-Zhao Jianzhong, a famous contemporary redologist in China and a professor at Tianjin Normal University.
I just received it from zhanghua. I just looked at it casually, and the ending was brilliant. For example, Fangguan sweeps snow, Xiangyun climbs trees and flowers and plants. Although slightly modern, I still see the original style. Lyric narration is beautiful and ingenious, full of appreciation.
-Liu Yongqiang, a famous scholar and professor of Chinese Department in Peking University.
Finally found the fragment of Liu Xuhong's building. Although mediocre and tasteless, it is better than I expected. There is also a sequel to the post-70 s writer Wen Haoran, which is more lively than Liu.
—— Professor Yan Feng of Fudan University
Everyone has his own sequel to a dream of red mansions. Is Tso Gong's intentions the best? I dare not speculate. But his literary talent and sincere feelings are really a masterpiece.
—— Professor Huang Mei of Beijing Foreign Studies University
In the new era, the sequel to A Dream of Red Mansions presents a colorful situation, but there are few excellent works in terms of specific content and artistic style. Xu Wen, with his unique narrative style, plays the role of a direction target, representing and leading the direction of the sequel to A Dream of Red Mansions in the new era, galloping freely in the gap of historical narrative, exerting his creative talent, breaking through the shackles of the original work and making Dojo in the snail shell.
—— Xiong Lijuan of Tianjin Normal University
Eternal light shines on the sea, leaves are gorgeous, and Sanqiu is proud of the blue sky. If you win, Dan will succeed, and Zhen Zi will be ashamed to spend.
-Wen, a famous scholar
Wen Haoran and I have always insisted on serious writing.
-Love, a famous poet and writer nominated by Nobel Prize in Literature.
The continuation of A Dream of Red Mansions in the new century requires the author not only to violate the existing mainstream research results of Dream of Red Mansions, but also to continue the significance of the times and the spirit of subjectivity. From this perspective, Wen Haoran's sequel obviously represents a brand-new turning point. The author summarizes it as: "based on a dream of red mansions, loyal to the heart, display talents and face the times."
-Professor Peking University Kong Dong Qing
The first time I saw Wen Haoran, it was amazing. This "post-70s" female writer, who enjoys the title of "creating the text of China's pure classical novels" and "2 1 the first talented woman in the century", is a gentle and noble woman who came out of ancient ladies' paintings. It is said that beautiful girls can't sit on the bench, so Wen Haoran is definitely an exception. In her books, people can feel the cultural connotations of The Book of Songs, Li Sao and novels of Ming and Qing Dynasties, the soul of Buddhism and aesthetics, and the realistic literary spirit of Mr. Lu Xun who dares to face the bleak life and shed blood.
-Jane Long, the top aristocratic member publication in China.