Through the interpretation of Xin Qiji's ci and the profound comparison with other poets, this paper summarizes Xin Qiji's extraordinary life and analyzes the fundamental reasons why Xin Qiji became a patriot and patriotic poet. The turmoil of history, the tempering of the times and the exclusion of corrupt officials have made his military career and political career difficult. He can only write lyrics, pour his enthusiasm into his pen, pin his melancholy on the railing and express his endless loneliness to seagulls. So the author said that his original intention was not to be a poet. The article takes the sentence "Beat the railing all over" in his poem "Shui Long Yin Deng Jian Kang Banquet Pavilion" as its profound connotation: "Beating" has a kind of strength and momentum, which just conforms to Xin Qiji's image, temperament and resentment of serving the country; The "repeated shooting" of "repeated shooting" shows that he was shot many times and suppressed his anger, which is just in line with his helplessness and sadness in writing poems and lyrics.
It should be said that Xin Qiji's words were not written with a pen, but carved with a knife. He remained in history and his own poems as a battlefield hero and patriotic general. After a thousand years, we reread his works today and still feel a kind of awe-inspiring murderous look and majestic momentum. For example, this famous "broken array":
When I was drunk, I looked at the sword and dreamed that I blew the horn and camped. Under my command, I burned 800 Li and 50 strings turned over the Great Wall. Autumn soldiers on the battlefield. Luffy made of horses runs as fast as lightning. He saved the king's world and won a reputation. It's in vain.
I dare say that this poem is comparable to Wu Sheng Yue Fei's "The Red River", and it is hard to find the second masterpiece with the voice of Jin Ge among the five thousand-year-old literati in China. Although Du Fu also wrote: "Shoot the horse first, catch the thief first", but Wang Changling, a military poet, also wrote: "When we chase after it, the horse is light and heavy, and the bow and sword bear the snow". But these are all imagination, expression and description on the sidelines. Which poet has experienced him personally rolling the tip of a knife? His poems are simply a military dictionary, such as "Building Ship", "Whipping Whips and Flying Across the River", "Sword Pointing at the Three Qins" and "West Wind Stopping the Horse". He was originally a country, ready to spill blood in the desert and die. But after crossing the south, he was forced to leave the battlefield and was no longer useful. He looked up at the sky like Qu Yuan, looked at Chang 'an angrily like Gong Gong, climbed the dangerous building and patted the railing, but he could only shed tears.
In autumn, the south is empty and desolate, the river flows with the sky, and autumn is even more boundless. Seeing the mountains in the distance will only cause me sadness and resentment at the end of the country. These mountains are like a hairpin and a spiral coil on a woman's head. On the roof of the building at sunset, the wandering Jiangnan saw Wu Gou, and the railings were photographed all over, and no one would attend (Shui Long Yin)