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Some people think that the film is actually not Jia Ling's 198 1 trip, but Li Huanying heard Jia Ling's remorse at his deathbed and made a dream for his daughter. Lengte is actually a suitable object for her daughter in her mother's imagination, so Lengte is called Jia Xiaoling instead of Li Leying.
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By the way, this brain hole can also explain why Jia Ling didn't change clothes in the movie, and no one stopped Li Huanying and Jia Ling from going out shopping during office hours, as well as the last actions of young Lee Huan Ying and old Lee Huan Ying.
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Careful analysis will reveal that this setting is even more touching. Lengte's experience and thoughts are very similar to Jia Ling's, and they all think that they have never made their mother proud. Both mothers are in danger and need to be rescued. Lengte's mother was rescued at that time, which really extended to Li Huanying's inner hope. She hopes that she can be rescued and accompany her daughter to see that she has found the other half.
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In the live broadcast, Jia Ling has always said that the audience who wants to see it should not spoil it, so the hidden details of the second and third films are not very detailed. If you haven't seen the movie, you must remember to pay attention.
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The second hidden detail is that Jia Ling and Li Huanying sit and have a drink in the second half of the film. The daughter Jia Ling described to Li Huanying was not her own appearance, but completely copied the designs of other people's daughters. When the biggest foreshadowing and reversal of the whole film is revealed, you must remember to associate it with this detail.
Imagine how a mother would feel if she heard her daughter express her hope over and over again that you didn't have me. No wonder Li Huanying insisted on her choice and told her daughter that she was actually very happy.
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The third hidden detail is in the movie finale. Jia Ling did a lot of blurring here, but it was not an open ending. Crucially, when Li Huanying was driving a red sports car, his electrocardiogram turned into a straight line, and Jia Ling's expression changed from happy to sad. After understanding, the effect of tears instantly doubles.
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Li Huanying is not a perfect film, but some bad reviews are biased, especially that Li Huanying's forced sensationalism has no connotation. From these hidden details, we can know that the shooting technique is still immature, but Li Huanying has always used the plot to promote emotional development, and his lines are naturally not forced.