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Han Dynasty Costume Poetry
1. The description of concubines' costumes in Tang Dynasty or Han Dynasty should be self-created. Thank her for coming like a fairy in the wind. A wisp of moss outlines Emei in Feng Dan. Cloud bun towering like spring willow branches; Bright eyes sparkle like autumn water. The big red peony blooms in the cloud bun, and golden phoenix dances like a morning phoenix. Face like a cloud, mouth like a cherry. Red makeup, but not vulgar makeup. Lips are light and teeth are as white as the moon. Looking back and smiling, the face turns pale.

She plays the lute lightly, like a fairy wind blowing around the beam. Long Ge's songs are inseparable from the bright moon in the Han Dynasty and the elegance in the Tang Dynasty.

Long-sleeved and good at dancing, the pink chest is half covered with dark snow, and the clothes are colorful. Skirts are flying, ribbons are flying, embroidered shoes are dancing, and fairy skirts are elegant. Wake up like a dream and indulge in it. However, his love for 3,000 people is concentrated in one body, and the powder and paint of the Sixth Palace are all gone. The pear garden is in full bloom in spring, and all kinds of flowers are always spring. Jiuding Cai Hua, an absolute beauty.

Tears rolled down her sad and pale face, just like the spring rain on pear flowers. Beauty is easy to age, but people are fragile. Red walls and blue tiles remain the same, and it is difficult to go back to the past. Pipa sound, lonely palace wall. The deep palace is locked again, leaving only blue hair and white hair today.

Why did you write the last paragraph? I mainly want to tell you not to think concubines are beautiful. Once you get old, the past is unbearable. Lonely and sad, sad and painful. )

2. The origin of Chinese poems.

The clothes worn by the Han people from the Three Emperors and Five Emperors to the Ming Dynasty are called Hanfu. Hanfu is a traditional national costume handed down by the Han nationality for thousands of years, which can best reflect the characteristics of the Han nationality. Every nation has its own national costume, and Hanfu embodies the national characteristics of the Han nationality. During the thousands of years from the Three Emperors and Five Emperors to the Ming Dynasty, the Han people, with their own wisdom, created a rich and colorful Hanfu culture and developed a unique clothing system-Hanfu system. The profound, well-organized, well-established and beautiful Hanfu is a rare treasure in China, which is worthy of every China person's pride. Objectively speaking, the national costumes of the Han nationality in some historical stages, such as China's flag dress/cheongsam/mandarin jacket, can never be called "Hanfu" because there is no normal evolution and convergence with the real Hanfu.

General characteristics

The main characteristics of Hanfu are horizontal collar and right lap. Instead of buttons, they are tied with ropes, giving people an impression of freedom and elegance. These characteristics are obviously different from the costumes of other nationalities. Hanfu can be divided into formal clothes and regular clothes. From the shape point of view, there are mainly three kinds: "top and bottom clothes" (ancient top refers to bottom skirt), "deep clothes" (top and bottom clothes are sewn together) and "skirt" (short clothes). Among them, the coronation under the coat is the most solemn and formal dress for emperors and officials; Robe clothes (deep clothes) are common clothes for officials and scholars, while skirts are popular among women. Ordinary working people generally wear short clothes and pants. Accessories headdress is one of the important parts of Han costumes. Ancient Han men and women put their hair in a bun and fixed it on their heads. Men often wear crowns, towels, hats and so on. , different shapes. Women's hair can also be combed into various styles, and they can wear all kinds of beading, walking and other accessories. The temples on both sides are richly decorated, and some wear curtain caps and hijabs.

Men's style

"The Yellow Emperor ruled the world by hanging down his clothes" has spread since the Qing Dynasty (represented by the costumes of Qin and Han Dynasties) and lasted for Xia, Shang, Zhou (Spring and Autumn and Warring States), Qin, Han, Three Kingdoms, Jin, Southern and Northern Dynasties, Sui and Tang Dynasties, Five Dynasties, Song, Mongolia and Ming Dynasties, and influenced Japan, North Korea and other countries. This is the most common style of Japanese kimono.

T-shirts popular since Sui and Tang Dynasties (worn by Emperor Taizong and Li Shimin) continued in Tang Dynasty, Five Dynasties, Song Dynasty, Mongolia, Yuan Dynasty and Ming Dynasty, and influenced Japan, Korea and other countries. Song Taizu and Ming Taizu wear this kind of clothes. So far, the clothes worn by the Japanese emperor on some occasions are all variants of this Hanfu.

There are relatively many styles of women's wear, but there are only two basic styles:

Large breasted right collar (also represented by Qin and Han costumes).

Different from the deep clothes in Qin and Han dynasties, the big-breasted and low-breasted clothes in Sui and Tang dynasties were divided into top and bottom clothes, and the clothes were no longer connected together like deep clothes. These two styles of women's clothing had a great influence on the national costumes (women's clothing) in Song and Ming Dynasties and in Japan and South Korea. During the Sui and Tang Dynasties, Han women also wore Hu clothes with narrow sleeves and tight lapels, but those Hu clothes were basically worn as fashion clothes (or out of curiosity), rather than traditional Han clothes. During the Song and Ming Dynasties, Han women also wore some other styles, but the influence was not wide.

You can see that the costumes of Qin, Han, Tang, Song and Ming are different in some places, but the main parts are the same. The basic style of deep clothes in the Western Han Dynasty is the same as that of Hanfu in the Ming Dynasty, but the details are different. The commonness is big chest and right lapel, wide robe, big sleeves and wide coat package. In fact, Hanfu, like big shirts, wide robes and big sleeves, was still worn by Han people in the Tang Dynasty, but in the north centered on Chang 'an, it was mainly round neck, while in wuyue, it was similar in the Song and Ming Dynasties. It was during the Nara period of Niao (China Tang Dynasty) that Japanese kimono was introduced to China and developed into today's Japanese kimono.

What is the style of Han costumes? If we compare the Han nationality with the European nationality, we will find that they are obviously different in many ways. For thousands of years, the overall style of Han costumes has been light and simple. The ancient robes of the Han nationality can best reflect this style. The main feature of this kind of robe is its wide sleeves and simple shape, but once it is worn on people, it is different, looks different and has strong plasticity. Although we can't see all kinds of prototypes of this kind of clothing now, from the silk paintings of Han Dynasty and some figure paintings left over from Wei, Jin, Sui and Tang Dynasties, we can still get a glimpse of its divine feature-the simple Chinese coat attached to people with different postures, which suddenly has a fresh vitality, soft and smooth lines and makes people think. Simple and plain clothes add a natural charm to them. Robe clothing fully embodies the gentle, quiet, refined and calm national character of the Han nationality, as well as the simple, natural, subtle, euphemistic, elegant and fresh aesthetic taste. The shoes of ancient Hanfu are also very particular, which are reflected in traditional paintings and operas. Its Hanfu is also a legacy of the Five Dynasties and the Jin Dynasty. "When the Yuan Dynasty revised the Liao history, it even opened up a" Hanfu "for Hanfu.

National integration. After only a few decades, Xianbei and other ethnic minorities in the Central Plains have basically merged with the Han nationality.

3. What are the sentences describing Hanfu in ancient poems, Qin Gong's poems?

Don

Luo Yue shirt welcomes the spring breeze, and jade carving Kirin is reddish. Lou Tou, Qu Yan and Ren Xian Yu,

At the bottom of the account, there is a thick fragrance and fog blowing. The wine on earth is warm in spring, and the flowers grow in the shade during the day.

Flying window for drinking, ten nights copper plate greasy candle yellow. Bald small sleeve parrot,

Purple embroidered hemp roars at the tiger. Golden banquet is burned in Guangxi, and the Millennium is cooked at midnight.

Tongying Yongxiang rode a new horse, and the inner room was full of colorful paintings. Open the door and balance the money with rotten water.

Shang Mo Sang

HanYueFu

Southeast corner of sunrise, shine on me, Qin Lou. Qin has a good daughter who calls herself Luo Fu. Luo Fu likes raising silkworms.

Zesang, PTA. Moss is a cage system and cassia twig is a cage hook. There is a bun on the head and a bright moon in the ear.

Qi is the lower skirt and Qi is the upper skirt. When Monkey saw Luo Fu, he put it on his shoulder and smoothed his moustache. The teenagers saw Luo's father,

Take off your hat and hold your head. The tiller forgets to plow, and the hoe forgets to hoe. Angry and resentful, he sat watching Luo Fu.

4. What kinds of clothes were there in Han Dynasty? There are mainly robes, straight single clothes, short clothes and skirts. In the Han dynasty, because the textile and embroidery industries were very developed, the rich could wear beautiful clothes of silk and satin. Ordinary people wear shorts and trousers, and the poor wear short brown (coarse cloth) shorts. Women in the Han dynasty wore two-piece dresses and robes, and there were many styles of skirts, the most famous of which was the fairy skirt.

Most of the costumes in the Western Han Dynasty are melodies, because the trousers in the Western Han Dynasty have no crotch and need melodies. However, in the Eastern Han Dynasty, due to the complete costumes, complicated melodies were no longer needed, which led to simple melodies and gradually faded out of the historical stage. Ru skirt

Fu skirt: Fu skirt worn by women in the Han Dynasty: The women's style of upper Fu skirt and lower Fu skirt appeared as early as the Warring States period. By the Han Dynasty, due to the popularity of deep clothes, the number of women wearing such clothes gradually decreased. According to this, some people think that this kind of clothing did not exist at all in the Han Dynasty, and it only reappeared in the Wei, Jin, Southern and Northern Dynasties. In fact, women in the Han Dynasty did not abandon this dress, and there are many descriptions in the poems of Han Yuefu. The skirt styles in this period are generally very short, only reaching the waist, while the skirt is very long and hangs to the ground. Skirt is one of the most important forms of women's wear in China. From the Warring States to the Ming Dynasty, the basic shape remained the original style for more than two thousand years, although the length and width changed from time to time. After the strict politics of the Qin Dynasty, Liu Bang won the world with civilians, trying to give the people a breathing space. The general system has not changed much, and the crown service system is mostly inherited from the Qin system. It was not until the second year of Yongping in the Eastern Han Dynasty that there were formal and complete regulations. The main costumes of the Han dynasty are robes, straight single clothes, short clothes and skirts. In the Han dynasty, because the textile and embroidery industries were very developed, the rich could wear beautiful clothes of silk and satin. Ordinary people wear shorts and trousers, and the poor wear short brown (coarse cloth) shorts. Women in the Han dynasty wore two-piece dresses and robes, and there were many styles of skirts, the most famous of which was the fairy skirt.

Edit this paragraph of men's clothing:

Costumes: The sacrificial costumes of the Han Dynasty inherited the practice of abolishing the "six crowns" in the Qin Dynasty, and adopted coronation as the costume for offering sacrifices to heaven and earth. Han dynasty men's wear

Coronation costume: the most noble ceremonial costume, which is worn by the Emperor of Heaven, the Third Prince and the Doctor of Qing Dynasty when they worship heaven and earth. Long crown clothing: for teachers and apprentices, used to worship ancestral temples and various small sacrifices, such as five mountains, four crossings, mountains and rivers, country and other ceremonies. Grooming crown: equivalent to the crown of the Zhou Dynasty. When you salute the prince and doctors, wear it. Leather crown clothing: This kind of crown clothing is worn by deacons during the big shooting ceremony. The clothes are linen, soap head and plain clothes. Li: From the Qin Dynasty, official uniforms were used as courtiers, and in the Han Dynasty, from emperors to humble officials, official uniforms were also used as courtiers and were also the main uniforms. That is, robes made of deep clothes have different names just because people of different identities wear different crowns. The colors of court costumes in Han Dynasty follow five colors, namely, Chun Lv, Xia Zhu, Xia Huang, Qiu Bai and Dong Hei. The royal robes are lined with the Hanfu of the commanding leader.

Edit this dress:

Temple costume: equivalent to the Yi costume of the Zhou Dynasty, it is the most distinguished kind of women's costume. The clothes of the Empress Dowager and the Empress Dowager entered the temple, and the clothes of the Empress visited the temple. Their clothes were under the soap. Silkworm clothing: equivalent to the clothes of the Zhou Dynasty. Every March, the queen will wear it when she leads the couple to kiss silkworms. Li: From Mrs. Shi in 2000 to the empress, silkworm clothes are all royal clothes.

5. The novel describes the dress of the bride in Han Dynasty. The costumes of the emperor and queen at the wedding were described as a light-colored Luo skirt with a silver edge, a watercolor yarn with an elegant waist, and a long skirt with violet hibiscus flowers and vibrating sleeves.

Smiling, a pair of spirit beads, youthful and ignorant, as smooth as pearls, and their eyes as clear as streams under the ice, free from the dirt of the world. Their eyelashes are long and dense, and they are slightly tilted like cattail fans. They reached out and nodded their noses. A pair of soft and long white orchids embroidered on their cuffs were lined with chopped onion-like fingers, and their pink lips were crystal clear. Jade has a light blue tassel pendant on the earlobe, which is light and can dance slowly with a little wind.

A white plum blossom friedensreich hundertwasser skirt with a smoking cage for mopping the floor, covered with a moon satin dress embroidered with flying butterflies of magnolia, lined with a pale pink brocade wrapped on the chest, with delicate golden butterflies embroidered on the cuffs, and a few silk laces hooked out of the skirt on the chest. There is a thin layer of lace on the skirt, and a golden belt is tied around the waist, which looks elegant and quiet. Diane's eyebrows are light, her cherry lips are not stained or red, and she exudes a sweet fragrance of bluegrass, which is charming and moving.

It exudes a noble atmosphere, beauty is out of reach, and beauty has arrived. Just like a fairy stepping into the dust, waving a jade fan in her hand, elegant and temperament.

I wore a long plain white brocade dress, embroidered branches on the cloth with dark brown silk thread, embroidered plum blossoms with pink silk thread, extending from the skirt to the waist, and a wide purple belt tightened her waist, showing her slim figure, but giving people an elegant and luxurious feeling, wearing a light purple outside. Holding a milky white jade bracelet in his hand, a strangely long hair with purple ribbon pulled out a slightly complicated hairstyle, which really lived up to this beautiful strange hair. The hair was coated with some rose essence, emitting a charming fragrance, and the hair was pinned with a Hosta, which was cleverly made into a leaf shape, which was really beautiful.

The willow eyebrows are painted with carbon black, which highlights the white and delicate skin, and the charming phoenix eyes shine between the eyebrows. Pink rouge makes the skin look white and red, and only pale red lips are painted on the lips. The whole face looks particularly beautiful. A blue dress, a blue pomegranate skirt, a blue tulle dress, and a cloak made of fine pale yellow silk on her shoulders, which is a perfect match with the skirt and embroidered on it. There is a little red in the white, just like that white and ruddy face. The hair on the upper layer is round, and there are several emerald-inlaid hairpins. Three thousand green hairs scattered on the shoulders at the lower level. The earrings are also inlaid with emeralds, and the white jade neck is matched with a pearl and emerald necklace, which adds a lot of elegance to the jade neck. The pink lips on the white face are petite and lovely, which adds a lot of charm to the white face. Sending out this faint scent, wearing a white floral tube top and a white tulle dress, the skin is bright as snow, and 3,000 hairs are scattered on the shoulders without any extra hair accessories, but dotted with many flowers, among which the white face is set off by red and white flowers and wrapped in yellow ribbons, which is very enchanting and charming. Sitting on the stone bench in the purple bamboo forest, it looks very sad and pitiful in the bamboo forest near dusk. The graceful neck and clearly visible collarbone are exposed, and the pleats of the skirt flow lightly on the ground like the brilliance of the snowy moon, and the arms are more than three feet, making the gait more graceful and feminine. 3,000 strands were tied up with hair bands, and butterfly hairpin was inserted in the head. A lock of hair hung on the chest, wearing light makeup and only adding color. The looming sense of red leaves on the cheeks creates a petal-like delicate and lovely pure muscle, as if the whole person. It's like clear snow and ice ...-[wearing a pink pomegranate group with a pale yellow cotton dress and pink ribbon hair, wearing a small purple hairpin with pink ribbon and plum blossom fragrance, wearing a jade bracelet and a white jade pendant with a faint rouge fragrance] Wearing a light blue tulle dress and white gauze on the shoulders, the breeze blows, giving people a feeling of being on cloud nine. A head of beautiful hair is scattered on the shoulders, slightly soft and without any makeup. Walking in the imperial garden, looking at the peony that has passed the flowering period, I can't help but think of myself. Now I have been favored by the emperor, just like the peony in full bloom, enchanting and gorgeous.

If one day I am old and the favor of the emperor is gone, will I sleep in the soil like this peony after flowering, and no one cares? Thought of here, I really want to cry. I wore a pink robe with a purple wide band around my waist and a translucent silk robe outside, showing a slender and tall figure and sighing leisurely. Lotus flowers are embroidered on cuffs and skirts.

Face a little makeup, temperament Lan Ruo. Every gesture is full of elegance.

Waist.

The pale pink cheongsam is wrapped in a white tulle dress, revealing a graceful neck and a clearly visible collarbone. Skirt pleats flow lightly on the ground like snow and moonlight, the arms are more than three feet long, and the gait is more graceful and feminine. 3,000 strands were tied up with hair bands, and butterfly hairpin was inserted on their heads. A strand of hair hung down on her chest, wearing light makeup, only adding a few minutes of color, and her cheeks were faintly red. The drooping sideburns are inlaid with pearls and jasper, and the flowers look like water hibiscus. Wearing a pale white court dress adds a bit of dust to the elegant place.

Elegant and luxurious behind the wide skirt. Black and lustrous hair, it's simply ten thousand.