Current location - Quotes Website - Excellent quotations - How to draw Qin terracotta warriors and horses?
How to draw Qin terracotta warriors and horses?
Question 1: How do Qin Terracotta Warriors and Horses draw sketches or stick figures, meticulous paintings, watercolors, gouache, traditional Chinese paintings and oil paintings?

Question 2: The steps of drawing Terracotta Warriors and Horses can be copied with pictures first, and then some antique products can be found to sketch.

Question 3: The stick figure of Terracotta Warriors and Horses: Patriotic Famous Words, Our Pride-The Great Wall, and The Terracotta Warriors and Horses Pictures: The stick figure of the Great Wall, the stick figure of Terracotta Warriors and Horses, others: header, border (1.5cm), decoration.

Question 4: How did Qin's 8,000 Terracotta Warriors and Horses come into being? Most of them are made of pottery and firing. First, the first tire was made with a ceramic mold, and then covered with a layer of fine mud for processing, characterization and coloring. Some were fired first, and some were fired first. Uniform temperature, simple color and high hardness. Each process has a different division of labor and a strict working system.

The production of clay figurines is divided into three steps: the first step is to make large clay figurines (rough tires or first tires); The second step, on the basis of the larger size of the clay figurines, the clay figurines are re-slimed for the second time, and decorated and detailed; The third step is to assemble the head, hand and trunk made separately to complete the large-scale pottery figurines.

The trunk of the terracotta figures is made of pure handmade plastic. It is to make a rough tire with mud first, and then carve out details such as clothing lines, armor, belts, hooks and so on. The green body of the terracotta figures is made up of debris from bottom to top, and its technological process can be roughly divided into six steps:

The first step is to make the pedals for the Terracotta Warriors to stand on; The second step is to shape the feet of the figurines; Step 3, grafting plastic legs and shorts; The fourth step is to shape the trunk of the terracotta figures; Step 5, dry the trunk of the terracotta figures in the shade, and then glue the arms of the terracotta figures; The sixth step is to insert the hand of the figurine.

After the above six steps are completed, the details of the figurines will be carved. Covering a layer of fine mud on the rough tire of the trunk of the pottery figurine, carving the pattern of the clothes of the pottery figurine; Armor, belt, hook, etc. Carved directly on the rough tire of the figurine. After carefully carving the trunk and limbs of the pottery figurine, and then installing the head made separately, the overall shape of the pottery figurine is completed.

Question 5: How did the Terracotta Warriors come into being? Recently, Professor Zhao of China Criminal Police College boldly solved the mystery of the firing time and production of Terracotta Warriors.

Zhao said that he saw the inscription of "Xin Mao" twice in the same place of the Terracotta Warriors. He said: "Xinmao is heavenly stems and earthly branches, which is the Lunar New Year. This refers to 2 10 BC. " He thinks this is the marked age of the year when Qin Shihuang died. Judging from this, the terracotta warriors and horses of Qin Mausoleum were fired in 2 10 BC. Judging from the straw sandals left in the pit, people only wore straw sandals in summer and autumn. According to this, it is further predicted that the terracotta warriors and horses should be fired in the autumn after Qin Shihuang's death, and firing the terracotta warriors and horses was the imperial decree of Qin Shihuang before his death.

Zhao also analyzed the mystery of the firing process of Terracotta Warriors. He said, "The terracotta warriors and horses have an inner mold bag of chaff as the main support", and chaff was the best stuffing at that time. Another point is that the production technology of the Terracotta Warriors and Horses was so scientific more than 2,000 years ago that the Terracotta Warriors and Horses, which were the size of real horses and weighed 100 kg, were molded, dried, transported and baked in one go, showing the wisdom of China people at that time.

Figurines are dolls used for burial in ancient times. It is a human-like object made of mud, wood or copper.

The most common texture of figurines is wood and pottery, but also porcelain, stone or metal products. The images of figurines mainly include slaves, dancers, soldiers, rituals and so on. , and often accompanied by pommel horse, ox cart, kitchen utensils, livestock and other models, as well as the sacred objects knocking on the town tomb. Most of the terracotta warriors and horses truly simulated all kinds of figures at that time, and they can observe the social customs at that time, which is also an important material for studying the clothing system of each generation. Figurines can also reflect the artistic level of sculpture in different times.

The Terracotta Warriors and Horses of Qin Shihuang conquered modern people with their "large, diverse, exquisite and beautiful".

Terracotta warriors and horses are big, first of all, the scene is big. There are three pits of terracotta warriors and horses on nearly 20 thousand square meters of land, which intuitively reproduces the grand scene that Qin army is stronger than Mazhuang. Such a huge group sculpture with theme is unique in the world. Secondly, he is tall. The average height of pottery figurines is 1.8m, and that of pottery horses is 1.7m, with a length of 2m. No pottery figurines taller than the Qin figurines have been found in the world.

There are many terracotta warriors and horses, which means a large number. Nearly 8000 terracotta warriors and horses were unearthed in three pits, which is unique in the history of world sculpture.

The essence of Qin terracotta figures is that each terracotta figure is exquisitely carved and meticulous, from body structure to hair and eyebrows.

The beauty of Qin Terracotta Warriors and Horses means that among these different terracotta Warriors and Horses, there are tall and burly generals, military officers who are mighty and resolute and battle-hardened, and soldiers who look different and lifelike. It can be said that there are thousands of people with different emotions, which is a true portrayal of the soldiers in Qin Jun.

Question 6: How did the Terracotta Warriors and Horses of Qin Shihuang come into being? The craftsmen of the Terracotta Warriors and Horses are a group of potters in the lower classes of the Qin Empire. Some of these potters come from court pottery workshops and some from local pottery workshops. There are 80 names of potters found in pottery figurines, all of whom are excellent potters with rich practical experience.

Printing or carving the names of potters on pottery figurines and horses originated from the "name of goods" system of Qin State in the middle of the Warring States Period, which was a means for Qin State to manage government handicrafts, ensure product quality, and control and supervise craftsmen's production. This method was applied to the production of terracotta warriors and horses in the Qin Mausoleum. On the one hand, it strengthens the control and management of craftsmen, on the other hand, it is also conducive to improving the quality of works.

Archaeologists found some carved or embossed characters in some hidden places of unearthed pottery figurines and horses. The number of words is very small, generally only two words, and the most one is 1 1 word; Apart from the serial number, Wen Tao is a Potter's name. Generally speaking, the names of these potters can be divided into four categories: first, those with the word "official" in front of their names are referred to as Miyako; Two, if the word "right" or "big" is placed in front of the person's name, it is called "right word" and "big character" in the province; Third, there are place names before people's names; Fourth, there are only names, most of which have only one or two words, and some have three words. Among the above four types of potters, the first and second types are potters from the central government pottery workshop; The third category is the potters in local pottery workshops; The fourth category is difficult to judge its source because the text is too brief.

Xianyang Cao Guan Fang gong Jiang

The names of the palace-shaped potters are all on the pottery figurines, but not immediately, and most of them are in the hidden place of the hem of the pottery figurines, and a few are on the skirts or legs. At present, * * * has found 87 pieces, including 75 seals with the inscription 12. These fonts in Wen Tao are all small seal characters, and the stamped characters are relatively regular, and they are Yang Wen. Most of them are surrounded by sidebars, and there is no boundary between words. Most words are arranged horizontally from left to right. The scribbled words are scrawled, and the order of the words is different, either horizontally from left to right or from right to left, or vertically from top to bottom.

Artisans in folk workshops

On the terracotta figures, some Wen Tao with place names before people's names were also found. The names found are Xianyang, Liyang, Linjin and Anyi. Among them, Wen Tao has the largest number of "Chengyang", and the other three places have one each. Wen Tao, engraved with place names, is mostly in the hidden place of the upper body of the pottery figurines, and his handwriting is scrawled. According to statistics, Xianyang potters 19 people have clothing, insurance, wilderness, ceremony, lunch, barnyard grass, celebration, transportation, Taoism, worship, taboo and wood, which shows that the national political, economic and cultural center became Yang at that time, and a large number of excellent potters were recruited for the construction of the mausoleum of the First Qin Emperor, and they became. Pottery workers from the court and local pottery figurines are different in body shape, head shape, face shape and facial features, which explains the differences in artistic creation caused by the differences in their social environment.

Question 7: How to make Qin Terracotta Warriors and Horses? Most terracotta warriors and horses are made by molding and firing. First make the first tire with a ceramic mold, and then cover it with a layer of fine mud for processing, carving and coloring. Some fry first, some fry first. In fact, all the terracotta warriors and horses had bright and harmonious paintings. During the excavation, we found that some pottery figurines were brightly colored when they were first ordered, but they were oxidized by oxygen after being unearthed, and the color disappeared in less than ten seconds and turned into white ash. All you can see now are traces of painting. The chariots, infantry and cavalry of the Terracotta Warriors are arranged in various positions. The overall style is vigorous, bodybuilding and washing. Look carefully, there are differences in face, hairstyle, posture and verve: Ma Tao pricked up his ears, screamed with his mouth open, and stood still with his mouth closed. All these terracotta warriors and horses of Qin Shihuang are full of infectious artistic charm.

Question 8: How do Qin Terracotta Warriors and Horses draw sketches or stick figures, meticulous paintings, watercolors, gouache, traditional Chinese paintings and oil paintings?

Question 9: The steps of drawing terracotta warriors and horses can be copied with pictures first, and then some antique products can be found to sketch.

Question 10: The stick figure of Terracotta Warriors: Patriotic Famous Words, Our Pride-The Great Wall, The Terracotta Warriors and Horses Picture: The stick figure of the Great Wall, the stick figure of Terracotta Warriors and Horses, others: header, border (1.5cm), decoration.