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Famous quotes from calligraphy and stone

(1) In ancient times, those who were good at calligraphy lived longer because their minds were calm. If a person can set his mind, there is nothing he cannot do.

(2) Calligraphy is also based on Buddhism. It begins with precepts, is mastered in concentration and wisdom, is realized in the source of the heart, is wonderful in understanding, and to the extreme, it cannot be taught by words or hands.

(3) The inner classic "Golden Sutra" says: "What is illegal is not illegal." Calligraphers understand this trick, so there is no need to follow the ancient tradition.

(4) The book is like Ye, like his learning, like his talent, like his ambition, in short, like his person.

(5) A pure heart and few desires, words generate spirit, which is a proof of Yicheng's appearance and appearance.

(6) When the dross goes away, the clear light will come. If the mind is cluttered, even if the writing is excellent, it will not be appropriate. Therefore Yangzi said: Words are pictures of the heart.

(7) There is a couplet from the ancients that says: What should I do? Is it natural? The most truthful sayings. You should also know this when writing books.

(8) If Qi is strong, the length of the words and the height of the sound are appropriate. The same goes for books.

(9) "If you shake your clothes and run a thousand hills, your water will flow thousands of miles." Writing a book must have this atmosphere. And if you use your mind carefully, it is like a needle threader trying to make a hole through the thread. If there is even a slight difference, the key will not hit the hole.

(10) The window is bright and clear, and the pen and ink are excellent. I take out paper and paint everything in my heart at times, but the book is not good! If the voices are noisy and the paper and ink are poor, even if the skills are as good as those of the two kings, it will not help.

(11) A "Diamond Sutra" is specially designed to teach the Dharma to all living beings, and also teaches people to separate from appearance. To study the ancients is to listen to the Buddha's teachings. Recognizing the beauty of calligraphy in the Qin, Han, Jin and Tang dynasties, and being able to use one's own nature and spirit, this is the reason why one can be separated from others and achieve Buddhahood.

(12) Burn incense and sit in meditation every day, clean up your mind, make it clean, have time to study, and pick up a pen when you feel like it, so that you can write your own temperament. That’s it. Cherish the remaining abilities.

(13) You must be respectful when writing calligraphy. It is not just about being good at calligraphy. This is learning. The phrase "Wei Ming Dao" means that writing words can control everything

It is appropriate, which is also a way to control the mind.

(14) Copying the ancient method is like a ghost enjoying a sacrifice, but inhaling its breath but not eating its substance.

(15) If you have a careless and restless mind, you will never achieve anything. Even though the book is a small way, it must be calm and composed.

(16) Look at the ancients’ pens indifferently, and do not get involved with distracting thoughts. This is also the case. One way to calm your mind.

(17) The calligraphy is so similar that the message is very little, so don’t leave it at the bottom of the sentence.

(18) Huangshan Valley. Said: "Poems cannot be carved out and forced to be written. They are born according to the situation, and they will be written by themselves." I said that books cannot be made by cutting out the blanks, and the gods will be written by themselves.

(19) ) The way to hold the pen is to hold the palm with an empty hand and the palm with a real finger.

(20) If the hand is dead, the hand will be straight.

(21) Writing in reverse order is the most powerful. Chu Henan's calligraphy is all written in reverse order.

(22) The writing must be written in reverse order. When you reach the end of the pen, the pen is still straight before it can be delivered.

(23) The writing method must be clear and the writing style must be avoided.

(24) The most important thing to avoid when using a pen is to use the pen force without touching the paper. If the pen tip is not touching the paper, it will be floating and light.

(25) "The flow of water is not racing, and the clouds are too late to notice." These two sentences are the best of calligraphy. The pen follows the intention without any intention, which is the scene of the previous sentence; neither drooping nor shrinking, wanting to go but still staying. This is the scene in the next sentence.

(26) When you first learn to write calligraphy, you should first look for similarity in form. If you don’t have good timing, let alone good writing.

(27) The most important thing in regular script is to distinguish the guest and the subject. For example, when writing the character "日", the left vertical line is the guest, which should be light and short; the right vertical line is the main line, which should be heavy and long; the middle line is the guest, which should be virtual and euphemistic; the bottom line is the main line, which should be solid and vigorous.

(28) The pen must be in the air, and it is solid. However, scholars misunderstand this language, and it must be said that the air is empty and the pen is solid.

(29) ) There is no hanging, no shrinking, and the beauty of "Lanting" is this.

(30) The book is familiar, and the book is familiar, and the book is familiar. Painting flat and vertical but seeking magic in a hurry is like deviating from the rules to seek cleverness, which is beyond my imagination.

(31) The master of the book is the best.

(32) The book is useless. Dingfa is not the natural law. The official method was promoted by the Han Dynasty, and the regular script was promoted by the Jin Dynasty. The Tang people regarded the law as too strict, so the official method was not as good as the Han Dynasty, and the regular script was not as good as the Jin Dynasty.

(33) The regular script was adapted from the Tang Dynasty to the Jin Dynasty, and it must be written in the Han Dynasty.

(34) The writing style of Han Dynasty is reversed. , but the frame should be strict, the stipples should be clear, and the words should not be eloquent.

(36) The vertical and horizontal characters are like the beams of a house, which should be straight and not tilted.

(37) Characters with extremely complicated strokes should be used for small paintings and large paintings, such as "Chi", "Jian", "Tai", and "Ying".

< p> (38) It is important to look at the ancient stele familiarly, but not to experience it once and for all. Only by borrowing the pen to express it can you achieve the spiritual resemblance.

(39) The intention comes first, and the form follows the law.

(40) It’s best to write more and more without interruption.

(41) Guest and host, manipulation, opening and closing, virtual and actual, obedience and reversal can all be used to speak to people. In addition, if you want to speak, you will not be able to speak, and if you speak, you will be confused.

(42) It is said that the space is white, and it is also said that horses can walk in sparse places, but airtight in dense places. How can we say that there is no conspiracy? I don’t know that the preface is about legislation, and the postscript is about gaining momentum. If you don’t do both, how can you achieve perfection? The Beihai and Henan books in the Tang Dynasty were really good at taking advantage of the situation.

(43) If you want to know, start writing at the back, and stop writing at the beginning. If you understand this, then the writing will echo, the words will be connected, the front, back, left, and right will be able to interact with each other.

(44) The sparse potential will not be compensated, but the dense potential will be compensated. In "Jiucheng Palace", the character "Sheng" is painted above and the character "Shun" is dotted below, both of which are supplementary methods. If the words "Nai" and "Li" are used, the top left, right and bottom are lacking potential and cannot be supplemented.

(45) The brushwork should be round, but if it is too round, it will be weak and boneless. The genre should be square, but if it is too square, it will be rigid and unrhymed.

(46) Practice makes perfect, as is the case in everything. The book is not yet familiar and he specializes in bizarre and demonic ways. It is better to be clumsy than to be clumsy.

(47) Scholars start from not working and seek work, and then from work to not working. Those who do not work are the ultimate in work. Zhuangzi said: "After carving and polishing, return to simplicity." Good man!

(48) In the books of Qin and Han Dynasties, its cleverness is accessible, but its clumsiness is inaccessible.

(49) The paper is strong and the paper is weak, and the paper is strong and the paper is weak. When hardness and softness are combined, the book is like a will.

(50) The work is deep and the structure is stable; the natural posture is good, and the writing is superb.

(51) It is not allowed to speak harshly without removing the dregs. It is best to write straight away when the pen is not dusty and feels weak.

(52) The heart of the word should be gathered together, and the head should not be combined.

(53) It is better to use a large pen to write in the open space, so as to develop the momentum.

(54) The smaller the characters, the clearer they should be. No trace of residue should be allowed. When writing in regular script, it should be clear and plump. The tip of the pen is too small, although it is clear but not plump.

(55) If you work hard, you will be moist even if you are dry; if you are energetic, you will be fat even if you are thin.

(56) The calligraphy written by people from the Jin Dynasty is not coherent in form but coherent in spirit; the calligraphy written by people in Tang Dynasty is coherent in form and spirit.

(57) The sages of the Tang Dynasty were divided into quiet and restless writing styles. There are differences in three dimensions between high and low, but in fact they lead to the same destination through different paths and there is no difference.

(58) The pen used in European books is neither square nor round, it is both square and round. If scholars want it to be square, it will tend to be dull; if they want it to be round, it will tend to be slippery. This news is best suited for micro-meetings.

(59) The people of the Tang Dynasty were strict with the law. The so-called law was just looking left and right, calling forward and responding, breaking the pens, connecting the pens, shortening the length, and alternating the sparse and dense.

(60) European books are square in appearance but round in meaning; Chu books are soft in appearance but strong in mind; Yan books are sharp in appearance but gentle in mind.

(61) Linhan stele should have stone energy, but it is not called boxing music. Question: What is stone gas? Said: It cannot be said.

(62) Yan’s calligraphy is extremely magical, and he uses deep ink and heavy brushstrokes to achieve the effect, which is often inconsistent. Question: What’s so wonderful about this? Said: Wherever a scholar cannot go, that is his magical place.

(63) To learn from the steles and inscriptions of the Han, Wei, Jin and Tang dynasties, one must return his or her own expression and face, without me being around, as it is customary for me to be around. After you become proficient, you will gain many advantages, but you can't do it without me. Without me, there will be chaos.

(64) All ancient steles are imitable, just like the cliffs of the Northern Dynasties. If you cannot copy them with your hands, you can copy them with your heart. The mind knows its wonder, and the hand follows it.

(65) In Li Beihai's calligraphy, the right side of the first half of each character is extremely flat, and at the end of the painting, both sides are flat. It is steep because of its turbulence and stable because of its flatness. This is not only the case in Beihai, but it is especially obvious in Beihai. It is better to be thin than to be fat, and to be cautious than to be fat.

(66) Chu Shu is brilliant, while European Shu is submerged. If you fail to learn from Europe, you will carve swans that look like ducks; if you fail to learn from Chu, you will paint tigers that look like dogs.

(67) Tang stele is the most difficult to learn. Each painting has its own steps, and each word has its own steps. A single stroke of painting is the burden of one word; a stroke of one stroke is the burden of the entire painting. Like the Han Dynasty and the Six Dynasties, it can be saved due to loss, because it is difficult to see a coincidence, it is not like one of the Tang dynasties without pretense.

(68) Han Li is the passing vein between seal script and regular script. "Ode to the Stone Gate" has many seal script meanings; "Ode to the West Narrow" has many regular script meanings.

(69) The official script is quiet to control the movement, and the cursive script is dynamic to control the stillness.

(70) There are real running scripts and cursive scripts. The true way is close to the truth, but it is true; the grass is close to the grass, but it is close to the grass.

(71) Calligraphers do not have Seal Sage or Li Sage, but they have Cao Sage. The way of building grass has millions of forms, persist in pursuing it,

Faith chapter of the collection of famous sayings and aphorisms

Business depends on credibility, and the road to sales is self-directed.

Sincerely invite guests from all over the world, reputation comes from trust.

Gaining credit comes at a high price.

Losing credit is a person’s biggest loss.

He who doesn’t trust anyone knows he has no credibility.

If a person fails to keep his word, it is tantamount to asking others to break their trust.

Losing credibility is like a broken mirror that cannot be repaired.

Faith is the oasis in the heart, which can never be reached by the camel caravan of thoughts.

Faith is necessary for people. People who believe in nothing will not be happy.

Love, hope, fear and faith constitute human nature, they are its hallmarks and characteristics.

Without faith, there is no character and life worthy of the name; without faith, there is no land worthy of the name...

Faith is spiritual labor; animals have no faith. , savages and primitive people only have terror and doubt.

Only a noble organization can achieve faith.

Everyone has several emotional pillars in their spirit: their parents, their beliefs, their ideals, their close friends and their love. No matter which one is broken, it will be heartbreaking.

Xue Zhiqian's famous sayings

1. When did we start to have no bottom line and adapt to the changes of the times and watch those poor performances----"Actor"

2. It’s raining

Singer: Joker Xue Album: Gentleman It’s Raining - Joker Xue Lyrics: Joker Song: Joker Xue When it rains secretly, the moon secretly slowly falls, and the crowd on the street slowly becomes quiet. I'm thinking that you don't have to hide it. The rain will stop and let you go. The rain is still falling. It's like talking. He knocks on my window and jingles. The season of love is reluctant. It's better to let go. The rain is still falling. Can you hear me? It's my longing. The tick-tock drips into your heart and you will think of me. The rain is still falling. It’s like I’m looking for you. It knocks on my window and says I can’t find you. I miss you especially in this season. The rain is still falling. Listen carefully. It’s my longing. Tick-tock. I'm dripping into your heart, telling you that I'm thinking about you. People who are far away and have nothing to do with you are inadvertently escaping. It doesn't look like it's been mentioned by someone. How come no one remembers me? Am I crazy?----"Part 2" It's raining"

3. I heard your voice----"I seem to have seen you somewhere"

4. You are the unfinished song of my life

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I can’t sing the ending but it’s hard to let go. The outline of your profile disappears in the light, blurring every corner of my memory——"Unfinished Song"

5. So many Right or wrong, nothing was right. It was late at night but I forgot to sleep. ----"I Think of You"

6. Is there anyone who understands my defenses better than you? Or will you still laugh at me for being stupid enough to think that these sincere words cannot be comforted by myself no matter how cruel they are?

Is there anyone who is more ashamed than me? The more passionate I am, the more silent I am. Don’t look at me. I’m not sad. Even my mistakes are so beautiful.——"Have I"

7. Please let me know today Sing till you explode, dance until your blood is exhausted, and then your body explodes

Then please let me give you an explanation. I am nothing without you in the past three years

8. Come over here We cuddle together after the storm in our youth----"I Think of You"

9. Persisting in a dream in the vast sea of ??stars

The warmth in your hands seems to touch me in the vast sea of ??people. Who meets you? Is the tenderness in your eyes everything for me? In order to meet you, I cherish myself. I go through the wind and rain to hand over my heart. Until I meet you, I believe in fate. This future is worth working hard for you. Hold on to a dream in the vast sea of ??stars. The warmth in your hands seems to touch who I meet in the vast sea of ??people. Is the tenderness in your eyes all for me? In order to meet you, I cherish myself. I travel through wind and rain to hand over my heart. Until I meet you, I believe in destiny and the future. It’s worth working hard for you. In order to meet you, I cherish myself. I went through the wind and rain in order to hand over my heart. Until I met you, I believed in fate. This future is worth working hard for you----"To Meet You"

10. Nothing matters, holding on to your dream is the most important. If you feel that you are not good enough now, then be brave enough to change! My own experience also tells me that there is no failure when you are young, you must be brave enough to change for your dreams.

11. I should cooperate with you in your performance, but I choose to turn a blind eye. ----"Actor"

12. Our wandering is just right here

I don't have to go to that castle before we reach the end of the world----" "Just Right"

13. Our distance is just right

If it's not enough for us to hug, we can't save it----"Just Right"

14. We The distance is just right----"Just Right"

15. I thought the traveler would burn out all my passion, but you are like a love letter that feels very elementary. ----"I seem to have seen you somewhere"

16. The still ignorant Hua'er and the boy

The eyebrows are electrified and the corners of the eyes are affectionate and timid. The flower has long hair and a shawl. The classmate is pure but also passionately in love with the innocent Hua'er and the boy. The love between lips and teeth in silence has the arrogance and arrogance that is the most exciting - "Hua'er and the Boy"

17. I heard it Your voice also hides a heart that doesn’t dare to see you----"I seem to have seen you somewhere"

18. In fact, the most feared thing about relationships is dragging it out until the middle of the show The more I cry, the more I cry. Is it still worth it? ----"Actor"

19. Joker Xue said: Life is full of hardships. There are many people who make things difficult for me. Who do you think is the boss?

20. My dear, forget about what I have said forever.

He will definitely be better than me and will always be kind to you. My dear, don’t look back. I will, I won’t be able to bear it. He must be very kind to you. I can, I can feel it----"How Are You Well"

21. But why did you love me so much? The details of the performance, the way you don't care This is my last performance. I choose to perform because I love you. This kind of fulfillment----"Actor"

22. Our love is just right now. There is not much left, not too little left, and it can be forgotten.

I should be able to take care of myself. ----"Just Right"

23. The cheap ring I took off for you is like a gift of affection. After the crowd is distracted, the heart is sour and light. If you can't finish writing, you will use love songs to make things difficult--- - "Half"

24. Being young is for you to absorb

the pain, so that you will become more and more mature and powerful, and then invincible. In this process, you should Like this. ―― Joker Xue ---- "Weibo"

25. Our love is just right here

No more arguments, no more quarrels, no more suffering, you don't have to remember my goodness for us It's just the right time to wander here. We haven't reached the ends of the earth yet. I don't have to go to that castle. The sky is a little dark. It's just the right time. No one can see my sad look. Don't pay too much attention to the marks on my body---- "Just Right"

26. I persisted for ten years and looked embarrassed, but I felt it was right.

27. The rain is still falling, can you hear it? ----"Rainy Day"

28. You're not an actor

Don't devise those plots. No problem. I just want to see how you make it up. Are you so sad that it seems superficial? A talented actor and the audience can see at a glance that I, who should cooperate with you in the performance, turn a blind eye----"Actor"

29. The cheap ring I took off for you

is like a gift After the crowd is relaxed, the heart is very sour and the smoke is very light. If you can't finish writing, you will use love songs to make things difficult for me. I insist on rusting the crown and refuse to take it off. Let's toast before the sadness is obvious. Why are those who owe money so brave? I will hold on until your hatred begins to be infinite. The tears that need to be shed have only been shed halfway. Don’t worry, the two stories have already been told and I’m too lazy to complete them——"Half"

30. Someone is blessing you on the street corner, and someone is crying at the alley. Is it true that feelings should be there? A victory or defeat?

Famous quotes are used as sentences to warn oneself. I hope the above content of "Famous Quotes on Book Theory" will be helpful to you. If you want to get more famous quotes, you can click on the "Famous Quotes" topic.