Appreciating Miffy's Calligraphy Works Appreciating Miffy's Calligraphy Works Pictures 1
Mifei calligraphy appreciation Figure 2
Mifei calligraphy appreciation Figure 3
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Mifei's artistic characteristics
Mi Fei has his unique experience in the distribution, structure and use of calligraphy. Requirements? Steady, not strange, not old, not fat? What did Jiang Kui think of? What didn't hang down or walk away? That's what I'm saying. In other words, it is required to achieve unity in change and integrate opposing factors such as package and concealment, fat and thin, sparse and dense, simple and complex, that is? Bones, bones, flesh, fat and spirit are all available, just like a gentleman? . In composition, attention is paid to the overall charm, the perfection of details, ingenious conception, changing with the situation in the writing process, and ingenuity.
Mi Fei's pen-using characteristics are mainly good at forming elegant and extraordinary momentum and calm and happy style in the face, retrogression, turning and frustration. The beginning of the word is often quite heavy, and the middle is slightly light. When the side of the pen encounters a turning point, it will go straight down. There are also many changes in holding the pen. The focus of the next stroke is sometimes on the pen, sometimes on the pen, and sometimes in the middle of a stroke, a long horizontal painting has twists and turns. Hooks are also very distinctive.
There is always an inclination in Mi Fei's calligraphy. He wants to be left first and then right, and he wants to praise first and then suppress, all in order to increase the charm of ups and downs and the gas field of flying fast. After decades of rich collection of ancient Chinese characters, he is naive and natural, and never pretends. People who learn from Miffy can't help losing even if they get the moon first. Hard to go crazy? . Since the Song and Yuan Dynasties, there have been two attitudes towards Mi Fei's calligraphy: one is to praise but not to belittle, and to admire it to the utmost; One is that there are praises and denials, and most of them are praises. Those who hold the first attitude can be represented by Su Shi.
Mi Fei's artistic achievements.
As a famous painter in the Northern Song Dynasty, Mi Fei is in the mature era of literati painting, with a wide range of painting themes, including figures, landscapes, turquoise, plum, orchid, bamboo and chrysanthemum. Mi Fei has made the greatest achievements in landscape painting, but he doesn't like the towering and mountainous northern landscape, and appreciates the ever-changing water towns in the south of the Yangtze River? Smoke clouds? ,? Naive and plain? ,? Don't pretend to be funny; So Miffy pursues nature in artistic style. What did he create? Yunshan of rice? It's all letters and pens, and clouds cover the fog.
Mi Fei's calligraphy is in Song Sijia, after Su Dongpo and Huang Tingjian, and before Cai Xiang. However, regardless of Su Dongpo's position as a scholar or Huang Tingjian's influence as a leader of Jiangxi Poetry School, Mi Fei's traditional skill is the deepest in terms of calligraphy, especially his running script, which shows the correctness of both.
Dong Qichang's "Essays on Painting Zen Rooms" in Ming Dynasty said:? I tasted the word "rice" and thought that the Song Dynasty was the first, after all, it was above Dongpo. In other words, Mi Dian's book is more of a self-report. When it was changed in his later years, it was strange that ice was better than water cooling. ? The emperor asked about calligraphy, and Mi Fei claimed to be? Brush words? In the Ming Dynasty, he was modest and pragmatic, pointing to the essence and "brushing words", which showed that he was quick and energetic with his pen and tried his best to enjoy himself. His calligraphy works, from poems to bamboo slips and inscriptions, are full of vitality and freshness. Judging from the existing nearly 60 Mi Fei's handwriting, the word "brush" vividly shows the spirit of the word "rice". No wonder Su Dongpo said, "Mi Fei is ecstatic." He also said: "Haiyue was born with seal script, official script, original script, running script and cursive script. Calm and happy, when parallel to Zhong Wang. Not only worth it. " Mi Fei's calligraphy had a far-reaching influence, especially in the late Ming Dynasty. Many scholars, such as Wen Zhiming, Zhu Yunming, Chen Chun, Xu Wei, Wang Juesi, Fu Shan, etc., have taken a Heart Sutra from Mi Zi, and this influence has continued to this day. Mi Fei's calligraphy has reached a high level, and his calligraphy theory is quite a lot. He is the author of History of Books, Famous sayings of Hai Yue, Visiting Bao Lu, Copyright Review and so on. Showed his extraordinary courage
Profound knowledge and refined taste are often laughed at by their predecessors, but they never follow the old saying and are valued by calligraphers of all ages. However, they talk too much and are critical.
Mi Fei's calligraphy has reached a high level, and his calligraphy theory is quite a lot. He is the author of History of Books, Famous sayings of Hai Yue, Visiting Bao Lu, Copyright Review and so on. It shows his outstanding courage and refined taste, and often scoffs at his predecessors. However, he never followed the old saying and was valued by calligraphers of all ages. However, he also talked too much, belittled Ada and Xu Su, and was harsh and critical.
Mi Fei's ink handed down from generation to generation mainly includes Tiaoxi Poetry Collection, Shu Sutie, Fiona Fang Anji and Ma Tiancai, among which there are many Korean essays.
Mi Fei is good at ink and wash landscapes, so he is called? Yunshan of rice? But Miffy's paintings don't exist in the world. But the only thing that can be seen at present is almost not true? Amy drew a picture of a coral pen container, and drew a coral pen container with it? Jin Zuo? Two words. Then add rice dots and inscriptions, and Mi Jiashan water will pop up. It's quite interesting for Miffy to use painting as a ghostwriter.