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Four-character inspirational quotes in calligraphy

1. A collection of famous four-character calligraphy quotes of inspirational idioms

1. Cantilevered and thorny: describes studying hard.

2. Promote the pure and strict customs: carry forward the pure ethics and inspire the secular.

3. Strengthen the whole brigade: train the army and motivate the soldiers.

4. Go to bed late and get up early. Describes endless diligence.

5. There is no end to learning: Adapt to the environment by studying diligently.

6. Get up when the rooster crows: Get up when the rooster crows. Describes diligence and perseverance.

7. Scratching the rotten and blunting: refers to people with low talents who are also motivated to make progress.

8. Work hard: Figure: seek. Take heart to be strong.

9. Integrity and stubbornness lead to cowardice: It means that noble moral integrity can inspire people to move forward.

10. High-spirited: High-spirited: Emotions are high. Strong will to fight 2. What are the calligraphy works of four-character inspirational quotes

Life should be self-improvement. People will always encounter setbacks and hardships in life, but there are no obstacles in life that cannot be overcome. A kind of harvest, a kind of growth, do it while cherishing it, go and realize it. Only by constantly striving for self-improvement and moving forward bravely can you walk out of a sunny road in life.

Life should be tolerant. Tolerance is like the blue sea, which accepts hundreds of rivers and is clear and clear; it is the vast blue sky, which embraces the world without remembering hatred and resentment; it is the bright sunshine that sends you sweet rain and gentle breeze. Tolerance and generosity can transcend the limitations of oneself. A word of tolerance will bring colorful rain and dew, and a lifetime of tolerance will keep the world in mind.

Self-improvement and tolerance are beautiful qualities that have been recognized and praised by people since ancient times. The saying "Heaven moves vigorously, a gentleman strives for self-improvement, the terrain is prosperous, and a gentleman carries great virtues" has engraved the inspirational legends of many people with lofty ideals. Today, let us regain this determination again and enjoy the calligraphy of the four-character inspirational quotes of "continuous self-improvement" and "loyalty"! 3. What are the four-character inspirational idioms and calligraphy banner slogans

1. High-spirited dòu zhì áng yáng

Meaning: strong will to fight

Sentence: mention In this mobile red flag evaluation, all the students were very motivated.

2. Work hard fā fèn tú qiáng

Meaning: Make up your mind and work hard to pursue progress. Generally speaking, it is the same as "work hard".

Sentence: We must work hard and strive to create a new situation in socialist modernization.

3. Keep improving jīng yì qiú jīng

Meaning: The metaphor is already very good, but we still want better.

Sentence: Dad pursues excellence in his work and is rated as the technical backbone of the factory.

4. The stupid bird flies first bèn niǎo xiān fēi

Meaning: It is a metaphor for people who are not as talented as others and are one step ahead of others in everything.

Sentence: But the stupid bird flying first has always been, and will always be, a beneficial approach.

5. Dance upon hearing the rooster wén jī qǐ wǔ

Meaning: The original meaning is to get up and dance the sword when you hear the rooster crow. Later, it is a metaphor for those who are determined to serve the country and immediately rise up.

Sentence: He has the spirit of dancing after hearing a chicken, so he makes rapid progress. 4. Provided: four-character words and quotes for writing calligraphy

Calligraphy famous quotes Sun Guoting: Distribution for beginners, but seek fairness.

Xiang Mu: There are three precepts in the book. When you first learn, the precepts are distributed unevenly, and when you learn the rules, you will get rid of inactivity and stagnation; in the end, you will become proficient, and you will get rid of craziness and vulgarity. Wang Xizhi: The shape of the characters should not be broad at the top and narrow at the bottom. If so, the weight and lightness will not be commensurate.

The partitions are white, and the distance should be balanced, so that the top and bottom can be accommodated, and it will be naturally stable. Yan Zhenqing: If you want to calligraphy, you should first anticipate the shape of the characters and arrange them to make them stable, or unexpectedly create them and make them have different trends. This is called cleverness.

Ouyang Xun: Beginners should first establish the general structure, place it horizontally and vertically, and treat the cloth and white to make sure they are even. Wang Xizhi: The white cloth should be distributed evenly, both far and near.

Jiang He: There are three kinds of cloth white; the cloth white in the word, the cloth white in each word, and the cloth white in the lines. When you are new to learning distribution, you must stop evenly; once you know it is still even, you need to seek changes, such as slanting, straightness, density, and density.

Chen Yi: If the sparse place is full, the dense place will be lifted; if the flat place is full, the dangerous place will be lifted; if the pinch is full, the body will be fat, and if the place is full, the body will be thin. Wang Xizhi: Dot painting is divided evenly, distance and near are related, spreading and grinding, blending the brush and ink; the sharp edges come and go, and the dense and dense are connected.

Xiang Mu: People are very good at books. There are thousands of shapes and forms, but they can only be said to be neutral. Said fat.

It’s just that I am thin. If the length of the book should be in harmony, the weight should be balanced, the yin and yang should be appropriate, the hardness and softness complement each other, and the person who talks about the appearance of the world will be neither fat nor thin.

Neither long nor short is beauty. Zhang Huaijin: Yan Yang and his back; that is, the two characters are combined into one character, and it is necessary to draw up and down, Yan Yang, with the force of separation and combination.

Wang Xizhi: The two characters are combined into one, the weight should not be long, the single should not be small, the complex should not be large, dense is better than sparse, short is better than long.

Mrs. Wei: The stippling is like a falling stone from a peak, the bump is like a collapse; the horizontal painting is like a cloud formation thousands of miles away, but it is faint but tangible; the vertical painting is like a long-lived withered vine; the stippling painting is like a rhinoceros elephant; Running; the diagonal hook is like the hair of a hundred Jun crossbows; the horizontal folds are like the tendon joints of a powerful crossbow; each word is a character, and each resembles its shape. This is a wonderful creation, and the calligraphy is complete.