You can rhyme at the end of each bar, or you can rhyme in cycles. In addition, according to the melody, it is awkward to sing a closed tone when the tenor is high. Lyrics are expressed in various ways and have their own creative rules, which are generally reflected in rhythm and formal effect. Many friends easily mix lyrics with poems, and finally don't know which is the lyrics and which is the poem. Of course, good poems can be used as lyrics, such as "Teach me how not to think about her", most of the lyrics in the Red Chamber. But I never thought Jay Chou's lyrics were poems. Of course, I also like that his China is hip-hop, which makes him play very interesting ... So, the lyrics are concise, concentrated, general and accurate. You can't say that I sang live for a long time, and you don't even know what I'm going to sing here. Poetry can be read carefully with a cup of Pu 'er tea in the evening afternoon, or sung at a gathering of several friends. As for the same effect, I am not tired here. I want to talk about rhythm first. When I think of rhythm, I may only say rhyme and rhythm. Maybe most people should know the level tone, so I won't say much about it. I'm just saying that the current lyrics may not pay much attention to the alternating symmetry or even the even level relationship between sentences, but the tone fluctuation in sentences is still very important, and the orderly change of lyrics' tone is also very helpful for composition. Favorable factors to promote the production of melody tones. "Rhyme" refers to the sound of each word, that is, the vowels in our Chinese pinyin. Most people who have studied vocal music have learned the pronunciation of "thirteen strokes", which is to classify the pronunciation of our great Chinese characters according to the northern dialect. The classification of words is similar to this one: 1, Fahua, 2, Suopo, 3, Ye Xie, 4, Gusu, 5, 17, 6, Huailai, 7, Ashpile, 8, Yaotiao, 9, Qiucong,. It is not difficult to see that all names have the same or similar vowels, such as "ma", whose vowel is A, and of course the first (fa) flower (hua) rhyme ... There are many kinds of rhymes, such as: 1, full rhyme, that is, full rhyme, which has continuity and tension, and is of course allowed. 2. Even rhymes are often used to echo sentence patterns. "Hu" is a singular sentence, and its artistic conception is not exhausted, so it needs to be supplemented and affirmed by "ying", so the even-numbered sentences in the whole article use the same rhyme to play a unified role. Sometimes the first sentence of the whole lyrics usually rhymes, which plays a rhyming role. 3. Rhyme generally refers to the use of different rhymes from one lyric to another, from one level to another, or from one sentence to another, so that the emotion of the lyrics can be easily stretched. It's always been a long speech. Let's take the theme song "Thousands of Questions" of "Beijingers in new york" as an example to make a small summary. I've been looking for you thousands of miles, but you don't care. You don't seem to be in my dream. In my dream, you are the only one again and again. Ask me if I love you. Ask yourself if you can't live without me. I seem destined to go alone in my life. My enthusiasm is exhausted by you. I am no longer me, but you are still you. Ouaskme asked me if I hated you. Timeandtimeagainiaskmyself ask yourself what's good about yourself. As can be seen from the above lyrics, it is mainly rhymed with "17", and almost every sentence rhymes with "I", except for one or two sentences in the second paragraph that rhymes with "ing" and "in", which belong to "Middle East" and "People's Day", and so does English. In this way, whether reading or singing, it is very subtle and tasteful. There are some similarities between vowels, consonants and voiced sounds in English and Chinese, and proper arrangement will achieve unexpected results. In addition to the commonly used rhyming forms mentioned above, there are some lyrics that don't pay much attention to rhyming, which are also very successful for the needs of specific content or genre, such as lyrics in the form of slogans or recent crazy black genre, but that doesn't mean that rhyming is not needed. Generally speaking, loud rhymes are used more, while soft and implicit rhymes express relaxed and affectionate emotions. Said the above song, is such a subtle rhyme. Maybe I shouldn't say it, but I really want to say it Modern lyrics, as an oral interpretation with lyric as the theme, have developed into today's form, and its evolution is an extremely ups and downs and complicated process. From the ancient Han Fu, to the Tang Poetry, to the Song Poetry, to Song Yuan, and finally to the lyrics sung in the streets and lanes today, it can be said that the lyrics are mixed, full of the struggle between the so-called elegance of the upper and middle classes and the real vulgarity of the lower classes. In history, Liu Yong was the first poet to write lyrics. Also known as Liu Qi, Liu Tuntian and Liu Sanbian, they are pioneers of graceful and restrained poets. But unfortunately, his "being ordered to write lyrics" made him extremely dissatisfied and poor all his life. But it is also very gratifying, after all, he is doing his favorite major, although those lyrics were eventually bought by geisha to sing. After a long and fierce struggle for elegance and vulgarity, after years of screening and precipitation, in the Yuan Dynasty, the middle and upper rulers were forced to accept and affirm the lyrics mainly composed of working people. This is the element of lyrics: easy to understand and easy to sing. Only by ensuring these two can we become songs and be accepted and loved by the public. I dare not talk nonsense here, but just talk to you about the positioning of the genre of lyrics. Lyrics, first of all, are spoken and easy to sing. Secondly, the lyrics pay attention to "starting", "bearing", "turning" and "combining", which is the most important! Works, like novels and other genres, pay attention to the beginning, process, climax and ending. Of course, some people will ask: Do lyrics or songs have to be sung in a low-key way to be considered "started"? No, no. The word "qi" in lyrics refers to describing or explaining things or the beginning of romance, without having to sing in a low voice. For example, Chen Tao's lyrics, "Farewell My Concubine" sung by Tu Honggang began to be sung in a high-profile way, but it was this high-profile singing that highlighted the domineering, personal hero and helpless tragic battle at that time, which was the skill of music processing. But as far as the writing itself is concerned, it is still the "starting point" of narration. We seem to see the ancient Xiang Yu, heavily armored and scarred, surrounded by blood in the sunset, holding a sword to stand out from the crowd. Then "Bear" bid farewell to Yu Ji: There are hundreds of charms in the world, and there are thousands of reds in Qian Qian. I only love you. That's a long way to go. I just want to say that the lyrics themselves, like other novels, poems, essays and other works, also want to express a certain artistic conception. Some lyrics only pay attention to rhyme, but they don't understand anything and don't know why. And some of them are not lyrics at all, but poems or prose poems, or more appropriately, which are lengthy and complicated, thus failing to grasp the easy singing method of lyrics. You know, such a long lyric is very tiring to sing. I don't know why some lyrics use so many words, so many gorgeous and unfamiliar words actually don't express what they want to say, and some lyrics lack refinement. In fact, the lyrics are forbidden to ask, such as "How much love can I start again" by Deco cowboy, which begins with: I often blame myself. Then we asked: What do you blame yourself? The next sentence is the answer: I shouldn't. The third sentence: often regret. We can ask again: What is there to regret? The next sentence is: keep you. For example, Zhang Li's predecessor's "Asian Glory" began like this: We are in Asia. Then we asked: What about Asia? The following is the answer: the mountain is high. For example, Chen Tao's Farewell My Concubine begins: I am standing, and we can ask: Where am I standing? Here: in the cold wind. Then we asked: What am I doing standing in the cold wind? The next sentence is: hope can't shake my heart. For example, Jonathan Lee's "I am a bird" begins with the following sentence: Sometimes I feel like a bird, and then we ask: Why a bird? The next sentence is: I want to fly, but I can't fly high. For example, Chen Xing's "Wandering Songs" begins with a sentence: Wandering people miss you outside, so we can ask: Who are you thinking about? Here is: Dear Mom. -This is a question and answer about the lyrics. If the lyrics you write can't stand the question and answer, it can be said that it can't, and the coherence of the lyrics itself can't be achieved. Because the lyrics are developed from ancient poetry after all, if you jump like poetry and modern avant-garde poetry, you can't sing it, let alone understand it easily. In addition, the words used in the lyrics should also be avoided as much as possible: although, but, but, what, however and other words that make people feel uncomfortable. Speaking of the refinement of lyrics, there is a good way. We can put the written lyrics aside, that is, don't revise them in a hurry. Wait a day, two days, four or five days or more, and then you can find your own leisure time, revise it better and write wonderful sentences, so as to make it more perfect. If we carefully taste, almost every song has wonderful sentences. The so-called glory is a sentence that can be remembered, which can make people feel powerful and touched by their hearts, even if your lyric style is gray. For example, how much love can be repeated and how many people can wait. Come back quickly. I can't take it alone. Come back quickly. Life is wonderful because of you. Friends come with good wine, and jackals come with shotguns. Facing the test of life, love setbacks are inevitable, and I still look forward to tomorrow. Waited a lot. Let's talk about the "turn" of lyrics first. In fact, there is no obvious trace of lyrics turning, just a prelude to the final "combination" of go, go, go until September 9. At the end of my yearning, I finally believe that love can't be given without you ... Obviously, the "turn" of some lyrics is just changed. For example, Jiang Yuheng's word "moving heart" is followed by: Ah ...; For example, the turning point behind Good Chinese Songs is: hey, hey, hey, hey, hey, hey. It can be seen that "turn" is the link between the preceding and the following, and it is the final "combination" of foil and foil. Finally, it is "combination". "Harmony" is the end, generally speaking, it is the climax of the song, and it is the cry of the singer or lyricist. A lyric or song, if it is too dull without the final climax, will lack the cadence aesthetic feeling, and will not make people feel excited and agitated after reading or listening, and certainly will not produce the * * * sound of the mind. In short, the lyrics are difficult to write, just like dancing in a cage, but as long as we feel it and let the emotional sentences flow naturally from the spring in our hearts, that is a masterpiece!