Accurately describe a circle phenomenon that we can't see or touch, but we can feel it and it is difficult to cross.
At the beginning of the story, the two lines go hand in hand, and Liu Shishi and Nini play a pair of good girlfriends who grew up together at school.
One is Jiang, whose family is well-off and doesn't know the sufferings of the world. The latter is Zhu Suosuo, a real girl who wants to seize every opportunity to get rid of the life of a sponsor for more than ten years. Although the two girlfriends grew up together and are sisters, the circles of the two girls are different, which automatically adds dramatic tension to the whole story.
First of all, one pursues love and the other escapes it. * * * Why do people of the same age choose so differently? This is not a question of choice, but a question of circles. This is by no means alarmist, let's look at the facts:
They graduated from college together.
Jiang is high flyers of the Department of Architecture, preparing for the exam, and he has had enough to eat and wear since he was a child. When he was in love, he naturally pursued beautiful love and took a fancy to Zhang Anren (Yang Le) at the same school. He is self-motivated and has room for improvement, but his background is really limited. Dad, who is obsessed with the stock market, keeps introducing elites to her, but she just doesn't choose. I believe that love is full of moisture. As long as the feelings are true, money is not a problem.
Zhu Suosuo was abandoned by his mother since he was a child. His father has kept Xiao Suosuo at his uncle's house for more than ten years and sends some living expenses every month. She is old enough to fall in love, but she avoids falling in love. Because it is my aunt's mother's son and her cousin who cares about her. Of course, my aunt raised her for so many years. But do you think such love is acceptable? Accepting yourself becomes a "child bride". But does she have a choice? At least be independent before making a choice. But in Shanghai, where land is precious and elites gather, it is difficult to find a good job that can rent a house.
Since the barrier is invisible, how to play the play? So I said that the main creator of this play is Niu (the director and screenwriter of my first half life). This circle actually exists in every corner. It's big, it can be as big as your net worth, and this can be packed. Small, can be as small as a meal you can't live without every day. Don't look small, this is really difficult to install.
Needless to say, the host skillfully found this embarrassing occasion, which is also a social activity that China people care about more-eating. Jiang and Zhu Suosuo went to two different dinners, one was a family dinner and the other was a colleague dinner.
Jiang's rich woman (yolanda) holds a banquet in an upscale club, while Jiang's poor student boyfriend doesn't even notice Jiang's father. What he said about working hard and giving happiness is "empty" in jiangxin. He told him bluntly not to shout slogans. Directly sent him off without euphemism, in other words, he is not qualified to eat such a meal.
Present at the dinner were three Chiang family members and an elite young man (Yang Shining) who met menstruation overseas. He happens to be majoring in civil engineering, so he is a teaching assistant at Jiang University and is helping her design a hotel. During the dinner, the elite guy drew a sketch on the napkin casually, and advocated dividing the three rooms and one living room into two and a half suites with a public area in the middle to improve the quality of life and added value.