Song of never ending Song of never ending Concert

Because of the classic folk carnival concert, "Eternal Weiyang Song" has almost become synonymous with modern folk songs in Taiwan Province Province. The connotation of modern folk songs in Taiwan Province is different from Chinese mainland's "folk songs". The folk songs mentioned by Taiwan Province people have the meaning of "original songs that truly belong to our Chinese nation". The corresponding folk song movement in Taiwan Province Province, which originated in the 1970s and lasted for seven years, not only opened up the original spirit of young people, but also influenced several generations of musicians, becoming the most important chapter in the history of pop music in China.

In Taiwan Province in the 1960s, singers usually sang songs from the old Shanghai era. In addition, the imperfection of the recording industry has also led many singers to seek development overseas. Local pop music is gradually losing its appeal to people. For a time, listening to western pop songs became the main entertainment item for young people in Taiwan Province Province, which created a huge upsurge of western music in the late 1960s. At this time, the awakening of local culture has reached an urgent situation.

1On June 6th, 975, Yang Xian and Hu Defu held the concert "Night of Modern Folk Songs in China" at the Sun Yat-sen Memorial Hall in Taipei, which opened the curtain of the modern folk songs era in Taiwan Province Province. 1976 65438+On February 3rd, at the concert of western folk songs held in Tamkang University, Li Shuangze, a young painter who returned to Taiwan, jumped on the stage and asked loudly, "Why are all western works sung?" Where are our own works? "Li Shuangze shouted angrily," Sing your own song ". The audience immediately agreed to shout together. This is the famous "Tamkang Incident". On behalf of all young people who love music and have a strong sense of social responsibility, Li Shuangze shouted the strongest voice in the history of pop music in Taiwan Province Province.

Folk songs not only injected fresh air into the Mandarin pop music scene, washed away the dust on its old beach, but also brought a concept of self-reflection and criticism. Suddenly, all the young people picked up guitars and pens and devoted themselves to the most concrete music reform and creation in history.

The songs created and performed by folk singers are different from any songs at that time in style. They are neither college art songs nor authentic folk songs, nor are they popular tunes. At first, the creative power was insufficient, and a large number of songs were poems of famous composers, such as the works of local writers in Taiwan Province Province, such as San Mao, Yu Guangzhong, Lei Xian, Rohm, Xi Murong, Li Ao and Jiang Xun. With the intervention of Hou Dejian, Tayu Lo, Jonathan Lee and others, the folk song movement has made a qualitative leap, which is more humanistic and socially responsible than the early innocence.

These "folk songs" are unpretentious, catchy in style, fresh and simple, passionate and unrestrained, sincere and simple, from the heart, maintaining fantasy and longing, making people feel the beauty of life, so they are loved by the public, and many classic songs are still widely sung today.

Huang Shujun, one of the leaders of the folk song movement, sang in Weiyang Song: "You know you are looking for a forever."

Thank you, Taiwan Province modern folk songs, which bring us eternal beauty.

Representative figures of campus folk songs in Taiwan Province Province.

The glory of campus folk songs in Taiwan Province Province is not the efforts of a few people, but the joint efforts of a large number of people who love music and are persistent in their creation. The representatives are: Li Shuangze, Yang Xian, Tao Xiaoqing, Hou Dejian, Ye Jiaxiu, Li Shouquan, Li Taixiang, Chyi Yu, Cai Qin, Shi Xiaorong, Lai Su, Li Jianfu, Pan Anbang, Yang Fangyi, Xu Xiaojing, Liu Lanxi, Tai Zhaomei, Shi Biwu, Wang Hailing, Chen Mingshao and Qiu Chen. Jin, Xu Naisheng, Bi Xinyi, Bi, Lin Jianzhu, Xu, Chen Yunshan, Huang Dacheng, Wang Xinlian, etc. Attracted the vast number of young people in Taiwan Province Province.

Among them, we must pay special tribute to one person-Tao Xiaoqing. Tao Xiaoqing is neither a folk singer nor a folk songwriter, but she has made great contributions to the excavation and popularization of folk songs, and her role is unparalleled by anyone. Yu Guangzhong once commented: "Some people call Yang Xian the father of folk songs, but I think Tao Xiaoqing, who has always encouraged folk songs, can be called the mother of folk songs."

Tao Xiaoqing was a music program host in Taiwan Province Province at that time. She introduced China modern folk songs in her own programs from 65438 to 0976. 1In February, 977, in the company's Spring Festival special program, she invited Yang Xian, Wu Chuchu and others to sing their own songs. After the program was broadcast, the response was particularly good. After that, Tao Xiaoqing constantly planned to hold folk music concerts, presided over folk symposiums, and organized people who were good at composing, writing and singing to give speeches at various schools to explain the ins and outs of folk songs. She spared no effort in waving flags and shouting for folk songs, and incisively analyzed and expounded the essence, creative attitude and problems existing in the growth process of folk songs, so as to make them deeply rooted in the hearts of the people.

1995 and 2005, during the 20th and 30th anniversary of the folk song movement, Tao Xiaoqing hosted two large-scale folk music concerts to commemorate and review the modern folk songs in Taiwan Province province. Several generations of folk singers are happy on the stage and gather together to sing the purity and beauty of folk songs.

Children of folk songs say folk songs.

Hu Defu: After 30 years' haste, the brilliance of folk songs has increased the firewood for many years, and the more it burns, the more prosperous it is.

Jonathan Lee: Looking back on folk songs, I think folk songs are a sign of confidence. It is important for young people to write their own songs and make sure that they can do such things.

Wu Chuchu: If we pay attention to the original spirit behind it, it has not declined, but has become stronger and stronger, encouraging more people to embark on the road of music creation, even if the expression is different.

Chyi Yu: Folk songs are an awakening of students in those years.