The writing format of ancient poems is from right to left. I believe many people are particularly interested in ancient poems and want to learn how to write them. So do you know how the writing format of ancient poetry from right to left is correct? Interested friends, let's take a look at the relevant content.

The writing format of ancient poetry is 1 from right to left. The writing format of ancient calligraphy in China has always been "from right to left, from top to bottom", without punctuation. Write from the body to the end, leaving no spaces. If there is enough space at the end of the article, you can sign your name, including the title and author of the extracted ancient poetry, (usually a poem or word), your name and the date of extraction.

If there is not enough space, you can omit the title of the poem, that is, record a poem or a word, or omit the date of writing. The title and author are generally not omitted, otherwise it is not a complete work. You can also start a new line, which is slightly smaller than the text and one and a half words lower than the text.

There are seven kinds of calligraphy formats: fighting square, three-opening, flower-matching, nave, banner, couplet and fan.

1, Doufang: a style of China's painting and calligraphy. It is square. Usually, four-foot rice paper is cut into two pieces, two feet high and two feet wide, or four-foot rice paper is cut into eight pieces, which is called "short film bucket" or "short film bucket". Dou Fang is a square work written vertically. Writing content is generally four to six lines.

Because there are many lines, we should attach great importance to the size, opening and closing, echo and rhythm changes in the layout of the chapter. When creating, we should pay attention to the primary and secondary relationship between words and inscriptions. Words are generally smaller than words and should be natural and vivid. The signature can be written at the bottom of the last line of the text, leaving room for layout.

Generally, the bottom of a paragraph is not flush with the text to avoid rigidity in form. You can also occupy one or two lines behind the text, and neither the top nor the bottom can be flush with the text. The seal is smaller than the letter, so you need to leave one more word.

2. Sankai: a style of China's calligraphy and painting. Rectangular, different sizes. If you cut four feet of rice paper into three parts, it is called four feet and three cuts. If you cut five feet of rice paper into three parts, it is called five feet and three cuts. By analogy, it is also three-in-one, with different sizes. Four-by-three is usually a three-foot map (actually two feet seven inches, one-third of eight squares). Five feet and three openings are one third of twelve square feet, and the area of each opening is four feet.

3. A form of painting and calligraphy mounting in China. Usually two are hung in pairs. For example, calligraphy is called "word pair" or "couplet". There is a kind of "painting pair" in Ming and Qing Dynasties, which is two screens of equal size hanging in pairs. There is also nave's vertical axis painting hanging in the center of the hall, with "word pairs" on both sides, or the calligraphy with vertical axis hanging in the middle and "painting pairs" hanging on both sides.

The writing format of ancient poetry is from right to left, with Chinese characters mixed in English.

Latin letters in the west are written from left to right, so all foreign documents arranged in Latin letters are written horizontally. "External code" can't be defined by code, but it takes more than two letters to spell a phrase, and vertical foreign languages can't spell words. Because foreign language codes cannot be arranged vertically, when Latin letters appear in the vertical version of Chinese books, they should also lie horizontally, otherwise foreign languages will not be "compatible" with Chinese characters. Chinese characters can be defined independently, so they can be arranged at will. Horizontal arrangement can also adapt to the order from left to right or from right to left.

The picture shows Zhang Xu's cursive "Four Ancient Poems"

Chinese characters are written from top to bottom and from left to right. Most Chinese characters end in the lower right. Therefore, the writing of Chinese characters, especially calligraphy, is most suitable for vertical writing. This is the most smooth and coherent, and it is easy to become "qi". Especially cursive.

Another reason that determines the vertical writing of Chinese characters lies in the initial writing conditions. In ancient times, there was no paper. Bamboo slips and wooden slips were used for lettering or writing, and bamboo slips were tied into "simplified books" with ropes or pimps. The simplified book written vertically should be spread horizontally when reading, and the two ends of the simplified book should be held in the left and right hands of the reader; If you draw a book on a piece of paper, the simplified book will be read horizontally. When reading, the simplified Chinese character book is spread out from top to bottom, so it is unnatural for the reader to hold the simplified Chinese character book up and down, which is very inconvenient. In addition, there were no tables and scales in ancient times, and more letters were used. When writing, the left hand holds the manuscript and the right hand writes the book, which complement each other; If the manuscript is held horizontally, it is difficult for the left hand to keep the balance and stability of the manuscript under the pressure of writing with a brush, and it is bound to be difficult to write, and its shape can be imagined.

It can be seen that the structure and initial writing conditions of Chinese characters are the reasons for the vertical writing of Chinese characters, which in turn determines the vertical form of publications and printed matter.

Leek flower post

History is developing and technology is improving. Paper was invented one after another, with convenient writing conditions such as tables and chairs. However, the power of habit is enormous. Scholars in ancient and modern times have not changed characters into horizontal books, and the use, publication and printing of characters are still vertical. This situation continued until the 1950s.

Chen Jiageng's Calligraphy

1950 In June, Chen Jiageng submitted a proposal of "Chinese writing horizontally from left to right" at the second session of the first session of the China People's Political Consultative Conference, which attracted considerable attention. Later, cultural celebrities such as Guo Moruo and Hu Yuzhi also wrote articles to support it. 1955 65438+ 10/month 1, Guangming Daily was changed to horizontal version for the first time. And 13 of the central level 17 newspapers was changed to horizontal. 1 956 65438+1October1,China * * * The organ newspaper of People's Daily was also changed to a horizontal version. Since then, newspapers and periodicals all over the country have followed suit, and book publishing has also shifted downstream.