"Big Fish Begonia" is a fantasy animated film jointly produced by Bi 'an Culture Co., Ltd., Jingqing Film Co., Ltd. and Horgos Striped House Film Co., Ltd., directed by Liang Xuan and Zhang Chun, written by Liang Xuan, and voiced by Ji Guanlin, Shang Qing, Timmy Xu and Jin Shijie.
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Wonderful film review:
My name is Chun. What's your name? As early as the beginning of the year, I saw the propaganda of "Big Fish Begonia" in Weibo, with twelve years of sharpening a sword, China's animation masterpiece and so on. These signs are popular on major social networks and are quite radical. Naturally, I am very disgusted with all kinds of gimmicks that are equivalent to nothing. After all, no matter how loud your slogan is, you have to take out mules or horses. So, although we made a thousand phone calls and urged her for a thousand times, she began to come to us, and "Big Fish Begonia" was finally released on July 8.
At the beginning of the film, the opening of Zhuangzi's "Happy Travel" is played: there are fish in the north, called Kun, which is so big that I don't know how many miles. Into a bird, its name is Peng, Peng's back, I don't know its thousands of miles; Fly away angrily, its wings hang in the sky like clouds. In this way, finalize the design for the film, and declare that the story of the film was born out of Wandering Wanderers and was originally written in China. Then, a series of ancient architectural decorations, such as paddocks, lanterns, red, brick and wooden stairs, etc. , are also quite China; Shennong is in charge of the hundred herbs, Zhu Rong is in charge of the fire, and Phoenix is in charge of the birds, mending the sky and so on. These naturally come from China's classical myths and novels, such as Shan Hai Jing and Searching for Ji Shen. The figures with red beards and white hair and fine muscles are also quite in line with the impression of sage like type advocated by China. Needless to say, "Big Fish Begonia" is really hard, and every frame seems to be trying to restore the most China school. At the same time, there is no doubt that the traces of imitating Ghibli animation on the road to restoration are also very serious. First of all, the overall painting style is a typical Japanese style. The boatman, the one-eyed witch, the cat carrying the sedan chair and the two-headed snake can all find prototypes in Japanese animation. In addition, the scene of tsunami ferry is very similar to Chihiro, Spirited Away. The animals scattered in a hubbub by the roadside, the beaming mice in Rat Girl and the blinking plants are almost the same as those in My Neighbor Totoro.
Of course, Ghibli itself represents a height, and the reference of "The Big Fish Begonia" is not a criticism in itself, but a harmless learning and imitation. Moreover, China elements have a solid foothold in the film. In short, there is really no need to be picky about the technical picture of the film, at least I think so. To a great extent, it can really be said that just picking out the technical level of "Big Fish Begonia" is a landmark work of China animation.
Then, the question is, why is such a beautiful picture that I dare not look at it?
Is the story of "Big Fish Begonia" really born out of "Happy Travel"? I don't think so, except that the big fish named Kun in the movie has something to do with Xiaoyao. No matter how much blood I shed to recognize my relatives, I really can't find any blood relationship. I think the prototype of the story "Big Fish Begonia" is very similar to an Indian fairy tale I have seen before: Hindu Manu saved a small fish by karma, but under his care, the small fish grew bigger and bigger, so Manu had no choice but to move the small fish's home from the water tank to the pond, to the Ganges River and finally to the sea. One day, when the flood came, the fish saved Manu from the water in return. It is worth mentioning that the fish raised by Manu, like Kun in the big fish Haitang, has horns on his forehead. The difference is that the fish in Manoury played a full role in saving Manu. The fish asked Manu to tie the boat to its horn; And what is the role of Kun's role in "Big Fish Begonia" besides pretending to be forced and declaring his identity?
In other words, the story of "Big Fish Begonia" seems to be just like Manu's rescue of fish, which is nothing more than a pet cultivation. It's just that the ambition of "big fish begonia" goes far beyond this. It has to wrap the core of this story with lofty elements such as love, reincarnation of life and death, and the responsibility of repaying kindness. At the same time, in these packages, the most makeup is a love triangle with Mary Su flavor, which is full of love. I love you and you love him. However, this love still lingers on the cliff, and the loopholes in her body are still pouring with the wind. This is fucking embarrassing. I sincerely quoted classics, waded through mountains and rivers, and tried my best to find good stories from Shan Hai Jing and Search Ji Shen. Then I found that these wonderful stories have become the ingredients of chicken soup for cooking love. What's more, it was discovered afterwards that this love was never cooked anyway. Damn retarded, it's really Qiong Yao who has read too many novels. After drinking, Ba growled on the cliff: You refused the love of a god! True TM is mom's mental retardation, and I immediately thought of a sentence that Yuqi Zhang said to Liu Xuan in Stephen Chow's The Mermaid: My pursuers are all lined up in France, but you are soaking a fish. To put it bluntly, the essence of the two is the same. It turns out that Master Xing has defined "Big Fish Begonia" in a certain sense.
Of course, despite the bloody love in "The Big Fish Begonia", some ideas advocated in the film are also elegant. For example, a good person becomes a fish after death, and a bad person becomes a mouse after death, which conforms to the Buddhist theory of karma; The narrator of the film said that all human souls are a huge fish in the sea, starting from this shore and swimming to the other shore, becoming a sleeping fish after death, and life is endless. To some extent, this also coincides with the reincarnation of Buddhism. However, these creative ideas are just passing by, saying nothing, but doing dog blood love. I really don't know what the production team of "Big Fish Begonia" thinks. To tell the truth, Big Fish Begonia only needs to weaken the introduction of love and focus on it. There is no doubt that the film is definitely forced into several grades, at least fully worthy of the film's picture. Anyone who has seen Ghibli animation will know that love in Ghibli animation does not completely occupy any active position. On the one hand, "Big Fish Begonia" can be said to be really crazy in the pursuit of pictures, not weaker than Ghibli animation, but on the other hand, it has fallen sharply in the plot. Probably. I grinded a sword 12 years, and it was shiny, but I didn't expect that the inside of this sword had already decayed.
? My name is Chun. What's your name?