In the first case, quote ancient poetry.
Divided into three levels:
The first level is direct reference.
For example, my favorite poem "Since ancient times, whose life has not died? Take the heart of Dan and shine on history. "
This straightforwardness makes people feel naive.
The second level is that there are some explanations behind famous sentences.
The expression is: famous sentences+artistic conception. Such as: ① Life is the helplessness and sadness of "petals flowing like tears, lonely birds moaning". (2) "Life is the unremitting pursuit of' clothing is rich without regret and haggard for Iraq'." This level focuses on the interpretation of artistic conception, thought and style of famous sayings. The understanding of artistic conception mostly follows traditional cognition, but as long as personal perception is within a reasonable range, it is often more innovative.
Sometimes it is manifested as: famous words+morality. For example, life is the lofty spirit of "who has never died since ancient times, leaving a heart to shine in history". The key point of this level is to grasp the famous sayings that show the character's quality and the excellent moral character shown by famous sayings.
Sometimes it is: famous words+others. Such as: ① Happiness is the memory of "always remembering the sunset in Xiting, intoxicated and not knowing the way home". (2) I look forward to living in seclusion in the countryside where "spring pigeons (jiū) are singing in the house and apricot blossoms are white at the edge of the village". The need for quotation is multi-level, and the content behind famous sayings is sometimes uncertain, which constantly changes according to the needs of the article and the author's understanding.
So the accurate expression of this level is: famous words+explanation (or elaboration).
The third level is to separate poems, quote them separately, or intercept parts of two poems and combine them into one sentence. For example:
I like "Hutian August" in "Blowing the Petals of Ten Thousand Pears". ② Loneliness is the "blue sky and clear night heart" of "the mica screen is deep and the river is heavy". I like the "flower market" of the Lantern Festival. I like the "dusk" with "the fragrance is full of sleeves".
The first two sentences are cut from two ancient poems and combined into one sentence, and the last two sentences are split from one ancient poem and combined into one sentence.
This level has been used flexibly.
The fourth level is the use of famous ancient poems and sentences. For example:
"Beauty is a line of egrets, soaring into the sky." Beauty is the lush grass fluttering in the wind at the head of Nautilus Island. 3 "Beauty is a little red that turns into spring mud to protect flowers."
I feel that the animals and plants in ancient poems are revived in nature with classical beauty, decorating today's life.
In the second case, use the deeds or details of famous historical or literary figures to make sentences.
Performance: celebrities+events. Divided into two levels:
The first level is direct narration.
For example, "Xiang Yu's crushing defeat of Wujiang River embarrassed the hero." "Qu Yuan Miluo threw himself into the river, which made loyal ministers cry."
The second level is poetic display.
Fate is the roar of Xiang Yu's hero when he committed suicide in Wujiang River. (2) "Fate is the string of painful inquiries that Qu Yuan left by the Miluo River."
The elastic concentration of language tempered the image of poetry, and the voice of "calling for heaven and grabbing land" and "painful inquiry" passed through the tunnel of history, oppressing the readers' hearts and making people think about the true meaning of fate.
The third situation is the combination of historical figures and related poems.
It is divided into two levels: the first level is direct quotation, which is manifested as: celebrities+famous sayings+artistic conception. For example:
Beauty is Gong Zizhen's persistence in "falling red is not heartless, but turning into spring mud to protect flowers". Beauty is Su Dongpo's detachment and open-mindedness. He said that there is no shortage of life, and the running water in front of the door can still flow westward. (3) Beauty is the serenity and serenity of Wang Wei's "moonlight in the pine forest and crystal stone in the stream".
The first two sentences are famous sayings and virtues, and the last sentence is the artistic conception of famous sayings.
The second level is the utilization rate. Performance: celebrities+famous sayings. For example:
(1) "Yun Fan dotted with surging waves in Li Bai's works". 2 "Xin Qiji is drunk and blurred." (3) "Lu You's dream echoed with the clank of fighters". (4) "Su Shi's Fahua publicized the spirit of youth". ⑤ "Missing makes female poets thinner than yellow flowers". ⑥ "Missing makes the unrestrained originator dream of returning to his hometown, and his care is beyond words." ⑦ "Missing makes the graceful master wake up the morning breeze and the waning moon in Yang Liuan".
The applied aesthetic stimulation is multiple and profound. It restores ancient poetry to life, and at the same time promotes and poeticizes life.
The second measure: insider segmentation.
The first case: expression, n famous sentences (or n famous events) …+artistic conception (or other).
Tao Yuanming's "Ask the monarch what he can, and his heart is far from self-centered" embodies a calm life choice; Fan Zhongyan's "worrying about the world first, and enjoying the world later" shows the politician's deep sense of responsibility; Du Fu's "There are thousands of luxury houses, and the poor in the world are happy, and the wind and rain will not move!" Has broken free, beyond their own suffering, showing the feelings of Purdue sentient beings; Mao Zedong "asked the boundless earth, who is in charge of ups and downs?" This is also the historic grand bell sound of a generation of great men to China's vicissitudes. ...
The second kind of situational expression, celebrity+celebrity's words and things …+discussion. Divided into six situations:
First, the way of expression, n famous sentences+arguments.
Draw a sword and cut off water, which is the most helpless myth; Raising a glass to eliminate sorrow is the most emotional elegy. I was moved by the mystery of "I don't know if the water comes first, but I still doubt after the winter snow", intoxicated by the ethereal sorrow of "a puff of smoke, a city full of wind and a plum rain", and immersed in the sorrow of "look closely, it's not a small flower, it's a little tear". I suddenly realized that with a look on the sidelines, it's a kind of character and an improvement obtained after occasional deep dialogue with my heart.
Second, the expression, n celebrities +N famous sentences+discussion (or previous discussion).
Appropriate language expression is conducive to the exchange of friendship. Gao Shi's "Mochow has no bosom friend before her, and everyone knows her husband" and "However, China has our friendship, and heaven is still our neighbor" both used beautiful language to send friends away and reached friendly exchanges. Li Bai's article "Difficult Road to Shu" persuades friends with incisive language to achieve friendly exchanges. From Li Bai's "As high as a banner, six dragons drive the sun, and the river below lashes its twists and turns", we can know that "Shu Dao is difficult to learn, and it is difficult to go to the sky", and friends will feel their care from their words and communicate directly with their hearts. Communication is not like "silence is better than sound" as Bai Juyi said. It needs language to convey each other's concerns. The exchange of friendship needs the key of language.
Third, the way of expression, n celebrities +N famous events+discussion.
When Qu Yuan hugged the river with a stone, when the overlord hanged himself, the whole sunset glow was dyed red with blood, when Prometheus was pecked naked by a giant eagle, and when laocoon twisted his body and tried to defend his son, history sent out a series of wails in the hate platform, but the end of their lives was so loud and powerful that it still struck people's hearts for thousands of years and played a never-ending swan song of life.
Four: expression, n celebrities +N famous sayings and events+discussion.
Throughout the ages, there are countless examples of misunderstandings caused by emotional intimacy. Li Mu devoted himself to serving the country, "breaking through the beautiful sea and driving thousands of miles away from the Huns", which can be described as brilliant exploits, but he was killed because of his distrust of the prince of Zhao, and finally ruined the great country of Zhao. Zhuge Liang's "Three Summons focus on state affairs, and the second generation focuses on the heart of a child". However, due to his excessive trust in Ma Su, he mistakenly gave orders and lost the street pavilion, which led to the bleak ending of "he failed to conquer and died, and the hero cried in his clothes". Li Bai was brilliant, "fresh and elegant, Bao joined the army", but he was adrift all his life because of the alienation of Tang Xuanzong, and his ambition was hard to pay ... It can be said that many tragedies in history were caused by emotional intimacy.
Five: expression, 1 celebrity +N sentences, things (or usage)+arguments.
After experiencing the high spirits and sharp edges of teenagers, and after experiencing the thinking of teenagers, people are finally going to really mature. He is no longer as harsh and inaccessible as he was when he was young; He began to give off a soft light. He is getting better and better. Su Dongpo of Huangzhou is no longer that arrogant genius or high official. He returned to the "Lonely Dongpo of Sickness". He is just a simple and sincere scholar. He recalled the past in Chibi and walked in the forest. He no longer cares about the gains and losses in his official career, and his vision has expanded from the present plane to the three-dimensional ancient and modern. His kernel is very rich. He dares to sing "straw sandals are lighter than horses, who is afraid?" He walked quietly on the mountain road. His poems on Chibi became an immortal chapter in China culture, which was handed down from generation to generation. This is the real maturity. It's not resistance, anger, or tit for tat, but it's like the bright moon in the mountains, perfect, shining on the world, but self-defeating, not drifting with the tide because of foreign things. This is the great realm of life.
Six: expression, 1 celebrity +N famous sentences, events (or usage) +N paragraphs+arguments.
Is it true that Western jackdaw in the west refused to live after picking up all the cold branches? Is it a drinker? I raised my glass and asked the moon. Is it an idiot who has experienced ten years of life and death pain?
In that "star-studded" era, people's expectation for you is to hide your strength and play with pen and ink, but you have to go to the tall building alone. Your light stung those eyes accustomed to the night, and you are doomed to bear the sewage of officialdom and literary and art circles.
And I only see your green bamboo branches, sandals on your feet, your back wet by the rain, your smile is calm and free, and your eyes are clear only in the autumn wind and green water.
Only by sticking to yourself can you reach the height that future generations will always look up to.