The film Jasmine Blossom tells the story of three women. The first woman is Mo, the second is Li, and the third is Hua. These three writers correspond to the three eras of the last century, namely Mo in the 1930s, Li in the 1950s and Hua in the 1980s. The film begins with Mo's story. Men are always indispensable in women's stories, and Mo, Li and Hua are no exception. Mo's man is surnamed Meng. We only know that people call him Mr. Meng, or boss Meng. He not only has money and social status, but also owns a film company. Mr. Meng can satisfy Mo's ideal and vanity, so Mo followed Mr. Meng. Later, Mo became pregnant with a child. Mr Meng doesn't want children. He just wants mo. Because Mo was timid, the child was saved, but she lost Mr. Meng. Mo has never been married, so he has been with Mr. Meng, but he has been with his original dream. Sally is a child left behind by Mo because of cowardice. Sally is different from her mother. She has caught up with the era of "Long live youth" and is also the era when women declare complete liberation. Like her mother, Sally's pursuit is positive and brave. The only difference is that they have different values when choosing a male partner. But this is not the result of female consciousness, but the result of the evolution of the times. Zou Jie, which Sally likes, has almost all the characteristics of outstanding men in women's imagination at that time. She was born as a worker, party member was young, lived a simple life, advanced in thought, generous and enterprising ... Their combination was rooted in the naive romance of female students. But it is as fragile as a balloon, and it will break immediately when touched by the sharp thorn of life. Sally is deeply afraid of this kind of fragmentation. She desperately wants to keep her love, so she is alienated into abnormal condition and madness, and finally their love and life are mutually assured destruction. Hua and Mo are not related to Li. She is the adopted daughter of Li and Zou Jie. This hint may make the audience have some associations. Will Huaer continue the fate of Mo and Li? Judging from the flowers in the film, she lived in the shadow of Mo and Li for a long time. However, Hua hopes to change the fate of this long-standing woman. She wants to get out of this shadow. She has always loved Xiao Du, but she didn't let love be the rope that bound her. She has learned to make her own decisions. When Xiao Du decided to give up her and their children, she chose to face and bear it alone. The flowers here seem to be repeating Mo's experience. The man left her, leaving her an unborn child. However, the flower is no longer mo, she is welcoming the birth of a new life, and this process has become the baptism of a woman's rebirth. This is a very painful experience. Does the self-reliance of women have to be at the expense of suffering alone? This is a film that explores the fate and psychology of women from a male perspective. So, it quietly let go of the man and aimed the camera at the woman. None of the three male characters in the film performed particularly well. They came and went in a hurry, completely becoming a foil for women. In this movie, this may be their fate. Women are therefore valued. Chen Chong and Zhang Ziyi both performed well. I even think this is the most important film that Zhang Ziyi has ever acted in. She successfully portrayed the female images of Mo, Li and Hua in three different eras, and showed the similarities and differences of three young women. The change of her role, just like the constant role played by Chen Chong, has formed a kind of tension that echoes each other, adding a lot of interesting and interesting things to the film. However, Jasmine Blossom is different from many movies about women that we have seen before. Rather than creating a complete artistic image, it integrates three images into one image. The way this film tells stories is very interesting. The three stories of three generations seem to be independent chapters, but they are actually integrated. They interweave, complement, question and set off each other, thus completing the imagination of the characters in the film narrative. This image does not refer to a specific person, but to a "woman". This woman came off the screen alive. She is a person with texture, temperature, touch and talk. Her name can be called "Jasmine", and of course it can also be called other flowers, which is a symbolic name in itself. But her existence is not symbolic, but concrete and vivid, which is completed by details and a series of actions. In the film, it is through the image of "woman" that the director finally finished thinking about women and their own destiny. The director does not shy away from this point. Sometimes he would rather sacrifice his so-called image than carry his thinking to the end. This film is allegorical and tends to idealize and romanticize the fate of flowers. But the director is effective in expressing his thoughts, even reaching a certain depth. In the past, the explanation of the relationship between men and women was mostly from the social level, and the survival dilemma of women was simply attributed to the oppression and deception of men, just like many stories we have seen. But jasmine does not want to be simple. It tries to go deep into women's hearts and fundamentally solve the mystery of gender relations. The contradiction between love dependence and human independence revealed in the film actually stems from the inherent contradiction between human freedom and dependence, which is a pair of paradoxes in the relationship between men and women. Women want to get rid of their dependence on men, establish their dominant position, realize their own value and seek self-affirmation. These ideas were put forward as early as the May 4th Movement, or even earlier. The famous slogan "I am myself" shows the possibility of fundamentally changing the passive position of women in history. But this is an idealized and romantic slogan, which is built on the beach and lacks a solid social foundation. Once you meet true love, its illusory nature is revealed. I am my own, and I want to dedicate myself to the people I love. If I want to escape this kind of love, I will bear the loneliness that exists with escape. The movie Endless Movement is, in a sense, a sequel to Jasmine Blossom. With autonomy and independence, her future may be hidden in endless movement. In this regard, we cannot but express our special concern. Maybe this is the price a woman has to pay to change her destiny? But is this price fair?