Yan Zhenqing’s regular script has an important historical position in our country, and it has had an important impact on the development of our country’s calligraphy. The ancient poems in regular script created by Yan Zhenqing have unique artistic charm. Below are pictures of Yan Zhenqing’s ancient poems in regular script that I compiled. Appreciation of pictures of Yan Zhenqing’s ancient poems in regular script

Pictures of Yan Zhenqing’s ancient poems in regular script 1

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Picture 3 of Yan Zhenqing’s ancient poems in regular script

Picture 4 of Yan Zhenqing’s ancient poems in regular script

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Picture 5 of Yan Zhenqing’s ancient poetry works in regular script

Picture 6 of Yan Zhenqing’s ancient poetry works in regular script

Yan Zhenqing’s regular script font Pictures of ancient poetry works 7

Pictures of Yan Zhenqing’s regular script fonts of ancient poetry works 8 The subtle realm of studying characters in Yan Zhenqing

From the age of fifty to sixty-five, It can be said to be the experience of the second realm. In this process, he has both appearance and spirit, and has gradually matured. His works include "Inscription of Jintianwang Temple" (758), "Inscription of Poems on the Xiaoyao Tower Poetry Stele" (758), "The Story of Xianyu's Lidui" (762), "The Story of Obliteration" (762), and "The Stele of Yan Yunnan" (762), "Wei Zhen Stele" (763), "Zang Huaike Stele" (763), "Guo Family Temple Stele" (764), "Yan Mijian Stele" (765), "Yan Qiaoqing Stele" (769),? Xiaoyao Tower? Three characters (770), "Yin Jianyou Stele" (770), "Zhang Jingqian Stele" (770), "Yuanzi Sting Yiai Stele" (770), "Baoying Temple Luzangyuan Ordination Altar Record" (771) , "The Story of the Immortal Altar of Magu Mountain" (771), "The Story of the Immortal Altar of Magu Mountain" (771), "The Zhongxing Stele of the Tang Dynasty" (771), "The Great Monument of Yan Han" (771), "The Guangping Stele of the Song Dynasty" (772), "Reconstruction of the Yanhan Stele" (772), "Baguanzhai Huibao De Ji" (772), etc.

Experiencing the turbulence of the An-Shi Rebellion and being deposed one after another, he expanded his spiritual space time and time again; a scholar? a fighter? a commander, establishing a dynasty? being deposed? establishing a dynasty, living Frequent changes in methods lead to more life experiences and a deeper appreciation of art. All of these, Yan Zhenqing's works are stored in the book. He repeatedly tempered his early appearance and body, refining his form and spirit, so that he has both spirit and form, and finally matures. It can be seen that he strengthened his wrist strength, moved in the center, used the seal method, turned around to hide the front, like sealing mud. The strokes form the head of a silkworm and the tail of a swallow, while the straight strokes form the shape of a bow and crossbow. The strokes are intricately contrasted with thin horizontal strokes and thick vertical strokes. At the end of the hook and the end of the hook, he kicked out a sharp edge and showed off his spirit. His strokes show the rhythm of twists and turns. Its straight hook, flat hook and oblique hook are full and powerful, with even curvature and round strength. When folding the pen, the pen is lifted up and turned secretly to form an inclined plane and folded down, imitating this by "folding hairpin strands". From the structural point of view, it is square and dignified, steady and heavy, with a spacious middle palace and dense surroundings. It does not use the center of gravity to gain momentum, nor the tightness on the left and looseness on the right, but a symmetrical frontal image like a seal script. On the white cloth, the characters are closely spaced and the lines are dense. The density of the shapes is used to gain momentum, and the sparseness is not used to gain elegance.