1. Verses about regular script

Verses about regular script 1. Verses describing calligraphy

Become a member of Wenku with a minimum of 0.27 yuan to view the full content>

Original publisher: Every Plop Ant

Sentences about describing calligraphy: 1. The pen is full of ink: the pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander. 2. The flowing clouds and flowing water, the writing strokes are like clouds and smoke. 3. With one stroke, it looks like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and the earth. The aura of the universe. 4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, dispersion and tranquility of Laozi and Zhuangzi. It often changes in a way that does not seek richness, and omits the worldly glitz in the writing in order to seek emptiness and distance. Real flavor means. 5. Observe that his strength is not lost, his posture is extended but not exaggerated, and his handwriting flows like water and clouds. 6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly in. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, as powerful as a frightening dragon. The iron book and the silver hook are the best in ancient and modern times. 9. Huaisu is like a strong man wielding a sword, his expression is moving, and he moves forward and backward without missing the mark. 10. With a few scribbles, a picture of a soaring dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied. When Chen Rong painted a dragon, he often did not paint the entire dragon, but painted the dragon's head or claws, which flickered in and out, as if hearing its sound or seeing its shape. He also splashed ink to form clouds and sprayed water to form mist. It was so wonderful that people said it Weng Long (Chen Rong's name is Weng). 11. The fonts are upright and staggered, large and small, open and close, and the line thickness changes obviously, with ups and downs. The last line is crooked, so crooked that it almost falls over, but this tilt is not rigid, but more free, reflecting his willful side and his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, with the beauty of coming down like thunder to collect its fury. He writes quickly,

2. Verses describing calligraphy

1. "Book" Tang Dynasty: Li Qiao cut the bamboo slips to see the dragon, and the birds traced the pond.

The Eight Diagrams of Hetu came out, and it was the beginning of Jiuchou in Luofan. Translation: There are few birds singing by the pool, and the environment is quiet and relaxing. I lean on the railing and carefully review the words on the letter.

Calligraphy is the initial source of Chinese culture, and the existence of Luohe led to the emergence of "Luoshu". 2. "Shi Cang Shu Zui Mo Tang" Song Dynasty: Su Shi Literacy begins with worries in life, but rough memorization of names is enough.

Why use cursive writing to praise your speed, while opening the book is confusing and frustrating. Translation: The sorrow and suffering of a person's life begins with literacy. Therefore, as long as you can write and recognize your own name, it is enough.

What's more, using cursive script to show off the magic and speed of calligraphy makes people look blurry and worried. 3. "After the Cursive Script Written in Drunkness" Song Dynasty: Lu You There are five soldiers hidden in the chest, and there is no way to try.

The wine is like flags, drums, pens, knives and spears, and its power falls from the sky to the Milky Way. Translation: I have a military strategy in my heart, but I want to try it out but there is no way to do it, so my ambition is empty.

Cursive writing is like marching into battle. Drinking before writing is like the flags and drums in the army, which are powerful. The pen in the hand is like the sword and gun of the soldier, and its momentum is like the Milky Way pouring down from the sky. 4. "Sun Xin Lao's Poems on the Ink Pavilion" Song Dynasty: Su Shi The cocoons and paper from Orchid Pavilion entered Zhaoling, and the ruins in the world are like dragons.

Yan Gong’s reforms brought out new ideas, and the thin tendons penetrated into the bones like an autumn eagle. Translation: The original "Preface to the Lanting Collection" written on cocoon paper has been buried in Zhaoling, and the glyphs of Wang Xizhi's dragon and tiger are still left in the world.

Yan Zhenqinggong changed the calligraphy to create new ideas, and the characters are as strong as an eagle in autumn. 5. "Cursive Screen" Tang Dynasty: Han Xie Where there is a screen, there is a clear trace of it.

Although it is dusty and stained, there are still thick ink marks. Strange rocks rush into the autumn stream, and ancient pines hang on cold vines.

If you teach near the water, every word may become a dragon. Translation: Where did you get this screen? There are clearly traces of Huaisu's calligraphy on it.

Although there is a lot of dust and color contamination, you can still see heavy ink marks. The dots of the written words are like strange rocks running towards the autumn mountain stream, and the vertical and hook strokes of the words are like dry old vines hanging upside down under the ancient pines.

If you put the screen by the water, every word may turn into a dragon and swim into the water.

3. Sentences to describe calligraphy

Sentences to describe good calligraphy

1. Full of pen and ink: The pen and ink are used very freely and fully. It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping. Describes the calligraphy style as vigorous and free-spirited. He also writes on behalf of the commander.

2. The writing is like clouds and smoke.

3. With one stroke, you can see it as if a runaway horse soars into the sky and flies away; it is also like a dragon flying in the sky, moving around, coming from nothingness, and returning to the void again. This is almost crazy and primitive. The impulse of vitality contains the aura of heaven and earth.

4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, detachment and tranquility of Lao and Zhuangzi. It often uses a kind of change that does not seek richness and is reflective in the writing. It means leaving behind the glitz and glamor of the world in order to seek the true meaning of space and distance.

5. Observe that his strength is not lost, his posture is stretched but not exaggerated, and his handwriting flows like water and clouds.

6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly.

4. Famous aphorisms about calligraphy, poetic

●Calligraphy originates from nature (Cai Yong, Han Dynasty) ●Silent sound, invisible appearance (Tang Dynasty, Zhang Huaijin) ● If you study books, knowledge can go a long way (Zhang Yanyuan, Tang Dynasty) ●The mysterious meaning comes from the surface of things; the profound principles lie in the darkness; how can ordinary feelings be expressed, and worldly wisdom can be measured (Tang Dynasty, Zhang Huaijin) ●It may be used to convey the ambition to achieve great success, or it may be used to relieve depression.

Even though it is noble, it cannot suppress its height; even though it is clever, it cannot match its power (Zhang Huaijin of the Tang Dynasty) ●Don’t write too hard, and don’t pass words carelessly ●Writing is like drawing a dog, the more you draw it, the uglier it becomes ●Afraid of writing Practice, the horse is afraid of riding ●A word does not require a hundred days of skill ●Punching requires punching, calligraphy requires practice ●Chinese words require bone structure, the flesh must wrap the tendons, the tendons must hide the flesh, and the post is beautiful and moist (Mi Fu, Song Dynasty) ●Every point becomes a word Rules, one word is the final word (Sun Guoting, Tang Dynasty) ●The pen is bald with thousands of pipes, and the ink is polished thousands of ingots (Su Shi, Song Dynasty) ●The pen is drawn hard, like a swan flying high, and the hair is graceful (Wei Heng, Jin Dynasty) ●As graceful as a silver hook, as source as a startling Luan (Suo Jing of the Jin Dynasty) ●Floating as a floating cloud, as powerful as a frightening dragon (Book of the Jin Dynasty) ●Dragon leaping over the Tianmen, tiger crouching in the Phoenix Pavilion (Southern and Northern Dynasties, Xiao Yan) ●Clouds and cranes wandering in the sky, A group of heroes playing in the sea (Southern and Northern Dynasties·Xiao Yan) ●The dragon is powerful and the tiger is vibrating, and the sword is at war (Southern and Northern Dynasties·Yuan Ang) ●The physical appearance is extraordinary, different from the ancient times. Falling pearls and jade, fluttering tassels (Tang Dynasty, Zhang Huaisheng) ●Like the breeze coming out of the sleeves, the bright moon entering the arms (Tang Dynasty, Li Sizhen) ●The dragon and snake in the pen seem to have gods (Tang Dynasty, Zhang Huaijin) ●The brush strokes are like clouds of smoke (Tang Dynasty, Du Fu) ●Every time I saw only dragons and snakes running away (Li Bai, Tang Dynasty) ●If you were taught to be near the water, every word might become a dragon (Han Wo, Tang Dynasty).

5. Sentences describing calligraphy

1. The pen is full of ink: the pen and ink are used very freely and fully.

It mostly describes calligraphy and poetry as smooth and vigorous. The pen moves the dragon and the snake: The pen depicts the dragon and the snake leaping.

Describes the vigorous and free-spirited style of calligraphy. He also writes on behalf of the commander.

2. The writing is like clouds and smoke. 3. With one stroke, you can see it like a runaway horse soaring into the sky and away from the dust; or like a dragon flying into the sky, moving around, coming from nothingness, and returning to the void again. This almost crazy impulse of primitive vitality encompasses the heaven and earth. The aura of the universe.

4. Calligraphy incorporates the perseverance, courage and enterprising spirit of Confucianism, as well as the emptiness, detachment and tranquility of Lao and Zhuangzi. It often uses a kind of change that does not seek richness and is reflective in the writing. It means leaving behind the glitz and glamor of the world in order to seek the true meaning of space and distance. 5. Observe that his strength is not lost, his posture is stretched but not exaggerated, and his handwriting flows like water and clouds.

6. Du Shijie has strong bones but is thin in calligraphy and painting. If there are no leaves in the frost forest, the waterfall will fly. 7. A group of crocodiles are playing in the sea, and cranes are dancing in the sky (Emperor Xiao Yan of Liang Dynasty commented on Wang Xizhi) 8. Floating like floating clouds, and acting like a frightening dragon.

The iron book and the silver hook are the best in ancient and modern times. 9. Huai Su is like a strong man wielding a sword, his spirit is moving, and he is circling forward and retreat without missing the mark.

10. With a few scribbles, a picture of a flying dragon will appear on the paper. The dragons he painted are lifelike, majestic and varied.

Chen Rong often does not paint the whole dragon, but paints the head or claws of the dragon, which flicker and appear, as if hearing its sound, as if seeing its shape, and splashing ink into clouds, spraying water into The fog is so magical that people call it "Suoweng Long" (Chen Rong's nickname is Suoweng). 11. The fonts are interlaced, large and small, open and closed, and the thickness of the lines changes obviously, with ups and downs.

The last line is crooked, so crooked that it almost falls over. However, this tilt is not rigid, but more free, reflecting his willful side and his own style. Chen Rong's posture is steep, and the shape of his knots may be leaning or upright, heavy or light, which has the beauty of "coming like thunder and gathering its wrath".

He writes quickly, uses the pen powerfully and exerts heavy force. 12. Be simple and unpretentious and accept the universe.

13. The teacher’s words are a symbol of years and years, and each stroke is sonorous and powerful. 14. Be assertive and domineering, without being restrained at all, even writing in one stroke, like a god, coming and going without a trace.

15. The teacher’s words are like petals, the fragrance spreads far and wide, becoming more and more fragrant. 16. The dragon and the snake race to wear out the iron inkstone.

17. Its color, its shape, its density, dryness and moisture, its discontinuity and rolling, the thickness and thickness of the dew are all infinitely variable, and the weather is myriad. 18. The majestic brushstrokes and sweeping gestures are unintentional and have the most vitality-filled characteristics.

19. The ancient ink is lightly rubbed with a few fragrances, and the new inkstone bath shines brightly, either vigorously or gracefully, like a graceful beauty, like a vigorous and brave warrior, or like the spring breeze blowing in the face of flowers. One piece may be as deep and cold as the north wind entering the pass. 20. Like a strong man drawing his sword, his appearance is moving.

21. Manqing’s pen is full of tendons and willow bones 22. Luan soaring and phoenix Zhu: Zhu: flying high. It is a metaphor for the flying gesture of calligraphy strokes.

23. Luan Piao Feng Bo: Luan: a legendary bird like the Phoenix. It turns out that calligraphy is described as free and unrestrained.

It is also a metaphor for the separation of husband and wife of advanced students. 24. Flying dragon and snake: describes the vigorous and vivid calligraphy strokes.

Su Shi's poem "Xijiang Moon·Pingshan Hall": "I haven't seen the old immortal for ten years, and dragons and snakes are flying on the wall." 25. Flying dragon and dancing phoenix: Like a flying dragon, like a flying phoenix.

The original description is unrestrained and majestic. Nowadays, calligraphy is often described as lively, flexible and skillful writing, and it also describes the lifelike dragon and phoenix sculpture art.

26. Giving examples: Zuo Qiu Ming wrote a biography of "Chun Qiu" and classified the calligraphy of "Chun Qiu" into several categories and gave a general explanation. Later, the style of classifying examples to explain a book was called "examples to enlighten".

See "Making an Example". Powerful and penetrating the back of the paper: originally refers to the strong and powerful calligraphy, but now it is also used to describe the vivid, profound and powerful poetry.

27. The sword was drawn: the sword was drawn from its sheath and the bow was opened. Describes a situation that is tense and about to explode.

Later, it also means that calligraphy is vigorous and powerful. 28. Spring earthworm and autumn snake: a metaphor for poor calligraphy, as crooked as the tracks of earthworms in spring and snakes in autumn.

29. Huang Ting was first written: Huang Ting: Taoist classic "Huang Ting Jing", Jin people have "Huang Ting Jing" small regular script calligraphy. In old times, when commenting on calligraphy, there was an idiom: "The first time I wrote Huang Ting, it was just right."

Later used to describe doing things just right. 30. Beauty Hairpin: Describes the beauty and beauty of calligraphy or poetry style.

31. Penetrating three-thirds of the wood: It originally described the strong calligraphy pen (it is said that when Wang Xizhi of Jin Dynasty wrote on the wooden board, the ink penetrated into the wooden board three-thirds deep), but now it mostly describes the profound and powerful force of analysis, description and discussion. The power of similar words can be seen through the back of the paper, and it is an apt description of the root of calligraphy.

32. The paper is like clouds of smoke 33. Tang Dynasty Li Bai's "Cursive Script Song": "Every now and then I see dragons and snakes walking away, left and right frowning and lightning shocked." 34. Although the presentation has a fatherly style , is not a novelty.

Looking at the style of his writing, he is as sparse and thin as a dead tree in the middle of winter; looking at his writing, he is as restrained as a hungry official of the Yan family. 35. Three points into the wood 36. Wang Xizhi has profound attainments in real calligraphy, cursive calligraphy, and all kinds of calligraphy.

His real calligraphy has a clever and dense shape, opening up a new realm; his grass is long, thick and slender; his running script is charming and vigorous. People call his calligraphy "floating like floating clouds, as powerful as a frightening dragon"; "dragon leaps over the sky gate, tiger lies in the Phoenix Pavilion".

37. Graffiti: letter: let one go, casually; letter pen: write casually; graffiti: figuratively written words are poorly written and scribbled casually. Later, "graffiti" or "graffiti" were used to describe poor calligraphy or random writing.

There are also people who claim to be doing graffiti to show their modesty. 38. Xinbi scribbling: Xinbi: writing casually.

Graffiti: The metaphor is poorly written and scribbled carelessly. Later, "graffiti" and "graffiti" were used to describe poor calligraphy or random writing.

39. Iron painting and silver hook: painting: strokes; hook: hook. The calligraphy is described as strong and beautiful.

40. The pen moves the dragon and the snake, the iron draws the silver hook.

6. Poems suitable for calligraphy should have the same number of words and should not be too short or exceed fifty characters.

"Mid-Autumn Festival" (Tang Dynasty) Li Puhao's soul rose up in the sky, and the fairy sound was silent among the clouds. ; The equally divided circle of colors is full, and it will always be with the bright clouds thousands of miles away; The cunning rabbit falls from the string, and the monsters will stop appearing in front of you; The souls make a pact to join hands, and wait until the Milky Way is completely clear.

0 | Comments 2011-10-28 23:51 Zi Yu Ruoxuan | Level 2 "Thoughts on a Quiet Night" by Tang Li Bai There is a bright moonlight in front of the bed, which is suspected to be frost on the ground. Raise your head to look at the bright moon, lower your head to think about your hometown.

"Drinking Alone Under the Moon" by Li Bai of the Tang Dynasty A pot of wine among the flowers, drinking alone without any blind date. Raise a glass to invite the bright moon, and make three people in the shadows.

The moon does not know how to drink, but its shadow follows me. For now, the moon will be shadowed, and we must have fun until spring.

My singing moon lingers, my dancing shadows are scattered. They make love together when they are awake, but they separate when they are drunk.

We will travel together forever, and we will meet each other in Miao Yunhan. "Moon on the Night of August 15th" by Du Fu of the Tang Dynasty The full moon flies into the bright mirror and returns to the heart to fold the sword.

Turn around and travel far away, climb the laurel tree and look up to the sky. There is frost and snow on the waterway, and feathers are visible on the forest habitat.

Looking at the white rabbit at this time, I want to count the hair. "Remembering My Brother on a Moonlit Night" by Du Fu of the Tang Dynasty The sound of garrison drums breaks the line of people, and the sound of wild geese is heard in the autumn.

The dew is white tonight, and the moon is bright in my hometown. All my brothers are scattered, and I have no family to ask about life and death.

The letter sent was not delivered, and the army was not suspended. "Looking at the Moon in the Pavilion on the Night of August 15th" by Bai Juyi of the Tang Dynasty. In the past, on the night of August 15th, I was beside the apricot garden by the Qujiang Pool.

On the night of August 15th this year, in front of the Shatou Water Museum in Penpu. Where is the hometown to the northwest? How many times is the moon full to the southeast?

Yesterday the wind blew and no one was there, but tonight the light is as clear as in previous years. "Looking at the Moon and Huaiyuan" by Zhang Jiuling of the Tang Dynasty The bright moon rises on the sea, and the world is far away at this time.

Lovers complain about the distant night, but they start to miss each other at night. When the candle is extinguished, the compassionate light is full, and when I put on my clothes, I feel the dew.

I can’t bear to give away gifts, but I still have a good night’s sleep. "Feelings Under the Moon at Autumn Night" by Meng Haoran of the Tang Dynasty) The bright moon hangs in the autumn sky, moistened with lustrous dew.

The startled magpie has not yet settled down, and the flying firefly rolls in behind the curtain. The cold shadows of the locust tree in the courtyard are sparse, and the neighbor's pestle sounds urgently at night.

How long is the good time! Standing looking at the sky.

"Looking at the Moon on the Fifteenth Night" by Wang Jian of the Tang Dynasty. Crows roost on the white trees in the courtyard, and the cold dew wets the sweet-scented osmanthus silently.

Tonight, when the moon is bright and everyone looks around, I don’t know who is missing my autumn thoughts. "Playing with the Moon on the Night of August 15th" by Liu Yuxi of the Tang Dynasty. The moon will wash over the world tonight.

The summer heat has retreated and the sky is clear, and the autumn scenery is clear and clear. The stars make them shine, and the wind and dew make them shine.

The one who can change the world is Yu Jing. "Chang'e" by Li Shangyin of the Tang Dynasty The shadows of candles on the mica screen are deep, and the dawn stars are gradually sinking over the long river.

Chang'e should regret stealing the elixir, and her heart will be filled with blue sea and blue sky every night. "Frost Moon" by Li Shangyin of the Tang Dynasty I first heard that there are no cicadas among the wild geese, and the water reaches the sky from a hundred-foot-high building.

The young girl Su'e can withstand the cold, and she fights with Chanjuan in the frost in the middle of the moon. "Waiting for the Moon in the Mid-Autumn Festival" by Lu Guimeng of the Tang Dynasty. The frost has turned short and the frost has turned late, and the good wind seems to bring good luck.

The slanting curtains and trees are a great distance from each other, and the faint fragrance of candles lingers as I sit there without hesitation. I love hearing Sheng tunes the most in the north, but I gradually lose sight of the stars in the south.

Who wants to reduce the cooling power of the school and reduce the first round and noon hours. "Moonlight Night" by Liu Fangping of the Tang Dynasty The moonlight is deeper than half of the house, and the North Dipper is tilted to the south.

Tonight I know that the spring air is warm, and the sound of insects is new through the green window screen. "Guizi on the Night of August 15th in Tianzhu Temple" Tangpi is on a day off. A jade stone falls under the moon, and a new one is found in front of the temple.

So far, there is no such thing as heaven, it should be thrown to people by Chang'e. "Mid-Autumn Moon" Su Shi of the Song Dynasty The dusk clouds have gathered up and overflowed with the clear cold, and the silver man turned the jade plate silently.

This life and this night will not last long. Where can I see the bright moon next year?