Appreciation of "Jin Se"
The Jin Se has fifty strings for no reason, each string and one column reflects the past.
Zhuang Sheng was obsessed with butterflies in his morning dream, and looked forward to the emperor's spring heart with cuckoos.
The moon in the sea has tears, and the sun in Lantian is warm and the jade produces smoke.
This feeling can be recalled later, but it was already at a loss.
Li Shangyin played his "Jin Se" on a moonlit night. A melancholy song that has captivated countless listeners in later generations. It has also aroused many different interpretations and speculations. Jin Renyuan Haowen once said in his "Thirty Quatrains on Poetry" that this poem is "A piece of sermon can solve people's difficulties."
There have always been different opinions on the theme of the poem "Jin Se". Some people think that the content of this poem is about singing the musical instrument "se". "The moon in the sea has tears, and the warm sun in the blue field creates smoke." The four sentences are composed of the four musical tones of Sui, resentment, Qing, and He. Some people speculate that "Jin Se" is an illusion of a woman. "Linghu's Qingyi"... In addition, many people tend to mourn the death, thinking that the poet missed his deceased wife in loneliness and desolation, and mourned himself!
Although this poem is difficult to explain accurately in terms of rationality, it is very easy to arouse readers' emotion and love in terms of sensibility. Poetry is very emotional because of its images; poetry is difficult to understand because it only depicts images and is confusing. To understand this poem, I think we should mainly analyze the image of the poem to see what inspirations, emotions and associations it gives us, without having to compare it with the facts.
"Jin Se has fifty strings for no reason, and each string and column reminds me of the past." The poem originated from "Jin Se", which not only describes the beauty of the strings, but also writes about the fineness and complexity of the strings. "Jin Se" These two words give readers a beautiful yet resentful intuition. "Han Shu·Jiao Si Zhi" records: "The Emperor Tai made the plain girl play the fifty-stringed harp. She was so sad that the emperor banned it, so it was broken into twenty-five strings." Who would have thought that the "fifty-stringed" "jinse" would be better than It turns out that the harp and zither have such tragic feelings attached to them. Unprovoked, do it without doing it, do it without doing it, and rule without any reason. The word "unprovoked" made Jinse suddenly come to life. This depressed sigh seemed to say that it was not Se who would rather have these fifty strings. But I was born with so much and there is nothing I can do about it. "One string and one column misses the Chinese years." Every string and every column on this harp leads to a pain buried deep in the poet's heart. "String" and "pillar" come from the previous sentence "fifty strings". The two characters "one" further strengthen the feeling of "fifty strings", which not only implies the delicate and complicated feeling, but also implies the sadness. The heavy lingering. The caressing of every string and column will cause the poet to reminisce about the past. The word "Hua Nian" corresponds to the previous "Jin Se". It not only shows the beauty of "Hua Nian", but also the melancholy when thinking about it today. sad. The poet uses the beauty of the harp to imply his outstanding talent, and also uses the "unprovoked fifty strings" of the harp to imply that the years are passing quietly. The pain, sadness and anger are implicit in the "unprovoked" exclamation. These two sentences can be said This is the summary of this poem.
"Zhuang Sheng dreamed of butterflies at dawn, and looked forward to the emperor's spring heart with cuckoos. The moon in the sea has tears, and the warm sun in the blue field produces smoke." The two couplets on the chin and neck carry the word "thinking" in the first couplet to recall the past. The poet I lament that I abandoned my talent and hurt myself in life. For Li Shangyin, the past is unbearable to look back on. He was young and talented, but he was involved in the political whirlpool of the late Tang Dynasty. His talent was not recognized and he ended up in a life of poverty and inaction. His beloved wife died early in China, and now only the poet himself is left. Reminiscing about the past in loneliness and desolation. The couplets convey feelings to objects, expressing the feelings of "dawn dream" and "spring heart" through objects such as "butterflies" and "cuckoos". The neck couplet borrows scenery to create emotions, using the scenes of "the moon is bright on the sea" and "the sun is warm in the blue field" to describe the sadness of "tears in beads" and the confusion of "smoke in jade". It is said in the myth that when the moon is full, the pearls will be round. However, the pearls in the sea under the moonlit night still have tears. In the boundless sea, every pearl is a teardrop. Beautiful jade is produced in Lantian Mountain, and where there is jade, it is covered with mist. But people only see the mist in the mountains and don't know where the jade is. Beautiful jade is like a pearl hidden in the ocean, no one appreciates it.
Li Shangyin’s use of allusions has his own characteristics.
Sometimes its original meaning is used. For example, in "An Ding Tower", he expressed his grief and indignation that he could not express his feelings with "Jia Sheng was weak and shed tears when he was young, and Wang Can came to travel further in spring." Sometimes he uses the allusion as a special image and extends it creatively. "Xiao Meng" and "Chun Xin" are the latter allusions. The allusion of Zhuang Zhou's dream of a butterfly was originally intended to illustrate the Taoist philosophy of "all things are equal to each other, and their appearance is the same". However, Li Shangyin used the image of "Butterfly Dream" for his own use, expressing his pursuit of an official career and the failure of this dream. Endless emotion after failure. The word "xiao" implies the shortness of the dream, and the word "mi" implies the dreamer's obsession. This kind of infatuated and lost affection should be the original intention of the poet. "Looking at the emperor's spring heart entrusting the cuckoo" is an allusion that the emperor went to his country to miss his hometown, his soul turned into a cuckoo, and he lamented and expressed hatred. Li Shangyin extended it. What is "spring heart"? Spring heart is the heart of pursuit, yearning and perseverance. What an obsessive dream, what a deep emotion! The elegance of this poem lies in the fact that the poet does not give a clear description of his feelings at all, but only uses a variety of beautiful and complex images and twists and turns to give readers a sense of intuition and hints, so that readers can follow it. Produce countless touches and associations.
"Dawn Dream" and "Spring Heart" are sentimental and susceptible; "Butterfly" and "Cuckoo" evoke the association of flying and crying; "Moonlight" and "Sunwarm" are fascinating. The poet transforms the desolate, vast, gentle and melancholy situation into fiction, using four allusions in succession to express his own experiences and moods with four beautiful, quiet, blurred and sad scenes, making it difficult for people to understand. It refers to the fact that it is clearly stated but also felt, so that it is chanted in the mouth and thought in the heart. It is a kind of poetry that is full of touching and inspiring effects.
"Can this feeling be remembered? It's just that I was at a loss at that time." The last couplet asks and answers itself, pointing out that this poem is about recalling the past and learning from the pain. The so-called "this feeling" refers to the obsession with "Xiao Meng" written in the two couplets on the chin and neck, " The deepness of "Spring Heart", the sorrow of "tears" and the confusion of "jade smoke", how can all kinds of love be sad only when they are recalled? When the years pass by, you have already experienced the bitterness and sadness. In the warm jade, smoke is born In the mist, the poet looked back on the past, recalling the past love, leaving behind the sorrow of the past, which made him sigh once again: Looking back to ask about the afterimage, the afterimage is even more empty.
This poem was written around the time of the author's later years. , when he recalled the past and expressed his emotions about the ups and downs of his life. Although the description was euphemistic and the purpose was vague, it obviously had its sustenance. Li Shangyin concealed the specific things he had experienced in his life in the poem, and used the wording of fate to create things, which is implicit. He euphemistically expressed his ups and downs and sadness from many different angles, lamenting the passage of time and the failure of his ambitions.
After the song "Jin Se" was played, a haggard figure disappeared. The melancholy rhyme of the piano leaves readers with endless sorrow
What does "Once upon a time, the sea was difficult to make water, except for Wushan, it is not clouds"?
Source: "Li" by Yuan Zhen of the Tang Dynasty "Five Thoughts·Part 4". The whole poem: "Once the sea was filled with water, except for Wushan it was not clouds." I look back lazily at the flowers, half destined to practice Taoism and half destined to be a king. ”
“Once upon a time, the sea was difficult to overcome, except for Wushan, it was not a cloud.” "The meaning of this sentence: For those who have experienced the incomparably deep and vast sea, it is difficult for the water elsewhere to attract them; except for the steaming clouds of Wushan, the clouds elsewhere are eclipsed.
Once: Have experienced it . Zeng, adverb.
Canghai: The ancients called the Bohai Sea
Except:
The original poem refers to the water of Canghai and Wushan. The clouds are a metaphor for the depth, breadth and depth of love. After seeing the sea and Wushan, it is difficult to look at the water and clouds elsewhere. Except for the woman whom the poet misses and loves, there is no other woman who can make me emotional. "Sweetheart" is said to be Shuangwen, the Yingying in the legendary "The Story of Yingying" written by the poet. After the poet abandoned Shuangwen because of her poor family background, he "did not look back to Hua" for eight or nine years ("Dreamwalking in the Spring"). "Ten Rhymes"). Some people say that the purple poem was written in memory of his late wife Wei Cong. Wei Cong was from a noble family, beautiful and virtuous. After Wei Cong died young at the age of 27, the poet once said that he would never marry again ("Removal of Sorrows·Part 3"). ). The two lines of poetry use allusions, which are extremely descriptive.
The first sentence is quoted from "Mencius: Devoting the Heart" "Those who look at the sea can hardly be water"; the second sentence is quoted from Song Yu's "Preface to Gaotang Ode" "Ginger is in the sun of Wushan, blocked by high hills, it is morning clouds, and it is rain at dusk. Later." People quote these two lines of poems, which often refer to loyalty to love, indicating that love belongs to no one but one, and love cannot be given to others. These two lines of poems are also shortened to the idiom "Once across the sea", and can also be used as a metaphor for having experienced great scenes and horizons. Open and well-informed, he doesn’t pay attention to the more common things.
lt; It used to be difficult to change the sea gt; Complete explanation
"It was difficult to change the sea to be water", for me. The words are: I have read this poem and it is difficult to write it. It describes the unforgettable love of life and death.
What should I do if there is no more water after the sea? Sit back and wait for death on the waterless shore.
There are two possibilities.
Or continue to immerse yourself in the sea of ??memory, salvage pearls and sunken stars and moonlight from the past. , until the sea of ??the past gradually submerges itself.
Either dig deep wells on the shore of survival and irrigate the desert of existence with new water sources. Perhaps, when the well water reflects the reflection of the person who draws the water. , will also remind him of those days and nights collected by Canghai?
The waters of life continue in this way
And in the memory, the waves overlap the waves, and the reflections overlap the reflections. , giving life a complex level and density.
If the experience of love is like this, is it the same for other experiences in life?
After reading a very touching book, you I really don’t want to read those soulless and frivolous books anymore.
Climb the Five Mountains and enjoy the beauty of the mountains and rivers. Your heart is full of strange peaks and deep valleys, and you still want to read those things that have been trampled by everyone’s shoes. Is it a business mountain without any wildness or aura?...
Love, reading, traveling, dating... will all have similar experiences.
The vast sea is too vast and too vast. "Profound and too bitter; the vast ocean is almost infinite", which is the ultimate state of life and emotion.
So, most people have never been to the sea, let alone the depths of the sea.
At most, I have just imagined the sea from a distance: maybe it is very big and deep?
Or I stood on the beach and took a look at the sea: it is indeed very big and deep.
Or pick up a few shells on the beach at low tide.
I have never really experienced the sea, so I am not picky about water: salt water is water, fresh water is water, deep water is water, shallow water is water, clear water is water, and turbid water is water.
It is the bitter love of a saint to once be in the sea and never see water again.
Unexpectedly, there is water everywhere, which is a blessing for mortals.
"It was once difficult to find water in a vast ocean." I also think that people who have been to the depths of the ocean and whose memories are filled with sea water, when they go ashore and when they look back, will they see that puddle of water? Conspicuous, clear and light spring water? Perhaps the light and clear spring water can also allow him to experience another kind of kindness, another kind of blessing? It can save his life from despair?
What's more, " Except that Wushan is not a cloud, this can be discussed again. The clouds on Wushan are the purest and most beautiful, and have a mythical color. If all mountains are regarded as sacred mountains, then the clouds rising on every mountain are mythical. Clouds, beautiful clouds, they surround the lonely mountain peaks, fill and decorate the huge emptiness of the sky, and, with the help of the wind and air currents, they will rain and snow--
Rain and snow It will turn into good water for the world.
Exactly:
There was still water in the sea,
Except Wushan, it was also clouds