1. Poems about history museums

Poems about history museums 1. Poems about museums

Here are two related poems for your reference. : Visiting the Shaanxi History Museum (2 poems) A standing Qin terracotta warrior does not do the Six Kingdoms, only does the Qin, does not understand intrigues, only knows how to march forward bravely, does not write about failure, only pursues success, a born revolutionary, always aloof, a male, blending into the mighty team, charging into battle. A galloping horse is an unstoppable smoke and dust, but a man standing quietly in a museum is still upright, neither scared nor fearful. He is an invincible god. His eyes radiate a compelling light. His armor is still strong after a thousand years. He walks towards you seriously. Behind him is Qin. The clear sky of the empire alone held up the First Emperor. He held up Qin. He held up the ruthlessness of two thousand years. He held up the first peak of the Han people. The terracotta warriors of Qin, with high spirits, strode towards the present and walked towards us to show a man who will never fall. The people, the spirit of a country, and a race. The atmosphere of the Qin and Han dynasties in the Shaanxi Provincial History Museum has almost broken through the solid walls, but there are so few visitors. The information of the Sui and Tang Dynasties has filled the minds of the Chinese people, and there are so few things on display in the museum. It displays the bravery of tomb robbers and the diligence of archaeologists. It displays the development of tourism and the diligent research of scholars. It displays the immortal memory of heroes and the humble antiques of the past. It displays the physical objects and the imagination, and it displays the ins and outs of a country. In fact, all history is contemporary history, reflecting the quiet reproduction of a nation. In the tunnel of time, I can see myself hundreds of years ago today and thousands of years later hiding behind a noble cyan and exquisite porcelain plate. There is no trace at all, as if it had never existed.

2. What poems should I read about museums?

Tang Dynasty Yan Zhenqing's "Encouragement to Study": "The lights are bright at three o'clock and the chickens are on at five o'clock. It's the time for men to study. Black-haired people don't know how to study hard and it's early." , Bai Shoufang regretted that he was late in studying." 〔Tang Dynasty" Wang Zhenbai's "White Deer Cave Poetry": "I don't realize that spring is already deep when I am reading. It is not a Taoist who comes to make people laugh. Zhou Qing is pursuing. "

[Tang Dynasty] Du Xunhe's "The Book of Leisure": "The shadow of the bamboo on the window is shaking on the desk, and the sound of the wild spring is coming into the inkstone. The young man's hard work will eventually lead to success."

[Song Dynasty] Su Shi's "Song Dynasty Chun Xiucai Returns to the West after Losing His Understanding": "I don't tire of reading old books a hundred times, and I will know myself if I read them carefully. I will inevitably become a famous official in the future, but I can't catch up with you today."

[Song Dynasty] Lu You's "Winter Night Reading Shows Ziyu": "In ancient times, knowledge has left no stone unturned, and kung fu can only be achieved when young and old. After reading it on paper, I feel it is shallow, and I know that it must be done in detail."

[Song Dynasty] Zhu Xi's "Reflections on Reading": "As soon as the half-acre square pond is opened, the skylight and cloud shadows are lingering. I ask where the canal can be so clear, so that there is a source of living water."

[ Song Dynasty] Lu Jiuyuan's "Studying": "Reading should be avoided in a hurry, and the time of reading is long and interesting. You may as well let it go before dawn, but you need to think urgently."

[Ming Dynasty] Yu Qian's "Guanshu": " The scrolls are as affectionate as those of old friends, and the joys and sorrows of the morning and dusk are reflected in each other. There are three thousand words in front of my eyes, and there is not a trace of dust in my chest. Seedlings will grow if they are nourished; if the seedlings are fed by spring water, their minds will be nourished by reason. If they do not read for a day, they will have no good ideas. "

[Qing] French style. Good at "Reading": "Reading is like a tree, which cannot be expected to grow suddenly. It is planted in the empty mountains, and the sun comes and the moon goes. The dew leaves are full and lush, and the smoke is becoming more and more vast." Reading in spring brings long interest, grinding the inkstone, and the pen is fragrant. . Don't be lazy when studying. The world, the sun and the moon are busier than people. Yan Yu and Ying Ge hope to have an epiphany, and Li Bai writes articles about peach blossoms. Every inch of yang and yin must be cherished, and don't waste the beauty and time of spring.

Reading in the summer, the day is getting longer, I open the book and feel happy. The fields are cultivated hard and the mulberry trees are beautiful, and the sound of hard reading under the lamp is loud. The scenery beside the lotus pond is beautiful, and the climate is cool under the banana trees. There are few idle people in rural areas in April, so study hard and work hard to make a name for yourself.

3. Poems about museums

Here are two related poems for your reference:

Visiting the Shaanxi History Museum (2 poems)

A standing Qin Terracotta Warriors

Don’t do the Six Kingdoms, just do the Qin

Don’t understand intrigues, just move forward bravely

Don’t write about failure, just pursue Success

A born revolutionary, a male who always stands high

Integrating into a mighty team

It is a charge into battle with thousands of horses galloping

It is an unstoppable smoke and dust

Standing alone in the museum

Still upright and unfazed

He is an inviolable god

His eyes radiate Emitting a compelling light

His armor is still strong after thousands of years

He walks towards you solemnly

Behind him is the clear sky of the Qin Empire

One person held up the First Emperor and Qin

He held up the ruthlessness of two thousand years

He held up the first peak of the Han people

A majestic and high-spirited Terracotta Warriors of the Qin Dynasty

Stride towards the present and towards us

Showing a person who will never fall

One country, one race The spirit of the Qin and Han Dynasties

Shaanxi Provincial History Museum

The atmosphere of the Qin and Han Dynasties is about to break through the solid walls

And there are so few people visiting

The minds of Chinese people are filled with information about the Sui and Tang dynasties

But there are so few things on display

The museum displays the bravery and archaeological work of tomb robbers

The diligence of scholars

displays the development of tourism and

The diligent research of scholars

displays the immortal memory of heroes

and The humble antiques at the time

displayed the physical objects and displayed the imagination

displayed the ins and outs of a country

displayed the quiet reproduction of a nation

In fact, all history is contemporary history

In the tunnel of time, I can

see today hundreds of years ago

Thousands of years later Himself

Behind a noble cyan and exquisite porcelain plate

Hiding with no name or surname

Not even the slightest mark

As if it had never existed

4. Poems praising museums

1. Cultural relics are witnesses of history and the first-hand information left to us by our predecessors.

History books can be vague, but silent cultural relics will bring us closer to the most authentic past. I don’t know how many fragments of historical memory are still buried under this vast land of China, and how many long-dusted stories are hidden.

But I still want to believe in chance and coincidence, and believe that they can wait intact until the moment they see the light of day again, and reveal their secrets to us... 2. The Forbidden City is so big! It was such an eye-opener for me. In the Forbidden City, there are not only majestic halls and open squares, but also gorgeous harems, deep secluded paths, secret administrative areas, and imperial gardens where emperors and concubines rested and entertained.

It’s really not simple! The decorations of these houses are mostly gorgeous and simple, giving them a royal feel. In the imperial garden, green pines and cypresses, exotic flowers and rocks, pavilions, pavilions, curved ponds and waterside pavilions are like a natural picture scroll, making people linger in it.

… … … … 3. What makes me linger the most in the museum is the art exhibition hall. The art works of various ages and shapes in the exhibition hall are really dazzling and beautiful, especially a wooden barrel with a unique shape that caught my eye.

What kind of bucket is that? There is a long handle on a round bucket. The handle is shaped like a goose head. The edge of the bucket is uneven because it represents the wings and tail of the goose. The whole bucket looks like a floating bucket. The geese looking back and looking back on the water reminded me of an ancient poem: "Goose, goose, goose, singing to the sky..."... 4. Stop and watch along the long corridor of the museum. Among these cultural relics Among them, what shocked me most was the bloody clothes of the martyrs and the affectionate letters home before their death. When the nation was in the most danger, people with lofty ideals did not hesitate to sacrifice their own lives and the revolutionary spirit of their small family for the sake of their ideals and for the sake of everyone in China.

It made me realize that China’s painful journey from the Opium War to the liberation of the country was the history of revolutionary martyrs who shed their lives and shed their blood to explore the history of the Chinese revolution. … … … … 5. The main entrance of the museum is not far from Binhe West Road. Viewed from a distance, the main building has a unique shape, similar to an “inverted pyramid” with the lower half cut off, which makes me feel warm and familiar. It was only when I approached it again and came to the entrance of the main building that I deeply felt its majesty and solemnity.

… … … … 6. I am proud of the greatness of Chinese civilization and the richness of Chinese history, but I am also proud of the fact that the inheritors of the ancient civilization have not been able to inherit the legacy left by their ancestors well. It is a pity for the cultural heritage of the world, and it is even more sad for the fate of countless precious cultural relics that were destroyed in wars or drifted overseas. The cultural relics that can be displayed in museums are survivors in the long history of "many are in chaos and the few are managed", while the cultural relics that can be visited by generations of future generations in China are the lucky ones among the "cultural relic survivors" .

... ... ... ... 7. I have been to many museums, such as the newly opened Liaoning Provincial Museum, the Museum of Paleontology, and the September 18th Museum of History. These museums are different, but among these museums I like the most. What I like most is the Liaoning Provincial Museum. Although the second and third floors of the Liaoning Provincial Museum are not open, they are still very large and boundless. The museum is divided into several parts such as life, ancient art, and entertainment. The most spectacular one is the Napoleon Memorial Hall.

… … … … 8. The Ming and Qing Dynasties were the heyday of Chinese porcelain production. In the Qing Dynasty, especially the Kangxi, Yongzheng, and Qianlong dynasties, the porcelain industry reached its highest peak in history, and the porcelain produced was characterized by its exquisiteness. He is famous for his rigorousness and "travels in the nine regions and gives to foreign countries". In addition to inheriting the porcelain making techniques of previous generations, the newly created porcelains such as enamel and pastel are beautiful and add splendor to Chinese porcelain art.

... ... ... ... 9. Ma Weidu once asserted: "If one day China becomes the most powerful country in the world again, then we must rely on culture, not others." Indeed, as the only one among the four major civilizations, The civilization that has survived to this day, the tree of five thousand years of Chinese civilization, was once so lush and leafy.

Although it has experienced countless wind, rain, thunder and lightning, its leaves may have fallen off, branches may have broken, bark may have cracked, and the trunk may have tilted, but it has never completely fallen. Its tenacious vitality comes from its " "Root" - a sense of collective identity and belonging deep in every Chinese heart. ... ... ... 10. In the museum, the bloodstains of the Six Gentlemen have not faded, the smoke of the Opium War is still filled, the destruction of the Beiyang Navy is still vivid, the river of blood in front of Huanghuagang is still flowing, and the slogan of the Three People's Principles has just sounded, Then the Kuomintang's white terror enveloped the entire land of China.

In the museum, it seems that history is reappearing. Everything makes us feel the shock that that era brought us, and we feel that it is not easy for the Chinese people to walk step by step. … … … … 11. Whenever I pass by Yifen Bridge when I go home on weekends, I will see this landmark building that combines traditional culture with modern flavor - Shanxi Museum.

She stood silently on the west bank of the Fen River, watching the Dragon City gradually awakening in the morning sun and the bustling city in the sunset. Day after day, year after year, she told the world about the land of Sanjin. long history and splendid culture. There is a saying that goes well: "Look at Shanxi in the 5,000-year history of Chinese civilization."

… … … … 12. When this magnificent building appeared in front of me, I hurriedly took a group photo with my classmates, and then lined up in front of the museum early. When I walked into the museum, under the detailed explanation of the instructor, I got to know the historical relics collected inside.

The memory left behind is very profound! Among them, the Jade Pig Dragon impressed me the most. It has a pig's head and a dragon's body. The whole body is chicken bone white, with yellow soil in parts.

The dragon body is curled like a jade knot, connected end to end. The body is thick and the shape is rough. ... ... ... 13. Among the collections in the museum, the porcelains of the Liao Dynasty are particularly rich in local characteristics. Most of them come from tombs. The original porcelain making technology of the Liao porcelain has maintained the unique style of the nation, and the shape is based on the Khitan people. Customs adapted to the life of hunting, riding and herding, including cockscomb pots, phoenix head bottles, long-necked bottles, three-color begonia-style plates, saucers, etc.

It can be described as colorful. As for the mourning volumes for emperors and empresses of the three generations of Liao Sheng, Xing and Daozong unearthed from the imperial mausoleums of the Liao Dynasty, they are in both Chinese and Khitan. They are finely carved and well-preserved, making them the only treasures left in the sea.

… … … … 14. This shows the arduous process of the Guangzhou people’s bloody struggle to resist foreign invaders and transform old China in the past hundred years from the Opium War to the founding of New China; I saw it.

5. What are the sentences describing the museum?

The sentences describing the museum are as follows:

1. Cultural relics are witnesses of history and are left to us by our predecessors. first-hand information.

2. History books can be vague, but silent cultural relics will bring us closer to the most authentic past. I don’t know how many fragments of historical memory are still buried under this vast land of China, and how many long-dusted stories are hidden.

3. In the Forbidden City, there are not only majestic halls and open squares, but also gorgeous harems, deep secluded paths, secret administrative areas, and imperial gardens where emperors and concubines rested and entertained. .

4. What makes me linger the most in the museum is the art exhibition hall. The art works of various ages and shapes in the exhibition hall are really dazzling and beautiful, especially a wooden barrel with a unique shape that caught my eye.

5. Stop and look along the long corridor of the museum. Among these cultural relics, what shocked me the most were the blood-stained clothes of the martyrs and the affectionate letters home before their death.

6. The main entrance of the museum is not far from Binhe West Road. Looking from a distance, the unique shape of the main building, which is similar to an "inverted pyramid" with the lower half cut off, makes me feel like It felt cordial and familiar, but when I approached it again and came to the entrance of the main building, I deeply felt its majesty and solemnity.

7. I am proud of the greatness of Chinese civilization and the richness of Chinese history, but I am also proud of the fact that the inheritors of the ancient civilization failed to properly inherit the cultural heritage left by their ancestors. Regrettably, we are even more saddened by the fate of countless precious cultural relics that were destroyed in wars or drifted overseas.

8. The cultural relics that can be displayed in museums are survivors in the long history of "many in chaos and less controlled", while the cultural relics that can be visited by generations of descendants in the land of China are The lucky ones among the "artifact survivors".

9. I have been to many museums, such as the newly opened Liaoning Provincial Museum, the Museum of Paleontology, and the September 18th Museum of History. These museums are different, but my favorite among these museums is Liaoning. Provincial Museum.

10. I like visiting museums. Every time I visit a city, it is essential to visit the local museums. Those magical historical stories and exquisite cultural relics and artworks fascinate me.

11. Stride to the Desert Nature Museum. Here, there are animals and plant specimens in the desert, life-size animal models, and some introductions to desert mineral deposits.

12. The museum in the early morning is cool and comfortable, fresh and quiet, full of green and full of vitality. Accompanied by the crisp chirping of birds and the sound of flapping wings flying freely, I couldn't help but pick up my phone and record this beautiful moment.

13. Stepping into the museum, the air-conditioning coming from the pavement and the dark interior in sharp contrast with the outdoor sunlight make people feel relieved from the heat and fatigue of early summer.

14. When visiting a museum, sometimes you don’t go there specifically for the collections, but for the longing for a peaceful atmosphere, so the environment created by the museum display has also become their characteristic.

15. As soon as you enter the door, the rich museum atmosphere of the empty hall and the service desks hidden in the dark on both sides give people a signal of silence. In an instant, you are transformed from the dullness of the outside world into the interior with a strong historical atmosphere.

6. The complete poem "History Museum" by Xi Murong

History Museum

- Can a person's life be like a museum

1

In the beginning there was only the mountain moon

and the cave in the extremely cold and dark memory

Then you walked towards me with a smile Come

Let the clouds disperse in the cool morning

Since I should follow the road to meet you

Please let us settle in a place with abundant water and grass

I will learn to predict bad luck on oracle bones

and burn love and faith into painted pottery with water patterns and cloud patterns

All the stories at that time

All started by a fragrant river

Crossing the river and passing thousands of hibiscus

The poem is simple and the heart is simple

2

Seasonal variation of wild geese in rapid flight

Along the river I slowly looked southward

I once carved a wooden Guanyin round His hand

also carved a fine sculpture

The smiling lips of the stone Buddha in the Sui Dynasty

The flying pieces gradually appeared

The dearest and most familiar outline in my heart

In the huge cold grotto

I am a humble and uncomplaining craftsman

I have traced it over and over again for life after life

Three

But what went wrong

Why in the reincarnation of thousands of lives

I always miss the moment I hope for

Before the sandstorm came, I was there for you

The clues that were buried so deeply

Why after the sandstorm?

There will always be some important details that are hidden You missed it

The way back is hard to find and it’s on a moonlit night

I poured you a glass of wine with tears in my eyes

Then I hurriedly drew my pipa to urge you to mount.

The world that was once lush with water and grass at that time

has long since entered mythology and only the withered tamarisk and poplars are left. Thousands of miles of yellow sand

Four

Going back and forth seems like

There is always the sound of tide calling in the dark night

The chest is full of inexplicable tenderness

Use colorful silk threads The endless embroidery of spring

The farther away the clouds become, the thicker they become

My mottled heart

Slowly wandering between legends

Five

Meet you again in this life

You are outside the cabinet and I am already inside the cabinet

Separated by a piece of cold glass

I am eagerly waiting for your arrival

You seem to hear some voices in the confusion

Of course you will never believe it

All the silks, all the silks

All the tricolors and clay sculptures

All the carvings and carvings in this cabinet

I gave them to you Your love is all

My soul that has survived thousands of disasters

Six

In the dusk, you turned around and drifted away

The corridor is silent and the gods are silent

I have finally turned into wood and stone just like in my previous life

There are still thousands of hibiscus flowers blooming faintly outside the corridor

In the water

Light purple soft pink

And the snow-like white

Like an unknown Song Dynasty painting

In time The inside is slowly dyed and gradually faded away

7. What are the poems praising the museum

"Ode to Ancient Relics" by Du Fu

Part Four

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The Lord of Shu peeked at Wu Xing's Three Gorges, and Beng Nian was also in Yong'an Palace.

Imagine Cuihua in the empty mountain, the jade palace in the empty wild temple.

In the ancient temple, there are cedars, pine trees, and water cranes nesting in the water. Every year, villagers wander around the village.

The ancestral hall of Marquis Wu is often close to each other, where the king and his ministers worship together.

Fifth

Zhuge's fame is immortalized in the universe, and the portraits of Zong and his ministers are highly respected.

Three-part divisions make plans, and a feather in the sky will last forever.

When brothers and sisters meet Yi Lu, the commander will definitely lose Xiao Cao.

It is difficult to move Han Zuo back, and he is determined to annihilate the military service

"Five Poems on Ancient Relics" was written by the great poet Du Fu of the Tang Dynasty in the first year of the Dali Emperor of the Tang Dynasty (766) A group of poems written in Kuizhou (now Fengjie, Chongqing). These five poems respectively chant the monuments left by Yu Xin, Song Yu, Wang Zhaojun, Liu Bei, Zhuge Liang and others in the Three Gorges area of ??the Yangtze River. They praise the writings, knowledge, moral character, and great achievements of the five historical figures, and also pay tribute to these historical figures. The character's desolate life experience and life of unfulfilled ambitions express deep sympathy, and express his own feelings of frustrated career and wandering life, and express his own ideals, emotions and sorrow. The whole poem has concise language, strong momentum and profound artistic conception.

Original text:

Part 1

Detached from the wind and dust in the northeast, drifting between the heaven and earth in the southwest.

The towers of the Three Gorges are flooded with the sun and the moon, and the clothes of the Five Streams are flooded with clouds and mountains.

The owner of Jiehu was eventually a scoundrel, and the poet did not return the favor even when he was mourning.

Yu Xin was the most desolate in his life. In his later years, his poems moved Jiangguan.

Second

Shaoluo knows Song Yubei well, and he is also my teacher in being elegant and elegant.

Looking forward to the future, I shed tears, depression is different from generation to generation.

The old house in the mountains and rivers is empty of text and vegetation, and the clouds and rain are desolate. How can I dream of it?

In the end, all the Chu palaces were destroyed, and the boatman’s advice is still doubtful.

Third

Going to Jingmen through the mountains and valleys, a village of Mingfei Shangyou grew up.

Once we go to Zitai Lianshuo Desert, we will only leave the green tomb facing the dusk.

Draw a picture to understand the spring breeze, and wear a ring in the sky to return to the soul of the night moon.

For thousands of years, the pipa has been playing nonsense, and there is clear resentment in the music.

Fourth

The Lord of Shu took a peek at Wu Xing's Three Gorges, and Beng Nian was also in Yong'an Palace.

Imagine Cuihua in the empty mountain, the jade palace in the empty wild temple.

In the ancient temple, there are cedars, pine trees, and water cranes nesting in the water. Every year, villagers wander around the village.

The ancestral hall of Marquis Wu is often close to each other, where the king and his ministers worship together.

Fifth

Zhuge's fame is immortalized in the universe, and the portraits of Zong and his ministers are highly respected.

Three-part divisions make plans, and a feather in the sky will last forever.

When brothers and sisters meet Yi Lu, the commander will definitely lose Xiao Cao.

It is difficult to move Han Zuo back, and he is determined to annihilate the military service.

Reference materials

Sogou Encyclopedia: /item/E5928FE68080E58FA4E8BFB9E4BA94E9A696/2735419?fr=aladdin

8. Sentences describing the museum

1 I like visiting museums. Every time I visit a city, it is essential to visit the local museums. Those magical historical stories and exquisite cultural relics and artworks fascinate me.

2 We strode to the Desert Nature Museum. Here, there are animals and plant specimens in the desert, life-size animal models, and some introductions to desert mineral deposits.

3. The museum in the morning is cool and comfortable, fresh and quiet, full of green and full of vitality. Accompanied by the crisp chirping of birds and the sound of flapping wings flying freely, I couldn't help but pick up my phone and record this beautiful moment.

4. This afternoon, our grade class visited the Shanghai Public Security Museum. There, under the explanations of many enthusiastic volunteer classmates, we had a detailed and in-depth understanding of the history of the Shanghai Public Security Bureau and learned about numerous crime-solving techniques. He also paid tribute to those heroes who have made great contributions to public security.

5. Stepping into the museum, the air-conditioning coming from the pavement and the dark interior in sharp contrast with the outdoor sunlight make people feel relieved from the heat and fatigue of early summer. As soon as you enter the door, the rich museum atmosphere of the empty hall and the service desks hidden in the dark on both sides give people a signal of silence. In an instant, you are transformed from the dull outside world into an interior with a strong historical atmosphere.

6. When visiting a museum, sometimes you don’t go there specifically for the collections, but for the longing for a peaceful atmosphere, so the environment created by the museum’s display has also become their characteristic.

9. Words to describe historical relics (20)

Cultural relics are the crystallization of the labor, wisdom and revolutionary spirit of our ancestors and have important historical, artistic and scientific value. 1. , cultural relics are convincing physical teaching materials for educating the people on patriotism, revolutionary tradition and historical materialism. Through cultural relics, people can deeply understand history, the position of the motherland in world history, and the efforts of countless ancestors to resist the invasion and invasion of foreign enemies. The glorious deeds of the heroic struggle to overthrow the old system; secondly, cultural relics are witnesses of the historical development of the motherland and are the most accurate historical materials that can supplement historical records. The history of our country before the Shang Dynasty relied entirely on cultural relics unearthed underground have been confirmed and restored; thirdly, cultural relics are symbols of our ancient civilization and our country's most important tourism resources; fourthly, cultural relics can play a role in faithfully recording geographical changes, hydrology, and earthquake conditions in history, and can provide information for today's Cultural and artistic creations provide rich nutrition, can provide indispensable reference for the development of modern science and technology, and can play a unique and important role in real international political struggles. In short, cultural relics play an important role in the construction of our socialist material civilization and spiritual civilization. , plays an extremely important role.