1. Poems about loving the land

Poems about loving the land 1. Poems about the land

Poetry] Singing about the land

All my poems

are always in line with the land

All the promises and pursuits

seep into the marrow of the soil little by little

Condensation Become my pastoral and pen plow

When the soul is deeply embedded in this land

I follow the artistic conception of endless thinking

Create brilliance in the journey of life< /p>

The wind in the reclamation area creates an atmosphere for me

A round and fragrant thought

The emotion of the long green waves

Like gentle wind and drizzle, more like the autumn sun

Drunk in the abundant fruits

The whispers of sleepy workers

The light from the roots Ha

Shining in my abundant pastoral

The meaning and power of living among pens and plows

My rustic poetry

Looking into the distance at the land that has lost blood after a good harvest

A grateful chant

burst out from my weak chest again

< I love this land>

Ai Qing

I love this land. If I were a bird,

I would too We should sing with hoarse throats:

This land battered by storms,

This river of sorrow and anger that always surges with us,

This has no end The angry wind blowing on the ground,

And the extremely gentle dawn coming from the forest... - Then I died,

Even the feathers rotted in the earth.

Why do I always have tears in my eyes?

Because I love this land deeply...

2. Poems about the land

"Silkworm Woman"

Entered yesterday City,

Returned with tears in my eyes.

Those who are covered with silkworms are not sericulture farmers.

"The Potter" - Mei Yaochen (Poetry of the Song Dynasty)

The earth in front of the pottery door is all gone,

There is no tile on the house.

The ten fingers are not stained with mud,

The scales live in the building.

"Compassion for the Farmers" - Li Shen

It was noon on the day of hoeing the crops,

Sweat dripped from the soil.

Who knew that putting a plate of Chinese food on the plate is hard work.

"Compassion for the Farmers" - Li Shen

Plant one grain of millet in spring,

Harvest ten thousand millet grains in autumn.

There is no idle land in the world,

Farmers are still starving to death

Bai Juyi's "Guan Mowed Wheat"

The Tian family has a leisurely month, five Moon people are twice as busy.

The south wind blows at night, and the wheat is covered with yellow.

The women carry baskets for food, and the children carry pots and oars.

I went with him to the salary field, and Ding Zhuang was in Nangang.

The feet are full of rustic heat, and the back is scorching with the scorching sky.

I am too exhausted to know the heat, but it is a pity that the summer is long.

There is a poor woman with her baby next to her.

The right hand holds the earrings, and the left arm hangs a basket.

Hearing his words of care makes those who hear them feel sad.

The taxes on the family fields have been exhausted, and this is left to satisfy the hunger.

What merit do I have now? I never did farming or mulberry farming.

The salary of an official is three hundred stones, and there is more than enough food every year.

/p>

——Appreciation of "I Love This Land"

Huang Weidong, Xinfeng No. 2 Middle School, Dafeng City (Jindun Street), Jiangsu Province

After the outbreak of the Anti-Japanese War, Ai Qing With high patriotic enthusiasm and national indignation against the enemy, he devoted himself to the great struggle against aggression. He took up poetry and wrote many popular and beautiful poems. "I Love This Land" is one of them, written during the Anti-Japanese War. In the early days, it was a representative work that used land to inspire the poet's emotions. When we study this poem, we can grasp it from three aspects: 1. Simple imagery, which condenses deep love. Imagery is artistic conception. "Land" and "sun" are the two dominant images in Ai Qing's poems. "Land" symbolizes the troubled motherland that gave birth to him and raised him. Therefore, the image of "land" embodies Ai Qing's deepest feelings for the motherland and its people. Love, the profound concern and indignation for the national crisis and the suffering of the people. We can see this from the title of the poem. Another example is "Why do I always have tears in my eyes? Because I love this land deeply..." These two true and simple poems tell the story of the poet. The eternal "land" complex deep in my heart.

From this, we can easily conclude that Ai Qing's poems have a unique world of aesthetic imagery. 2. Pathetic verses reflect passionate emotions. As a lyrical art, poetry works need to constantly strengthen their own emotions in order to strike the heartstrings of readers for a long time. This poem echoes a melancholy tone, filled with deep sadness. "Why do I always have tears in my eyes? Because I love this land deeply..." The sentence is intertwined with melancholy and pathos, but this lyrical tone is the poet's sensitive soul's understanding of the reality of national suffering and the miserable life of the people. The response is a reflection of extremely passionate feelings. It is self-evident that humans are not birds and beasts. This poem begins with "what if", which is the first level of reinforcement. Who doesn’t know that the sound of birds is beautiful and crisp? This poem prefers to describe it as “hoarse”, which is the second level of reinforcement. These two layers of reinforcement are not enough, so the objects of singing appear one after another in the poem: land, river, wind, and dawn. What is particularly noteworthy is that the poet reached the point of exhaustiveness and heartiness when describing these objects, which fully reflects the artistic characteristics of this free-style poet. We know that the word "的" is mostly avoided or used sparingly when writing poetry. There is no need to talk about those folk songs. Even in free verse creation, many people are afraid that too many words "的" will be muddled and dilute the flavor of poetry. Ai Qing is different. He dares to use long sentences composed of a series of "的" characters to express lingering and deep feelings. He likes to add a large number of adjectives and modifiers in front of the object he describes to show the object's charm and style, forming a A special sense of three-dimensionality and sculpture is an important feature that distinguishes Ai Qing's free verse creation from other free verse writers (such as Tian Jian). "I Love This Land" is no exception. Just look at the many modifications that the poet specially added in front of the central words such as "land", "river", "wind" and "dawn", such as "sad and angry", "fierce" and "gentle". With words, it is not difficult to get a glimpse of the mystery. The above-mentioned long sentences describing landscapes such as land and rivers can be said to be the third level of reinforcement. 3. Strong contrast reflects persistent love. "If I were a bird", the whole poem begins with such an unexpected assumption, which makes the readers wonder what is the relationship between the image of "bird" and the "land" that the author wants to praise. What kind of contact? This is the suspense the author leaves us with at the beginning. Just as the readers were impressed and attracted by the poet's continuous singing - the tenacious vitality, they did not expect that the poem suddenly took a big turn. After a dash, "I died" was highlighted, allowing the body to fertilize the land, and thus, life and death Finally, a strong contrast is formed, and what is consistent in this strong contrast and contrast is the "bird's" persistent love for the land. This is really where he was born, sang here, and was buried here, and will never change until death! At this point, the suspense above has been solved. Finally, it needs to be pointed out that the "bird" in the poem refers to a general term, a first name, and a new artistic pursuit made by the poet when he has no one to rely on. The "hoarse throat" is specially shown in the poem. It is purely caused by the influence of the tragic atmosphere of the times on the poet in the early days of the Anti-Japanese War. It is also an affectionate expression of the special temperament and personality of this "sad poet".