Mr. Xia loved the motherland all his life and pursued progress. He is upright, indifferent to fame and fortune, devoted his life to education and academic research, and made contributions to society. Mr. Xia is a great educator who combines talents from all over the world. He has been a teacher for more than 60 years. He has taught in primary schools, middle schools, teachers' colleges, comprehensive universities and research laboratories, and trained a large number of educational and professional talents. He said: "To educate the people, we should have a broad mind, pure thoughts and bright hopes." He teaches and educates people, and "always cares about his disciples' studies, mood, life and health". His education for students is to cultivate the character ambition of learning and learning from time to time and establish a good style of study. He is open-minded and generous; His love and wisdom, like the wind and the moon, bring fresh and vigorous vitality to young students. He is conscientious in teaching and excellent in teaching methods. He often uses metaphors to explain the meaning in simple terms, so that students can acquire knowledge and understand things in a pleasant way. Sometimes it is cited but not sent, constantly inspiring thinking, allowing students to ponder over it again and again, and finally get the message. He is open-minded, modest and eager to learn. He once gave students the title of "teaching in the south and teaching in the north" and deeply understood the true meaning of teaching and learning. He enthusiastically rewards underachievers and encourages students' creative spirit, hoping that shine on you is better than Blue. He once quoted Dai Zhen, a scholar in the Qing Dynasty, as saying: "First-class scholars can't cultivate first-class students, but second-rate and third-rate students can cultivate first-class students." It means that teachers should not pretend to be first-class "authority", and should not restrain students with their own academic framework, so that students can give full play to their talents and have the opportunity to surpass teachers.
Pioneer of ci poetry
Mr. Xia began to learn ci from his twenties. He started with Jiang Baishi's score, which is called "Juexue", and published many important papers in Yanjing Journal, such as Analysis of Baishi's Score, Baishi's Melody and Practical Examination of Baishi Taoist, which attracted academic attention and made him famous. He was praised by Zhu Xiaocang (a strong village), a master of modern ci poetry, and learned a lot from Wu Mei, Xia Jingguan, Mao Heting and Long Yusheng. He wrote a lot in his life, including more than 20 works on Ci.
Mr. Xia's contribution to Ci poetry is mainly reflected in the following aspects: textual research on the deeds of ci poets, advocating genealogy, establishing the chronicle of ci poets in Tang and Song Dynasties, and introducing the historical skills of "seeking truth" into the field of Ci poetry, which has opened up a thoroughfare for ci historians. A textual research on the music, rhythm and form of Ci, and a comprehensive discussion on the tune of Ci in Tang and Song Dynasties (Gongdiao, Silhoudiao,). ), and conducted a very in-depth exploration and detailed research on the relationship between words and music, with many achievements, which critics call "unprecedented". He summed up the methods of managing Ci, devoted himself to the theoretical construction of Ci, and combined research from literature, art, music law and other aspects, which laid the foundation for establishing a new and complete theoretical system of Ci. His comments on famous poets in Song Dynasty, such as Li Qingzhao, Xin Qiji, Chen Liang and Lu You, are accurate, incisive, profound and enlightening. He put forward the idea of compiling four books, namely, History of Ci, Records of Ci, Dictionary and Ci Spectrum, which outlined a broad blueprint for the development of Ci studies in later generations. Tianfengge Xueci Diary records his academic course and activities all his life, and "can recognize the strange thoughts of a pronoun", which has important academic literature value.
In a word, Mr. Xia pioneered new ways and innovated traditional Ci-poetry in the broad historical and cultural background with the spirit of seeking truth from facts and using modern scientific methods. Due to his outstanding contribution, today's Ci has expanded to a comprehensive study of Ci music, rhyme, history and style, and has become a unique discipline involving history, literature and acoustics. Therefore, he won the admiration and respect of the academic circles, and was known as the "master of Ci" (Hu Qiaomu).
Achievements in poetry creation
Mr. Xia is also an outstanding poet. When I was a teacher in my early years, I wrote well and wrote well. Later, he learned from the poet Lin Maoxiang (Tie Zun) and became a "god house" and "ou house" with Tongli Mei Lengsheng and Chen. After I was 20 years old, I traveled to Hebei, Shanxi in the north and Chang 'an in the west, and my vision was broadened and I dabbled more widely. Jeff Deng's "One Pill Swallows the Sea Day, Nine Minutes of Smoke"; Roaming in the northwest, "a thousand geese come with one foot, and the Yellow River hangs on the horse's head" is called a strong sentence. Its "Journey to the North" says: "Yugong can't cross the water, and the desert swims westward. Returning to the neighboring Weng, the moon is on the chest. " For the vast mountains and rivers in the north, tea is full of poetic and historical charm. He witnessed the warlord scuffle, devastated, generous and sad voice. "Zhetian Zhengzhou Blocks Soldiers" says: "It's easier to die than to live. Who can endure tears and ask about withering? The paper ashes have not swept the military books, and there are bursts of sadness around the ancient customs. " The Song of Resistance Against the Enemy (written for Zhejiang Anti-Enemy Support Association) and the four chapters of military songs created during the Anti-Japanese War are full of passionate fighting enthusiasm. However, works such as "Shuilongyin Soap Bubble" and "Magnolia Delayed Marrying Apricot Map" accuse defectors who take refuge in the enemy and puppet government and are filled with indignation. At the critical moment of national survival, he expressed his attitude by "swimming in the lake and hiding in the sea" and "lotus clothes can withstand the wind and frost" ("cherishing yellow flowers slowly"); He also encouraged poetry lovers by "cherishing frost color and holding hibiscus in the river" ("Yangzhou Slow"). On the eve of liberation, in the face of the destruction and disaster of people's livelihood, he lamented in the Mid-Autumn Festival that "Chang 'e is seen in the mirror, but mountains and rivers are invisible, and the snow is boundless" (Song of the Fairy); I also look forward to the dawn with words like "the cool waves outside, Zhu Xia jumping to the ground" (the song of the fairy cave) and "I believe the spring of the Ming Dynasty is better" (Yulouchun).
According to Tianfengge Poetry Collection, Prefabrication of Tianfengge Ci Collection, Postediting of Tianfengge Ci Collection, Qu You's Poems, Tianfengge Ci Diary and other materials, the total number of poems has exceeded 1,000. In his early years, he liked Huang Jingren's poems, and after middle age, he liked to learn Chen Er's style (learning Tao and righteousness). In terms of ancient poetry, he followed the example of Han, Su and Huang, saying that "in Changli, take its essence, in Dongpo, take its waves, and in the valley" ("Preface to Tianfengge Poetry"); When writing lyrics, you should "marry Xuan (Xin Qiji), Baishi (Jiang Kui), Yishan (Yuan Haowen) and Bishan (Wang) in one family" (Preface to Selected Poems of Tianfengge), that is, take the bones of Xin and Yuan, the feelings of Jiang and Wang, and blend the ups and downs of Wan and Wang in one furnace. He talks about symplectic words with "heart like fire, color like flowers", which embodies his artistic admiration of combining rigidity with softness in his creation. Works such as Man Jiang Hong Imitates Yue Fei Banshi, Man Jiang Hong Chai Shi Page Wenshan Temple, Minzi Yulan, Qiu Jing Poet Invited to Visit the Western Hills, and chengde mountain resort, a water tune singer, all show this feature and are widely read by people. The previous cloud (1965):
Wan Qiu, Qianfeng Daily, Huanglong City Que. I am very happy to take care of me and Jinbei, Qin Shimingyue. White geese and black beads don't tremble, and sweat is erratic. Wave your hand back to protect your golden old Europe, and it's the same.
The team is in a hurry; Still walking on the road, the body is cut. Crossing Wang Xianqiao, Longquan is diligent. Hundreds of battles are difficult, loyal to Nie's back, and three words are bleak. Ren's face is still green, but his heart is iron.
This word covers Yue Fei's miserable life, his loyalty to the country and the strange injustice he suffered, and denounces the folly of the Southern Song Dynasty. Refined pen and ink, rich emotion, loyalty and anger.
In his creation, Mr. Xia constantly explores the way out of old-style poetry, that is, how traditional forms integrate into modern society. He believes that on the one hand, we should "spit on everything" and avoid being known; But at the same time, don't be too quaint and avoid maverick. The most important thing is to express your feelings about the new life and strive to create a new style and a new realm. He believes that a good work should use sentences that everyone can understand to express unexpected situations and artistic conception. Look at Lou Yuchun, Comrade Chen Yi spoiled Gu Jing's words again;
Your family name can surprise you, but who dares to talk to the upper class? Xin Chen's anger subsided, and Wen Li's singing prevented the courage from being shattered.
When crossing the river, the lights were brightly lit and 100 thousand banners were as red as fire. Yamaraja, a clown in the coastal area, was the first person to be at the bottom of the capsule.
This word was written in 1963, which is a successful attempt in this respect. Mr. Wang attaches great importance to this. He once talked with the author about the writing process, and then gave him a book "Welcome Spring in Beijing Night, Ewong? is the Jade Building". The words and expressions have also been revised repeatedly. For example, in the first draft, three sentences are "Su Xin looks calm and carefree", four sentences are "Guan", five sentences are "Meng Ying Deng Chong" and seven sentences are "Cao Fang". The whole word has charm, realm and charm, and it can be read clearly. The next article is a poem in Chen Yi's meiling three chapters, "Gather the old army in Taiwan, and behead Yamaraja with 100,000 banners", which shows the skill and brushwork of breaking new ground. Mr Wang Jisi called these poems "moved by peers who love poetry". Another example is Linjiang Xian, for Vietnamese friends:
* * * shouted "national mourning" to welcome northerners, and southerners died in battle. Beating gongs and drums and talking in a hurry. Ren Fei robbed the fire, but the wind didn't move in all directions.
If you want to ask your family, you should cover your mouth first. It's too late for you. The hand that covers the sun cannot hold the rainbow. (Note: Song people said it was called Taiping Weng. )
This word was written in 1965, but it was not included in the compilation of Tianfengge Ci. Mr. Wang gave the author a book, but unfortunately it was lost in the Cultural Revolution. This word eulogizes international current affairs. Mr. Wang said that when newspapers reported that some Soviet politicians visited Vietnam, they were deeply impressed. At that time, there was a well-known international debate on the proletarian movement (commonly known as the "anti-revisionism" struggle). Now there should be another kind of understanding and evaluation, which can be ignored. However, the firm belief and fearless spirit of praising the Vietnamese people's struggle against the United States and saving the country are still commendable. I can still remember every word in my heart now, because my words are far-reaching and catchy. This is also a masterpiece of harmonious integration of old forms and new contents.
When we read Mr. Xia's poems, we were really overwhelmed by good chapters and sentences. "Guangzhou Bieyin Keweng" says: "Ten thousand volumes only depend on the chest, and Kyushu * * * despises it." Suitable for work (Mr. Chen Yinque is blind). Jathyapple, the Lingyan Temple in Shuiduitou, describes the wonders of Feng Wan where snow and jade set each other off: "Whoever plants thousands of lotus flowers opens a blue sky. Looking at the lotus leaf on the horizon, there are fields on the clouds. " The artistic conception is beautiful and I want to fall from the sky. "Six Past Visits" Part III: "There is no way to dream between Yue Ying and the 120 Mountain. Liu Huang bends his chest in nine bends, and seven characters see who will pick up Huashan. " And it's extremely vigorous and wonderful. And in his early years (27 years old), he was proud of "crossing seven miles in Langtaosha":
Wan Li hangs in the sky, autumn is in the night, and short accounts shake Jiangcheng's dream. Unfortunately, there is no iron flute on the ground.
Who will listen to Chang Geng and Gao Yong after a glass of wine? Become the leader of the river. A goose didn't fly, the clock didn't move, only the sound of the beach.
The ethereal realm, such as the cloth in front of us, inspires people to think. As Mr. Qi Jun said, a gentleman is open-minded, just like the sky washing the sun, the moon and the stars.
Write the history of ci with poems and pens
The first place of Qu Youci is Ciwen, with *** 100 songs. Mr. Xia inherited the tradition of quatrains from Du Fu, Yuan Haowen and Wang Shizhen, and used quatrains to discuss ci, ci style, ci school and representative ci writers in various periods since the Tang Dynasty. His views were incisive and full of artistic interest. When we read it, it is like visiting famous mountains and rivers. You can listen to the elders who are familiar with scenic spots and stories to point out the situation, talk about it, go straight to the subject, get to know it in depth, and feel like entering the scenic spot. Give a few examples:
People in Beili remember the title of the song, and the side lanes burst into tears.
Zi yan sang a falling tone, which annoyed Gong Ying at the first sound. (Li Bai)
The sound of the snow hall beside the pillow is loud, and the dragon god sleeps unevenly.
It takes a thousand years to learn to be bold and unrestrained, and there are many kinds of customs in my heart. (Su Shi)
Sweeping the border and looking at the Su gate, poetry is not divided into one pulse.
Who will succeed in Yi 'an and cross the river hand in hand with Qin Huang? (Li Qingzhao)
Singing harmony with the red flute will not stop, and the song will be negative for three mountains.
Shan Wengbi Yue Huang and his son forgot to talk about Jin and Song Dynasties. (Jiang Kui)
The first story-telling book comes from folk tunes and is close to life. However, in the late Tang Dynasty, most poets used it as a romantic song of Zhu Men, and Li Bai's "Three Songs of Qingpingdiao" praised Yang Guifei before it really started. This book, written by 1973 to the author, is titled Poems of Fei Qing. The third and fourth sentences are: "Who flies to the palace wall to sing? The oriole sings first, which bothers me." It is said that in the late Tang Dynasty, the literati wrote many colorful songs, and his ci became popular, which changed the fresh mood of folk songs and became the pioneer of Huajian School. But later, Mr. Wang changed his view and thought that the exploration of the origin of court ci should be traced back to Li Bai's Qing Ping Diao Ci, so he made a revision. The second song said that Su Shi used ci fu to spit out the basic blocks after he was demoted to Huangzhou. He is deeply influenced by Zhuangzi and Buddhism, and his works often express his slightly decadent feelings with bold style. The third song says that Li Qingzhao (Yi 'an) put forward the slogan of "Ci is different", which broke through Su Shi's style of taking poetry as ci. She is brilliant, and can combine the different styles of words of Huang Tingjian and Qin Guan. The fourth song says that Jiang Kui is addicted to drinking and singing lightly, which is different from Lu You's interest in restoring the Central Plains. No wonder there is no communication between them. Lu You was called "Sanshan Weng" at night, and Jiang Kui called him "a man of Jin and Song Dynasties". Forget the words, no words to socialize. Mr. Wang said that during the Shaoxing period, Lu and Jiang lived together in Hangzhou, but there was not a word in the two collections, and their ambitions and behaviors were almost different. These poems can invent the essence, reveal the main idea, and use meaningful words, which is memorable.
Mr. Xia is a man who keeps pace with the times. His works are full of the flavor of the times, and with solid ideological content and artistic foundation, his poetry creation has been pushed to a new height. His mind, his spirit, his emotion, his academic ability, his talent and his strength are all enough to stand out.