Cubism created a new artistic tradition and observation method by creating a design concept of reading independence and nature, and ended the 400-year-old painting art tradition in the Renaissance.
The origin of this movement is that Spanish painter Pablo Picasso (1881-kloc-0/973) showed T-styled geometry from African sculpture, and post-impressionist painter Cezanne (Paul Cézanne 1839- 1906). Portrait is abstracted into geometric surface, which breaks the classical standard of portrait.
The illusion of perspective space makes the touch of two planes paste. People look at the portrait of sitting from multiple angles at the same time. Picasso and his close collaborator georges braque 188 1- 1963 developed cubism into an artistic movement, replacing the description of appearance with the creation of infinite possibilities. People call the works around1910-1912 analytical cubism.
During this period, artists often analyze all aspects of the theme from different angles, and use these perceptual knowledge to form a painting composed of rhythmic geometric surfaces. Real 3D becomes the visual language of modeling, which is used to create highly structured works of art.. Analytical cubism has the charm of stimulating interest, and the perceptual and rational attraction of picture structure often conflicts with the challenge of explaining the subject matter, thus causing unresolved tension and generating the charm of stimulating interest.
Picasso Brock used paper collage elements in 19 12. Collage allows free composition independent of the theme, and the reality of painting is a two-way object. The texture of collage elements can represent objects. For example, Picasso pasted a tarpaulin with a chair pattern in a painting to represent a chair. In order to connect in meaning, they often combine glyphs with words in newspapers as visual shapes.
19 13 years, cubism developed to the so-called Synifhefic cubism. Cubist painters create symbolic shapes based on past observations, not shapes that express themes. Describe the essence and appearance of an object.
Juan gris (1887— 1927) is a major painter in the development of comprehensive cubism. For example, 19 12 Picasso portrait combines the natural composition and independent structural design of the picture space. First of all, he planned an accurate composition structure and divided the composition grid of scales and modules by the golden section method. Then he "put the theme" on this design. Grice has a far-reaching influence on the development of geometric art and design; His paintings are based on the relationship between perceptual art and "stopover" art through geometric surfaces.
Among the artists around Picasso and Grice, Li Ge (Fern and Leger1881-1955) joined the cubist movement. It also keeps cubism away from the original impact of the creator. From about 19 10, Li Ge took Cezanne's famous maxim about cylinders, spheres and cones more seriously than other cubist painters. The theme of "naked women in the forest" was turned into colorful stove smoke, which was scattered in the picture. Li Ge may develop into an art of pure colors and shapes, but his four-year military service among French working-class citizens and his enhanced vision during the war made him a more recognizable, accessible and popular style.
He is closer to his visual feeling in the painting "City". He combined posters of colors and shapes with the feeling of urban environment architecture-glimpses and fragments of information into a composition composed of many colorful planes. The hieroglyphics in this painting, and the book The End of the World written by Liege for Bryce Cendra. . . . . Visual communication works point to the road of geometric glyphs. His pictographic portraits and objects were the main inspiration of graphic modernism and became the main driving force of poster art revived in the 1920s. Rico Pintan's colorful surface, urban theme and his clear machine shape helped determine the tone of post-modern design in World War I.