1, vivid charm
This is the first of the six methods, and it is an important criterion for China's painting creation and criticism for more than 1000 years. Excellent paintings must shape the image of the dispatched person, have a clever structure, and use ink and color with a pen. A painting with all this will give people a general impression, that is, internal artistic conception, image shaping, composition, color and other aspects, giving people a complete and concrete feeling.
It is this feeling that Sheikh put forward "vivid charm". The depth of feeling depends on the depth of revealing the beauty of life and the perfection of formal creation. "Vivid charm" is the unity of form and spirit in the picture, which is very artistic.
2, using the brush bone method
Bone brush is a problem about brushwork in painting performance, and it is an important technique to express the shape of objects through line drawing. In the Tang Dynasty, Zhang Yanyuan said in Notes on Famous Paintings of Past Dynasties: "The image of a husband must be molded, and molding must be full of backbone. The shape of the bone depends on the original intention, but only on the pen. "
3. It should be pictographic
The hieroglyphics of objects are about image-building. The so-called "responding to things" is not only to pursue the appearance of the object, but more importantly to understand the characteristics and inner spirit of the object. When describing, it is wrong if it is only "pictographic" rather than "material". In the Tang Dynasty, Zhang Yanyuan said: "The similarity between bones and gods is based on meaning, and meaning is the source of heart." Therefore, "responding to things" is not simply drawing according to the object, but expressing the spiritual essence of the object on a similar basis.
4, with class color
Coloring with classes is about coloring. "Class" means "everything and the like", which refers to the category of characteristics, appearance and color of painting objects. For the expression of color, Chinese painting is very unique, paying attention to the inherent color of the object, plus the image of the object, and the image characteristics are generally expressed in color.
5. Business premises
Business post is the layout of painting, that is, the composition and composition of painting. The so-called position in painting should be "management". The word "management" has profound meaning and should be painstakingly organized and arranged according to the structure and pattern of the object. Therefore, it is very important to manage the position in the performance that makes the finishing point. This method proposed by Sheikh sums up the characteristics of China's paintings in composition.
It is precisely because the position of painting is "managed" and carefully organized by the painter that China's landscape painting can not accept the limitation of focus perspective, and use scattered perspective tactfully and skillfully, so that a painting, whether profound, lofty or flat, can be arranged by the painter.
6. Migration and modeling
Imitation refers to copying the excellent works of the ancients and learning from them. Zhang Yanyuan thinks this method is "the basis of learning painting", which shows that this method is not insignificant. Copying is only a preliminary understanding and basic learning of various techniques of predecessors, but it is not the purpose of painting, but a means of learning for better creation. To copy the excellent works of the ancients, we must be serious, have both form and spirit, and truly learn the essence, so as to achieve the purpose of "copying and imitating".