X stands for excitement.

1 & gt； Nonsense, as the name implies, there is no hair on the head, that is, the bald head is very slippery, which is the so-called "slick". Speaking of which, it should be clear

2> nonsense does not mean "a head without a haircut". This is a controversial youth tribe term, originally in Cantonese dialect.

Wulitou may come from the Guangdong proverb Wulitou Qing. "Wulitou Bao" is interpreted as "a headless and tailless spine" ("Bao" refers to the tail of the spine and is pronounced "knock", which has nothing to do with popular Cantonese slang. ), which means "no head or tail" in speech or behavior, is puzzling. But this proverb has not been confirmed. Wulitou was originally a saying in Foshan, Guangdong Province, which means that a person's words and deeds are difficult to understand and have no center, his language and behavior have no clear purpose, and he is vulgar and random, complaining indiscriminately, but it is not unreasonable.

On the other hand, opium prevailed in the late Qing Dynasty. People who smoke opium sometimes say "not addicted" (smoking makes them uninterested). Over time, the word "addicted" is omitted and changed.

There is another sentence in Shunde dialect, which is the most malicious sentence in swearing, meaning that a person can do nothing and nothing is useless.

Edit the source of this nonsense.

Wulitou culture is a humorous expression based on the nervousness of the grassroots. It is often ridiculous to use seemingly illogical language and body movements to express the unexpected behavior of characters in conflicts. Ordinary people will not know how to laugh if they don't understand the "laughing position" behind the incident. At that time, because many teachers in academic circles did not understand why students laughed, they once lashed out at this "nonsense culture". In fact, the rise of this culture is precisely because when Hong Kong people were born in Hong Kong, they were not only unable to control their own destiny, but also subject to the daily political disputes between two unrelated superpowers (China and Britain), so they felt helpless. Therefore, imitating the dialogue between the two parties in the Sino-British Joint Declaration, we developed a helpless cry for social reality.

How can such words be widely circulated? It's really weird. In fact, today, influenced by Cantonese culture, Stephen Chow is also disgusted that his comedy is called "Wulitou", because the word will make people think of "no brains and no thoughts", but in fact, they often make great efforts for the comedy effect when filming. For a wonderful shot, each actor in the play usually needs more than N G, 438+05 times. Zhou prefers to call his works tragicomedy, and he always pays attention to the embarrassment and embarrassment of small people in the face of survival pressure. Stephen Chow's films are not without connotations. The movie made a long time ago still makes people laugh and cry. At present, there are many web pages in the Mainland that study the phenomenon of Stephen Chow, which shows his lasting charm.

Northerners didn't know this word originally, but since 1990, Stephen Chow, as a master of post-modern culture, has made a series of landmark comedy films, all of which speak Cantonese dialogue, especially slang popular in recent years, which has quickly formed a wave in society (especially among young people), and the film industry has also poured out a wave because of Stephen Chow's unique deductive style and personal charm, so the society calls such films nonsense.

Edit the relevant examples in this paragraph.

The earliest recorded nonsense dialogue was Stephen Chow's response after the TV character said "What are you talking about" (Cantonese, that is, "Were you talking just now?" ) to insinuate that the other party said some meaningless nonsense. Later, he also said in the TV series "Heroes on Earth" that everyone sat down and discussed. Among them, gamblers are the essence of nonsense, and many similes, metaphors and metaphors are collected in various parts of the film. You can examine the meaning of smiles one by one. For example, why did Uncle Ng Man Tat think that dressing up Wu Junru as a goddess of democracy would make him a goddess in Liu Jing's mind? Another example is: Why does his uncle keep asking Liu Jing to "blindfold him" when he participates in gambling games? Besides alluding to Chow Yun Fat's "God of Gambling", is there other meaning? If you don't want to use your brain, you can just laugh and give your head a vacation.

At that time, a female singer Zhen Chuqian, who was half red and not black, sang "Today's weather is Hehehe", and also used the weather to hide her inner dialogue in a meaningless way. The phrase "Today's weather is hehehe" was later quoted by another pop singer, Vivian Chow, who said he wouldn't talk to others just to please them.

Wulitou culture also appears in some cases where nonsense is completely irrelevant but contains similar words. For example, someone stopped a friend outside the bathroom door and asked, "Hey, are you going to the side?" ("Where are you going?" Sometimes the respondent may answer coldly: "Go to Phnom Penh!" Ceng Zhiwei and Lin Mincong's "Radio without Cable" has a song full of this dialogue:

What is the difference? What is the difference?

What's the point? What's the point?

what are you going to do？ what are you going to do？

Hey, are you going over there?

I want to go to Phnom Penh!

I'll braid it! (The interlocutor is a boy)

Nonsense dialogue often requires a certain understanding of local (mainly Hong Kong) culture. For example, in a novel by Liang Wangfeng, a brother and sister have this dialogue:

Brother: I'm from Beijing!

Sister: (Answering without looking back) Love that can't stop!

At first glance, it is really irrelevant, but if you understand the popular culture at that time, the interpretation of these two dialogues is as follows:

Brother: I'm from Beijing! (The singer Dawn's song implies "Actually I am Dawn")

Sister: love that can't stop! (Singer Li Mingshi's song implies "If you are Dawn, then I am Li Mingshi." . Nonsense! ”)

Edit this example of misunderstanding.

Some people think that the appearance of Wulitou is influenced by Japanese cartoons. From 65438 to the early 1990s, there was a craze for reading Japanese cartoons in Hong Kong. Japanese cartoons are shown on TV every day, and Japanese culture gradually affects young people in Hong Kong. Some exaggerated expressions in Japanese cartoons and cartoons have also been imitated by young people in Hong Kong and formed a unique performance style. That was not the case.

Does this question confuse you? Don't be afraid, you can touch someone else's without touching the back of your head! Similarly, there are many ways to find the answer. One of the most convenient and simple ways is to surf the Internet, find a better search engine, enter the word "nonsense" and press enter, and a bunch of relevant information will be returned. Then you can see that the explanation of Wulitou will probably be like this: "Wulitou culture should belong to a vein of post-modern culture. In Wulitou movies, you can read that there is no deep expression, disorder, isolation of orthodoxy and so on." Nonsense language or behavior has profound social connotation in essence, and directly touches the essence of things through its appearance of banter, ridicule and cynicism. Wow, I can't understand such a big explanation. It's really' head-on, extraordinary'. "

The average person's understanding of Wulitou is just like the word "Lahala" (Lahala was dragged out by the author, which has no practical significance at all), and only most Stephen Chow fans have some hazy understanding of it. This is because there is no such word as "Wulitou" in Chinese mainland, nor in Taiwan Province Province. This word is slang in Cantonese. Earlier nonsense refers to a person's behavior and speech is unreasonable, irregular and difficult to understand. His language and behavior have no clear purpose, and are vulgar, casual and inexplicable. It was not until the 1990s that Wulitou gradually became a proper term for comedy movies represented by Stephen Chow. Basically, it can be said that Stephen Chow gave the word Wulitou a new meaning and spread it widely. Now Wulitou has become a subculture similar to petty bourgeoisie sentiment, with its special social group. So what is nonsense? Answer: Very good!

Whose head is Wulitou?

As long as you talk nonsense, you can't stop talking about Stephen Chow. In a sense, Stephen Chow is synonymous with nonsense.

Earlier, Stephen Chow tried to break away from convention and make innovations in movies, but in the eyes of Hong Kong people, his performances were just fooling around and could not enter the mainstream. So, it doesn't make sense, which is why Stephen Chow doesn't like others to say that he doesn't make sense. However, with the gradual improvement of Stephen Chow's special deductive technique and his own system, the public has changed from refusing to exclude him to recognizing and appreciating him. Finally, Stephen Chow finally won the public's affirmation and became popular quickly. His special deductive style is also defined? And "Wulitou", apart from no longer derogatory, is different from previous leaders and has become a new trend of maverick. Without Stephen Chow, there would probably be no Wulitou today. Naturally, you can't read this book either.

Edit this paragraph for an interesting understanding.

So whose head is Wulitou? Answer: nonsense, stars are made!

Is it nonsense or not?

The irony and criticism of traditional culture in Wulitou movies is particularly prominent. Wulitou culture should belong to a vein of post-modern culture. In Wulitou movies, we can read that there is no deep expression, no disorder, no isolation orthodoxy and so on.

Nonsense language or behavior has profound social connotation in essence, and directly touches the essence of things through its appearance of banter, ridicule and cynicism. If you meet most of the following conditions, then, in fact, you have the basic characteristics of nonsense in today's times:

I don't care about other people's opinions, commitment, age concept, sacrifice my hobbies for health, don't care about the price of things I like, especially like "chasing after the new", I can't stop dreaming, my mind jumps, I often say amazing things, I am used to sleeping naked, I never make a fuss, and I can't find anything out of thin air from time to time. You find mala Tang in summer and ice cream in winter, but it's not enough for you. I'm too lazy to save money, thinking about the day and night, keeping pets instead of children, like being free and unrestrained, always keeping an optimistic spirit, daring to despise authority and utility. ...

Wulitou is not completely equal to Stephen Chow, and vice versa. And just like the problem of chicken and egg, it is also unclear whether there is nonsense or Stephen Chow first. Stephen Chow's interpretation of movies comes from many aspects: inspired by Xu Guanwen, he imitated him early; Absorb comedy elements from other comedy films and refine them; Learn from and incorporate funny comic stories; Observation and reflection on real life and so on. Stephen Chow collected many nonsense and funny elements in his films. Before this, many products of nonsense consciousness have existed for a long time, but these nonsense make people feel incomprehensible, or simply vulgar. Stephen Chow didn't make up his mind to set up a banner for Wulitou culture at first, but formed his own unique style in the process of absorbing and digesting these Wulitou elements, including the characteristics of concept inversion, thinking jump, over-exaggeration, self-mockery and cynicism, until later this style was defined as Wulitou. So from another angle, Stephen Chow is a chicken and nonsense is an egg. Wulitou hatched Stephen Chow and Stephen Chow created Wulitou, so everything interacted and promoted each other. In Stephen Chow's own view, he thinks that ideas expressed in some special, strange or novel ways can be called nonsense. Look at the early Hong Kong movies or mainland movies, and you will understand what novel method he refers to. For example, if we say that a movie is old-fashioned, Stephen Chow may jump out and change its teeth, but to your surprise, he didn't just change the ivory in the dog's mouth. He may turn a dog's tooth into a toilet-pulling thing or a bomb. He may even put another dog in the dog's mouth and show you a strange thing you can't even imagine. This kind of nonsense may be reflected in his movies: when the police were shooting with gangsters, Stephen Chow, as a special policeman, took out a mirror to comb his hair while chewing bubble gum leisurely, even carrying a special hammer behind him, and finally knocked down the gangsters with a hammer. These shots are invisible in the traditional movie Reagan. In traditional movies, you can probably only see the protagonist looking at the front seriously, explaining the task with a serious face, then nervously pulling out his gun and shooting, and finally blowing the barrel with his mouth at most. Do you feel sleepy or want to vomit after watching too many traditional movies like this? And Stephen Chow completely subverted the tradition. A movie is a movie, and a movie may or may not be a movie, so dramatic but true-who stipulates that you can't chew bubble gum when shooting? This can be said to be an exaggeration or a state of mind. What is the real world like? Is it serious? Is it lively? Is it crazy? Or drama? In fact, it all depends on everyone's different mentality. Stephen Chow can't be the first Hong Kong (comedy) film if it only depends on the nonsense comedy effect. His films show the mentality and social phenomena of real people while creating comedies, so as to arouse people's laughter, arouse their inner voices and leave a deep impression on them. In most movies, Stephen Chow plays a nobody at the bottom of society. In real life, he has to face all kinds of difficulties and dilemmas. The only thing he can do in his sense of helplessness and powerlessness is to laugh at himself and comfort himself, and look at the world with an optimistic attitude. These contradictions and unity between individuals and society are the factors that make people think and remember Stephen Chow's films. So is it nonsense or nothing? Answer: headless.

Are you being unreasonable today?

There are three questions here. You have the right to remain silent. Only you know what you really think. Even if you keep answering "yes", it is not necessarily nonsense, but a nonsense will always answer "yes".

1. Do you have a strong sense of self?

For people who don't make sense, they may believe in ghosts and gods, but there is absolutely no "God" or people like God in their world, let alone worship and belief. If there is, it must be himself. Nonsense people pay more attention to self-awareness and self-feeling. "Big dogs and small dogs have the right to bark." I am the biggest in nonsense. Similarly, if you dare to think and do, you won't suppress your thoughts and feelings, and you won't care about other people's opinions and ridicule.

3. Is freedom and happiness your highest goal?

Liking is the most important thing, and asking why is completely unnecessary. Wulitou pursues a sense of freedom, a state of subjective freedom, and a kind of arbitrary based on deconstruction. They pursue happiness and relaxation, so all factors that will bring them pain should be eliminated, and everything that makes them feel heavy and depressed should be rejected, which is embodied in two characteristics: rebellion and deconstruction.

3. Will you create happiness for yourself?

For example, you can laugh at yourself for not dancing well. You are embarrassed to make a fool of yourself in front of the public because there are no obstacles in your heart. Deconstruction mentioned above is the act of imitating and transforming interesting things. You can mix different elements and styles into a relationship to express complex emotional experiences. For example, you would say that Song Wu killed the tiger to coat Pan Jinlian with tiger skin, and that Song Wu was so ugly that he made the tiger sick to death.

So, are you being unreasonable today? Answer: I don't know yet!

There is an idiom called "out of nothing", just like no style is also style, and nonsense without "head" has become a kind of "head". No matter whether you are bald, bald, split or big-backed, you can think Wulitou is funny, you can also think Wulitou is a fashionable trend of thought, or Wulitou is just a slogan like Amitabha. When you feel that you are beginning to agree with some concepts in this article or feel puzzled, you will find that your head becomes meaningless unconsciously.

After more than a hundred years of British colonial rule and the constant storms of western culture, Hong Kong culture has an indelible colonial character, and it is also convenient for the integration of eastern and western cultures.

Please read Tayu Lo's Pearl of the Orient: "Let the sea breeze blow for 5,000 years/Every tear seems to express your dignity/Let the tide accompany me to bless you/Please don't forget my face that will never turn yellow ..." It has depth, implication and connotation. However, Tayu Lo is not from Hong Kong; Samuel Hui, a two-year-old singer who moved to Hong Kong from Guangzhou, also sang songs about Hong Kong, but the taste was very different: "Nine roast geese in Hong Kong are so delicious that they spit chicken pot/there are beautiful hotel rooms for rent by the fruit/ghosts refuse to talk about shopping/they pick a beautiful China clay pot/voice that GREAT GHOST is the most interesting show/call."

It can be said that with such a cultural foundation, there will be a hotbed for the birth of Wulitou, and only in places like Hong Kong will Wulitou culture be born. Speaking of Stephen Chow's performance, what usually comes to mind is his nonsense mantra: "Are you talking about the wild?" Seemingly serious, at the same time a face of disdain, facial expressions exaggerated, absolutely cynical.

Nonsense is like sticking two patches with sharp edges on a complete pair of jeans. It is humorous and interesting, and you will be silent inadvertently. Stephen Chow's nonsense has changed the heroic image of Qiong Yao and Chow Yun Fat, which used to flood the streets of Hong Kong, and has become an easy way for the general public in Hong Kong to laugh it off in hardship and confusion, which is the deep-seated reason for the rapid rise of nonsense culture.

1On the eve of the reunification in 1997, Hong Kong's stock market and property market reached the peak of the bubble, and the British Hong Kong government set up a big stall of welfare society before retreating, making an inappropriate analogy. This situation is like the British speculating Hong Kong stocks to sky-high prices, depending on how the receiver operates. After the Asian financial turmoil, Hong Kong's economic bubbles burst one by one without exception, and there were not a few people speculating in negative assets. Under this special background, Hong Kong people just want to relax their laughter and nerves after the brutal fighting. Therefore, the Wulitou culture represented by Stephen Chow has become a trend.

Just like the Red Sea era we experienced, words should be called the highest instructions first. Today's playful Hong Kong people must take the route of "A Chinese Odyssey" if they say "received" three times. "What do you want? If you want it, just say it. How do I know if you don't tell me? Although you look at me sincerely, you still have to tell me what you want. " "There was a sincere love before me, and I didn't cherish it. When I lost it, I regretted it The most painful thing in the world is this. ..... If God can give me another chance, I will say three words to that girl: I love you. If I have to add a deadline to this love, I hope it is ... ten thousand years! "

Laughter brings deep thought.