Ears-there is only one fight in the world, and the ears get eight stones, and the Taoist friends steal one, and the world gets one stone.

Background frame-a game of chess, one dream, practicing Buddhism through the ages and vicissitudes in troubled times.

Xian Xia's novels should first consider the background setting. The setting of the background directly determines the pattern of the novel and the development space of the story. Different from martial arts and modern urban novels, it has its own limitations. Xian Xia's theme makes the setting of the background have a broader space, and also gives the author more room to play. However, this does not mean that Xian Xia is easy to write. It can be said that it is not easy to write a novel on any subject. While allowing a larger pattern, Xian Xia is also testing the imagination and creativity in the eyes of the author!

At present, the mainstream of Xian Xia's novels is undoubtedly the so-called "mortal stream" represented by the biography of mortal cultivation. Starting from the human world, the novel has interfaces at different levels, such as the human world, the spiritual world, the demon world and the celestial world, and each interface is a continental plane formed by splicing and merging many different continents. It is equivalent to taking a boundary as one layer, and three or four layers are superimposed in parallel to form the whole novel background. The success of this background setting is mainly due to the clear hierarchy of this setting, which can serve the protagonist's upgrade very well, and the transition from one interface to another changes with the upgrade. But this setting can't avoid one of the biggest problems-the interface connection is not tight enough, which is prone to failure! For example, the problem that "the spiritual world is not as well written as the human world, and there is nothing new" is mainly due to this. (Personally, I think it is very objective, please forgive me)

Fairy inverse's background setting is different. Fairy inverse is set in the magnificent starry sky, which can be said to be infinite. This setting is undoubtedly difficult to write well, which requires the author to have strong layout and control ability. What makes the sage shine at the moment is that all levels are not a simple plane, but countless planes are fused together to form an organic whole. First of all, the fairy inverse is developed with a small framework of fixed stars, and there are interfaces on the fixed stars, such as killing domains. There are four star domains above each interface, which are inside and outside the boundary, and there are unknown interfaces such as the ancient fairy domain. These interfaces are not parallel, but exist in the same starry sky, staggered, and the contact between interfaces is closer, forming a three-dimensional space, which is helpful for the story to unfold! At the same time, Xianinverse not only suits the plot with space setting, but also sets different times such as ancient style and ancient times, organically connecting events at various time points and forming a trinity structure of time and space characters! This has to be said to be a great originality of Xianinverse.

Structure-the layout of palace chess is not classic, black and white, and the number of children stops.

The inverse background frame has been analyzed before and belongs to the overall layout. The structure to be mentioned here refers to the local structure. The structural arrangement of many Xian Xia and fantasy novel is too simple, and its main line is close to a straight line, with little contact with other nodes, which is almost a blind development main line. Looking back, I found that the isolation of each node was ignored. Therefore, only by forcibly pulling the clues of each node in the direction of the main line, and then going hand in hand, the structure becomes monotonous and rigid invisibly.

Fairy inverse has done a good job in this regard. Writing fairy tales in my ears is like a spider. The so-called "Zhuge cast a net for thousands of miles and sat alone in the general's account"; Just like an inscrutable chess player, the twist falls slowly and patiently. Spiders can't make quick profits by weaving webs. They are not woven from the outside to the inside, nor are they woven from the inside out at the same time. Instead, it takes the innermost part as the center and extends outward in circles. The profound layout of chess players will not simply pursue bravery and progress, but take care of both sides and step by step. In line with the overall framework of Fairy Rebellion, Ergen has set two main lines for Fairy Rebellion-one is Heaven's Rebellion, and the other is Love. The two main lines are one positive and one odd, both positive and odd, and make overall plans. At the same time, like weaving a net, all nodes are set in paper, and staggered auxiliary lines are radiated to make them closely connected with the main line, which leads to the outward divergence of hidden dark lines and extends to all levels, thus gradually developing outward and forming a tightly dispersed three-dimensional space. More importantly, each auxiliary line also plays a leading role, developing small threads separately, organically combining the auxiliary lines into a whole, echoing the main line and developing together.

For example, Wang Lin went from Suzaku to Tianyunxing. If it is written by a general author, it is likely that Wang Lin will be promoted to Yingbian, and he will leave because he realizes that Suzaku has no room for development. When traveling in the starry sky, I accidentally came to Tianyunxing, met Tianyunzi and worshipped him as a teacher. But his ears didn't write about the abrupt relationship between Wang Lin and Tianyunzi. Ears arranged for Wang Lin to meet Tianyunzi as early as when Wang Lin was deified, but it was only brief, so I won't go into details. After Wang Lin left, he picked up this thread and continued knitting. Imagine that without this hidden line, Wang Lin came directly to Tianyunxing and worshipped Tianyunzi as his teacher. Is it suitable? Of course not, it will make Tian Yun's article and Suzaku's article form a certain degree of disconnection. It is very necessary to arrange the ears on Suzaku. When writing an article about fate, the function of this auxiliary line is reflected. What is structure? This is the structure! What is level? This is the level! You can always pay attention to placing such bright or dark pieces on the intricate chessboard. Without certain skills, it is absolutely impossible!

Plot-heavy mountains and heavy waters have no way to recover, and there is another village.

The so-called plot is an introduction. Draw out the story and meaning: No matter how vivid and imaginative a Xian Xia novel is, its external form is still a story, and its characters and thoughts can only be revealed with the development of the story. When you open a novel, the first thing you read is the story. Tolstoy said: "A proper plot can organize all chaotic thoughts, observations and knowledge, and it is often in an instant, just in a few seconds, just like a corrosive agent." The plot is the growth history of the characters, which serves the characters and makes them express and deepen. It also has the function of revealing the ideas of the works. As a novel by Xian Xia, the plot is particularly important. It can be used to develop and solve various contradictions and tell readers what it wants to express.

The plot setting of Er Gen is what I admire most. I even dare to shout: The plot setting of Xian Xia's works in the past ten years is the first! Fairy inverse's plot is full of ups and downs and fascinating. For example, the magnificent sea, layer by layer narrative, wave by wave, changeable. Every time there is a strange peak protruding, which is unexpected and wonderful, giving people the feeling that "the mountains and rivers are endless and there is no road, and there is another village in the dark". If evaluated in eight words, it is: unexpected, reasonable! The plot is tortuous and straightforward. In the final analysis, it is how to write the story. As Xian Xia's novels, straightness is indispensable, and twists and turns can be fascinating. Many people have published book reviews, saying that the plot of the virtuous and rebellious climaxes, one wave is not flat, and another wave rises. There are also many people who often post in the book review area to predict the follow-up plot of Xianinverse, but they can't get it, so they can't help but sigh! Personally, I'm afraid there is no book in the whole starting point that can have fairy tales and make readers flock to it!

In the sea of clouds, Wang Lin and Li Qianmei were intimate in Fangcheng, which attracted two young disciples to provoke. At that time, some Taoist friends couldn't help but come out and say that the old bridge segment of jealousness and jealousy during this plot was vulgar. Unexpectedly, the next day, the two men turned out to be deliberately arranged by others to test Wang Lin, but they were directed at Wang Linlai. It seems abrupt, but when I think about it carefully, I can't help but suddenly feel that this is reasonable. I like the enthusiasm of my ears! Another example is "The Land of Epilepsy", when Qiu Guan Taoist wrote "The Road to Dreams", he posted a comment saying that "the past of Si Mozi is bland and tacky", and some Taoist friends echoed and some opposed it. But I didn't know the ears had been arranged. The plot of Dream Road is actually the basis for Wan'er to throw an olive branch to Wang Lin, including the love affair of the previous generation Suzaku, all of which serve this plot. Everyone was deceived by his ears, but he had to admire their brushwork. It's unpredictable!

People-suddenly looking back, the man was there, dimly lit.

There is a saying that literature is human studies. Without people, there would be no literature, especially novels. It not only expresses the author's thoughts and feelings, but also directly takes literary language as its own responsibility and shapes the characters. It impresses and infects readers with distinctive and unique characters. The arrival of the Internet era has spawned many writing techniques in the new era, and various schools of writing techniques have emerged one after another. Different writing schools and divisions, such as "postmodernism", "pioneer", "trendy", "surreal" and "post-80s", put forward different requirements for writers all the time, making them adapt to society and write, making more writers "run with the wind" and become restless. What's more, at present, more modern online novels we see have the same tendency, that is, they no longer structure novels with people as the center. Don't use characters to drive the plot or complement each other. Write characters for the plot. The characters will suddenly become difficult to understand because of the plot. Because what they said was not what they could have said, and what they did was not what they could have done. The result of this is that the characters in the novel are blurred. We often can't remember who Zhang San and Li Si are, or remember them, but they can't stand the test of time and soon forget them.

In the current impetuous environment of the online world, it is especially rare for Ergen to adhere to the writing principle! Most excellent novels at all times and all over the world focus on depicting one or several main characters with concentrated pen and ink, focusing on the ideological and personality characteristics of the main characters, and then configuring and describing some indispensable secondary characters to form an image system with the main characters as the main body.

There is no doubt that the portrayal of the virtuous and the rebellious is extremely successful, whether it is the protagonist or the supporting role. The most popular way to measure the success of characterization in a novel is to close your eyes after reading it, and whether you can form a clear novel character image in your mind, including their appearance, behavior, language and personality. If you try, you will find that many characters in Fairy Inverse are very clear. Wang Lin, the protagonist, went astray, and the vendetta in the immortal world killed his parents, and his character changed from intelligence and honesty to ruthlessness. Before he entered the land of ancient gods, a comment by gods and demons, "This man is ruthless, bold, decisive, ruthless, extreme, brave, thoughtful, firm and cunning as a fox ..." embodies Wang Lin's character. Two thousand years of monasticism, in the character Wang Lin, the crisis of life and death again and again has been skillfully resolved again and again, and the impression on readers is more and more profound! Li Muwan, only a few scenes have been sketched and described several times in our hearts, so we can't help hiding the image of a gentle woman who is as gentle as water, quietly waiting for her lover to return and die without regret! Li Qianmei, just a sentence "You said you would send me away" will make readers unforgettable! Not only the protagonist, but also the supporting role. "Let it rain, spare me", in a word, we remember the respectable and overbearing Stuart; A jaw-dropping flattery, the reader seems to see the miserable little Xu Zi standing in front of him; "Xiao Bai, stand upside down!" Say four words, and the image of a lovely girl will jump to the page! Not much to say, too much. ...

Emotional articles-sunrise in the east and rain in the west, the road is sunny but sunny.

Speaking of feelings, what is feelings? The so-called emotion-feeling is a concept of thinking and a feeling; Emotion depends on dependence, and the dependence of thought is emotion. From the perspective of Buddhism, emotion is the embodiment of life phenomenon. Because affection is the relationship between people, such as the "Five Relationships" in China, that is, the relationship between the monarch and his subjects, father and son, husband and wife, brothers and friends, that is, affection, which is a real life phenomenon. From the sociological point of view, emotional social knowledge depends on emotional vocabulary and emotional concepts in the process of socialization, and is influenced by external macro factors. After people have accumulated and internalized certain social knowledge, when expectations are inconsistent with specific social situations, they will cause emotions.

Emotions can be roughly divided into: affection, love, friendship and others. The emotion expressed in a novel lies not in the novel itself, but in the author. The emotional view in the novel is actually the positive or negative concrete embodiment of the author's emotional view! Fairy inverse is different from other Xianxia novels in that it presents a complete and unique emotional system. Although it is still in its infancy and immature, it actually reflects the author's own emotional view. It can be said that fairy tales are definitely not the two best novels, but they are the beginning of describing emotions in the two novels. I sent a long post some time ago, analyzing the love between Wang Lin and Li Muwan, Li Qianmei and Mu Bingmei, so I won't go into details here. Let's talk about feelings such as family friendship.

Feelings are based on human social culture and cannot be separated from the harsh social environment. Although it is a modern society with the slogan of emancipating the mind, it is undeniable that the Confucian culture that has ruled China for thousands of years still has a profound influence on the broad masses. In fairy tales, Wang Lin is a filial boy. In order to fight for his parents' breath, he showed extraordinary perseverance and firmness in the Heng Yue school exam. Then, both parents were killed by their enemies. Wang Lin was heartbroken, changed his temperament, died several times and finally got revenge. Wang Lin's filial piety completely deviates from the superficial category of wanting nothing and making unfeeling decisions in many Xianxia novels, but conforms to the viewpoint of traditional Confucian culture. It can also impress readers well and conform to readers' ideological values. Another example is friendship. Speaking of friendship, Stuart and Wang Lin are of course representatives! Although Stuart and Wang Lin are both teachers and friends, they are mainly based on friendship. ) Stuart became attached to Wang Lin because of fate. There are too many ups and downs from initial vigilance and distrust to later bosom friends. At first, they only combined because of their hobbies, but after countless crises, pursuits, escapes and opportunities, they gradually deepened their understanding and established a profound friendship. Wang Lin once said: "No worship of heaven and earth, no respect for ghosts and gods. Only worship parents, only respect Stuart's oath! This is in line with the Confucian idea of "respecting teachers" that "heaven and earth are teachers' relatives and never forget them in this life", but it also goes beyond the Confucian definition of friendship. Confucianism places too much emphasis on "benevolence" and "courtesy", which limits the boundaries of friendship. But this kind of friendship beyond life and death is indeed acceptable in modern society and the product of emancipating the mind in modern times. Speaking of other feelings, let's take Wang Lin's school in Heng Yue as an example. When Wang Lin first entered Heng Yue, he was laughed at by his classmates. Later, he cut a dash in the competition and finally won awe. Wang Lin is always indifferent to other students except Zhang Hu. It can be seen that the friendship of monks in the fairy tale world is by no means a brotherhood formed through free will, but a sectarian interest network under strict authoritarian control. The leader of the Sect is the master regulator of this emotional system. He used a tough hand to keep the sectarian emotional network "unchanged". To some extent, this conforms to the strict requirements of Confucianism for the hierarchy, and on the other hand, it completely deviates from the so-called "benevolence" of Confucianism, implying the interpersonal relationship in modern society!

Write an article-the pen falls and the wind and rain shake, and the poem makes the gods cry.

Writing is a language style. Speaking of Shanni's writing, he wandered around Shanni's book review area all day. Kunlun knows that many Taoist friends have different views on Xianni's writing. I don't want to express my opinion first. First of all, let me correct a misunderstanding. Many people think that the writing quality of an article mainly depends on whether the language is gorgeous or not and whether the description is delicate or not, which is all wet. Gorgeous language and delicate description are just a kind of language style, which can be written well, but only one aspect. Taking Jin Yong, Gu Long and Liang Yusheng as examples, the language of Jin Yong's novels is elegant, simple, lively, changeable and humorous. The language of Liang Yusheng's novels is stated in the form of Zhang Hui's novels, which are full of poems, songs and proverbs. The language of Gu Long's novels is mostly short sentences, so as to avoid straightforward narration and carelessness. You can be partial to one of them, but you can't absolutely say that Jin Yong's writing style is better than Gu Long's! Because their language styles are completely different, they cannot be compared.

As for fairy tales, I personally think that Ergen's language can't be spoken well, but it is absolutely first-class, at least above most authors at the starting point. Integration of language, who is immortal, embodies the characteristics of Jin Yong and Gu Long and forms a unique style of writing. When describing scenery, setting off emotions and reasoning, there is always the shadow of Jin Yong. When writing characters' hearts, especially strong feelings, there is a strong sense of excitement that Jin Yong does not have. When describing and describing the dialogue between characters, short sentences are often used, which is quite cologne!

Ergen's literary talent focuses on the dialogue between characters and the exposition of emotion and truth. The description of the dialogue between characters mainly shows the character, which has been mentioned in the previous characters' articles and will not be repeated here. Below I mainly analyze the ear root's literary talent in emotional expression and reason explanation. Emotional expression is mainly based on language, scenery and psychological description. For example, there is such a passage in "Fairy Inverse": "Apricot tree; When the flowers bloom, the adopted daughter should not keep Taoism. Years ago, Jiro went online to climb the mountain. Years later, Ichiro's bones were cold, and his adopted daughter was crying and buried with him. However, he regarded the coffin as his own apricot tree with white flowers. Children should not look at Taoism. If you ask me how old I am. Others say there is no way out. When dogs bark, cats scratch people. Scared the Taoist priest to return to his hometown. " Before his death, Wang Lin sent his bones to his hometown-a small mountain village for burial at the request of Yin Zong, a monk, and heard this nursery rhyme in the small mountain village. This word is made by ears, which is easy to understand, like slang for children's songs. But when it is sung from the mouths of a group of children, with the lonely and desolate scenery around the small mountain village as the background, it makes people feel indescribable desolation and lament ... The language is not gorgeous, but it has an appeal that no beautiful woman can express! Look at this paragraph again-

Autumn leaves dance with the wind. Through the yellow patches, you can see a river in the distance, which flows rapidly and meanderingly to the north. By the river, there is a figure in white, sitting there quietly, and any yellow autumn leaves drift by. Looking at the king on the water. Some autumn leaves, perhaps blown off by the wind, scattered here, making those Ye Qiu yellows float on the river, wet most of them, and then drift away. The fallen leaves fall to the roots, but they are brought here by the wind and fall into the water. However, in this life, they can't go back to their hometown and don't know where they have been sent. Maybe in a few seasons, they will become part of the flood silt at the bottom of the river. If they have a soul, this soul, or with thoughts, will float out of the river and return to their hometown where they were born and raised. In the river, Wang Lin's figure is reflected and his face is clearly reflected. Pale face, indifferent expression and sadness in eyes seem to melt into the river and flow away in the sound. "It's time to go home ..." Wang Lin murmured softly-

The language is unpretentious, and it is not surprising that any sentence is taken out alone, but together, it can make people feel a kind of loneliness that slowly penetrates into their hearts. A figure in white sat by the river, the leaves rustled and left with the running water to the east. It seems to be writing about leaves, but it is actually writing about yourself, which makes people feel lonely that "heartbroken people are in the end of the world". How to write homesickness? That's what you should write! Exactly-listen to thunder in a silent place and see kung fu in an ordinary place.

Content-a flower, a world, a leaf and a bodhi

The content is the expression of the novel. From a philosophical point of view, there is nothing in the world without intangible content and intangible form. Content determines form, and form depends on content and changes with the development of content. The form reacts on the content, affects the content, and can also play a powerful role in promoting the development of the content under certain conditions. Content and form are dialectical unity. It is the relationship between shape and shape, and it is the relationship between meat and skin. A novel needs rich content, and a novel by Xian Xia needs more: not only rich and colorful content, but also reasonable and acceptable! Only by meeting these requirements can readers be interested in reading, think hard and understand what the author wants to express.

In fact, strictly speaking, no matter the plot, characters, bad environment, etc. In the novel, it should be the content of the novel. What I want to say below is only the creative addition outside the character plot to eradicate the middle ear. Most of the novels are rich in content, including martial arts, monsters, natural materials and treasures, panacea and so on. To put it bluntly, even if some authors can't imagine so much content, they should make up it with dignity. Ordinary novels are often filled with endless magic weapons. Dan medicine, materials, monster beast, medicinal materials and Dan medicine serve for upgrading, magic weapon materials serve for fighting, monster beast is mostly the source of refining and alchemy materials, and occasionally plays the villain role. Although this is rich in content, the endless stream of Dan medicine monsters can easily make readers feel numb, which virtually limits the diversified development of the plot! Maybe the protagonist tried his best to find an herb and finally got promoted, but the reader immediately forgot the name of this herb.

Fairy inverse is different. Ear root creatively abandoned the promotion mode with herbs, Dan medicine and monster beast materials as the main body, which not only broadened the development space of the plot, but also endowed the monster beast and Dan medicine appearing in the text with autonomy and readability. For example, mosquitoes and frogs are not purely utilitarian for serving the protagonist to upgrade or defend the enemy. In fact, they don't appear many times in the article, but they can leave a deep impression on us. What is this? The reason is that once the pure purpose is abandoned, the plasticity of these monsters will be strengthened, and the ears will not hesitate to personify them and make them more vivid. Although this can't point out a clear path for the development of the plot, it can better enrich the content and connotation of the article and make readers memorable. Another example is watching the moon. It is true that the full moon may not be so important in fairy tales, but the phrase "The wrath of the full moon is like the finger of an ancient god" in my ear has greatly enriched the content of the article, making this powerful monster leave a deep impression on readers. And, of course, poor Ji and so on and so on. In addition, Ergen also combined myths and legends with the images of ghosts and gods in classical Xianxia, creatively shaped the ancient family of ghosts and gods in ancient times, endowed it with new connotations, and greatly enriched the content of the novel. For another example, on the basis of the simple magic power of general novels, Ear Gen created three realms: extreme, Tao and beginning, and elaborated them in detail, which made people immersive, enhanced the imagination and interest of novels and made them more readable! There are many such examples. In a word, Fairy Inverse is an all-encompassing novel with extremely rich and colorful contents!

On Taoism-I don't know the true face of Lushan Mountain, but toward which corner of the mountain.

What is Tao? Confucianism says: Tao is benevolence, righteousness, courtesy, wisdom and faith. Buddhism theory; Everything can become Buddha, and everything can become Tao. Taoism says: See the Tao by doing nothing. Legalists say: legislation is the way. A hundred schools of thought contend, and each family has its own way. What is Tao? Opinions vary, and everyone has his own opinion. Even if China advances for another 5,000 years, I am afraid there will not be a unified view. Of course, as an online novel, there is no need to delve into what Tao is. Even if you study hard, you can't study it, but it will confuse readers. It is precisely because Tao is so difficult to write that it will be written as mysterious and specious empty talk if you are not careful. Therefore, most of Xian Xia's novels about fixing truth deliberately avoid this topic, for fear of being scolded by readers at last. It is commendable to dare to touch this Tao with your ears, not to mention that your ears can write it to an amazing extent, which is beyond the reach of ordinary writers.

Writing "Tao" is not only strict with the author's writing skills, but also the author's life experience and his ability to perceive and think about things. People who don't have certain life experience and keen observation and thinking ability are afraid to write and won't write! At the same time, when writing, we should try our best to make it simple, and strive to hit the nail on the head, so that readers can understand it completely according to the author's ideas, which is even more difficult! There are too many expositions about Tao in Fairy Inverse. Kunlun dares to say that Fairy Inverse is an encyclopedia about Tao. This paper holds that every deified person must have his own artistic conception and practice his own way immediately. The cycle of life and death, years, infatuation, mentoring and killing can all become Tao. The most typical one is Liu Jinbiao-the deception I study is divided into three realms, the first realm is deceiving others, and the second realm. You are deceiving yourself. The third realm. Has reached a considerable height. With enough understanding, we can see that the mountain is not behind the mountain when we look at it. Return to the original. Similar to the first realm. Lie to others! -About deception and "seeing mountains is mountains, seeing water is water; Seeing mountains is not mountains, and seeing water is not water; The Zen doctrine of "looking at mountains or mountains, looking at water or looking at water" also has the same effect, which has something in common with the triple realm of knowledge described in Wang Guowei's "Words on Earth": "The first realm, the west wind withered the trees last night, standing alone on a tall building and looking at the horizon; The second realm, the belt is getting wider and wider, with no regrets, which makes people haggard for Iraq; In the third realm, the crowd searched for him for thousands of Baidu, and suddenly looking back, the man was there, and the lights were dim. "Fairy inverse divides deception into three realms with great imagination, but it is coherent, irrefutable, natural thinking, convincing and memorable. Ears wrote in the rain: "This rain, born in the sky, died in the ground, and the middle process is life! The beauty of rainy nights lies in artistic conception, which is endless. Flowers and plants absorb water vapor, and the original meaning of death quietly flows away. This is the beauty of rainy nights and the taste of life. "The life and death of rain means the life and death of people, and the quietness and vitality of rainy nights show the leisure and vitality of life. A few words, there is a surge of understanding, profound philosophy lingering in my heart, lingering sound, three days! As a novel to fix the truth, Fairy Inverse not only discusses Taoism, but also expounds the word Taoism. "Tian Yunzi" said in the sermon: "The fairy has gone! The theory of cultivating immortals has existed since ancient times. That's the fairyland, the holy land of monks! So there is the saying of cultivating immortals! Really, what is it? Truth means the truth of everything. After the celestial world was gone, the monks seemed to have no roots, no homes and wandering alone. At this moment, there is a pulse of self-cultivation, which is self-cultivation Now, immortals and truth are all in the past, and we are pursuing Tao. But this road is not heaven! The way to practice is Tao. Find the third step, this is the explanation of the way of uniting! "This passage fully explains the meaning of Taoism and finds a way of its own. In fact, it's not just monasticism, but also life. It tells us that everyone has different innate conditions. It is not advisable to blindly copy other people's successful methods, and in the end you will only lose yourself. Only by tapping your own potential, striving for self-improvement and taking your own path can you finally succeed! Such passages can be seen everywhere in fairy tales, and even things written by ears often have great significance. For example, "the husband of heaven and earth, the reverse of everything; Time flies, and a hundred generations fly by. If you live in a dream, you will be happy with geometry ... and satisfied with geometry! "This sentence points out that the universe is eternal in time and space, and the objective law of the rise and fall of all things is alternating. People can't help but think of classic poems such as "the deceased is like a husband, staying up all night" and "flowers are similar year after year, and people are different year after year", and then they can't help but recall the happiness of the past, the fleeting time ... and so on. Where the dust is messy and trivial, you might as well wander in fairy tales, comprehend the philosophy of life invisibly on the avenue and wash a dusty heart ...

Excerpted from Baidu Review.

Fairy inverse, I think the best XianXia novel, no one.

There is only love and hate, and hate and responsibility are intertwined.