I saw that his sword dance was as quiet as a tiger, as fast as a dragon, as slow as a cloud, as fast as lightning, as steady as Mount Tai, and as chic as ever.
The sword dance is really good The sword passed by, and the wind was blowing, blowing off white petals from the lilac tree.
He held down his sword, restrained his smile, brushed his face, his eyes flashed like a meteor, and his eyes danced with gestures.
[Jin Yong's description of martial arts is unique. Everyone has his own different realm of martial arts, which is also their realm of life. Looking at life from martial arts, the most wonderful description is the realm of solitary sword seeking defeat.
Sword-in front of the weak crown
"Brave and invincible, used to compete with Heshuo before the weak crown."
When he was young, Dugu used an invincible sword and blew his hair off. "Brave and strong, invincible" is not only a description of Jian, but also a portrayal of his character in this period. At this time, Dugu is a fledgling, hot-blooded, newborn calves are not afraid of tigers, and they are very brave in fighting.
Soft sword (soft sword, Wei Zi)-Before the age of 30.
At this time, Dugu experienced a youthful impulse to defeat, learned from a bitter experience and stopped charging blindly. He has understood the opposite of the rigidity of the sword-softness, and how to be gentle, respectful and frugal, become fierce and sharp, and become both rigid and soft.
Epee (Black Iron Sword)-Before the age of forty
"The epee has no front, and the clever thinking is not working."
At this time, he has abandoned the flashy and handsome swordsmanship, and the swordsmanship tends to be practical, with one stroke and one type, which is natural and easy, and has reached the realm of returning to nature. After experiencing success and failure, joys and sorrows, ups and downs, his life began to return.
Wood blade has no sword since he was forty.
At this time, although he is old and his energy is declining, his practice of sword is more profound, reaching the realm of harmony between man and nature, that is, taking everything as his own sword, with no sword in his hand and a sword in his heart. At this time, he didn't need weapons, and his empty hands actually implied Zhuangzi's philosophy of "not serving things", that is, he was not enslaved by foreign things, and everything was under control. This stage represents the wisdom, rich experience and profound knowledge of the elderly, and is the realization of returning to nature after hard work.