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Appreciate the creative background, performance content, artistic techniques and cultural value of the Fuchun Mountain Dwelling Picture

Creative background:

Huang Gongwang worked as a minor local official when he was young, first as a scribe, and later, when he was about 45 years old, he worked under a bureaucrat named Zhang Lu. He was an official in the rafters, and later because of Zhang Lu's lawsuit, Huang Gongwang was framed and imprisoned unjustly. After he was released from prison, he no longer asked about political affairs, so he wandered around the world. At one time, he made a living by selling divination. Later, he joined the Quanzhen Sect, which advocated the integration of Confucianism, Buddhism and Taoism, and became even more disillusioned with the world of mortals.

Due to wandering around mountains and rivers for a long time, I began to become interested in rivers and mountains. In order to appreciate the charm of mountains and rivers, when he lived in Yushan, Changshu, he often observed the wonderful scenery of Yushan changing day and night. He gained it from his heart and applied it to his pen. Some of his landscape painting materials come from these scenic spots in the mountains and forests. When he lived in Songjiang, he observed the mountains and rivers to the point of intoxication. Sometimes he would sit quietly in the mountains all day long, forgetting to eat or sleep. ?

When he lived in Fuchunjiang, he always carried a leather bag with painting tools inside. Whenever he saw a beautiful scene in the mountains, he would take the tool, spread it out on paper, and copy it down. There is Daling Mountain in the north of Fuchun River. Gongwang lived here in seclusion in his later years. He took Daling Mountain as his teacher and once painted "Fuchun Daling Mountain".

"Dwelling in the Fuchun Mountains" took about seven years from conception to completion. In order to paint this picture well, he worked tirelessly all day long on both sides of the Fuchun River, observing the wonders of the changing smoke and clouds, and appreciating the beauty of the rivers, mountains, and fishing beaches. He also carried paper and pen with him to sketch at any time when encountering good scenery. Many of the scenery along the Fuchun River Mountain villages have left his footprints.

In-depth observation, real experience, and rich materials gave the creation of "Dwelling in the Fuchun Mountains" a solid foundation in life. Coupled with his superb pen and ink techniques in his later years, he wrote it with ease.

Content of expression:

"Dwelling in the Fuchun Mountains" depicts a long river, flowing through shoals, rapids and peaks in a thousand years of history. The first section has the feeling of summer, and the second section shows the scene of autumn. The leaves are partially faded and all are vertically chamfered, as if the prosperity has faded away.

Artistic techniques:

"Dwelling in the Fuchun Mountains" depicts the hooks and cracks of the rocks, using the brush to twist and turn, as if they were natural. The long robe is made of hemp, withered and wet, and he has profound skills, free and easy and quite aura. The ink used in the whole picture is light and elegant. Only the rocks are covered with a layer of almost transparent ink, and a slightly darker ink is used to dye the sand stains and wave shadows of the distant mountains and riverside. The thick ink is used to dot the moss and leaves, which is eye-catching and natural.

The whole picture is full of beautiful forest hills and lush vegetation. It is full of the poetry of a hermit wandering leisurely in the woods and springs, exuding a strong atmosphere of Jiangnan literati. The quiet and scattered special appearance of Yuan paintings and another transformation of Chinese landscape painting were completed here, and the lyricism of Yuan paintings is also fully seen in this volume.

Cultural value:

"Dwelling in the Fuchun Mountains" has a profound influence on later generations, especially the tradition of Zhejiang School painters. On the basis of adhering to the tradition of the Zhejiang School, Zhejiang painters actively adjust and update their artistic, aesthetic and life views. They innovate and develop the tradition while absorbing the artistic nutrition represented by "Dwelling in the Fuchun Mountains". The new look of Zhejiang style pen and ink.

They have brought the unique effects of ink and rice paper to Chinese paintings such as "Dwelling in the Fuchun Mountains" to the extreme. "The pen and ink are to Chinese painting what the soul is to the body. Masters of the Zhejiang School such as Huang Binhong and Lu Yanshao are still a variant of the landscape painting of "Dwelling in the Fuchun Mountains"." There is strength in the magnificence, and there is reality in the great void. The artistic layout itself is in the original meaning of Zhejiang style landscape.

Composition method:

"Dwelling in the Fuchun Mountains" describes the early autumn scenery on both sides of the Fuchun River. It is fascinating to unfold the scroll and watch people move with the scenery. Among the trees and jungles, some fishermen are fishing, or one person is sitting alone in a thatched pavilion, leaning on the railing, watching the ducks floating and sinking in the water. For eternity, it seems as if time has stood still and things and I have been forgotten.

The close-up view shows the color of the water on the slope bank, the mountains and mountains, the Pituo Shazhu, and the distant mountains are vague and slowly unfolding. However, the river is vast and the sky and water are the same color, which makes people feel relaxed and happy. Sometimes the river is far and wide, like a drop in the ocean; sometimes it is close to the shore, and you can watch the fishermen leisurely and peacefully in the pine forest. The water at the foot of the mountain is surging with wind and clouds, and it is refreshing to fish alone in a boat on the river.

Then there are dozens of rolling hills, and the peaks compete with each other, and finally the peak rises, and the distance is dim. The mountains are dotted with cottages and thatched pavilions, and the trees are lush and well-dense. Nearby trees are majestic, while distant trees are smoky. There are fishing boats fishing in the water. The landscape is well-densified and layered.