What are the style characteristics of modern dance?

Modern dance begins with opposing classical ballet, and then opposes all traditional dance concepts. It breaks through the traditional dance training form and performance form. The following is about the style characteristics of modern dance, welcome to refer to!

Ten basic characteristics and styles of modern dance

(1) The outlook on life of modern dance is tolerant, optimistic and happy-go-lucky; Its artistic view is to seek common ground while reserving differences. When the Eight Immortals crossed the sea, they all showed their magical powers. . Morse Cunningham, the third generation master of American modern dance, once said: If you don't like other people's works, make up one you like. ?

(2) The concept of quantity is the first in modern dance. Gleim? Master? It should be said that the laurel was built by 18 unparalleled dance dramas and dances. Her classmates also pointed out:? Do you want to make an excellent dance? Then, make up 1 bad ones first! ?

(3) The concept of beauty is not the only pursuit in modern dance; In modern aesthetics, beauty is not the supreme concept. Therefore, beauty or not should not be the only yardstick to measure the level of modern dance works; When gleim was a rookie, her angular twitching movements, which were sensitive to the coming new era, were reviled by the press at that time? Is it a sudden seizure, or is the delivery imminent? . But decades later, when the whole world is using her spasmodic expression, her? Contraction-relaxation? (Constraction-Release) action principle is regarded as the horn of the new era and the representative of new aesthetics.

(4) The concepts of new and old are not absolute right and wrong in modern dance. Although the new is not always better than the old, the new is always more interesting and can arouse people's attention.

(5) We should try our best to avoid judging the merits of modern dance works, especially when watching post-modern dance which is far away from traditional ideas. Dance is an aestheticism far from the economic base and ideology, not an ethics.

(6) It is better not to judge the value of modern dance works, especially those new works that aim at experiments, including students' exercises, but to try to tap their creative potential and understand their creative motives as the fundamental purpose.

(7) In the final analysis, all dance creations are consciously or unconsciously exploring? What is dancing? Such a philosophical and aesthetic proposition.

(8) Dancability, a serious problem in classical dance, is totally untenable in modern dance, because the concept of modern dance is so broad, because nature is dancing in the eyes of modern dancers, because every behavior and every movement of people is dancing. Paul Taylor, the third generation master of American modern dance, said: What we lack is not the action, but the eyes that find those actions that can serve our purpose well. ?

(9) Thought and philosophy have always been one of the important characteristics of modern dancers. It is no longer the kind of artist and craftsman who only imitates and does not want to create.

(1) It is necessary to understand that the purpose of modern dance is bold experiment and serious exploration, not cheap flattery or technical show-off.

summary of styles and schools according to the development of modern dance, it can be basically divided into several basic stages, such as the foundation laying period, the development period, the new pioneer period and the post-modern dance theater period in the early 2th century. However, in different periods, due to the differences in artistic ideas, value orientation, creative style and performance training skills, different styles and schools were formed.

foundation period and expressionism school at the turn of the century, modern dance was founded by opposing classical ballet, and its thought mainly emphasized the liberation and freedom of human nature with romanticism and idealism. In artistic creation, it is subjective to explore unrestrained emotional expression. The main representatives of this period are Isadora Duncan and Ruth. Saint. Dennis. Ted. Sean, Mary. Weigmann et al. Whether it's Duncan's. Dance of freedom? , or St. Denis's application of oriental dance forms and religious philosophy, although they each have their own aesthetic ideas and artistic practices, they are generally expressionist schools centered on Laban's system theory. Like other expressionist artistic ideas, it advocates feeling first and regards intuition as the only way to know the world. Wiegmann is the representative of expressionist dance, and another outstanding feature of her dance is to cut off the relationship between dance and music, so that dance can exist independently as an art.

The development of modern dance and various schools of skills were formed in this period. From the viewpoint, modern dance advocated that form should follow function, while from the viewpoint of values, it paid attention to revealing human value and dignity, revealing the spirit of the times and real life. In artistic creation, the expression in the sense of emotional expression is regarded as the skill of artistic creation. In artistic thought, it is advocated that the world should be truly reflected, which not only reflects the goodness of human nature, but also exposes the evil of human nature. In the exploration, pay attention to personal style, and create a personalized and systematic action system and technical school. The most representative schools are as follows:

Psychological expressionism: Martha Graham's? Shrinkage and extension? (Contraction　& Release) is its action principle. The main idea is to reveal the dark side of human heart and emphasize? Introspection? Psychology. She stressed that dancers should? Objectively express self-belief with body image? ,? Dance should peel off the clothes that hide human behavior? ,? Expose an inner person? .

symbolism: Han Furui's technique is characterized by "Fall &; Recovery) as its action principle, she believes that it not only contains the whole range of human actions, but also is the root of all dramatic effects. If people fall down before violence, they must support and resist, and so on. This kind of conflict exists in these actions.

humanistic dance: Jose Li Mengqi's skill training principle is based on Han Furui's skill, and then Mona Lee's personal research experience is injected. He regards all parts of the body as a single instrument, and when the whole body moves, it is like a symphony, and many instruments play moving melodies together.

Relaxation skill: a form derived from contact improvisation due to continuous exploration and experiment of the potential of limbs.

Horton's technique: The images inspired by primitive groups or ancient relics, such as the figures in the two-dimensional murals of ancient Egypt, have evolved into one of its basic action training, advocating? Express your pride in identity and tradition to the world? .

These schools and techniques greatly enriched the connotation of modern dance and made it develop to a new height and stage, and represented the value orientation and artistic thought in the world at that time.

the new avant-garde dance

what do you mean? New pioneer? In the middle and late 2th century, modern dance art was influenced by post-modernism, and its art had obvious post-modernism tendency. In terms of artistic concept, he advocates further liberation of the body, and thinks that the form of dance art is self-sufficient and closed, and can express and test itself. Enthusiastic about formalism, he thinks that form is everything, and action itself is an end, not a means to express feelings. In artistic creation, it is embodied in irrationality and intuition, and refuses to explain his works to the audience? What you see is what you see? . Tend to be anti-tradition, anti-aesthetics, anti-culture, anti-rationality, anti-art and anti-dance. Even the elements of dance were disintegrated, and various experiments were carried out on choreography skills, and concepts from other fields were introduced into creative works, creating a series of choreography methods. Cubism, abstraction, motivation and other schools have emerged, and the skills have formed a free form. When Postmodern dance rose in 196s, the fixed form of modern dance skill training was gradually criticized by avant-garde dance artists, and turned to free play as the main form of action training. Besides highlighting the personal style of the professor, free-form physical training also includes various explorations of time, space and energy. [4]

The representative figure of this period is Moss. Merce Cuninghan and his school of opportunity dance: He opposes people's consistent view? Dance movements must have meaning? This basic requirement. He said:? What ideas are not included in my dance art? . Its artistic method is pursuit? I have to move? . Any movement can be part of the dance. He believes that human life is often bound by habits, and if occasional elements are used in choreography, it is possible to find the most instinctive and attractive way of human action. Michael, the king of pop music? One of the main dance styles of Michael Jackson is also modern dance.

Abstract school: The modern dance of abstract school expresses the so-called pure spiritual world with abstract language, and pursues novelty and grotesque: the representative figure Alvin. Nicholas. He believes that the greatest natural instinct of human beings is their ability of abstract thinking and transcendental existence.

The post-modern and dance theater period mainly originated from the European dance theater art, and the pursuit of returning to the dramatic tradition and expressionist tradition of dance is not based on the premise of technical perfection, but on how human limbs dance, and focuses on why human beings dance, and dance begins to inject humanistic atmosphere in another way. Modern ballet is also one of the schools of modern dance in this period.

Dance Theater: The representative figure is Pi Na. Bausch. Dance theater originally refers to a kind of dance that combines classical ballet with new dance and can fully express the plot. There are three main artistic features of her: 1. Broken dance theater; 2. Profound expression of gender and violence; 3. Preference for repetition. The main concern here is why people move and dance, revealing the subject of eternal interaction between the two sexes and showing the ultimate humanistic care.

modern ballet: modern ballet is also one of the schools of modern dance. It is a form between modern dance and classical ballet. It is modern dance in concept, but ballet in technique. The earliest representative of modern ballet is K. Jos, who used to be a student and collaborator of Laban. He used to be a ballet dancer, so his practice of combining the two is based.

Style characteristics of modern dance

1. Deviate from traditional characteristics.

Modern dance begins with opposing classical ballet, and then opposes all traditional dance concepts. It breaks through the traditional dance training form and performance form. In the concept of creation, it is absolutely different from traditional art, and in the selection of materials, it is also more extensive and diverse than traditional art. They argue that anything is possible. Therefore, changes in nature, behaviors and actions in life, and various subtle emotional experiences can all be used as sources of inspiration; Philosophical thinking, human destiny and social problems can all be creative motives. It is precisely because of this creative concept that modern dance can create all kinds of strange artistic conception and unique dance images on the stage. Abandon the classical ballet action system in professional training; Performance is not bound by any form of performance, dancers do not wear ballet shoes, and some are barefoot. Inwan? Modern dance resolutely opposes ballet's irrelevant action combination, bravado music effect and gorgeous and brilliant stage art, and advocates that dance art should be regarded as a tool that can interfere with life rather than whitewash it. ?

2. Emphasize continuous innovation

Modern dance refuses to imitate and emphasizes innovation and creation of dance. Are you online? Down with idols? Under the slogan, it ignored yesterday, challenged authority and model, advocated creative freedom and publicized artistic individuality; In their creation, they tend to think in the opposite direction, do not seek common ground but innovate, and are proud of being different and ashamed of copying and imitating, so they have no repertoire. Therefore, this generation of artists mostly prove their maturity and existence value by betraying their teachers, standing on their own feet and creating their own codes. In dance, every dancer is an independent individual, emphasizing the actor's personal creation and performance, and emphasizing independent thoughts and techniques, so that the dancer becomes the master of art rather than a tool manipulated by others (choreographers).

3. Abstract expression.

Modern dance is not as clear-cut as traditional works, but pursues symbolic meaning and avoids realism. It does not pursue the effect of pleasing the eyes of the audience, but gives the audience more feelings, imagination and association through reasonable depiction, thus producing emotional * * * sound. In the practice of dance creation, it is roughly reflected as follows: dance does not have to express plot stories or shape characters; Performance? Self? Instinct, showing intuition; Show pure action performance, emphasizing that action is everything.

4. Modernity of modern dance

Modern dance is an art form to express dancers' thoughts and feelings about life, and also modern people's thinking and recognition of modern society, so it has a strong sense of the times. It can be said that the attention to the times and society is an important basis for modern dance. The century-old history of modern dance has clearly and vividly presented this track.

from the pioneers of modern dance, isadora and Duncan? Rebellion against tradition And? Challenge the old times? The banner, Shawn's works about workers who declared war on the darkness of society like throwing guns and daggers, the Heresy by Martha and Graeme, which showed the struggle, failure and struggle of a heretic who opposed the society, and the China modern dance pioneers Hao Xiaobang, Dai Ailian and Jia Zuoguang launched fierce attacks and struggles against the dark society from the beginning of introducing modern dance to China in the 193s, all of which clearly showed modern dance's concern for society and human living conditions and spread the national concept. Because of its modernity and closeness to life, it is highly praised by the public, thus having strong artistic tension and vitality.

Modern dance is a carrier with strong adaptability, and pure modern dance has developed an international tone that is easy to communicate. The concept of meaning, action analysis, ground training, the use of breath and action combination methods of modern dance have played a positive role in promoting the development of dance art. These are the objective factors that make it a popular art in the world. However, it often emphasizes the creative subject and creative personality to an inappropriate degree, which easily leads to the disadvantages of ignoring society and the public. Therefore, when we learn from it, we should master the sense of proportion and ruler. However, we should consciously analyze and criticize its idealism, metaphysics and violation of artistic laws in theory and practice. ;