Unfortunately, spring is inexplicably gone quietly. Long and dry, near the west. Old lady, this should be together, but every day. Translation and Annotation Translation of Wounded Spring and Huairen
A sudden rain is about to gather in spring, and the oblique spring breeze seems to be restraining the spring water. The falling petals float on the water, and the rising green water wrinkles. The fish are frolicking around, rippling and the scenery is beautiful. It's a pity that spring doesn't understand people's wishes and returns quietly.
Since we parted in the corner of the city, we have all left endless bitterness. In your letters, most of them are words of deep concern, and I often look out from the railing alone at sunset to meet the dim glow. The old couple who should be together are far apart.
Appreciate this is a wandering work that hurts the spring and cherishes people.
The first film is about the longing for spring. "Urgent rain harvests spring, and oblique wind makes water". Write late spring, the rain is sharp and the wind is oblique. This first sentence is unique and novel, especially the word "longevity". Don't say that spring will pass, don't say that spring will come back, but say that "rain will harvest spring". Look at the word "harvest" and make the words vivid and playful. The sudden rain brought spring back, the oblique wind swept the water, and "the red rose and the green fish rose" and then wrote about the scenery on the water in late spring. Reddish and withered, fluttering all over the river; The river rises and the green waves ripple; Fish swim, causing ripples. The word "fish" here is the most likely to arouse people's leisure. Since ancient times, there has been a saying in China that fish and geese pass on books, and letters are often called "fish books" or "goose books". This "fish article" seems to be an untrue letter, which evokes the endless lovesickness of the wanderer. The word "year after year" is written directly to Xichun. Wanderers cherish spring and are reluctant to leave it. Seeing that spring is about to dry up, they are full of emotions. As Xin Qiji said, "Xi Chun is often afraid of early flowering, not to mention countless red flowers!" A vagrant cherishes spring, but Kechun doesn't care. He doesn't know how to greet the wanderer who returns in spring. I don't know how to get a wanderer to go back together. Spring is ignorant, spring is ignorant, so complaining about spring seems unreasonable, but it is more sincere. This is what people often say is the beauty of being unreasonable and affectionate.
The first movie is full of longing for spring, and the next movie naturally turns to pregnancy. "I hate the corner of the city and care about the end of the paper." Write a parting with his wife at the beginning, and a love letter later. The corner of the city, that is, the corner of the city, is where I left my wife. Reluctant to go, but also have to go, so there is a "hate city corner." A word "hate" enveloped the next film, and also provided readers with an opportunity to understand the whole word. I can't meet each other, but I can only see my wife's concern at the end of the letter. Next, the author describes the lens of the lyric hero overlooking the fence. In China's classical poems, he often writes melancholy by looking at the railing. Li Yu has a saying: "Don't lean on the fence alone, it is infinite, and it is easy to see when you are away." Xin Qiji has a saying: "If you don't go to the dangerous fence, the sun will set, and there will be a bright future." ("Fishing") "When you are tired, lean to the west", and write that the lyric hero leans against the railing and stares at the sunset in the west for a long time. Anyone familiar with China's classical poetry knows that this is a painful image. At the end, Du Fu's poem "Memories of Li Bai in Spring" was used. Du Fu said, "Spring trees in the north of Wei River and dusk clouds in the east of Jiang River." Looking at the scenery seen by the other party, I wrote down the profound friendship between the two. He Yun: "Mandarin ducks are all bald, and the south of the Yangtze River is three thousand miles north." Write that the husband and wife are getting old, but they are separated by mountains and waters, and the south of the Yangtze River is separated from the north. The language of this knot is clumsy, unpretentious and unassuming; The north and south of the Yangtze River have overflowed with infinite affection, and Yuanyang Whitehead is even more affectionate.
Appreciating two vagrants, cherishing spring and hating parting is originally a well-written theme in poetry, but He Zhu's words are concise and fresh.
From three sentences, pay full attention to the word "Yu Chun" in the title and cherish it. The branches are full of flowers, which is a symbol of spring. The "sudden rain" destroys the flowers and sweeps away the beauty of spring, so the word "longevity" is extremely refined, just like the weather is against people, refusing to let the spring scenery stay in the world for a long time, and sending "sudden rain" to recover it with a little show-off. The "urgent rain" came, and the "oblique wind" followed. Rain adds pool waves, wind suppresses water, pool water dissolves, and new waves "turn green". Colorful, floating on the water, generally "floating red", dotted with blue. The fish are playing in the rising water, fighting for each other, swishing petals and rippling. Beautiful artistic conception. The word "floating red and rising herring" is a very thoughtful stroke. People who don't have deep feelings for Yuchun can't observe the scenery of Yuchun so delicately and write it so vividly. Once the floating red reaches the bottom of the pool, it is really "spring scenery in the water" (Liang's Jiangnan Qu), and there is no way to "cherish". The word "fish" in the poet's eyes also reveals the ripples in his deep affection. The next two sentences, the emotion of cherishing spring hidden in the scene language, turned sharply into the bitterness of traveling around the world. Tang Chen Liang Zi's poem "Watching Gong Chao Return to Eight Rhymes in the Spring Festival Evening": "Wandering children cherish spring." Adding the word "year after year" to the Poet's Day gives the feeling of cherishing spring a long time and a gloomy tone. However, its benefits are not here, and it must be read in conjunction with the next article "Spring Return Can't Solve the Problem of Recruiting Wanderers" to have a taste. A wanderer cherishes spring every year, which is full of spring, but when spring returns, he can't think of greeting an old friend to go with him, which is really not helpful enough. This meaning should be translated from the sentence "On that green spring day, I began to go home" in Du Fu's poem "The banks of the Yellow River were recovered by the imperial army". One is that it can be classified as happiness with spring, and the other is that it is strange and wonderful because spring abandoned itself and returned alone. In fact, it's just that the poet was forced to earn his own living because of poverty (inscription of He Gong in Song Dynasty), left home to be an official, and his term of office was not full, so he had to pay it back. But it's not poetry if you say it directly. Song Yu Yan's Cang Shi Lang Dialect says: "Poetry has different interests and has nothing to do with reason." The "different interest" of the sentence "year after year" is precisely sought from its irrationality. Spring is ignorant, spring is ignorant, so complaining about spring seems unreasonable, but it is more sincere. This is also what people often say is unreasonable and affectionate.
Don't go home and think about it I will naturally transition to writing about my parting and lovesickness with my wife. A note in the sentence "Leave a grudge" is that the corner outside the city is a place of parting, which can be proved by Tang's Joining the Army, Fortifying the Corner of the City, Wang Wei's Cui Jiu-di's Farewell to Nanshan at once and Breaking Up the Corner of the City. After bidding farewell to Guan Qing, my wife wrote a letter with many words of deep concern at the end. (For example, at the end of the book Yingying Biography, Yingying and Zhang Sheng said, "Take care! Spring breeze, strong rice is good "and so on. ) the above three sentences, one meaning and one meaning, constantly changing angles, writing farewell first, is * * * by two; Writing about acacia again, sending a book and leaning on a stick of incense are unique to everyone: it can be said that it is comprehensive and patchy. Fifteen words have written so much, and the language is highly concentrated, which is quite useful for exercise. In a direct sense, summing up two sentences is a sigh when writing your own leaning column, but lovesickness between the two places is a kind of affection. From the perspective of composition, it may be said that the poet's brush strokes have turned back to writing on both sides. Li Shangyin's poem "Gift on behalf of others": "Yuanyang can envy more than one head." Du Fu's poem "Spring Day White": "Spring trees in Weibei, dusk clouds in Jiangdong." Poets cast Tang poems and expressed them in their own way: "When Yuanyang is completely bald, it is three thousand miles north and south." It is said that the husband and wife are old, but they are in the south of the Yangtze River (referring to Jiangxia, that is, today's Wuhan area, and Zhu He was a money official here when he was 467) and Weibei (Chang 'an is north of Weishui, and the ancient capital of Han and Tang Dynasties refers to Tokyo in the Northern Song Dynasty), and the mountains are thousands of miles away. Two sentences only said that people are old and yellow, but not a word. The meaning of the word came to an abrupt end, but it was memorable. Imagine a young couple, a long way to go, Xiu Yuan Xi, once separated, hesitant; However, people who are on the verge of old age have suffered a lot in the past. A hundred years later, there are few left, just like "In Spring", which is treasured. At this time, leaving is very painful. Think again, Jiangnan is three thousand miles away, and who knows when it will be returned once it is gone, and there is hatred in the corner of the city, which shows its weight. Qianshan mountain is full of water, and the voice is difficult to get through. A letter from home, a paper tail, shows how deep that feeling is. "I can't see the forest, the mountain, the river for three hundred miles, and I will go around the intestines for nine times." In the sunset upstairs, it is difficult for a wanderer to get rid of homesickness. If you chew carefully, you will know that the thickness of the first three sentences of the next sentence is set off by the last two sentences. As for the clumsy ending itself, it goes without saying that the next sentence is paperweight.
He Zhu (1052 ~ 1 125) was a poet in the Northern Song Dynasty. The word Fang Hui,No. clear lake old man. Han nationality, from Weizhou (now Weihui, Henan). Song Taizu congratulated the queen's grandson, the daughter of the imperial clan. Claiming to be a distant ancestor, he was a descendant of He in the Tang Dynasty, so he knew the lake (namely Jinghu Lake), so he named it clear lake. He Zhu
The wheat wave has cleared, the wind has turned to willow, and it has been hurt by spring. Why did he become a boy? After all, it is spring teasing. The red medicine column carries the vegetarian hand, and warm words are thicker than wine. Looking forward to the garden flower shop as embroidered, but thinner than before spring. -Qing Dynasty Nalan Xingde's "Sihe Township Lang Mai Breeze Willow" Sihe Township Lang Mai Breeze Willow.
The wheat wave has cleared, the wind has turned to willow, and it has been hurt by spring. Why did he become a boy? After all, it is spring teasing.
The red medicine column carries the vegetarian hand, and warm words are thicker than wine. Looking forward to the garden flower shop as embroidered, but thinner than before spring. Write that the scenery hurts the spring, adding a little shade outside the window. Only Zhu Ying is left. He is still alive in the last spring. The old warbler has nothing to say. Flying around to get cherries. Sit and watch Shuang Yan's milk. Whispering in Yan language seems to cherish people's desire to die. Naturally, I think the canal is not harmonious. The world is always misunderstood. -Wang Guowei in the Qing Dynasty, "How many shades outside the window", how many shades outside the window?
How much shade has been added outside the window. Only Zhu Ying is left. He is still alive in the last spring. The old warbler has nothing to say. Flying around to get cherries.
Sit and watch Shuang Yan's milk. Whispering in Yan language seems to cherish people's desire to die. Naturally, I think the canal is not harmonious. The world is always misunderstood. Where does the spring water return from the pool? There are fallen flowers everywhere. There is no one in the lonely pavilion, and the dream breaks through the moon embankment. Not in the mood, not in the mood. It's even stormy outside the curtain. -Song Qin Guan, "Where is the Spring on the Pool?"
Where does spring return to the pool? There are fallen flowers everywhere. There is no one in the lonely pavilion, and the dream breaks through the moon embankment. Not in the mood, not in the mood. It's even stormy outside the curtain. Writing about scenery, hurting spring, lyrical loneliness