In Jin Yong's early works, Pei Hu and Guo Jing are more Confucian spirits. After entering the 1960s, Jin Yong, who gradually entered middle age, became more mature and his characters became more complicated. During this period, Jin Yong completed such works as The Condor Heroes and The Dragon Slayer. In these works, Yang Guo and Zhang Wuji are no longer the chivalrous men who sacrificed their lives for righteousness like Guo Jing, but more the characteristics of ordinary people. They pursue independence of personality and freedom of life. Although he finally lived in seclusion in the mountains, his chivalrous spirit can touch future generations and make people admire him.
Tian Ba Long Bu is praised by many as the masterpiece of Jin Yong's novels. The name "Tian Ba Long Department" is taken from Buddhist scriptures. The three active protagonists in the novel, Xiao Feng, Duan Yu and Xu Zhu, all have their own complicated life experiences. Xiao Feng, the leader of the Beggars' Sect in the Central Plains, was guilty because of his mysterious life experience. Finally, when he saw his father becoming a monk, he realized the truth of his life in the Jianghu and was unwilling to kill anyone again, in order to stop Dasong. Duan Yu, Prince of Dali, is familiar with Buddhist scriptures and unwilling to learn martial arts to hurt people. This is the spirit of Buddhism. Although Xu Zhu, a Shaolin monk, violated Buddhist precepts and was expelled from Shaolin, he devoted himself to Buddhism. The glory of the Buddha shines everywhere in Eight Dragons, and the Buddha told them to put down their butcher knives and become Buddhas. Although some people have killed countless people, their chivalrous spirit has covered the sky.
Confucianism, Buddhism and Taoism, Jin Yong wrote all kinds of faces and possibilities of chivalry. In addition, he also wrote about the dialectical existence of chivalry and the transformation of good and evil. Liancheng is a novel that explores the good and evil of human nature. Although Di Yun is the hero of the novel, his image is far less profound than those who distinguish between good and evil. This is also why Jin Yong deliberately bid farewell to chivalrous people after shaping many chivalrous people, and developed from a real chivalrous person to no chivalrous person to explore the true nature of human nature.
The Duke of Lushan is undoubtedly the most brilliant movement in Jin Yong's novels. In this novel, Jin Yong uncharacteristically created a villain image that is neither chivalrous nor heroic. Different from other novels, Wei Xiaobao, the hero of Duke Lushan, did not grow up in a romantic and legendary environment, but lived in a dirty and humble brothel. In order to survive here, he must learn to flatter his customers and kiss their ass. And he lived happily in this world with these skills until he embarked on his official career. The appearance of this image has completely subverted the image of many chivalrous men in Jin Yong's past, and he left a deep impression on readers in another form. Why did Jin Yong create such a rogue image in the world of chivalrous heroes?
We talked about the chivalrous spirit in martial arts novels, so why are martial arts novels so popular? Why are novels including Jin Yong so popular? Speaking of the root cause, it is not a word "martial arts". The more important factor in martial arts novels is chivalry. We know that many readers of martial arts novels are highly educated people. There are many important scientists, professors and scholars in our country, all of whom are fans of martial arts novels, including academicians from many countries in Peking University and famous scientists at home and abroad. It's all a mystery They are not necessarily interested in martial arts when they read Jin Yong's martial arts novels. They mainly pay attention to the chivalrous part, and Jin Yong's novels are about the evolution of chivalry in various situations. Let's analyze the chivalrous spirit in Jin Yong's novels in stages.
In Jin Yong's early works, we can see that his characters are more of the spirit of Confucianism and Mohism. In fact, Jin Yong himself was a young man at this time, just like Jin Yong's ambition when he was young, and also like the first state of seeking defeat in his works. He is young and has the pursuit of career and love, so he respects a realm of making contributions, a hero who makes contributions. Like Chen Jialuo, Yuan Chengzhi and Guo Jing in his early works, they are all heroes with strong enterprising spirit. So the atmosphere of the whole novel is high-spirited, so we look at Jin Yong's early novels, although they are martial arts novels, but they have a revolutionary spirit. Look at Chen Jialuo, Yuan Chengzhi, Guo Jing and others. Their qualities are very similar to those of revolutionary cadres of the * * * production party. They have a good personal accomplishment and are both civil and military. Let's look at the revolutionary literature works of the fifties and sixties. There is a young man in his thirties and forties who is a commander of our party. More than one girl likes him. This is also the work of revolutionary literature at that time, which is the same, so all literary works have their own laws.
Therefore, in the martial arts novels, there are not many people who can really write chivalrous spirit, and most of the protagonists are mainly martial rather than chivalrous. When I was in college in the 1980s, I read hundreds of martial arts novels. Because they were all pirated at that time, I didn't know which novel was good, so I went to Haidian Book Rental Department to rent books for twenty cents a day and one night. After renting it, everyone takes turns watching it. If people don't sleep, they take turns reading this book. When they looked at it in the fog, most people forgot it. So in the end, they are all left by their own memories and the charm of the works themselves, that is, the works of Jin Yong, Gu Long and Liang Yusheng. Because most novels are about martial arts, not chivalry, to put it mildly, they become violent exhibitions. To exaggerate, you don't remember the final violence. A few years ago, there was an incident in which Wang Shuo criticized Jin Yong. I think Mr. Wang Shuo's criticism is reasonable. However, his criticism is not suitable for Jin Yong's novels. We know that Wang Shuo is also a famous writer and has many fans. But when Wang Shuo and Jin Yong had such an argument, it was obvious that Wang Shuo had miscalculated. Because Wang Shuo's readers are calculated in tens of thousands, while Jin Yong's readers are calculated in hundreds of millions, so the two sides are equal. As a result of the debate, many fans of Wang Shuo became fans of Jin Yong. However, a phenomenon criticized by Wang Shuo does exist in many martial arts works. He said that as soon as the novel was opened, I don't know why these characters started fighting as soon as they met. Do you have to shoot? We know that this situation does not exist in Jin Yong's novels, but it does exist in other martial arts novels. So I think Wang Shuo probably read a lot of novels with no chivalry but martial arts. Wang Shuo certainly didn't read Jin Yong's novels well. Because he cited an example, saying that he had read a set of seven books, Tian Ba Long Supplement. We know that there are no seven copies of Dragon Eight Branches. I don't know which book he is reading, but he may remember it wrong. Therefore, from his criticism, we can see that even the writer Rainbow Shuo actually thinks that martial arts novels should focus on chivalry instead of fighting. Then, Jin Yong quoted Mencius as saying that the chivalrous man he created should be a gentleman who "can't be lewd with wealth, can't be moved with poverty, and can't be bent with power." Shaping such a person is a martial arts figure. We should not care about wealth and poverty, nor should we succumb to power, let alone power. In fact, these three standards of a gentleman are not particularly difficult to achieve, and people who are interested in becoming heroes can still do it. Then we often say that heroes are sad about beauty, which may be even harder to do. So Jin Yong sometimes sets this level for characters. For example, in The Legend of Flying Fox by Flying Fox in Snow Mountain, he wants to add some requirements to the protagonist Hu Fei, asking him not to be moved by beauty, sadness and face. Pei Hu: He is in love with a girl named Yuan Ziyi. He said they were in love. Soft language begged, it is difficult not to promise her. As we know, in the novel, Pei Hu always wanted to find a man named Feng Tiannan for revenge, but his sweetheart Yuan Ziyi is Feng Tiannan's own daughter, and she came to beg Pei Hu to spare her father. Then such a request is hard to refuse, but Pei Hu refused. And he and Feng Tiannan actually have no hatred or resentment. He is just fighting for the ordinary poor. Poor Zhong Asi's family was killed by the bully Feng Tiannan. Pei Hu learned about it by accident. He is a complete outsider. He is a bystander, but he will fight for an injustice. He will avenge the poor. So many heroes in the Jianghu came to Pei Hu and humbly asked him to uncover the truth and give him enough face. So this is the hardest thing for a hero to refuse. In fact, the most difficult thing for a hero to refuse is face. Everyone agrees with you and thinks you are a hero, so please give me a break. This can't be done. Therefore, if Jin Yong wants to mold such a gentleman, neither money nor beauty can impress him, so that's why Pei Hu is so touching. Of course, Jin Yong said that the characters created in the actual novels were not as successful as I thought.
Maybe there are too few such people in real life, especially as a man who struggles for himself. We know that many heroes of the * * * Party can do this, because the * * * Party has strict discipline, and the * * Party has ideals, beliefs and discipline, but like a pure Jianghu figure, it is really difficult for you to make him do this.
Therefore, Jin Yong's mid-term works have been since the 1960s, and many great events have taken place in China. At this time, Jin Yong also spent his youth and entered middle age. At this time, we look at the chivalrous spirit written by Jin Yong, which has the spirit of Taoism and Buddhism and has this color. Let's look at Yang Guo, Ling Huchong and Zhang Wuji. Compared with the previous group, these figures have changed. These people are not without a sense of social responsibility, but also have a sense of social responsibility, serving the people and the society. But at the same time, they clearly consider their own personal freedom, on the one hand, to serve the society, on the other hand, they also consider themselves, that is, to combine individuals with the country and society. However, after Jin Yong reached middle age, he considered these issues more maturely. So we can see that his works written in middle age are more powerful, not as simple as his early works. For example, Yang Guo, on the one hand, helped Guo Jing defend Xiangyang and helped Dasong resist aggression, but in the end he didn't die there, because the city was broken and he died there with Guo Jing. No, Guo Jing died there with Huang Rong, and Yang Guo left. After he made some contributions to the country and people, he left, and so did Zhang Wuji. Zhang Wuji had the conditions to become the founding monarch of the Ming Dynasty. According to the original logical development of the novel, he is the leader of Zoroastrianism, Zoroastrianism wants to win, and finally he is the founding monarch. But he has no ambition, no political desire and no great sense of responsibility for the world. He is pushed by the tide and goes wherever he is pushed. He is a man who has no opinion about his career or love. He can be the leader you want him to be, and any stronger girl will take him away. He has no initiative. So Zhu Yuanzhang saw through him and pushed him out with a little trick, so Zhu Yuanzhang became the founding monarch of the Ming Dynasty, and finally Zhang Wuji returned to the room to thrush. The story seems to be over, but when thrush thrusts, Zhou Zhiruo sneers outside the window, and the story has a new development. So we can't imagine that people like Zhang Wuji will be happier when they become leaders. People like this think I might as well live my own private life. So we look at people like Guo Jing, we can't do it, and most people can't do it. They are heroes. But it seems that I can be someone like Zhang Wuji. He is better than us because he knows martial arts. His so-called martial arts skills are equivalent to our own good professional skills. I can give 586, Ben 2, Ben 3 and Ben 4, which is equivalent to high martial arts and our professional skills, so he is the same as us in this respect. In other respects, he is an ordinary person. If we were Zhang Wuji, we wouldn't engage in politics or do great things. We are indecisive and often cheated by girls. It doesn't matter. So Zhang Wuji is more like an ordinary person. Ordinary people should consider their own lives while making contributions to society. +~ rvu'o4
However, the later Jin Yong's works, the more serious his Buddhist thought became. We can take "Tian Long Ba Bu" as an example. The name "Tianlong Babu" comes from Buddhism and is full of Buddhist truth. Mr. Chen summed it up well. He said that "Eight Dragons" is called "No one is unjust, and all beings are evil". All men are unjust and all feelings are evil. Because every character in the book has unusual setbacks, and everyone can't achieve their goals, we see that Xiao Feng once swore that he would never kill a Han Chinese in his life. But as a result, he wanted to kill many Han Chinese, and Juxianzhuang fought a fierce battle. How many did he kill? How many former brothers did he kill? This is the first hero of Dragon Eight. The second hero, Duan Yu, is also a very unlucky person. He finally fell in love with a girl and found that it was his sister. He finally fell in love with another girl and found that it was his sister. You say how miserable this life is, and you want to die. It is painful to fall in love with all the girls who are their sisters. The bread here actually contains the unjust thoughts of Buddhism, which is an injustice. Fortunately, Jin Yong has a bodhisattva heart and finally solved it together. Finally, I suddenly found out that none of these people were his sisters, so I helped him solve it. In Xu Zhu, the third hero of the novel, Buddhist thought is even more embodied. We see that Xu Zhu is an ordinary monk. When he was a child, he didn't know who his parents were and was raised by Shaolin Temple. The little monk grew up. He studied well since childhood, so his ideal in life is to be a good monk. Because he has not been exposed to other moral standards, his standard is to be a standard and dedicated monk, and the requirement of being a good monk is not to break any precepts, to abide by party discipline and state laws, school rules and middle school students' codes, and to be a good monk. However, life is ruthless. In the case of necessity and no freedom, the virtual bamboo is completely broken, meat is eaten, wine is drunk, and the femininity is getting stronger. It almost collapsed. A good monk has no conditions and his heart is dying. He just wants to be a good monk. Such humble wishes are not allowed by God, but allowed to be realized one by one. However, after all the commandments were broken, I suddenly found that he was still a good monk. At this time, we found that Xu Zhu was the best monk, and the brilliance of Buddhism came out at this time. Finally, he proved to be a first-class good man and one of the most compassionate characters in this novel. Therefore, we can see that several protagonists in Eight Dragons all embody profound Buddhist principles, including Buddhist principles, Taoist principles and Confucian principles, all of which are closely related to the chivalrous spirit and related to the concepts of chivalry, courage, benevolence and sacrifice. As martial arts figures, these heroes in Eight Dragons have high martial arts, but their martial arts are not the highest. The highest martial arts in the novel is not these heroes, but an unknown old monk sweeping the floor in Shaolin Temple. Health administrators sweep the floor there every day. No one expected that his martial arts was the highest. These men played a lively game, but I didn't expect the old monk to beat them all lightly as soon as he appeared. This contains the nameless thoughts of Buddhists. Finally, the old monk told them about Buddhism and why they should practice martial arts. Practicing martial arts was originally used to understand Buddhism, and it is an auxiliary means to understand Buddhism. But when you have reached a high level of Buddhism, you don't need this kind of martial arts. This truth is very profound.
Therefore, it can be said that the chivalrous spirit discussed in Tian Ba Long Bu is unfathomable and even great. Let me quote Mr Chen Pingyuan again. Mr. Chen Pingyuan once said that if anyone wants to have a preliminary understanding of Buddhism and Taoism with the help of literary works, he might as well start with Jin Yong's martial arts novels. Is it necessary to learn Buddhist scriptures? Do you want to know the truth about religion? You will find reading Buddhist scriptures too abstruse. Then you might as well start with Jin Yong's martial arts novels, which can be used as an introductory book to learn religious knowledge. I think what Mr. Chen said is very reasonable, especially for such a character.
Then Mr. Lu Xun once criticized that there was a problem in the novels before A Dream of Red Mansions, that is, good people were good people and bad people were bad people, and the distinction between good people and bad people was too clear. Only in A Dream of Red Mansions did the boundary between good and evil be broken. We see that Jin Yong's novels are actually like this. Some people criticize Jin Yong's novels, saying that he has no distinction between good and evil. Some people say that I like reading Liang Yusheng's novels, and good and evil are clear. Jin Yong's novels are unclear, which shows that this person is very confused. Then Jin Yong said that people are like this. There are no good people and no bad people in the world. Think about yourself first, and then think about acquaintances, friends and family around you. Who is 100% good? Who is 100% bad? The wicked have their merits, and so do the good. But you can't divide a percentage, saying that this person is 72.6% good. This is difficult to divide, because people are alive and changing. Therefore, through the discussion of his characters, Jin Yong wrote the dialectics of human nature in which good and evil coexist and transform each other. Good and evil overcome each other and transform each other.
For example, the novel "Liancheng Tactic" and "Liancheng Tactic" use great power to discuss the evil of human nature, but the hero of the novel is a simple good man, a simple country boy named Di Yun. Therefore, the author sees the world through this kind child, just like Kong Yiji by Mr. Xun, seeing the world through the eyes of a simple boy is clearer and more thrilling. In Di Yun's eyes, most people are bad people. He is just the promoter of the plot of the novel and seems to be the protagonist. In fact, the hero is not the most successful in shaping this novel, but the bad people are the most successful. The best characters in this novel are villains. For example, the novel wrote a villain named blood knife bodhi old zu. Bodhisattva blood knife, I think people who have read Liancheng will never forget that this old man is bad, bad, bad, but he is naked and bad. I have a comment that he is extremely bad, that is, it is not easy to be so bad. Chairman Mao said that it is not difficult for people to do a good thing, but it is difficult to do good things all their lives without doing bad things. I borrow Chairman Mao's words, it is not difficult for people to do a bad thing, but it is difficult to do bad things all their lives without doing good things. That's true. If you don't believe me, try. You do bad things every day, and you will be caught in three days. If you don't catch yourself doing bad things, you can't persist. People can insist on doing good things, but you can't insist on doing bad things. However, there is such a big villain, called blood knife bodhi old zu. He does bad things every day, and he is confident and doesn't hide himself. Many people can persist in doing bad things, he wants to deceive himself, he wants to turn bad things into good things, or actually thinks he is doing good things, but what about the blood knife bodhi old zu? Why do you say he is indomitable? He thinks that he is doing bad things, that he should do bad things and spare no effort to do bad things, so this bad guy is radiant and aboveboard. Therefore, when you read Liancheng, this character is lifelike, and you will be moved by this character, even more than those good people, and he is a so-called decent hero who compares with the blood knife bodhi old zu. Because of the blood knife bodhi old zu, he robbed the daughter of a decent hero, rode on a horse and took her captive and ran away. So many decent heroes gathered to kill him, and the four leading men connected the four words in the nickname, called "Out of the Water", and took one of them as a homonym. Leading a group of positive figures, the four heroes went out to pursue the opposition and the bodhi old zu, but in the process of pursuit, the image of the opposition became higher and higher, and the pursuit became higher and higher. On the contrary, these heroes are not only beaten out of the water by their opponents, but also out of the water in personality. Martial arts and character are compared, and finally readers will find that these decent heroes are suspicious knights, and they have no chivalry. The most typical person is Hua Tiegan. I once evaluated Liancheng. When commenting, I said Hua Tiegan was a good name and he was a hero. Unfortunately, he was named Hua and Hua, but he is gone. He was the second person out of the water, and there was a flower in it. He is a decent hero. As a result, under certain circumstances, he suddenly became a shameless villain. Because all his companions were defeated by the blood knife bodhi old zu, defeated by the bad old man with both wisdom and courage, and finally he was left alone. At this time, in fact, the blood knife bodhi old zu has no strength and is very weak. But if you cheat him with an empty plan, you can kill him even if he still pretends to have strength. In this fight to the death, Hua Tiegan suddenly gave in and surrendered. After giving in, his personality immediately went to the other extreme and he could do many immoral things. They were trapped in a snowy valley, and all his companions died. At this time, in order to survive, he can eat the body of his sworn brother and hurt his daughter. So Jin Yong made a serious discussion on human nature here. Can a person and a good person become such bad people? Why? What is the psychological basis?
Sometimes we wonder if it will get worse if we fall into special circumstances. I remember when I was in college, I discussed similar problems with my classmates. I said, what if we are trapped in a valley, such as a train overturned, and we are trapped in a valley and can't get out for a month, even the PLA police can't get in? Will we end up eating people? Some people will starve to death. Will we eat their meat? This is a serious question, so the students have different answers. Some people can't help eating. There is really nothing they can do. Some people say that I would rather die than eat, and I would rather starve than eat. In other words, in an emergency, everyone's choice is different, and everyone's choice is different. At ordinary times, we seem to have the same education level and are all good people, but at the critical moment, various changes will take place. When I was young, I received revolutionary education and often read revolutionary literature. Sometimes I think to myself, if I am caught and tortured by the enemy, should I confess? I'm thinking, sometimes I just experiment and beat myself with a stick to see how much pain I can bear. Sometimes I want to sit on a tiger stool and give me pepper water, but I insist not to ask. What if the enemy tries to cheat me? Sometimes you have to think about these things in your mind. I think a person may change in reality, but you may think ahead and not think ahead. Sometimes I think of those revolutionary martyrs. I don't think they want to die for the revolution on a whim. He must have been psychologically prepared in one way or another at ordinary times, which is good for his cultivation.
I think many revolutionary martyrs may not have a high level of education and may not have received much Marxism-Leninism education, but they have a simple chivalrous feeling and are nourished by simple traditional culture. So it can die then, so when we see some plots like Liancheng, we know it has psychological basis. Good people may become bad people, and bad people may become good people. So at this time, we will think, has human nature changed? Or are these things hidden in our hearts, and they will erupt when they meet the right situation? In other words, Hua Tiegan turned out to be a good man. Did he become a bad person at this time, or did he have something bad in his heart, but he just didn't have a chance to release it. At this time, he was suddenly given a freedom, and the bad things were released? Then this is a problem worth studying.
The good thing about Jin Yong's novels is that he not only created these detached chivalrous men, but also realized their own limitations. Therefore, there are a lot of anti-chivalrous spirits in Jin Yong's novels, and the chivalrous characters in his novels are often flawed. He is quite critical of these chivalrous men. Let's take a look at Jin Yong's novels. Even heroes often have shortcomings. For example, the images of Chen Jialuo and Chen Jialuo are of course positive figures. He is all-rounder, but Chen Jialuo finally achieved nothing. What happened to Chen Jialuo? In fact, we jump out of the framework of martial arts novels. We can see that Chen Jialuo is actually described as an intellectual in China. He is actually a representative of an intellectual. In traditional words, Chen Jialuo did not observe the contradictions in this society well, but he fantasized about solving the problems by changing such a leadership in the rulers' group. He fantasized that Emperor Qianlong and himself were brothers, and that they were brothers and sisters, to turn against him and solve the problem. Finally, he was used by the other party, and he didn't know who to love in love. He first fell in love with Huo Qingtong, and then he fell in love with her sister Princess Xiangxiang. He once asked himself, why do I love Princess Xiangxiang? I don't love Huo Qingtong, he thought. Am I worried that she is too capable? Therefore, the character Chen Jialuo reflects Mr. Jin Yong's criticism of China intellectuals' indecision and fantasy. Then, after Jin Yong created a series of heroes from Guo Jing, Yang Guo, Ling Huchong to Xiao Feng, can he create a greater hero? This is difficult, especially when Xiao Feng finally played the strongest voice of national peace with his heroic sacrifice. Write such a great knight, can you write a better knight? It can be said that there is no more glorious image at all times and in all countries. So this time, the extremes meet, and he introduced the image of Wei Xiaobao. We can see that in Duke Lushan's works, from the positive figures, the biggest knight-errant is Chen Jinnan, the founder of Heaven and Earth Society, and all the people in the Jianghu want to know Chen Jinnan. But what about this Chen Jinnan? He is inferior to Chen Jialuo and Yuan Chengzhi. Not only did he accomplish nothing, but he was killed by gangsters in a daze. In real life, it doesn't mean that anyone with strong martial arts will win everywhere. He will always win and often kill people with weak martial arts. This is what happened to Chen Jinnan, who died in a fog. What will happen to the heaven and earth he leads? Nothing will happen. On the contrary, he opposed the Qing dynasty, and the Kangxi career he opposed was thriving. So Wei Xiaobao, a decent soldier, did nothing. What did those people make with martial arts? This is not comparable to the despicable means of Wei Xiaobao and Wei Xiaobao. It is practical to throw lime bags under the table to chop people's feet. Jin Yong's writing was incomprehensible at first. Have you given up chivalry? Do you want to write Wei Xiaobao as a hero? No, there is a bitter criticism here. Not all heroes can make progress, be reused and be promoted by aboveboard means, but people like Wei Xiaobao can achieve something without learning or skills. Why?
Don't forget that this time is still the prosperous time of Kangxi, and it is the stage when the Qing Dynasty embarked on the uphill road. This reminds us of A Dream of Red Mansions, which is also the last glorious period of writing feudal society, the so-called prosperity. But this family is glamorous on the outside, but decadent on the inside. Therefore, A Dream of Red Mansions indicates the decline of feudalism in China. In fact, when we look at the Duke of Lushan, you will come to the same conclusion. It is also an elegy of China feudal society. Speaking of Duke Lushan, chivalrous spirit is not strong, and people like Wei Xiaobao are thriving in society, which indicates that this society will not develop well. Therefore, I say that the image of Wei Xiaobao is another great image of China literature in the 20th century after Ah Q. From the perspective of excavating the national character of China people, I deeply excavate the image of Ah Q, and deeply criticize all kinds of spiritual victory laws and spiritual defects existing in our people. But because the novel The True Story of Ah Q is not a novel, The Duke of Lushan is a novel with1600,000 words. Therefore, wherever Wei Xiaobao goes, he can show his personality incisively and vividly, which is very rich. Therefore, from Wei Xiaobao, we can reflect on our national character more carefully and comprehensively. Wei Xiaobao, you don't want to see him without culture. In fact, he has been told stories since he was a child. Through this kind of education, he got a more comprehensive understanding of all aspects of China society. Then the appearance of Wei Xiaobao also shows that Wushu has no practical function in modern society. It has become a spiritual existence, a symbolic existence on paper. So in today's society, although there are fewer and fewer chivalrous men in real life, there are basically no chivalrous men, and there are fewer and fewer chivalrous men and chivalrous men without chivalry, but this chivalrous spirit is always needed. If the law can solve any problem, why should we learn from Lei Feng? It is precisely because in modern society, justice always exists in people's hearts, so the chivalrous man described by Jin Yong is the same as the love we discussed before. He wrote the realm of chivalry and finally pursued the essence of chivalry. From Jin Yong, we can think about what a real knight is.
Tisch
1, many hands make light work, and we are determined by one heart and one mind.
2. Timely delivery, increasing the number of employees, "xxxx" is a hero.