Li Bai's Character and Corresponding Poems

1. Li Bai's character poems

Poems about Li Bai's character 1. What poems reflect Li Bai's character?

The greatest feature of Li Bai's poems and songs is "Hao".

His boldness can be manifested in two aspects. One is that he is so confident in himself that he is a little arrogant, so he has the capital to rely on his talents to show his lofty. Li Bai was called to Chang 'an by Emperor Xuanzong of the Tang Dynasty on the recommendation of the poet Wu Yun. At this time, he was filled with joy and sang "Going out and laughing in the sky, are we Artemisia people?" ("Nanling children don't go to Beijing").

But he "made friends with princes" with the attitude of "perseverance and inaction". In the dark officialdom of feudal society, this aboveboard style naturally doesn't work. When he realized that he was only a "royal scholar", he left proudly. "Oh, how can I bow and scrape to those high-ranking officials who will never be shown their honest faces" ("Dream of Mount Tianmu").

On the other hand, in his poems, the atmosphere is magnificent and the artistic conception is vast, which is unparalleled. "Well, it's too dangerous! It is difficult to go to the sky! " He praised this poem and was deeply touched by Li Bai's atmosphere. His poems have a wide range of artistic conception, such as "If you don't see it, how can the water of the Yellow River move out of heaven and enter the ocean, and never return" ("I will enter the wine"), "I will cross the Yellow River, and the ice-choked ferry will climb the snow Taihang Mountain" ("Difficult to walk"), "A straight line goes to heaven, and it reaches the sky, reaching the top of five holy peaks and penetrating China". It is here that the ladder mountain range, which is hundreds of miles long, begins to turn to the southeast ("Tianmu Mountain rises in my dream"), which is magnificent.

2. Li Bai's personality and related poems

Personality characteristics: He didn't show fame all his life, but he held high hopes, despised the powerful by his clothes, unscrupulously mocked the hierarchical order centered on political power, criticized political corruption, and carried forward the heroism in the prosperous Tang culture with a bold rebellious attitude.

Li Bai's anti-power thought is becoming more and more conscious and mature with the enrichment of his life practice. In the early days, it was mainly manifested in the equal requirements of "self-improvement, not being human" and "making friends with princes", as he said in his poem: "I was drunk in Chang 'an, and five kings and seven people shared a glass of wine.

In the face of heroic spirit, the romantic spirit will fall behind others! "("Liu Yelang presented the judge Xin ")" Encourage the nine masters to ride, making waves and becoming red. " ("Ode to the Jade Pot") He sometimes makes grandiose remarks that show contempt for powerful people, such as "Gold and white jade buy songs and laugh, and get drunk and tired, and despise princes" ("Remembering the past" sent the county yuan to join the army). But his main performance is inner pride.

With the understanding of the actual situation of high-level power groups, he further revealed the opposition between Buyi and dignitaries: "Zhu Yu buys songs and laughs, wasting talents." (The fifteenth time of "Ancient Style") "Wu Tong nest finch, orange."

(Article 39 of Antique. The ugly behavior of those who stole power because of flattering the emperor is even more ironic, such as: the cart flying dust, the pavilion is dark in the afternoon.

China is more expensive than gold, and Lianyun has a room. He Huihe was dubbed cockfighting.

When the snorts are dry, pedestrians are afraid. There is no such thing as washing your ears, only Yao and your feet! In "Dream on Mount Tianmu", he made the loudest voice: Ah, how can I solemnly bow and scrape to those high officials whose sincere faces will never be seen! The significance of this artistic generalization in Li Bai's poems is as important as Du Fu's famous sentence "The wine and meat in Zhumen stink, and the bones on the road freeze to death" ("Ode to 500 words from Beijing to Fengxian").

In the deteriorating political situation at the end of Tianbao, Li Bai linked anti-dignitary with extensive social criticism. For example, Answering the King on Twelve Cold Nights not only fought bravely for the fallen sages, but also expressed disappointment and contempt for the imperial court: If there is no Beihai in Li See, where can there be heroic spirit? If you don't look at Pei Shangshu, there are three feet of wormwood thorns in the earth grave.

Teenagers have long wanted to go to the Five Lakes. Seeing this, I will spare Zhong Ding. Li Bai even sharply reprimanded Xuanzong himself in the way of satirizing modern people in his poems, such as "Feeling the Book, My Friend", "Ancient Style" and "Ascending to the Far Sea".

In a word, it can be said that he developed the anti-power theme in Tang poetry to the point of dripping and hearty. Ren Hua said that Li Bai "has lived for decades, but he has never seen Li Bai's painting fade for a day" ("Miscellaneous Words Send Li Bai"). This consciousness of never giving in to powerful people and bravely resisting and maintaining self-dignity is an important content of attaching importance to personal value since Wei and Jin Dynasties, and it is also a tradition of attaching importance to strength and character. It is under the new historical conditions that Li Bai inherited and carried forward this excellent tradition and became a superstar in poetry.

Li Bai's poems and songs are full of passion for life. His poems are often full of childlike interest in the wild, such as: "Two people love each other, one cup after another."

I want to sleep when I am drunk. You can leave yourself. If not, take the violin in the morning. "("Lovers in the Mountain ")" The sleeves are long and the sleeves are easy, and the Hanzhong satrap is drunk.

Put a robe on me. I'm drunk and sleep on a pillow. "("Reminiscing about the past and sending Yuan to join the army ") Life is like strong liquor, which intoxicates the poet. Of course, this is not to say that there is no sorrow and pain in life, but the poet's optimism is enough for him to transcend and overcome his sense of hardship. The so-called "in the year of destiny, do you still have time to worry? "And drink and climb the stairs" (the song of Liangyuan), "Drunk Jia Qianchi, don't look at the monument to tears" (the fourth song of Xiangyang), which is a portrayal of his broad-minded mentality.

He is never satisfied with loneliness and loneliness, such as I drink the bright moon alone: from a pot of wine to flowers, I drink alone. No one is with me. Raise my cup, I invite the bright moon, which brings me its shadow and makes us three people.

The moon doesn't know how to drink, but the shadow in front of it is behind. I have to mingle with them and enjoy the happiness of spring.

The song I sing is bright and wandering, and I dance the shadow before wandering. When you are awake, you are happy together, and when you are drunk, you go your separate ways.

I am willing to stay with them forever and forget the harm of friendship, just like the Milky Way. Only a energetic poet can come up with such a fantastic idea.

He has a "short song line", and the idea is: "If you want to win the Six Dragons, go back to the car and hang the Fusang. With the help of the Big Dipper, every dragon advised them to drink a glass of wine, so they all fell asleep and couldn't stay awake.

Wealth is not what you want, people are in their twilight years. There is no sigh of the past, but the naive imagination of "persuading wine", which expresses infinite attachment to life.

These poems, with their pure interest, appeal to the beautiful human nature submerged by vulgar life, thus gaining permanent charm. Li Bai has a strong feeling for nature, and he is good at integrating his personality into natural scenery, which makes his landscapes and valleys have idealized colors.

He said in the poem "Sunrise": "I will include a big piece, and I will be noble and have the same topic." He also said: "Yangchun told me to smoke, and I took articles during the holidays."

(From the preface of my brother's spring banquet in Taohuayuan) Li Bai is heroic and pursues a pure and noble state of mind. These different personality aspects also form two types of his artistic conception of mountains and rivers: one is to highlight the beauty of strength and movement in the majestic mountains and rivers, and express his lofty aspirations in the magnificent artistic conception; The other is to pursue the bright and clean beauty of Li Bai's pictures and express spotless innocence in beautiful artistic conception. For example, the Yellow River and the Yangtze River in his works roared and roared: "How does the water of the Yellow River move out of the sky and into the ocean, and never return" ("Into the wine"); "The Yellow River Wan Li touches the mountains, and the vortex hub turns to Qin Mine ... djinn growls and breaks the two mountains, and Hongbo jet shoots the East China Sea ("Xiyue Yuntai Song Send Dan Qiu Zi "); "I climbed up. I look at the whole world, and the vast rivers can't go.

"Huang Yun is popular for a hundred miles, and the snow peaks are around nine streams" (the song of Lushan suggestion and Lu Xuzhou); "Poseidon has been to the evil wind, and the waves hit the stone wall of Tianmen. What happened to Zhejiang in August? Snow in Taosi Mountain (Hengjiang Ci).

The peaks in his works are towering and steep: "The highest cliff is only one foot below the sky, and the withered pine trees hang their heads from the surface of the cliff" (Shu Dao Nan); "Straight into the sky, its peak into the sky, the top of the five holy peaks, casting a shadow through China; The rooftop is 18,000 feet, right here, and it begins to turn to the southeast (Dream of Tianmu Mountain). He endowed mountains and rivers with lofty aesthetic feeling with heroism in his chest. His praise for the great power of nature is also a tribute to the far-sighted and unremitting pursuit of life ideals. Extraordinary natural image and proud heroic character are integrated.

At the same time, Li Bai wrote many beautiful artistic conceptions with crystal clear.

3. What poems can reflect Li Bai's character?

There are 900 poems written by fallen immortals, all of which are the style of the family.

You look at me, I look at you, and there are only my eyes and Jingting Mountain's eyes. (Li Bai sits alone in Jingting Mountain)

Run wild with courage, and you will be clean in the first world war. (Six Poems by Li Bai)

Phoenix is a great sage, but he doesn't want to be a minister. (White dove says Li Bai)

Oh, let a man with spirit take risks where he wants to go, and never point his golden cup at the moon empty! . Since God has given talents, let them be used! ,

Spin a thousand silver coins and come back! . (Li Bai, who will enter the wine)

Oh, how can I bow and scrape to those people with high status and important positions? They never want to be seen with a sincere face. (Li Bai from Tianmu Mountain in Dream)

Enjoy a glass of wine while you are alive! Don't care if your reputation will be passed down! . (Li Bai is hard to walk)

Go out laughing, are we Artemisia people? (Nanling children don't go to Beijing, Li Bai)

Since the world can't satisfy our desire, I will loosen my hair and get on a fishing boat tomorrow. (Shu Yun Li Bai, Xuanzhou Xie Tiao Building farewell school book)

Peach blossoms are opening, and it is another world. (Answer Li Bai in the mountains)

The son of heaven didn't get on the boat, calling himself Brewmaster. (Fu of drinking)

4. Li Bai's character and poems expressing his character.

I am a madman in Chu, and I sang a crazy song to argue Confucius.

Holding a green jade stick in his hand, he bid farewell to the famous Yellow Crane Tower early in the morning. All five holy mountains, no distance, according to a constant habit in my life.

Lushan Mountain stands beside the South Big Dipper, and it is like a nine-sided screen, reflecting in the Crystal Lake, deepening the clear water. The Golden Gate leads to two mountains, and a silver stream hangs down to three stone bridges.

Xianglufeng Waterfall is separated from it by a distance, and it is a heavy cliff towering into the sky. The morning glow is red in Cui Yun, and the birds fly and grow.

Between the sky above and the sky below, the river is gone forever. The sky is grey and windy, and the river flows like a snow-capped mountain.

I like singing for the majestic Lushan Mountain, which thrives because of its scenery. When looking at the stone mirror to purify the soul, Xie Lingyun's footprints were covered with moss.

I will take the elixir of life to eliminate the world and practice the three Dan and three products. Watching immortals in colorful clouds, holding hibiscus in hand.

Immortals have met in nine days, and I hope to see you invite me to visit Taiwan. Lu Xuzhou's Note: john young, a native of Tang Suzong, was once an imperial adviser in the temple.

Chu madman: refers to Lu Jieyu, a madman in the state of Chu. He once sang wildly in various places and advised him not to be an official. Two peaks: censer peak and double sword peak.

"I am a madman in Chu and sang a crazy song to argue Confucius" is not that Li Bai compares himself with Chu and laughs at it, but that he compares himself with Chu and makes himself hurt. Li Bai's whole attitude towards life is to be an official actively, which is different from Chu Kuang's negative attitude towards life. Li Bai's calling himself "Chu Guang" is actually a reflection of his political pain that he cannot find a way out.

Li Bai respects Kong Qiu, and the word "laugh" in Who Singing Crazy Songs to Debate Confucius is also written backwards, which suppresses the bitterness and resentment of Li Bai's life and relies on Kong Qiu to laugh at his own childishness and sentimentality. A brief analysis of this poem came to Jiangxi from Hankou one year after the poet returned from exile Yelang.

This poem not only describes the beauty and magic of Lushan Mountain, but also mainly shows the poet's wild and unruly character. The poet at that time had gone through a lot of hardships, and he was always unwilling to bow to the reality that tortured him. It is more urgent to seek immortality and learn Taoism.

Chu Ci (Part II) Who sings crazy songs to argue with Confucius, Huai Ling, a madman in Chu, does not want to drink with the emperor, and he is drunk on the Yangtze River and stays in heaven.

5. What poems can reflect Li Bai's character?