four meaningful sentences (for example, Shaoling's "goddess peak is beautiful, is Zhaojun House available?"). There are eight quatrains, archaize, conjunctions, sets of sentences, sub-topics (the ancients divided topics or gave each other, such as giving people a cloud, or "exploring the topic"), rhyme, rhyme and rhyme. There are ancient rhymes (such as "It's a pity that this day" poems also cover ancient rhymes, so), ancient methods (and many princes in the prosperous Tang Dynasty have this style), near methods, couplets, necklaces, beginnings, sentences (and sentences), crosses (Liu's "Cang Lang Qian Li, a boat alone day and night" has fourteen sentences (the "Yellow Crane does not return to the world and the white clouds are fluttering forever" and Today, I still wonder what happened in Chengdu, and what is "Xie Meng"? Cover with the first sentence to the third sentence, the second sentence to the fourth sentence), there are IOUs (Meng Haoran's "Kitchen people have chicken millet, young children pick bayberry", "Taibai water muddy mica, the wind sweeps heather. Bamboo leaves are not a part of people, so chrysanthemums don't have to bloom from now on. Some sentences are correct, such as Shaoling's "The cloister in the small courtyard is silent in spring, and the heron in the bath is leisurely in the evening", and Li's "Lonely clouds and lonely birds light up the Wan Li on the swing mountain in Muchuan" is also correct. There are many predecessors in this style, such as Wang Bo's "Dragon Lantern Shoots the Bullring, and Xu Ruyuan gets off the couch", which is right.
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On the miscellaneous body, a person with style. Such as the ancient "Midnight Song" and "Continuation", this style is often used. Qiu Zhen Gu Yuefu: "Where is Qiu Zhen now? Fuan Mountain on the mountain. Why be bold, second time around? Fly to the sky. "Eccentric words, argot also), five miscellaneous poems (see Yuefu), woven at both ends (also see Yuefu), in the board (Yutai collected this poem, written by Su's wife, written in the board), palindrome (starting with the wife's brocade to send her husband off), repetition (reciting a word into a sentence, all rhyming, the poem has this 2/kloc-0. Although poetry doesn't matter whether it is light or heavy, it is ancient), but it is construction and division (Bao Mingyuan has "Construction and Division Poetry", and there are four words "construction, division, equality and determination" before each sentence. Although his poems are good (Bao's poems are not good because of the style of architecture), five vulgarities must be eliminated in learning poems about crossword puzzles, names of people, hexagrams, medicines and states (such poems): first, vulgar style, second, vulgar meaning, third, vulgar sentences, fourth, vulgar characters and fifth, vulgar rhyme.
There are language taboos, language diseases, language diseases are easy to get rid of, language taboos are difficult to get rid of. The ancients also had language diseases, but language taboos could not exist. They must be true colors and must be consistent.
There are many good sentences, but few good sentences, especially few good sentences. Beginners should not show off, and there is no need to make a fuss when they come out. Rhyme doesn't have to have a source; There is no need to arrest the origin of things; The next word is expensive, and the language is expensive; You mean thoroughly, you can't scratch your boots; Words are too expensive, too sloppy, too skinny, too sticky, too straight, too shallow, too exposed, too short; Don't relax or force the rhyme.
The difficulty of poetry lies in the ending. For example, the sword must end with a northerner. If a southerner is not his true colors, he must take part in a living sentence, not a dead sentence. His words can be angry and not surly. It is difficult to rhyme ancient poems, eight quatrains, five rhymes and seven quatrains.
There are three parts in learning poetry: first, I don't know likes and dislikes at first, and I am full of articles. It is extremely difficult to feel ashamed and cringe at first; Very thorough, and then seven vertical and eight horizontal, handy, in good order. You must have a diamond eye when reading poetry, and don't be embarrassed by trivial methods (Zen Buddhists have diamond eyes). If you distinguish the number of scholars, you can say poetry (Gong Jing comments on the article first, and then the work is clumsy). There is no doubt about the right or wrong of poetry. If you try to distinguish it from people who know it, you are really ancient. It used to be a pair of characters in Dali, but in the late Tang Dynasty, it is now a pair of characters, and one eye is allowed. In the prosperous Tang dynasty, there were things that were rough but not rough, and things that were clumsy but not clumsy. Five-character quatrains are the same for all Tang people, like Shaoling, like Han Tui, like Wang, and like princes in this dynasty. There were also one or two poets who originated in the late Tang Dynasty in the prosperous Tang Dynasty, and there were also one or two poets who could enter the prosperous Tang Dynasty in the late Tang Dynasty, so I will talk about it. The poems of the Tang people and the people of this dynasty are not clumsy, but the weather is different. The propositional language of the Tang Dynasty is also different. You don't need to read poems, you can know that it is a modern Tang Dynasty by quoting the topic. Those who are high in Dali poems have not yet known the prosperous Tang Dynasty, while those who are low have gradually entered the late Tang Dynasty. Those people under the late Tang Dynasty were also lonely in the ghost cave. Or why is Tang poetry better than that of our dynasty? The Tang Dynasty learned from poetry, so there was a lot of specialized knowledge, so my poetry was not as good as mine.
Poetry has words, reason and interest. People in the southern dynasties emphasized words to manage illness; In today's dynasty, people attach importance to rationality and fall ill with interest; The Tang Dynasty attached importance to interest and reason, which was a boring and interesting trace in the poems of Han and Wei Dynasties. The ancient poems of Han and Wei dynasties are chaotic and difficult to extract. There is a good saying in Jin Dynasty, such as "Picking chrysanthemums under the hedge in Yuan and Ming Dynasties, and seeing Nanshan leisurely." Xie Lingyun's "Spring grass grows in the pond" and so on, Xie is not as good as Tao. Recreational poems are exquisite and profound, and natural. None of Xie Lingyun's poems are good. After Huang Chu, only Ruan Ji's poems are extremely old and have the character of Jian 'an. The Jin people gave up Tao Yuanming's ancestral home, left Taichong slightly higher, and Lu was alone under the princes. Yan is not as good as Bao, and Bao is not as good as Xie. In this paper, Yan Fei is the only one. Jian 'an's works are all in the weather, and you can't find branches and leaves; Smart poems have been paired from beginning to end, so Jian 'an is better. Xie Tiao's poems are almost the same as those of the Tang Dynasty, and we can only know them by observing their collections. Rong Hong was the lowest in the prosperous Tang Dynasty, and it had already begun in the late Tang Dynasty. Rong Hong's poems are absolutely similar to those of the late Tang Dynasty, but Quan Deyu's poems are absolutely similar to those of the prosperous Tang Dynasty, and Quan Deyu may be similar to Wei Suzhou and Liu Changqing. Leng Chaoyang is the lowest talented person in Dali. Ma Dai was above ten thousand people in the late Tang Dynasty, and so was Liu Cang and Lv Wen. Li Lin is not all from the late Tang Dynasty, but sometimes he is like Liu Suizhou. Chen Tao's poems are the least noticeable among the late Tang people, while Xueti is the most vulgar. Li Changji, Liu Zihou, Liu Yanshi, Quan Deyu, Li Lin and Li Yier are the people I studied deeply after Dali. I really appreciate Liu Mengde's quatrains after Dali and Yuefu in Wang Jianzhi, Zhang Jihe. Du Liyi is neither good nor bad. Taibai has one or two beauties. Zi Mei has one or two kinds of beauty: she is too white to do it; The beauty of children should not be too white and elegant; Taibai can't be depressed for the beauty of children; Taibai sings in the sky, far from the beauty of others. Zimei Northern Expedition, military vehicle dealership, dying in his later years; On taking Du Li as the poetic standard and the emperor as the minister. Shaoling's poems are like Sun Wu and Taibai's poems are like Li Guang. Shaoling is like a master of temperance. Shaoling's poems are based on the Han and Wei Dynasties. When he was complacent, his predecessors called him a master. A poet who views Taibai should know the truth, a genius who is too white and luxurious, and a scholar who talks a lot but is successful. In every article, he should know where he can settle down. Too white hair is called straight to the point. Du Li counted the golden pheasants crossing the river like elephants and looked down on the islanders in the suburbs. People say that Taibai is a fairy and longs for ghosts, otherwise Taibai is a fairy and longs for ghosts. The strange thing about Yuchuan is that it is long and mysterious, and heaven and earth owe it to themselves. Gao Cen's poems are tragic and touching to read. Meng Jiao's poems are hard-working and unpleasant to read. Chu Ci should be read only when Qu and Song were written, and it should be familiar to Jia, Changsha, Huainan Wang Zhao and Yan Fuzi when they mourned, so there is no need to read it. Nine chapters are not as good as nine songs, and nine songs are particularly wonderful. The predecessors said that big moves win the soul, otherwise. You can't know the true taste until you read SAO for a long time. You must sing with tears, and then leave SAO to knowledge. Otherwise it's like hitting an urn. Liu Zihou was the only one who won the Sao School in the Tang Dynasty, and Li Guan, who retired, was not as good as it. If Pi Rixiu's nine satires are not enough. Han tui's piano practice is extremely quaint, and it is the true color, which is beyond Tang Xian's reach. The interpretation of Jiao Ran's poems is better than that of the Tang monks. The eminent monks in the Tang Dynasty have the following skills: dharma truth, dharma Zhao, martial arts, protecting the soul of the country, having no foundation in Qingjiang River, and maintaining customs. Only Gong Jing has the longest sentence. Hu Jia's eighteen beats are natural, without any trace, such as the outflow between Cai Wenji's lungs and liver. Jiang's antique is the longest, and it is as profound as Yuan Ming, and its recreation is like recreation. Zuo Si is like Zuo Si, Shanhaijing summarized as Guo Pu, and Li Du is not like the Western Han Dynasty. Although Xie intends to write poems of various schools of thought, he is also quite different. As for Liu Xuanxiu's plan to go again, Bao Mingyuan's thoughtful work on behalf of a gentleman is still his own ear. Harmony and rhyme are the most harmful poems, and the ancients sang different rhymes. This wind began to prevail in Pilu, Bai Yuan, and the sages of this dynasty fought for it, so they went back and forth with this wind. Meng Jiao's poems are haggard and languid, and his spirit is cramped. Why should he retire? The original poem is acceptable, but Meng Jiao's own efforts are difficult. Meng Haoran's poems have been satirized for a long time, and there are businessmen in Jinshi Palace. In the Tang Dynasty, the Yellow Crane Tower in Cui Hao should be the first one. Good poems in the Tang Dynasty are mostly works of defense and emigration, which can often touch people's hearts and stimulate their feelings. Su Ziqing's poem "Fortunately, there are string songs, which can be used to describe the bosom. Please sing for the wanderer, how sad it is when it is cold! Silk and bamboo are voiceless, generous and sad. Long song is fierce, and the center is devastated. To perform the Qing Dynasty commercial songs, the lady can't go back. " After reading it, you will feel that an article is so repetitive, just like the language of the Orchid Orchid Orchid! It is also inappropriate to talk about the correctness of ancient poetry. Nineteen songs, "Grass on the green river bank, willow in the gloomy garden. Yingying is a woman upstairs with eyes as bright as windows. E-E red makeup, delicate hands. " The repetition of six sentences makes people feel that the syntax is very repetitive and is not suitable for ancient poetry. A poem by Ren Fang, a crying fan, rhymes in both Chinese and foreign languages, and three rhymes in love words. "The master deserves to be crazy, and he hates life for thousands of years." Jude has two meanings. "Jude is my old friend. Life and death are a friendship. I want to send my feelings away." All three love words have the same meaning. The prohibition of heavenly chefs means that rhyme can emphasize quality, while flatness is not, which is the ear of the Eight Immortals. What do you think evil is! Poetry talks about Dongpo's two rhymes with different meanings, so it can be important and unnecessary. Liu Gonggan presented the poem "I sailed from Yuan Dynasty to Nanxiang" to the corps commander with five senses. Over there, I will fly with you. "At the end of the Yuan Dynasty, the back cover refers to Cao Cao, when Nanxiang refers to cutting Liu Biao, Feng refers to Cao Caoqiao County. Wang's "Poetry of Joining the Army" said: "I want to plan for the future, and I want to be a saint. "Saint also refers to cao cao. He also said: "I secretly admire the negative Ding Weng and am willing to be stupid. "Is easy to Yin negative tripod in soup to cut valerian also. At that time, Emperor Xian of the Han Dynasty was still alive, and the words of his second son were as follows: First, the Yuan Dynasty, and second, the holy king, and Yu Xun compared Cao Cao with the same theme. Or watching a beautiful woman on a business trip, which is the way to punish people in the Spring and Autumn Period. How does the second son escape? The ancients gave me many words of encouragement. To Tu Thanh said, "May you worship Lingde and love Jingguang at any time." Li said, "Strive for the virtue of Chongming and hold your head high for a period of time. "Liu Gonggan said," I want to cultivate your virtue, and I like simplicity in the north. " Du Zimei said, "If you are on the stage, don't love yourself in a crisis. ".This is often intentional, just like Gundam's gift to Wang." I know that there will be more golden seasons in ten years. There is another celebrity in "Jinduo Foot Massage". This Duff accidentally missed the funny part. Reply to my stepuncle Wu Jingxian's letter from Lin 'an.
The appraisal of servant poems is a thousand-year-old case, which is really shocking and unique to the theory of Angelica sinensis. In the meantime, it is said that Jiangxi poetry is sick, and it really takes the heart of the executioner and uses Zen as a metaphor for poetry. That's not good. Confirmed by his own reality, the enlightened man broke this field behind closed doors, that is to say, Du Li's resurrection is not easy. And my uncle Jin Jin is suspicious. What about the others? It's a pity that what you see is too difficult to combine! My uncle said that Zen was not the original intention of literati and Confucian scholars, but he wanted to say it thoroughly. At first, he didn't want to write for the sake of literature, and he didn't ask whether it was in line with the words of literati and Confucian scholars. Nobleness also makes the defense not directly lead to praise or blame, and servant means distinguishing right from wrong and setting its purpose. Although blatant, it makes its words sink happily, deeply understood and clearly seen. As the saying goes, if you are not straight, you will not see the Tao. Although I have offended the gentleman in the world, I don't hesitate. Although my uncle's poems say that his prose is superior, they only say that the origin of poetry and the changes of the world are high and low. Although he took something that was absent from the prosperous Tang Dynasty, he made people know the trend in the meantime. The theory of different families is the main point of an article. But in the late Tang dynasty, it was said that it was so possible, saying that from the early Tang dynasty, different families could not be in the same door. As for the poems of Han, Wei, Jin, Song and Qi Liang, the quality is quite different, but they are called miscellaneous schools, which means that there are differences between them and the ratio of different households is the same. Is it true?/You don't say. Some people also said that Liu Han should not be in the prosperous Tang Dynasty, but he was not in the late Tang Dynasty, so he could have done it at that time. The withdrawal of South Korea is another matter. If Liu Zihou's five-character poems are still above Wei Suzhou, can Bai Yuan be expected by the public at the same time? If you think so, it is no wonder that I don't like to divide the various systems in the book, but my uncle is sincere about it. When writing poetry, you should distinguish between various systems, and then don't be confused by the heresy. Nowadays, people who write poorly in poetry are distinguished by the system. If there are different skills in the world, they will go their separate ways and then know the advantages and disadvantages. What about the article? You can't be conceited when you write poetry, but you will know it for a long time. If I distinguish between ancient and modern systems, I can even know it. When I came to the book, I said that I was suddenly arrested for questioning. Why should I answer them? Don't servants who want people to ask questions but can't get them encounter sharp tools? My uncle tried to give it a try by using dozens of poems to remain anonymous. Can he get a different system? It's just that the discrimination is not fine, so the things made are chaotic and impure. At present, there are still one or two dynasties in the prosperous Tang Dynasty, so why not just sit down? Some people say that the poems in the prosperous Tang Dynasty are magnificent and elegant, but the word servant refers to the text. The word "sword" is not allowed in poetry. If a poem distinguishes between majestic and tragic words, it is the body of poetry. The difference is inseparable, the poems of Pogu kings, such as Mi Yuanzhang's words. Although the pen is strong, there is always a way to serve the master. Poems written by public officials in the prosperous Tang Dynasty, such as Yan's Book, are bold in brushwork and unique in weather. This sentence can explain that my uncle's feet are not in place. Qu Yuan's theory of "Li Sao" was not made by predecessors. This passage is also very good. Before that, the introduction to Emperor Wu was generally good and should not be discussed. However, Li Ling's poems were not written because he felt that his old friend was still in the Han Dynasty, and he was afraid of not probing deeply. So Dongpo also confused Jianghan's words, suspecting that they were not Shao Qing's poems, but did not test his Hu Zhong. Miao (a famous monk in Jingshan) claims to be the essence of meditation, and the servant also claims to be the essence of poetry. After reading Li Youshan's poems on ancient and modern people, I saw the servants analyze them and admire each other, because he said, "If I talk about poetry, I will give the prince's bones back to his father and the meat back to his mother." Toyama is deeply impressed. At that time, Linchuan met each other in a hurry, and he put down his feelings and was busy provoking, fearing that he could not tell the difference. If I despise this, if I don't think so, I am willing to get back together. Not bad!
(According to his book "Canglang", Wu wrote in calligraphy, while Wu Ling's word respected the virtuous, uncle, and had a poem name. )