It is not difficult to understand that I am here. Mr. Guantang's "silent flower with tears" flew over the swing. "It's like a lonely pavilion in spring and a cuckoo falling in the sunset." For example. It's not hard to understand my existence. Mr. Guantang gave me an aesthetic definition of "beauty", which is very correct.
? When there are willows on the roadside, there are flowers in an all-inclusive love. When everything is moving, there are all kinds of beautiful scenery. At this time, the poet with unique vision recorded this scene with poetry, and entrusted his feelings to the scenery, creating this artistic conception. But after all, the poet is just a "recorder", absorbing some from all living things and beautifying or copying them with poetry. Such a poet is more of a scribe of life or emotion, and still observes and recognizes the world with a condescending or detached attitude, without realizing the realm of materialization. Some pictures may happen on or beside the poet, but the poet can't blend in with the environment, just perceiving the world with his own eyes. For example, when people look at pigeons in cages, they should examine the beauty of pigeons anyway. After all, people are human pigeons or pigeons. At this time, when people write poems to describe their pigeons, they always describe them with a unique human perception and understanding. People and pigeons are always separated by a "gap" in aesthetics. This "gap" is also the boundary between the realm with me and the realm without me.
It's not the same without me. The ancients wrote without me, described their pictures and melted into their scenery, so they didn't know what I was and what things were. For example, Su Dongpo praised Wang Moshu for "there are poems in paintings and paintings in poems". In the same way, when writing poems without me, poets don't just look at the scenery with their eyes and stay out of it to write poems, but enter the scene with their hearts and stay in it. Hide the barrier of "I" and become a part of everything, quiet but not serious, natural but not dull, sincere and not artificial. The feelings expressed in poems without self must be implicit. For example, Mr. Guantang's words are "a lonely person is gentle and pleasant, and several pedestrians are idle." My gentle and graceful beauty leans alone in the listless building, bored to count the pedestrians on the road. The poet combines "people are on the road" and "beauty is upstairs", and the feeling of loneliness and even ethereal is condensed in this short sentence.
Zhuangzi's Theory of Everything records the famous Dream Butterfly in Zhuang Zhou.
Story, this story can be said to be the best interpretation of "no self". What is Johnson? What is it to me? It's insignificant. Zhuang sheng and butterfly are integrated, and the mystery of tranquility and ethereal spirit is born here. There is no direct lyric, but the blending of things and me, expressing a kind of overall synthesized emotion, which is the most brilliant place in the realm of non-ego.
It's good to have my site or not. In language, I may win, but in culture, it is far worse than without me. And Mr Guan Tang's two different aesthetic feelings can be said to be a high generalization of China's appreciation of ancient poetry, which has far-reaching significance.