"People play too deeply, and everything is their own fault" means that sometimes people treat their life and behavior too lightly, treat life as a play instead of taking it seriously, and eventually suffer unwanted results, which are all caused by their own mistakes. People's words, deeds and choices will affect their own destiny and future, so we must be cautious and not rash.

The phrase "people play too deeply, and everything is their own fault" means that sometimes people treat their life and behavior too lightly, treat life as a play instead of taking it seriously, and finally suffer unwanted results, which are all caused by their own mistakes. "People play too deeply, and everything is their own fault" is an idiom. The source of this sentence is "Zhuangzi's carefree travel", which is a famous saying in a fable.

Content tasting:

Xiaoyao Tour is the representative work of Zhuang Zhou, a philosopher and writer in the Warring States Period. It is the first Taoist classic Zhuangzi, and it can be regarded as the representative work of Zhuangzi both ideologically and artistically.

The theme of this article is to pursue an absolutely free outlook on life. The author believes that only by forgetting the boundary between things and me, reaching the realm of no-self, inaction and namelessness, and swimming in infinity without any foundation, can we truly "roam freely".

Firstly, this paper expounds the difference between "small" and "big" by comparing Dapeng with small animals such as pheasants and pigeons. On this basis, the author points out that both Fu and Xue pigeons who are not good at Yu Feixiang, Dapeng who can fly high in Wan Li by the wind, and Liezi who can go against the wind are "waiting for something" and are not free, which leads to and expounds the truth that "there is no one but himself, and the gods are useless and the saints are nameless".

Finally, through the argument between Keiko and Zhuangzi about "usefulness" and "uselessness", it is shown that only by not being used by the world can we be "carefree". The full text is rich in imagination, novel in conception, magnificent and grotesque, with Wang Yang's wanton and romantic spirit between the lines.