One of the advantages of movies is that they can express some aspects that words can't express. -david lynch (American director) (analyzing the theme expression and artistic charm of movies)
Let a person be in an ever-changing environment, let him pass by countless people far or near, and let him have a relationship with the whole world: this is the meaning of the film. -Andrei Tarkovsky (director of the Soviet Union) (analyzing the characterization in the film and the significance of the film)
The screen is such a magical medium, it can convey emotions and feelings, and it is also very interesting. I think this is beyond the reach of any other art form. -stanley kubrick (American director) (analyzing the emotional expression in movies and the interest of movie art)
Film is a container, which can accommodate all kinds of emotional experiences of life, and clearly show the initial feelings, laughter, pain, sadness and joy of life that was originally separated from the film for everyone to share. -Akira Kurosawa (Japanese director) (analyzing the content expressed in the film)
A real movie is a movie that explores poetry and beauty from real civilian life and nature. -Louis Delluc (French director) (analyzing the authenticity of the film and choosing the theme)
After so many storms, I don't care about winning the prize now. I care about whether this movie will survive. Because the final censor is history, time and people. -Xie Jin (analyzing the film director's realistic approach to the film and the audience's aesthetics)
Movies should be for the public, not for the authorities and leaders. -Xie Jin (analyzing the film director's respect for the masses and the aesthetics of the masses)
A screenwriter and director should not just make a story into a movie casually, but at least be a writer with a unique style and correct understanding, which is owned by the public. -Cai Chusheng (analyzing the unique artistic conception and style of film directors)
I think the movie should be like this: everyone can understand it, and those who can see it deeply will see it deeply. -Hou Hsiao-hsien (analyzing the popular artistry of movies and the profundity of theme connotation)
Film or art itself has nothing to do with national character, but only with one thing, that is, human nature. -Yang Dechang (analyzing and summarizing movies about human nature)
A person's hobby is forever, very simple, this is my hobby, I like rich colors. On the basis of not affecting the plot, if I can choose, I will choose colorful ones. This is my signature. -Zhang Yimou (analyzing the film director's use of color and affection)
With the growth of age, with the change of understanding of movies and audiences, any director wants his movies to be better and better. -Jiang Wen (analyzing the director's psychology)
Creation is not objective, but subjective. The more subjective, the higher its artistic value. Only by making a movie you like can you be liked by others. -Jiang Wen (analysis of the rendering and expression of the director's subjective feelings)
I want to care about ordinary people with movies. First of all, I should respect the secular life. In the slow process of time, I feel the joy and heaviness of every dull life. -Jia (paying attention to the film analysis and documentary expression analysis of ordinary citizens)
There is no commonality in movies. If it is wrong, persistence is right. I have never lost this control, I don't want to lose it, and I won't lose it. -Guan Hu (analysis of the director's insistence on personal artistic techniques)
The film records the fragments of human life from the beginning, which can be presented repeatedly to let more people know different life experiences. We like watching movies, in fact, we are watching other people's life experiences and getting some information from them. -Yang Dechang (analyzing the realistic representation of real life and characters in movies, mostly used in documentaries and documentaries).