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What is Wang good at, the author of "Thinking of My Shandong Brothers on Mountain Holidays"?
Wang Wei's name is Mo Sha, and his name is Mo Sha Lai. He is good at: poetry, calligraphy, painting, music and so on. His poems are very famous in Kaiyuan and Tianbao, especially the five words, which praise the landscape and countryside. Together with Meng Haoran, he was called "Wang Meng" and "Shi Fo".

1, Wang Wei was a famous poet and painter in the Tang Dynasty. He can write good poems, is good at painting and calligraphy, and has a talent for music. Wang Wei's achievements in poetry are various, including frontier poems, landscape poems, metrical poems and quatrains.

2. Wang Wei's poetic style is vivid and vivid, with both form and spirit. "There is a picture in the poem, and there is a poem in the picture". With a fresh, simple and natural style, Wang Wei created the artistic conception of "painting in poetry, poetry in painting" and "Zen in poetry" and set an unshakable banner in poetry. The language of Wang Wei's poems is implicit, fresh and lively, with changeable sentence patterns and rhythms, loud and harmonious phonology and musical beauty.

3. Wang Wei is not only outstanding in literary talent, but also an excellent painter who is good at music. His profound artistic accomplishment, love for nature and long-term experience of living in the mountains make him have a keen, unique and nuanced feeling for the beauty of nature. Therefore, the landscape scenery in his works is particularly full of charm, often slightly exaggerated, showing a deep and long artistic conception, which is intriguing.

4. Wang Wei had positive political ambitions in his early years, hoping to make a great career. Later, the political situation changed, and he gradually became depressed, fasting and chanting Buddha. In his forties, he deliberately built a villa in Wangchuan, Lantian County, southeast of Chang 'an, and lived a semi-official and semi-secluded life on Zhong Nanshan Mountain. Wang Wei's landscape poems have a far-reaching influence on later poems, both in subject matter and artistic style.