2。 The Lancet, a TV series about hospitals, and Tower of the White Giant, a Japanese TV series with rave reviews, are both hospital themes, but the leading actor and people behind the scenes agree that they are very different: "The Tower of the White Giant mainly tells the intrigue in the hospital, while The Lancet also has a medical shady story, but it focuses more on the relationship between doctors and patients."
The play was directed by Zhang Jiandong, who directed Don't Talk to Strangers and Let Love Be the Master. Wang Xuebing, Li Guangjie, Zhang Xinyi and other actors played the role of doctors with excellent medical skills.
3。 Brief introduction of Zhang Jiandong.
Zhang Jiandong, director of Qingdao, Shandong Province. Zhang Jiandong,1born in May 1962, director of Beijing Film Academy, 1984 was admitted to the undergraduate class of Performance Department of Beijing Film Academy, and 1988 stayed there after graduation. Later, he directed four TV series "Noon Sunshine", and Zhang Jiandong turned from entertainment to director. He focuses on the study of scripts and the pursuit of film style. Zhang Jiandong photographed his childhood kite. After establishing his own understanding of literary scripts, he expounded the future prospect of movies: with the war as the background and the children's point of view as the basic composition. However, in his second creation, Zhang Jiandong overthrew the original style of literary plays, but tried to find a structural way combining subjective and objective. On the premise of maintaining the integrity of the story, he added the subjective perspective of children, added the characteristics of "children's movies" and established the content.
Important TV series
The film and television works directed by Zhang Jiandong are famous for their unique perspectives, novel themes, attractive plots and beautiful pictures.
☆ "The True Color of Interpol" (1999) shows the struggle between police and underworld forces in the form of TV series for the first time, which aroused strong response from TV viewers and won 18 Golden Eagle Award for outstanding long TV series, 18 Golden Eagle Award for best editing of China TV and the fifth Golden Shield Film and Television Award of the Ministry of Public Security.
☆ Let Love Be the Master (2000) explores the social theme of "the third party" from a new angle, and interprets the fate of the characters with a more "real and realistic" attitude (in Zhang Jiandong), which has aroused strong repercussions and concerns from all walks of life.
☆ Don't Talk to Strangers (200 1) focused on "domestic violence" for the first time, which was relatively new in China at that time, causing widespread concern in society and strong response from the audience.
☆ Absolute Control (2002) is a brand-new work different from other dramas involved. In addition to pictures, photography and music, the director tried to make a new attempt from the aspects of character language, fate and plot setting. This kind of attempt has been accepted by the audience and recognized and concerned by people in the industry.
☆ Bluebird Sky (2003) changed the style of director Zhang Jiandong. This drama has injected a sense of tranquility, poetry and warmth into the noisy society, and is regarded as a work with humanistic care and literariness, regardless of the dramatic ups and downs of sitcoms.
☆ Perfect (2004) is a pure emotional drama with awe-inspiring style of realistic works. The rigorous drama structure induces a faint romance and feelings, a transcendence and perception of life phenomena, and a clean beauty and imagination.
☆ "Being close to you makes me warm" (2005) tells how three women who are in abnormal emotional state walk out of their psychological predicament step by step, find their emotions again and surpass themselves. It includes such socially sensitive topics as the fourth person, emotional infidelity, sexual harassment, asexual marriage and gender alienation.
☆ The film "Anti-drug Police" (2006) takes the anti-drug hero Wu Guanglin as the creative prototype, portrays a contemporary hero image with heroic feelings and full artistic style, and vividly depicts the hard and dangerous working and living conditions of the frontline police in China.
2006, the era we live in.
The Lancet in 2007.
"Jade Bird's Sky" and "Let Love Be the Master" both express emotions, but they are not so sharp and return to warmth. Nowadays, people are indifferent and hypocritical to each other, but they are still eager to have the simple feelings of the past, so everyone begins to be nostalgic, but it doesn't mean that they will shoot old houses, quadrangles and old ladies and eat cucumbers to tie the river when they are nostalgic. The story happened completely in the most modern apartment, and it was looking for the future while walking. The hero we choose is a bankrupt. He started a new life as a driver, and he was used to it and liked it. My drama is modern, and I also draw lessons from the styles of some Japanese and Korean dramas. I want it to be the other extreme. "
■ Always respect the wisdom of the audience.
Zhang Jiandong's every leap in genre selection and his insistence on perfection have made several of his works successful. He said he wanted to shoot something different, but he admitted that it was more difficult. "To achieve this step, you have to rely on your own accumulation and feelings for many years. At the same time, creators should constantly learn new things, and the audience's knowledge of film and television noumenon and culture is also constantly improving. If the winner is obsessed with his success, and his thoughts remain at 10 years ago, just like his works after 10 years, then he will naturally fall behind. However, it can be said that it is a difficult struggle to make new ideas, make new discoveries, have individuality and have differences in the types you have identified. "
Regarding his own success, Zhang Jiandong thinks that he pays attention to people and the way of telling stories in his works. "My own works pay more attention to people themselves. I don't want the characters in my works to be three-dimensional. How can we impress the audience? This is also one of the reasons why I like to express the theme of social problems, because social problems are of great help to the establishment of the plot and more attractive to the audience. Structure is another factor that I pay attention to, which is the way you want to tell stories. I think art creators always underestimate the intelligence of the audience, thinking that they can shoot whatever they want and throw some wisdom at will. At present, as long as there are dozens of channels to choose from in cities above the medium level, it is impossible for viewers to have no judgment. You underestimate the wisdom of the audience. When the remote control in the audience's hand moves, it is necessary to watch something else. So I am obsessed with the way I tell stories, and I want to be wise. I don't want to make a martial arts film or anything. I think those things are too hypothetical and I don't like them. "
■ Save the charm of China people.
Some people say that some actors can't tell the truth when they listen to Zhang Jiandong's plays, so they have to choose logical stress. Zhang Dao smiled. "I pay more attention to the actors' lines. I think our lines or speeches are too careless now, and our China people's charm is almost lost. The beauty, rhythm and logic of Chinese are very strict and regular. In addition, the quality of lines directly affects the final result. Some directors say that their plays have all been made into movies, and they can't even understand themselves. When filming Absolute Control, I put forward a slogan to pay tribute to the play, but I think my play is a bit too much and too dramatic. I wonder why northerners speak southern dialect and Hong Kong and Taiwan dialect in TV series. Is our language just fun? I hope I don't have a fake Hong Kong and Taiwan accent in my play. The lines should be clean and beautiful, and the language expression with northern language characteristics should be the cleanest and purest. "
■ Personality influences works.
Reading Zhang Jiandong's works will make people interested in or question his own personality. After hesitating to express this meaning, the reporter readily admitted that personality affects the work. "A person's personality will definitely affect his works, and the formation of personality is related to his family environment. My family is not smooth, forming a sensitive and suspicious character, so my character will be exposed in my works. My works are emotional, and there are some morbid things in the characters. I am willing to let what I express go to my heart and pay attention to the human body. There is a sentence that impressed me the most. It says that there is only a wall between a good artistic creator and a mental patient. Some people always call me old-fashioned, and some friends worry that my old-fashioned style will make my works like this. They said they didn't expect my work to have such an extreme expression of passion. Later, I thought about it, that is, there are several things in a person's heart, and what he released may be the one you didn't see or find. So when filming, I always try to move myself first. I am a director and an audience. I think we should create the essence of life. Some actors have good lines, but they are not moving because they have no feelings. Sometimes, actors find me crying behind the camera, which is very strange, saying that the director cried himself. "