Current location - Quotes Website - Excellent quotations - Pictures of four-character idiom calligraphy works
Pictures of four-character idiom calligraphy works

What are the four-character idioms in calligraphy:

Wandering in the clouds to startle the dragon, penetrating into the wood three-thirds, the facial muscles and willow bones are as strong as a startled dragon, the luan floats and the phoenix is ??parked, the dragon and the snake fly, the force penetrates the back of the paper, The iron paintings and silver hooks are like clouds and flowing water, and the brushes are like dragons, snakes, dragons and phoenixes.

1. Bǐ zǒu lóng shé [bǐ zǒu lóng shé] Basic explanation: describes calligraphy as vivid and powerful.

2. Silkworm head swallowtail [cán tóu yàn wěi] Basic explanation: describes calligraphy that starts with a solemn stroke and finishes with a light stroke.

3. Fēng jīn duō lì [fēng jīn duō lì] Basic explanation: Feng: plump, substantial; Jin: tendons or ligaments on bones; Duo: redundant.

Calligraphy has muscles and bones, and the writing force is strong. It means that the font structure is solid and plump, and the writing power is strong.

4. Jiao Ruo Jinglong [jiǎo ruò jīng lóng] Basic explanation: Jiao: Jiao Jinglong. It is often used to describe vigorous calligraphy strokes or graceful dancing postures.

5. Lipen paper back [ lì tòu zhǐ bèi ] Basic explanation: penetrating: passing through. The calligraphy is described as strong and powerful, with the strokes almost reaching the back of the paper.

It also describes poetry as having profound ideas and concise words. ?

6. Three-thirds of the wood [rù mù sān fēn] Basic explanation: According to legend, Wang Xizhi was writing on a wooden board. When he was carving, he found that the writing penetrated three-thirds of the wood.

Describes calligraphy as extremely powerful. The problem of multi-metaphor analysis is very profound.

7. Iron painting silver hook [ tiě huà yín gōu ] Basic explanation: painting: strokes; hook: outline. Describe calligraphy as strong and soft.

Appreciate and promote traditional art with four-character idiom calligraphy

Four-character idiom calligraphy "Aim high":

"If a worker wants to do his job well, he must first sharpen his tools. ” Those who want to achieve great things must aim high. Aiming high means pursuing lofty ideals, career ambitions, and pursuing excellence. There is also the artistic conception of "hanging clouds and sails directly across the sea". For example, the fastest warship in the Beiyang Navy was named "Zhiyuan", which specifically means riding the wind and waves, being unstoppable, and running towards the distance.

The four-character idiom calligraphy "Tranquility reaches far":

Since ancient times, many literati have believed in the famous saying "Tranquility leads to distance, indifference leads to clear ambition", which shows a kind of Confucianism. style. This sentence can lay down a person's basic view of everything in the world throughout his life. It is also the highest state of self-cultivation in traditional Chinese culture. Only by being indifferent and tranquil can one have insight into the world. Only by being pure and restrained can one be far-sighted.

The four-character idiom is suitable for calligraphy works

It has a long history

yuán yuǎn liú cháng

Explains that the source is far away and the water flow is long. Metaphor has a long history.

Sourced from "The Epitaph of Li's Wife, Mrs. Pei Jun, the Governor of Haizhou" by Bai Juyi of the Tang Dynasty: "The one with a long history has a long history, and the one with deep roots has a luxuriant branch."

Structure joint type.

Usage has a positive connotation. It is mostly used for the origin and origin of historical things. Generally used as predicates and attributives.

The correct sound is long; it cannot be pronounced as "zhǎnɡ".

Distinguish the source of the form; it cannot be written as "original".

Synonyms come in an endless stream, a steady stream, and a steady stream.

Antonyms: tree without roots, water without source.

Example China has a history of five thousand years; Chinese culture can be described as.

Four-character words for appreciating running script calligraphy:

Flying dragons and dancing phoenixes:

The close meaning is free and unrestrained.

The interpretation originally described the winding and majestic mountains, and later also described the powerful and flexible calligraphy strokes.

Source: Song Dynasty Su Shi's "Biao Zhongguan Stele": "On the mountain of Tianmu, the sweet water flows out, and the dragons and phoenixes dance, gathering in Lin'an."

Use the example to look up and see the hanging hanging on the north wall. Four large screens, written in cursive script, are amazing. (Chapter 9 of "Lao Can's Travels" by Liu E of the Qing Dynasty.)

The pen moves like a dragon or a snake.

The literal meaning is dragon flying and phoenix dancing, and the word walking dragon and snake.

The definition describes calligraphy as vivid and powerful.

Sourced from Tang Dynasty Li Bai's "Cursive Script Song": "From time to time, only dragons and snakes are seen walking away, left and right are frowning and shocked."

Use example The scholar Xiao Wangbin has a brocade hidden in his chest. ~. (Ming Dynasty Ling Shuchu's "Surprise at the First Carving" Volume 20.)

Four-character idioms to describe calligraphy works

Hello, regarding the four-character idioms for calligraphy works, I I wrote a few for you, go and take a look.

Sweeping thousands of armies describes poetry, calligraphy, etc. as grand and powerful.

The pen moves like a dragon and a snake, describing calligraphy as vivid and powerful.

Silkworm head and swallow tail describes calligraphy that starts with a solemn stroke and ends with a light stroke.

Fengjinduoli means that the font structure is solid and plump, and the writing power is more than strong.

Strong as a startling dragon is often used to describe the vigorous calligraphy strokes or graceful dancing postures.

Strongly penetrating the back of the paper describes calligraphy that is strong and powerful, with the tip of the pen almost penetrating the back of the paper.

Three points into the wood describes the calligraphy with great power. The problem of multi-metaphor analysis is very profound.

Iron painting and silver hook describe the hardness and softness of calligraphy.

Xianlu Pearl describes calligraphy that is elegant and round.