"The Legend of Deification" used "Nezha" as propaganda, but the plot still followed the old routine. The scriptwriter's perfunctory lines are not innovative enough, and the beginning and end all fall into the cliche, which even makes people suspect that they are deliberately perfunctory.

Generally speaking, the trailer is the essence of a movie. As a new work of Inspur Studio after Nezha, the trailer of Legend of Deification uses the scene of Nezha going to Jiang Ziya's house for dinner.

If this is a brand-new animated film that has nothing to do with Nezha, why does Inspur Studio use the only shot of Nezha in the whole play for publicity?

This move not only makes people doubt, but also makes Inspur Studio no longer have a lineup of writers with novel ideas and innovative thinking.

So far, Inspur Studio has been consuming Nezha and maliciously promoting it.

It is said that The Legend of Deification can be compared with Nezha, but so far, many viewers have expressed great disappointment and feel that it is not like the original studio.

A mature and excellent animation works can stand up naturally and needs excellent plot and classic lines.

As far as lines are concerned, compared with the classic lines of Shi Ge and Nezha, "My life is my decision." Heroic ambition and ambition.

In fact, "You fight all your life, I will protect you" in The Legend of Deification is really a bit greasy and melodramatic. Even the constant complaints of netizens are simply the simple complaints of a middle-aged greasy uncle.

As far as the plot is concerned, the idea of the big world in The Legend of Deification is inconsistent and full of loopholes.

For animation works, the world view is like the cornerstone of building tall buildings. Panorama in animation often shows the world view.

When the world view is set in a city, it is called a city. And when it is a different world, it will show the scenery of another world.

Different world views will present different landscapes and buildings.

In Legend of Deification, the whole mode of deification has changed, the original intention of deification has changed, and the cause and effect of each character have changed.

Wearing the cloak of "Romance of the Gods", there are western-style fairy tales.

At the beginning of the Yuan Dynasty, the Buddha was blackened, and Jiang Ziya was a temporary tool for disciples to seal the gods. Hung-chien has already joined hands and can come out to punish his disciples.

Since the beginning, the Buddha has jumped out of the three realms and can still be punished as Hongjun said.

Twelve Jinxian's flesh and blood is depicted as a terrible masked man. Since the name of the deity is hung, shouldn't the audience demand respect for the original?

/kloc-a team of 0/600 people takes about 4 years to polish, and there is nothing to say about the picture, visual effects and China elements.

The story setting is too simple and the sense of rhythm is not strong, which is probably the biggest slot for users to see Nezha.

I think the direction of Inspur Studio is wrong. A good animation works, only need some high-end wonderful martial arts clips can attract people's attention.

However, ignoring the plot and world outlook that support animation has no good reputation and will definitely attract scolding.

Don't always treat our audience as fools.

02. Poor emotional input

After watching the movie, many netizens unanimously expressed their feelings: "I know that the director is very emotional, but I can't cry and even want to laugh."

Compared with Nezha's passionate emotional output, the emotional output of The Legend of Deification is simply embarrassing.

Personally, I think it is the successful export brought by Nezha. In this materialistic era, the director just talks nonsense and shouts slogans in the play.

There are few descriptions of emotions, which can be said to be basically a few sentences in the trailer.

Nezha's intangible portrayal of characters' personalities and identities is very successful. Such as paving the way for Li Furen.

In the movie, when Li Furen appeared, he bit a chicken leg, spoke proudly and faced the monster himself.

I have never softened my tone in front of my husband. Only when facing Nezha, Li Furen, who feels naive to worship Buddha, will gently kick shuttlecock with him to comfort him.

Caring children are eager, very concerned about children and want to protect their image.

On the other hand, The Legend of Deification lacks the foreshadowing of characters, and many slogan-style golden sentences are simply moans.

Shen's worship of Jiang Ziya, Jiang Ziya's desire for protection and his dependence on Jiang Ziya are obviously too straightforward.

If "Nezha" is a freshly baked sandwich bread, it makes people feel soft and delicious; Then there is no doubt that the mythical legend is like an overnight vegetable ball, which is difficult to swallow.

03, the role performance is inconsistent.

Through Jiang Ziya's lines, it shows that the four elephants are not important comrades in the war against the nine-tailed fox. As an ancient beast, the magical power is incomparable to monsters.

However, I lost the shelter of Xu Jing Palace, because I followed Jiang Ziya to Beihai to protect my whole life, and now I am much cuter in the world.

Except for flying, the four elephants that have lost their divine power are basically useless, which can be verified from the battle of ghost bone dragon. They fainted when they were thrown out by the nine-tailed fox.

When the nine-tailed fox first appeared in the war, at the critical moment, the four-phase divine power suddenly returned, just like tickling the nine-tailed fox. The result was scratched to death by the nine-tailed fox several times.

At this time, there were no tears in the picture, and the music began. Everyone was wondering whether it was the director's memory or his own problem.

Besides the four dissimilarities, there is also a tool, Shen Man Bao Gong, who has many scenes and can't recognize himself.

As a cartoon character, Shen is Jiang Ziya's younger brother in the play.

When all the three realms spurned and betrayed him, Shen firmly supported Jiang Ziya, which made people feel that Shen was the embodiment of justice and kindness.

Perhaps it is because there are too few protagonists in this film, so the director feels that Shen should be used where it needs to be sensational, where it needs lines to explain the environment, and where it needs to compare characters, Shen will appear.

Is the director's tool man.

Since you regard Jiang Ziya as your idol, a rebellious hero, why do you always want to take him out of danger and take him back to Xu Jing Palace? He's going after the truth. Why did you stop him from leaving Beihai?

You are just a fanatical fan, the bottom disciple of the Buddha at the beginning. What qualifications do you have?