20 10 in may, 74-year-old Bai formally became a teacher at the 90th birthday party of the famous composer Bai. Ma Zenghui said that although she had studied under Mr. Bai, she had never formally worshipped the teacher, but this time she finally realized her long-cherished wish.
Ma Zenghui has been performing in Quyi for several decades. At that time, it was 10 for more than 60 years. She has received more than a dozen apprentices, which is rare in the field of Quyi. Her masters include famous Quyi artists Hu Baojun, Shi Huiru and Bai, as well as vocal music teachers, famous fans and famous directors. In her words, she wants to learn from others to enrich herself. When she was a child, she often stood on the podium and watched Dan Xian sing. She learns from the heart, loves, loves and feels this way about it. Dan Xian's play "One Pot of Rice" was written in 1976 shortly after the end of the Cultural Revolution. Lyrics are written by drama director Du Peng and sung by Ma Zenghui, which is one of the masterpieces of modern plays. This "one pot of rice" reflects the love between the army and the people. There is no slogan at all, but it is called depth and rich life. That word is really charming and well written. The next mountain village in Badaling is called Xiangyangtun, which has hundreds of families and is very close to the mountain village. Ma Zenghui said that One Pot of Rice not only has good lyrics, but also has its own characteristics. This aria was designed for her in vain, and she was deeply attracted the first time she heard it. Just drink sweet water at the end, just these three words, don't forget the person who washes (digs) the well, just this sentence should be sung as usual, "Don't forget the person who digs the well when drinking sweet water", but it is not. When they arrived here, "drinking sweet water will never forget the digger". With this sweet water, he became dumb. Drinking sweet water, especially Chairman Mao, "Chairman Mao led the people to make revolution. Once "One Pot of Rice" was performed, it was deeply loved by the masses. At that time, people had not heard of such a lively Dan Song Xian for nearly ten years. Ma Zenghui sang until the early 1980s, and even she couldn't remember how many times she had performed. Playing the strings, also known as playing the strings, and playing the octagonal drum, as the name implies, actors should use the sanxian and octagonal drum as accompaniment when singing. This form of Quyi originated from the court of the Qing Dynasty and was first popular among the children of the Eight Banners in Beijing. This immortal creation comes from the children of the Eight Banners. This content he created is full of love affairs, talented people and beautiful women, often poems and songs, full of great literariness. In the 1920s and 1930s, Danxian was once very popular. In 1950s and 1960s, famous artists such as Shi Huiru and Kan Zeliang developed Danxian to a new height. Since the late 1970s, Danxian has made more innovations in content and form. In the traditional singing method of playing strings, stringed instruments playing three strings generally do not participate in singing, but Ma Zenghui's "Playing a Laundry Basket" broke this stereotype. This is actually the idea of Xie Tian, another teacher and famous director in Ma Zenghui. On 1979, director Xie Tian directed the drama comedy film Seven Sesame Officials, starring the famous clown Niu of Henan Opera. This film is light and humorous, and its classic line "It is better to go home and sell sweet potatoes than to be an official for the people" is all the rage. Inspired by the comedy elements of this film, Ma Zenghui found the director Xie Tian. At first, he thought he was sitting listening to this song, and then he moved his chair forward. Later, I could see that her eyes were serious. After singing, he applauded, and he began to tell her that at first, he went to the county magistrate to deal with the chief executive. This is his creation. He asked the accompaniment to stand up and play the lead. At this time, she is not the director.
The string master and Ma Zenghui echoed each other, and like cross talk, they were deeply loved by the audience. 198 1 year, Danxian's song "Playing Laundry Basket" won the first prize of excellent performance of national Quyi. Speaking of Ma Zenghui's artistic career in Danxian, it is quite legendary. In fact, Ma Zenghui was born in a family that performed Xihe drums. Her father Ma and her second sister are the founders of Mapai Xihe Drum, and they have been learning Xihe Drum since childhood. Her parents are very strict with her. At that time, Ma Zenghui was still a child. What she fears most is having guests at home. She is most afraid of having guests. She is having a good time outside, so her heart beats when she calls her. She said it was broken. If she has a good time, she must call me back. She was unprepared. The child, when she came home, sure enough. What kind of peers does she come from? Her name is Uncle Shi, Uncle Shi and Favourite. What kind of grandma is she? Come on, sing a song for grandma. Let me listen to what a generation means. Either her eldest brother plays the string or her father plays the string and drums, and you have to sing before your brain knows what to sing. I remember a sentence. Farewell My Concubine, where can I sing it? If you perform my head, you must rehearse. It's not here now. If you go up and call it, you have to sing it over and over again. When the guest left, her mother closed the door, plugged in the power and copied the family style. What kind of family style is this? Maybe it's a duster for dusting things, maybe it's a duster for dusting shoes, and a broom. This is the family style, and this is the beginning. I can understand why I was beaten, sang wrong and forgot my words. This will tell you.
In the old society, it seems common for children studying art to be beaten. However, when she was in the sixth grade of primary school in Ma Zenghui, something happened that deeply hurt her heart. Ma Zenghui performed in the theater for the first time on 1948. In school, in this old society, we can't say that our family is an artist or that we are looked down upon. What is this called, being a mean person? Suddenly one day, she was deeply moved. On Saturday, Saturday night, her sister Ma Zengfen performs in Tianjin Qunying Grand Theatre every day. Her mother said that she would get her ticket later, which meant to let her practice. I put on my gown and sang Farewell My Concubine. It's loud. Some people call it Ma Zengling. Her name is Ma Zengling, and she was from Tianjin at that time. She froze. She couldn't see anything in the audience and didn't pay attention. When I went to school on Monday, the class was full of excitement and the whole class was boiling. Oh, as soon as she went in to sing, you came to see you that day, and what Qunying Grand Theatre sang was boiling. In the face of classmates' ridicule, Ma Zenghui couldn't stand it. She chose to drop out of school. In order to make a living, Ma Zenghui continued to perform Xihe Drum with his family. 1949, new China was founded, and the state vigorously developed literature and art. The social status of artists has been greatly improved. Many artists have gradually entered the performing arts groups at all levels, and Ma Zenghui has also encountered such opportunities. A crosstalk performer is now an old-timer named Hou, and Mr. Hou, who once partnered with Ma's old-timer in crosstalk, dropped in to chat with her father. Mr. Hou asked, what are we three girls doing? Talk, take part in the work, where to go, Beijing, so I went to Beijing with Mr. Hou and participated in the China Quyi Beijing Experimental Group. Ma Zenghui Quyi Experimental Troupe is affiliated to China Opera Research Institute, and China Opera Research Institute was established in 195 1. It is a comprehensive opera institution with three tasks: theoretical research, creative performance and art education. /kloc-Ma Zenghui, 0/5 years old, got an opportunity that surprised her very soon after she came here. At this time, the organization discussed with her and asked if you could change careers. She said yes, what do you want to change, and Dan Xian? Hey, that's what she wants. She's happy. Although he studied Xihe Drum in primary school, Ma Zenghui always liked the folk art form of Dan Xian, and turned to study Dan Xian, which really suits Ma Zenghui's mind. With the skill of playing Xihe drum, Ma Zenghui quickly came on stage to play the strings and sang the newly created Song Xian's "Urban and Rural Music". This is her first performance of the immortal, and she won a red screen. Oh, warm applause from the audience. She is an elderly girl with a loud voice and can talk freely. Wang Laohan shaved and shaved his head. Really, she was stupid by thunderous applause. Ma Zenghui suddenly became famous with the singing of the new songs of the immortal, such as "Urban and Rural Music". She is the first and the first in her group. The program sent by the head of the delegation is a popular program, with a fire at one end and a fire at the other. So gradually, she made herself a little frustrated and she became proud. This pride has reached this level. From the point of view of the immortal, what genre is it? What genre is "Dan Xian"? Just as Ma Zenghui was in full swing, a famous immortal actor gave her a great shock.
Tianjin Quyi Troupe went to Beijing for performances and public performances. At that time, their atmosphere was very good, that is, the exchange between troupe, watching and learning from each other. The first scene is the immortal, a famous immortal artist named Shi Huiru. She made Ma Zenghui cry, Du Shiniang made her cry, Whipple made her suffer, and Youchun brought her to the artistic conception. Second, she sings this qupai so tactfully and beautifully; Third, traditional programs are very popular. After singing, she will return to the scene and sing "Rain Comes Home", "Around song month" and "Rain Makes Peach Blossoms Laugh". She remembers it clearly and doesn't want her to step down. She sat under the stage and watched carefully, losing sleep, but her thoughts were ever-changing. She wondered if you could sing some twists in these three paragraphs. No, there is no tradition. Shi Huiru's traditional repertoire made Ma Zenghui finally realize that she couldn't play the traditional repertoire of the immortal, and her performance became popular again. After all, water without roots, wood without roots. So she worshiped Shi Huiru as a teacher and began to study the repertoire and techniques of traditional immortals in a down-to-earth manner, which laid the foundation for her future performance of immortal works such as "One Pot of Rice, More than Ten Baskets".