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Poetry about the decline of the Tang Dynasty

1. Poems describing the prosperity and decline of the Tang Dynasty

The following poems describe the prosperity of the Tang Dynasty:

Passing through the Huaqing Palace

Du Mu< /p>

1

Looking back at Chang'an, there are piles of embroidery, and thousands of doors are opened one after another on the top of the mountain.

Riding on the red dust concubine smiled, no one knew it was lychee.

Two

The green trees of Xinfeng are covered with yellow mosaics, and several emissaries riding on the fishing sun return.

The song of neon clothes is on thousands of peaks, and the original dance is broken.

Accompanying the night banquet at the Xiangzhong Hall of Jinling Prefecture

Wei Zhuang

My ears are full of music and my eyes are dazzled, and the floor is full of pearls and emerald green flowers.

Because I know that the fairy cave on the sea is just like a wealthy family in the human world.

But Qing'e is sad after the banquet, and the moon is half-slanted above the Yangtze River.

Descriptions of decline include:

Spring Hope

The country is broken by mountains and rivers, and the city is full of spring vegetation.

I shed tears when I am grateful for the flowers, and I am frightened when I hate others.

The war rages on for three months, and a letter from home is worth ten thousand gold.

The white-headed scratches are shorter, and the lust is overwhelming.

Maweipo

Zheng Tian

When Xuanzong returned to Ma, Concubine Yang died, and the clouds and rain are unforgettable with the sun and the moon.

It is the emperor’s business to be holy all day long. Who is in Jingyang Palace Well?

Qu Jiang

Li Shangyin

I can't see the green chariot passing by, but I can hear the ghost's sad song in the middle of the night.

The golden carriage no longer returns to the beauty of the city, but the jade palace is still divided into lower gardens.

I remember hearing the cries of cranes in Huating Pavilion, and I am worried about the royal family weeping at the bronze camels.

Although my heart is broken due to the changes of heaven and earth, it is not as much as hurting my spring spirit.

Nostalgia for the past in Jinling

Xu Hun

The song of Yushu is dying, and the king’s spirit has expired, and the troops in Jingyang have joined forces and the garrison towers are empty.

There are thousands of official tombs far and near, and six generations of palaces are high and low.

The stone swallow blows through the clouds, making it clear and rainy, and the finless porpoise blows the waves and returns to the wind at night.

Once the hero is gone, all the luxury is gone, only the green mountains are like Luozhong. 2. Poems describing the decline of the Tang Dynasty

Two poems about the past

Recalling the heyday of the Kaiyuan Dynasty, there were still thousands of families in the small town. The rice is dripping with fat and the corn is white, and both the public and private warehouses are abundant.

There are no jackals or tigers on the roads of Kyushu, and there is no good luck for a long journey. Qi Wan and Lu's carriages are moving in shifts, and the men plowing the fields and the women mulching trees keep up with each other.

The sage in the palace plays Yunmen, and all the friends in the world are glued together. There has been no disaster for more than a hundred years. Uncle Sun Li Le Xiao He Lu.

Have you ever heard that a piece of silk is worth ten thousand dollars, and there is a field where grain is grown, and now there is blood. The palaces in Luoyang were burned down, and the ancestral temples were newly cleared of fox and rabbit holes.

I am so sad that I can’t bear to ask about my elders, and I am afraid that I will leave from the beginning. The minister is dull and incompetent, but the imperial court recognizes Meng Lu's rank.

Zhongxuan of Zhou looked upon our emperor and shed blood on Jiang and Han, and his body became ill.

The peaceful scene described in it, in which the people were happy and people were not picking up lost things on the road, came to an abrupt end in the fourteenth year of Tianbao, Emperor Xuanzong of the Tang Dynasty (AD 755). "——The "Anshi Rebellion" broke out, and the great Tang Dynasty fell sharply from its peak. The most glorious historical drama in Chinese history, the lights suddenly dimmed. However, there are heroes in every generation. In the great and magnificent historical era, new heroes will emerge according to the times, with dazzling colors and heroic figures, which is dizzying for the eyes.

Early Wild Geese

Du Mu

The strings of the golden river are half-open in autumn,

The clouds are frightened and scattered in mourning.

The moonlight of the cacti passed by,

The lights of the long gate dimmed several times.

It should be noted that Hu Qi is here one after another.

How can they chase the spring breeze one by one.

Don’t hate Xiaoxiang, a place with few people.

There is plenty of water, wild rice and berry moss on the banks.

"Morning Wild Goose" is a poem that borrows meaning from objects. The society of the late Tang Dynasty where Du Mu lived was a troubled period in the Tang Empire. In August of the second year of Wuzong Huichang (842), the Uighur slave-owning aristocratic military group living in the north of Saibei took advantage of the corruption of the Tang Dynasty to harass southward, massacre and plunder, leaving the people in the border areas dispersed and homeless. When the poet saw the geese migrating south, he was moved by the scene and expressed his deep sympathy and concern for the suffering people.

Spring Hope

The country is broken by mountains and rivers, and the city is full of spring vegetation.

I shed tears when I am grateful for the flowers, and I am frightened when I hate others.

The war rages on for three months, and a letter from home is worth ten thousand gold.

The white-headed scratches are shorter, and the lust is overwhelming.

Maweipo

Zheng Tian

When Xuanzong returned to Ma, Concubine Yang died, and the clouds and rain are unforgettable with the passing of the sun and the moon.

It is the emperor’s business to be holy all day long. Who is in Jingyang Palace Well?

Qu Jiang

Li Shangyin

I can't see the green chariots passing by, but I can only hear the sad songs of ghosts in the middle of the night.

The golden carriage no longer returns to the beauty of the city, but the jade palace is still divided into lower gardens.

I remember hearing the cry of cranes in Huating Pavilion, and I am worried about the royal family weeping at the bronze camel.

Although my heart is broken due to the changes of heaven and earth, it is not as much as hurting my spring spirit.

Parking in Qinhuai

The smoke cage is cold, the moon is caged in the sand, and the Qinhuai River is close to the restaurant at night.

The business girl does not know the hatred of the country's subjugation, but she still sings the flowers in the backyard across the river.

Jinling Night View

Gao Chan

I once returned to the evening green with floating clouds, and I still accompany the setting sun with the sound of autumn.

There are infinite painting hands in the world, but it is sad that they cannot be painted.

The last two sentences are deeply emotional. Gao Chan had a premonition that the Tang Dynasty was beset with crises and was irreversibly heading towards the end of total collapse. He felt distressed about this but was powerless to do anything. He attributed this potential crisis to "a sadness"; and this "sadness" cannot be expressed by ordinary painters.

There are also some other books you can refer to:

Pi Rixiu's "The Lament of the Oak", Du Xunhe's "The Widow in the Mountains", Nie Yizhong's "Yong Tian Jia", Lu Guimeng's The two chapters of "Village Night" etc. all expose the cruel exploitation and oppression of the people by the ruling class, as well as the huge disasters caused by the war. The language is easy to understand and has a high ideological level.

Wei Zhuang's "Ancient Farewell" and "Taicheng" are more artistically accomplished, but they reveal a strong sad and sentimental apocalyptic sentiment.

Du Fu’s Three Officials: "Shihao Officials", "Xin'an Officials" and "Tongguan Officials" Three Farewells: "Newlywed Farewell", "Homeless Farewell" and "Elderly Farewell" all reflect the sufferings of people's lives. 3. Poems reflecting the decline of the Tang Dynasty

The late Tang Dynasty refers to the 70 years from the founding of Emperor Wenzong to the demise of the Tang Dynasty. During this period, the Tang Dynasty declined irreparably, which is reflected in the poems. The sentimental and decadent mood and the overly decorated atmosphere gradually became stronger. The representative poets in the early late Tang Dynasty were Li Shangyin and Du Mu, known as "Little Li Du". Li Shangyin was very talented in art and was a great figure in the late Tang Dynasty. The untitled poem is his original creation. He used Vanilla Beauty to express his emotions, but the main content is about lingering love and the pain of lovesickness. These untitled poems express the poet's complex emotions and detailed psychological activities in the pursuit of an elusive love life. They are affectionate, subtle and subtle, with confusing scenes, magnificent words, and charming brilliance. Reader's heartstrings. For example, "It's hard to say goodbye when we meet. The east wind is powerless and all the flowers are withered. The spring silkworms will be exhausted when they die, and the wax torches will turn to ashes before the tears will dry. The mirror at dawn is sad, but the clouds on the temples have changed, and the moonlight is cold when singing at night. There is not much to go to Pengshan. "The road, the blue bird is diligent to explore." This poem is about the spiritual tragedy of being unable to love freely under the restrictions of etiquette. It has been particularly emotional for thousands of years, mainly because of the delicate and deep emotions it contains.

Du Mu’s poems often reveal the contradiction between ideal and reality and the resulting depression, and some also express thoughts and feelings of concern for the country and the people. His seven masterpieces, such as "Passing the Huaqing Palace", "Jiangnan Spring", "Red Cliff", and "Moving at Qinhuai", have a hearty mood, gorgeous diction, and meaningful meanings, and are highly praised by future generations. There are also many famous poems in Qilu. "Early Wild Geese" uses a metaphorical technique to express nostalgia for the northern frontier people who were displaced by the Uighur invasion. It is graceful and has a lingering flavor; "Nine Days Climbing the Mountain" is written in a bold and unrestrained style. He has a broad mind and a deep sadness. His landscape poems such as "Autumn View of Chang'an", "Mountain Travel", "Guangtao", etc. are all rare and top-quality and are still recited to this day. Du Mu's poetry "does not involve fancy beauty or customs". In the gorgeous and delicate style of late Tang poetry, he is able to maintain a bright and refreshing unique artistic style.

As famous as Li Shangyin is Wen Tingyun, who was known as "Wen Li" at that time because of his clear thinking and brilliant words. His five- and seven-character ancient poems were written by Li He, who wrote about the rise and fall of the ancient times, about the desolate and cold scenery of the frontier, or about the hard work of farmers in the fields, which has a quite desolate meaning. In "Morning Journey to Shangshan", "The sound of chickens in that cottage and the moon in the moonlight, and the frost on Banqiao where people walk" is a famous saying that has been passed down through the ages.

Before and after the Huangchao Uprising, poets such as Pi Rixiu, Nie Yizhong, Du Xunhe, Lu Guimeng and Luo Yin were more able to reflect the acute social contradictions at that time. Pi Rixiu's "The Lament of the Oak", Du Xunhe's "The Widow in the Mountains", Nie Yizhong's "Yong Tian Jia", Lu Guimeng's "Village Night", etc. all exposed the cruel exploitation and oppression of the people by the ruling class, and The language is easy to understand and has a high ideological level.

In the late Tang Dynasty for more than 40 years, Tang poetry gradually declined, and there appeared some poets who indulged in singing and dancing or retreated to the mountains, rivers and pastoral areas, such as Wei Zhuang and Sikong Tu. Wei Zhuang's "Ancient Farewell" and "Taicheng" are more artistically accomplished, but they reveal a strong sentimental and sentimental apocalyptic sentiment. Sikong Tu's poems mainly describe the leisurely feelings of seclusion in mountains and rivers, with thin content and formalistic tendencies. 4. Poems reflecting the decline of the Tang Dynasty

The late Tang Dynasty refers to the 70 years from the founding of Emperor Wenzong to the fall of the Tang Dynasty. During this period, the Tang Dynasty declined irreparably, which is reflected in the poems. The sentimental and decadent mood and the overly decorated atmosphere gradually became stronger.

The representative poets in the early late Tang Dynasty were Li Shangyin and Du Mu, known as "Little Li Du". Li Shangyin was very talented in art and was a great figure in the late Tang Dynasty.

The untitled poem is his original creation. He used Vanilla Beauty to express his emotions, but the main content is to write about the lingering love and the pain of lovesickness.

These untitled poems express the poet's complex emotions and detailed psychological activities in the pursuit of an elusive love life. They are affectionate, subtle and subtle, with confusing scenes, magnificent words, and charming brilliance. Reader's heartstrings.

For example, "It's hard to say goodbye when we meet. The east wind is powerless and the flowers are withered. The spring silkworms will die when the silkworms are gone, and the wax torches will turn to ashes before the tears will dry.

The mirror at dawn but the sorrowful clouds on the temples have changed , I feel the moonlight is cold when I sing at night. There is no way to go to Pengshan, and the blue birds are diligent to visit."

This poem is about the tragedy of the heart that cannot be free in love under the restrictions of etiquette and law. It is particularly emotional, mainly because of the delicate and deep emotions it contains. Du Mu's poems often reveal the contradiction between ideal and reality and the resulting depression, and some also express the thoughts and feelings of concern for the country and the people.

His seven masterpieces, such as "Passing the Huaqing Palace", "Jiangnan Spring", "Red Cliff", and "Porting Qinhuai", have a hearty mood, gorgeous diction, and meaningful meanings, and are highly praised by future generations. There are also many famous poems in Qilu. "Early Wild Geese" uses a metaphorical technique to express nostalgia for the northern frontier people who were displaced by the Uighur invasion. It is graceful and has a lingering flavor; "Nine Days Climbing the Mountain" is written in a bold and unrestrained style. He has a broad mind and a deep sadness.

His landscape poems such as "Autumn View of Chang'an", "Mountain Journey", "Viewing the Waves", etc. are all rare and top-quality and are still recited to this day. Du Mu's poetry "does not involve fancy beauty or customs". In the gorgeous and delicate late Tang poetry style, he can maintain a bright and refreshing unique artistic style.

As famous as Li Shangyin is Wen Tingyun, who was known as "Wen Li" at that time because of his clear thinking and brilliant words. His five- and seven-character ancient poems were written by Li He, who wrote about the rise and fall of ancient times, or about the desolate and cold scenery of the frontier, or about the hard work of farmers in the fields, which has a sad meaning.

"Morning Journey to Shangshan" "The sound of chickens in that store and the moon in the moonlight, and the frost on Banqiao where there are traces of people" is a famous saying that has been passed down through the ages. Before and after the Huangchao Uprising, poets such as Pi Rixiu, Nie Yizhong, Du Xunhe, Lu Guimeng, and Luo Yin were more able to reflect the acute social contradictions at that time.

Pi Rixiu's "Oak Lament", Du Xunhe's "The Widow in the Mountains", Nie Yizhong's "Yong Tian Family", Lu Guimeng's "Village Night", etc. all exposed the ruling class's attitude towards the people. The brutal exploitation and oppression, as well as the huge disaster caused by the war, the language is easy to understand and has a high ideological level. In the late Tang Dynasty for more than 40 years, Tang poetry gradually declined, and there appeared some poets who indulged in singing and dancing or retreated to the mountains, rivers and countryside, such as Wei Zhuang and Sikong Tu.

Wei Zhuang's "Ancient Farewell" and "Taicheng" are more artistically accomplished, but they reveal a strong sad and sentimental apocalyptic sentiment. Sikong Tu's poems mainly write about the leisurely feelings of seclusion in mountains and rivers, with thin content and formalistic tendencies. 5. Poems describing the prosperity and decline of the Tang Dynasty

Some poems describing the prosperity of the Tang Dynasty include: Passing through the Huaqing Palace, Du Mu 1. Looking back at Chang'an, there are piles of embroidery, and thousands of gates are opening on the top of the mountain.

Riding on the red dust concubine smiled, no one knew it was lychee. 2. The green trees of Xinfeng are covered with yellow mosaics, and several emissaries riding on fishing sun return.

The song of neon clothes is on thousands of peaks, and the original dance is broken. Accompanying the night banquet at the Xiangzhong Hall of Jinling Prefecture in Wei Zhuang, my ears were filled with music and my eyes were dazzled, and the floor was filled with pearls and emeralds that surpassed Wu's.

Because I know that the fairy cave on the sea is just like a wealthy family in the human world. Embroidered households gathered in the red candle market at night, and their dancing clothes flickered against the clear blue sky.

But Qing'e is sad after the banquet, and the moon is half-slanted above the Yangtze River. Descriptors of decline include: Spring Hope: The country is broken by mountains and rivers, and the city is filled with deep vegetation in spring.

I shed tears when I am grateful for the flowers, and I am frightened when I hate others. The war rages on for three months, and a letter from home is worth ten thousand gold.

The white-headed scratches are shorter, and the lust is overwhelming. Maweipo Zheng Tian Xuanzong returned to Ma and Concubine Yang died. The clouds and rain are unforgettable and the sun and the moon are new.

It is the emperor’s business to be holy all day long. Who is in Jingyang Palace Well? Qujiang Li Shangyin I can't see the green chariots passing by, but I can hear the ghosts' sad songs in the middle of the night.

The golden carriage no longer returns to the beauty of the city, but the jade palace is still divided into lower gardens. When I die, I remember hearing the cry of cranes in Huating Pavilion. I am worried about the royal family weeping on the bronze camel.

Although my heart is broken due to the changes of heaven and earth, it is not as much as hurting my spring spirit. Nostalgia for the Ancients in Jinling by Xu Hun The songs of the jade trees are dying, and the king's spirit has expired. The soldiers in Jingyang have joined forces and the garrison towers are empty.

There are thousands of official tombs far and near, and six generations of palaces are high and low. The stone swallow blows in the clouds and rains, and the finless porpoise blows in the waves and returns to the wind at night.

Once the hero is gone, all the luxury is gone, only the green mountains are like Luozhong. 6. Poems describing the prosperity and decline of the Tang Dynasty. I want to write an article about Li Yu, as if wearing a poem.

The poems describing the prosperity of the Tang Dynasty include: Du Mu, passing through the Huaqing Palace, looking back at the piles of embroidery in Chang'an. , Thousands of doors on the top of the mountain opened one after another.

Riding on the red dust concubine smiled, no one knew it was lychee. 2. The green trees of Xinfeng are covered with yellow mosaics, and several emissaries riding on fishing sun return.

The song of neon clothes is on thousands of peaks, and the original dance is broken. Accompanying the night banquet at the Xiangzhong Hall of Jinling Mansion in Wei Zhuang, my ears were full of music and my eyes were dazzled, and the floor was full of pearls and greenery that surpassed Wu's.

Because I know that the fairy cave on the sea is just like a wealthy family in the human world. Embroidered households gathered in the red candle market at night, and their dancing clothes flickered against the clear blue sky.

But Qing'e is sad after the banquet, and the moon is half-slanted above the Yangtze River. Descriptors of decline include: Spring Hope: The country is broken by mountains and rivers, and the city is full of spring vegetation.

I shed tears when I am grateful for the flowers, and I am frightened when I hate others. The war rages on for three months, and a letter from home is worth ten thousand gold.

The white-headed scratches are shorter, and the lust is overwhelming. Maweipo Zheng Tian Xuanzong returned to Ma and Concubine Yang died. The clouds and rain are unforgettable and the sun and the moon are new.

It is the emperor’s business to be holy all day long. Who is in Jingyang Palace Well? Qujiang Li Shangyin I can't see the green chariots passing by, but I can hear the ghosts' sad songs in the middle of the night.

The golden carriage no longer returns to the beauty of the city, but the jade palace is still divided into lower gardens. When I die, I remember hearing the cry of cranes in Huating Pavilion. I am worried about the royal family weeping on the bronze camel.

Although my heart is broken due to the changes of heaven and earth, it is not as much as hurting my spring spirit. Nostalgia for the Ancients in Jinling by Xu Hun The songs of the jade trees fade away, and the king's spirit ends, and the soldiers in Jingyang gather to guard the towers empty.

There are thousands of official tombs far and near, and six generations of palaces are high and low. The stone swallow blows in the clouds and rains, and the finless porpoise blows in the waves and returns to the wind at night.

Once the hero is gone, all the luxury is gone, only the green mountains are like Luozhong. 7. Poems that reflect the prosperity and decline of the Tang Dynasty.

Era: Tang Author: Du Fu Works: Two Poems Recalling the Past Recalling the heyday of the Kaiyuan Dynasty, there were still thousands of families in the small town.

The rice is dripping with fat and the corn is white, and both the public and private warehouses are abundant. There are no jackals and tigers on the roads of Kyushu, and the sunrise is auspicious for long journeys.

Qi Wan and Lu’s carriages work every day, and the men plowing the fields and the women doing the mulberry crops keep up with each other. The saint in the palace plays Yunmen, and all the friends in the world are glued together.

There has been no disaster for more than a hundred years, and the uncle, grandson Liyue, Xiao Helu. How can I hear that a piece of silk is worth ten thousand dollars, and there is a field where the grain is now bleeding?

The palace in Luoyang was burned down, and the ancestral temple was newly cleared of fox and rabbit holes. I'm so sad that I can't bear to ask my elders about my past. I'm afraid that I'll leave from the beginning.

The minister is dull and incompetent, but the court remembers Meng Lu's rank. Zhou Xuan Zhongxing looked at our emperor and shed blood on Jiang and Han, and his body became ill.

The peaceful scene described in it, in which the people were happy and people were not picking up lost things on the road, came to an abrupt end in the fourteenth year of Tianbao, Emperor Xuanzong of the Tang Dynasty (AD 755). "——The "Anshi Rebellion" broke out, and the great Tang Dynasty fell sharply from its peak. The most glorious historical drama in Chinese history, the lights suddenly dimmed. However, there are heroes in every generation.

In the magnificent and great historical era, new heroes will emerge according to the times, with dazzling colors and heroic postures, which is dizzying. This is from the Shengtang period~~! In the early morning, the wild geese by Du Mu Jinhe Autumn half-strings opened, and the clouds flew away in mourning.

The moonlight of the fairy palm passed by, and the lamp of the long gate dimmed several times. It should be noted that Hu Qi is here one after another, how can he chase the spring breeze one by one.

Don’t hate Xiaoxiang, a place with few people. There is plenty of water, wild rice and berry moss on the shore. Translated poem: In the borderlands in the middle of August and autumn, the barbarians drew their bowstrings full, frightening the flocks of wild geese and flying mournfully into the sky.

On a moonlit night, a solitary goose flew past the Chenglu Celestial Palm, and its whine reached the dim Nagato Palace. You must know that the north is full of wars, and you can no longer return home with the spring breeze.

Please don’t dislike the sparsely populated area in Xiaoxiang. The wild rice and green moss by the water can protect you from hunger and cold. Appreciation: "Morning Wild Goose" is a poem that borrows meaning from objects.

The late Tang society where Du Mu lived was a troubled period in the Tang Empire. In August of the second year of Wuzong Huichang (842), the Uighur slave-owning aristocratic military group living in the north of Saibei took advantage of the corruption of the Tang Dynasty to harass southward, massacre and plunder, leaving the people in the border areas dispersed and homeless.

The poet was moved by the sight of the geese migrating south, expressing his deep sympathy and concern for the suffering people. The two sentences "Golden River Autumn half-barreled strings are opened, and the clouds are flying away and mourning" explains the place, time, reason for the swan geese flying away, and the degree of fright.

"婷" is a scornful term for the enemy, with strong emotional overtones. "Li Xiankai" describes the tense atmosphere of arrows being cocked and swords being unsheathed. It is a double entendre, referring to both the Hu people's hunting with their bows and the military harassment of the people in the border areas.

"The clouds flew away and mourned in all directions", which follows the previous sentence. The barbarians were at war with each other, and the wild geese were "captured by strings" and flew away in all directions, wailing.

The word "outside the clouds" is very important, expressing that the sky is high and the clouds are light in the "mid-autumn" period. It also accurately grasps the habit of geese neither flying high into the clouds nor passing by with their heads flat. It plays the role of rendering the atmosphere and setting off the image. The word "surprise" is the result of the sentence "殷行kai" in the previous sentence.

The word "shock" expresses Hongyan's fear, and also reflects the enemy's arrogance, which is hidden but not revealed. Wild geese are originally flying in an orderly and neat formation, so people like to use "wild geese formation", "wild geese line", and "wild geese sequence" to compare or praise it.

But now, the geese were frightened and "scattered" in all directions, becoming solitary geese, emitting a shrill wail, which was painful and embarrassing to hear. The swan geese that "flight out of the clouds and scatter in mourning" are also the scene of the border people being displaced after being invaded? "The moonlight on the fairy palm passed by, and the lamp on the long gate dimmed and sounded several times." This is a continuation of the scene when Zhengyan flew over the capital Chang'an.

These two sentences echo "the clouds flew away and mourned". The frightened lone wild goose flew over the palace.

The cold moonlight in the "mid-autumn" period shines on the "cactus" isolated in the courtyard, which is already lonely and cool enough. Several lone geese passed by here again, which further intensified the lonely and quiet atmosphere. The lights in the cold palace where the disgraced person lived were dim and full of melancholy. Several wails of lost geese were heard, making people feel even more gloomy and desolate.

"A lonely shadow passes", "Several voices are coming".

The paintings are full of shapes and sounds, heartbreakingly sad, extremely delicate and touching.

Through the contrast of these scenery and atmosphere, it can vaguely convey the decline and decline of the Tang Dynasty, and vividly express the displaced and lonely situation of the border people. "It should be noted that there are many horsemen here, how can they catch the spring breeze one by one?" Two sentences, geese are migratory birds, migrating south in autumn and returning to the north in spring.

The poet thinks of the geese flying south and their return north: The geese should have returned to their hometown one by one with the gentle spring breeze, but now the Hu people's cavalry archers are still on the land of Jinhe, ferocious The enemies are rampant and tyrannical everywhere, and it is impossible for the swan geese to return to their homeland! This is a deep sigh imagining that the swan geese have home but cannot return. The poet's instructions to the swan geese are actually kind instructions to the compatriots who have fled. It also contains the author's strong condemnation of the ruling class's behavior of sitting back and watching the people's disasters and being unable to drive away the invaders.

It was not that there were no people with lofty ideals who stood up to save this critical situation. Du Mu was one of them who had the ambition to serve the country. However, the fatuous and decadent Tang Dynasty did not listen to the good advice of the people with lofty ideals, leaving the people homeless and had to live in other places.

"Don't hate Xiaoxiang, a place with few people and plenty of water, wild rice and berry moss on the banks." "Xiaoxiang" refers to the area in central and southern Hunan.

It is said that when the geese reach Hengshan Mountain in Hunan, they stop at Yanfeng Peak and stop going south. They stop in this area and fly back to the north the following year. The poet expressed deep sympathy to the geese flying south, not to dislike the sparsely populated Xiaoxiang. There are a lot of wild rice growing in the water and a lot of berries and moss growing on the shore, which can satisfy your hunger and barely survive.

This is also an idea and comfort for the fleeing people, and it expresses the poet's deep sympathy and care for them. This poem of chanting things uses Bixing symbolic techniques throughout to depict the image of Yan Nanfei, entrusting his true will with both form and spirit.

The poem begins with a narrative line, followed by the scene of the wild geese flying away in mourning, and then the poet. On the surface, it describes the lost geese, but in fact it expresses one's concern for the lost people.

The style is euphemistic and delicate, elegant and implicit, rich in imagination and endless artistic conception. 8. Poems related to the rise and fall of the Tang Dynasty

Spring Hope

Author: Du Fu Year: Tang Genre: Five Rhymes

The country is broken, the mountains and rivers are there, the city is springy and the vegetation is deep .

I shed tears when I am grateful for the flowers, and I am frightened when I hate others.

The war rages on for three months, and a letter from home is worth ten thousand gold.

The white-headed scratches are shorter, and the lust is overwhelming.

Notes:

1. National breakdown: refers to the capital Chang'an being occupied by rebels.

2. Sentimental sentences: Because of sighing about current events, I will shed tears when I see flowers.

3. Hun: Simply.

4. Too many hairpins: Because of the short hair, even the hairpins cannot be inserted.

Rhyme translation:

Chang'an fell and the country was broken, only the mountains and rivers remained.

Spring came and the city was empty and sparsely populated, and the vegetation was lush and deep.

Sentimental state affairs, in the face of the blooming flowers, can't help but shed tears.

The separation of relatives and the singing of birds startle the heart, which in turn increases the hatred of separation.

Wars have been raging frequently since the beginning of spring and have spread into March.

News from home in the state is rare, and one letter is worth ten thousand dollars.

I scratched my head with sadness and thought. The more I scratched my head, the shorter my white hair became.

My hair fell out so short and sparse that I could hardly insert a hairpin.

Commentary:

In July of the fifteenth year of Emperor Xuanzong’s Tianbao reign (756), the Anshi rebels captured Chang’an. Suzong ascended the throne in Lingwu and changed the Yuan Dynasty

to Virtue. On his way to Lingwu, Du Fu was captured by the rebels and brought to Chang'an. He wrote this poem the following year (the second year of Germany).

The poet witnessed the fall of Chang'an's flutes after the fall, experienced adversity and felt homesick, and he couldn't help but sigh with emotion.

The first and second couplets of the poem describe the decay of the Spring City, full of sighs; the third and fourth couplets describe the situation of missing relatives, full of detachment.

The whole poem is calm and subtle, sincere and natural, reflecting the poet's love for the motherland and his family's feelings. Today's Xu Ying

Pei, Zhou Rongquan and others commented on this poem: "The meaning is thorough and straight, the situation is comprehensive but not dissociated, the feelings are strong but not shallow

Revealed, The content is rich but not cluttered, and the rhythm is rigorous but not rigid." This theory is quite appropriate. "A letter from home is worth ten thousand dollars" is also a famous saying that has been passed down through the ages.

--Quoted from "Chaochunzhai Poems" bookbest.163.net Translation and analysis: Liu Jianxun

In June of the reign of Emperor Suzong of Tang Dynasty (756 AD), Anshi rebels captured Chang'an, the capital of Tang Dynasty. In July, Du Fu heard the news that Tang Suzong had ascended the throne in Lingwu, so he settled his family in Qiang Village in Yanzhou and went to Suzong. He was captured by the rebels on the way and brought to Chang'an. Because of his humble official position, he was not imprisoned. "Spring Hope" was written in March of the following year.

The first four sentences of the poem describe the fall of the Spring City, full of sighs; the last four sentences describe the situation of missing relatives, full of detachment. The whole poem is calm and subtle, sincere and natural.

“The country is broken by mountains and rivers, and the city is full of spring and deep vegetation.

"The opening chapter describes what Chun Wang saw: the capital of the country has fallen, the city is in ruins, although the mountains and rivers are still the same, there are weeds everywhere and the trees are green. The word "broken" makes people frightened, and then the word "deep" makes people sad. Sima Guang said: "'The mountains and rivers are there', it is clear that there is nothing left; 'the grass and trees are deep', it is clear that there is no one left. "("Wen Gongxu's Poetry Talk") The poet here expresses the scenery, but actually expresses his emotions, placing his feelings on things and feeling on the scenery, which creates the atmosphere for the whole poem. This couplet is skillful, mature and natural, and the poetic meaning is overturned. "The country is broken. "For "city spring", the two meanings are opposite. The contrast between the ruins of "the country is broken" and the prosperous "city spring" is strong. "The country is broken" is followed by "mountains and rivers are here", which has opposite meanings. It is unexpected; "Chengchun" was originally supposed to be a beautiful scene, but the suffix "deep grass and trees" refers to the desolate state. It is contradictory and another twist. Hu Zhenheng in the Ming Dynasty praised this couplet very much and said: "The duality is not bad, but it is not bad." Vertical and horizontal changes, all beyond the conventional, thick and light, the movement is ingenious. "(Volume 9 of "Tang Yin Gui Zhu")

"When I feel the flowers, I shed tears, and when I hate the other birds, I am frightened. "The general interpretation of these two sentences is that flowers and birds are originally things that entertain people, but because they are sentimental and hate farewell, they make the poet cry and frightened when they see them. Another interpretation is that flowers and birds are used to personify people, and they are sentimental and sad when farewell. Flowers Even though they shed tears, the birds are also frightened. Although the two stories are different, their spirit can be connected. One touches the scene and empathizes with the object, which shows the richness of good poetry.

The first four sentences are all combined in the word "look". The poet looks up and down, and his sight goes from near to far, and then from far to near. His vision goes from the city to the mountains and rivers, and then from the city to the flowers and birds, and his feelings are revealed from hidden to visible. From weak to strong, it progresses step by step. In the changes of scenery and emotions, it seems that the poet gradually switches from looking up at the scenery to bowing his head in contemplation, and then naturally transitions to the second half - missing his relatives.

< p> "The war rages on for three months, and a letter from home is worth ten thousand gold. "Since the Anshi Rebellion, "the faith of the village has been broken by the flames of war", and until now in the depth of spring in March, the war continues. How much I look forward to the news of my relatives at home, a letter from home at this time is really worth "ten thousand gold"! "A letter from home is worth a thousand pieces of gold" expresses the urgent mood of waiting for no news for a long time. This is the thought in everyone's heart, and it naturally makes people excited, so it has become a famous saying that has been passed down through the ages. < /p>

“The white-headed scratches are shorter, and the hairpin is full of lust. "Wars are everywhere, and letters from home are blocked. I miss the tragic scene in the distance, and look at the decadent scene in front of me. I feel extremely bored, scratch my head and hesitate, and suddenly feel that my hair is sparse and short, and there are almost no hairpins. "White hair" Caused by sorrow, "tickling" is an action to relieve the sorrow, and "shorter" shows the degree of sorrow. In this way, in addition to the pain of the country and family being destroyed, and the sorrow of aging, it adds a layer of sadness. < /p>

This poem reflects the poet's beautiful sentiments of loving the country and missing his family. The meaning is thorough but not straight, the situation is comprehensive but not dissociated, the feelings are strong but not superficial, the content is rich but not complicated, and the rhythm is rigorous. Rather than being rigid, it uses the ups and downs of the five-rhythm regular pattern. It is written with a sonorous sound and a clear spirit. Therefore, it has been popular for more than 1,200 years and has endured for a long time.