1. What are some poems that describe status?

1. "Ode to the Confucius Family" Two Han Dynasties: Sima Qian Taishi Gong said: "Poetry" has this: "The high mountains stand still, and the scenery stops. "

Although I can't come, I still want to go there. I read Kong's books and wanted to see him as a person.

Shilu, I watched Zhongni’s temple, carriages, clothes, and ritual vessels, and all the students used to practice rituals in their homes. I only stayed back and could not go away. The kings of the world are among the virtuous people. When they are present, they are prosperous, but when they are gone, they are gone.

Confucius’ common clothes have been handed down for more than ten generations and are followed by scholars. From the time of the emperor to the princes, those who spoke of the "Six Arts" in China were compromised by the Master, and they can be said to be the most holy! 2. "Qing Ping Diao: Famous Flowers Bring Love to the Country" Tang Dynasty: Li Bai Famous flowers bring love to the country, and the kings often laugh at them.

Explanation: The spring breeze is infinitely hateful, and the Agarwood Pavilion leans on the railing in the north. 3. "Broken Array: Composing a Poem for Chen Tongfu" Song Dynasty: Xin Qiji was drunk and looked at the sword by the light of the lamp, and dreamed of blowing the trumpet company camp.

Eight hundred miles away, people under his command are burning, and fifty strings are sounding outside the Great Wall. Autumn brings troops to the battlefield.

The horse is moving very fast, and the bow is shaking like a thunderbolt. Finish the affairs of the king and the world, and win the reputation during and after death.

It happened in vain! 4. "Spring Journey" Tang Dynasty: Li Bai Deep in the palace and high buildings, entering the Purple Qing Dynasty, with gold embroidered couplets made of dragons and dragons. The beautiful woman is enjoying the daylight at the window, and the strings are playing the zither in sign language.

The spring breeze blows the king's ears, this song is a journey to heaven. Because the Tianchi Lake is flooded with water, the buildings and boats are rippled by the waves.

Three thousand pairs of moths sang and laughed, the bells and drums of Laos fell over the palace, and thousands of surnames gathered to dance and sing for peace. If I do nothing, people will be at peace.

The thirty-six emperors want to greet each other, and the immortals float down from the clouds. If the emperor doesn't go, he will stay in Haojing.

An Neng can go to Xuanyuan and enter the underworld alone. I would like to express my condolences to Nanshan, and your Majesty will be remembered forever.

5. "Gong Ci" Tang Dynasty: Xue Feng The twelfth floor is full of makeup, and the Wangxian Tower is watching the king. The golden beast with a locked title is cold in a chain, and the copper dragon with dripping water makes the day longer.

After combing her bun, she returns to the mirror, and her robe is about to be changed to make it even more fragrant. Peering into the open curtain of the main palace, palace people in robes sweep the imperial bed. 2. What was the status of women in the era of "The Book of Songs"

Analyzing the poems narrated in a female voice in the "Book of Songs", we can roughly see three different female consciousnesses: 1. Women's independent consciousness in From the perspective of feminists, the social structure of the past and present is based on patriarchy. Men control the basic functions of society, while women are placed in a supporting role in society.

Women are the second gender in society, the "other", and are always in a position of being looked at. As shown in literature, female images are always foils for men and are fabricated products that serve male-centered culture.

However, in the "Book of Songs", there are many poems that reflect women's complete independence of consciousness. In some chapters, women are the examiners, and men become the "other" who is "seen". For example, "Gu Xi" and "Zhu" in "The Book of Songs" use this kind of perspective to describe.

2. Women’s consciousness of dependence In a patriarchal society, it is natural for women who are in a dependent position in politics and economy to have a consciousness of dependence on men. From the perspective of feminists, this male-centered consciousness is the oppressive consciousness that they want to subvert and criticize.

As a woman, agreeing with and agreeing with this consciousness will undoubtedly have more profound anatomical value for analyzing and exposing the oppression and enslavement of women in a patriarchal society. Poems such as "Bamboo Rod" and "Bo Xi" in "The Book of Songs" are extensions of such topics.

3. Women’s sense of resistance There is a sentence in the book "Feminist Theory: From Margin to Center": What is a woman's destiny? It is freedom that determines her own destiny, getting rid of the role controlled by others; getting rid of the oppressive constraints of society, being free to fully express her thoughts, and freely putting these thoughts into action. ② Chinese women develop a sense of feminism when growing up in patriarchal families. They look both from the outside in and from the inside out. This provides them with a holistic view of life that is imprinted on their consciousness. A defiant worldview.

To put it simply, there is resistance because of oppression. It is precisely when they see the oppression that they have the cry and resistance of rebellion. Because they want to control their own destiny, they want freedom to end their controlled lives.

Women’s sense of resistance refers to women’s self-awareness and accusation and resistance to their oppressors when facing the oppression and damage of male power. Since this kind of resistance is passive, spontaneous rather than conscious, the female consciousness embodied in it is also limited, struggling, and contradictory.

For example, the women in the above-mentioned "Hunter" and "Big Car" appear in the poems as images with this kind of consciousness. From the above analysis, we can see that in the Book of Songs era, women had a relatively strong sense of autonomy. The pursuit of individuality and freedom became the mainstream of female consciousness in the Book of Songs era. The consciousness of women’s independent consciousness even surpassed that of modern times to some extent.

Among the more than 80 marriage and love poems in the Book of Songs, there are 21 poems expressing women’s pursuit of individuality and freedom, accounting for 1/4 of the total. Although there are as many as 13 poems about abandoned wives. , but the total number is significantly less than the former. The former, coupled with the four poems that reveal a sense of resistance between the lines, shows an absolutely overwhelming advantage.

Of course, we can see the existence of these three states of consciousness of women at every stage of the era. Whether we look at the world from the Han and Tang Dynasties to modern times, or look at the world from China, we can clearly feel the diversity of female consciousness from the women who are active on the stage of time and space: either they pursue the freedom of individuality, or they are willing to be attached to the patriarchal system Under the influence, or spontaneously resisting in dependence... However, the female consciousness in the era of "The Book of Songs" has clearly distinguishing characteristics from other historical stages.

It should be said that in the era of "The Book of Songs", female consciousness was in a primitive state that was just beginning to rise. However, from the very beginning, the female consciousness in the era of "The Book of Songs" showed the world the powerful vitality of free consciousness. . The female consciousness of freedom in "The Book of Songs" is like a spark of fire starting a prairie fire, burning the entire sky of "The Book of Songs".

It is like a fern growing in the wild, without any infection or oppression. It naturally fills the text with a wild and open atmosphere, making people hold the "Book of Songs" in their hands and chant it softly. The poems that linger in the mouth, the heart beats like a fire in the winter, the fire-like enthusiasm is enough to burn the readers, making the women of later generations who are bound by ethics and education more powerful. Obscure and without any brilliance. Women's female consciousness should actually include two aspects: society's understanding of women and women's self-awareness.

Women's self-awareness refers to women's understanding, feelings and evaluation of a series of activities such as the value, morality, aesthetics and other activities of their own object existence as the cognitive subject of people with feelings and thinking. The process of Chinese women's female consciousness is a history of the ups and downs of female consciousness in male society and individual families.

The process of female consciousness submerging is the process of women being deprived of their power, losing their freedom and falling into a dependent position. The "she" in "The Book of Songs" is far bolder and more outspoken than men.

Their inner world is shown without any concealment. No matter whether they miss each other, hate or love, they can speak openly. Even their personal relationships and secret appointments with men are not hidden. Although they were oppressed by feudal etiquette, this oppression was still at a superficial level, and their love consciousness was still enthusiastic and publicized. This was in sharp contrast to the obscure, dim, and repressed female love consciousness that later fell into the abyss of feudal ethics.

Of course, judging from today’s Dunhuang data, women in the Tang Dynasty still enjoyed a high status in society. At that time, girls in Dunhuang could choose their husbands by themselves and ask questions until they were satisfied.

But by the Song and Ming Dynasties, although there were folk songs that reflected the voice of freedom, Neo-Confucianism's view of women's chastity still reached an unprecedented level. Cheng-Zhu Neo-Confucianism put forward the way of learning of "preserving natural principles and destroying human desires" and further developed women's concept of chastity. One is the isolation and alienation of "men and women are not intimate in giving and receiving"; The way of "ignoring death and paying more attention to integrity" was to "ignoring death when the matter was big".

In the Qing Dynasty, the feudal system's control and oppression of women reached its peak. Data show that martyrs in various dynasties were Different times. 3. Are there any poems about women?

But when you see a new person smile, you hear an old person cry.

The water in the mountain spring is clear, and the water in the mountain spring is turbid. The pearls return, and the radish is used to mend the hut.

I pick flowers without inserting them into my temples, and pick cypresses to make my sleeves full of green leaves.

2. "There is a beautiful woman in the north. , peerless and independent, looking at the Qingren city and then the Qingren country. I would rather not know a beautiful city or a beautiful country. A beautiful woman is hard to come by."

From Li Yannian's poem. Derived from a very famous word to describe beautiful women - Qingcheng Qingguo 3. "Add one point and it will be too long, subtract one point. The description is just right and cannot be changed slightly, otherwise it will not be perfect. From Song Yu's "Ode to Deng Tuzi's Lust": "If the owner has a son, if you add one point, it will be too long, if you subtract one point, it will be too short, and if it is pink, it will be too short." If it is too white, apply Zhu and it will be too red. "The beautiful smile is beautiful, the beautiful eyes are looking forward to it.

(The Book of Songs. Wei Feng. Shuo Ren) The beauty is drunk, and her face is more rosy. (Song Yu Soul Calling>) The beauty conceals the present and the past, and the lotus flowers shy the jade. Yan.

(Li Bai Xishi>) There is a beauty in the north, peerless and independent. Look at the charming city, then look at the charming country.

(A song by Li Yannian>) Pianruo. Jinghong, graceful as a wandering dragon (Cao Zhi Luo Shen Fu>) Who pities the Yue girl, whose face is like jade, the poor and humble river head is wrapped in yarn

(Wang Wei's trip to Luoyang's daughter) The hibiscus is not as beautiful as the beauty, and the water palace is beautiful. The pearls are green and fragrant. (Wang Changling's Autumn Resentment in the West Palace>) The texture is rich and pure, and the texture is fine and even.

(Du Fuli's Travels>) It is as beautiful as a peach in three springs, and as pure as a chrysanthemum in nine autumns.

(Dream of Red Mansions> Chapter 68) The Book of Songs: Peach Blossoms of the Zhou Dynasty wrote: "When the peach blossoms are young, their flowers are burning, and when the son returns, it is suitable for his family." The peach blossom has been used as a symbol of women; Tang Dynasty Li Bai's "Sauvignon Blanc" contains the sentence "Beauty is like a flower separated by clouds", which should be the first direct way to compare flowers with beauty.

The clouds are like clothes, the flowers are like faces, the spring breeze is blowing the threshold and the dew is thick. If we hadn't seen each other at the top of the jade mountain, we would have met under the moonlight at Yaotai. - Li Bai (Yang Guifei) May I ask who in the Han Palace is similar? Poor Feiyan relies on her new makeup.

--Same as above. Famous beauties are in love with each other, and the king often laughs at them. To explain the infinite hatred of the spring breeze, the agarwood pavilion leans against the langan in the north.

--Same as above, the beautiful woman rolled up the beaded curtain, sitting deeply with her eyebrows furrowed, but seeing wet tears, she didn't know who she hated - her quietness was like a flower shining on the water, and her actions were like the wind blowing through the willows. "The Book of Songs" is the oldest book in China Poetry, verses describing beautiful women include: Hands like catkins, hands like catkins, skin like gelatin, collar like a cricket grub, teeth like a gourd rhinoceros, slender head with moth-like eyebrows, and a charming smile? Bai Juyi's "Song of Everlasting Regret": "It's hard to give up on natural beauty" "Looking back and smiling, all the beauty is born, the six palaces are pink and white without color" "The hot spring water washes away the cream" "The flowery face on the temples shakes with golden steps, the hibiscus tent warms the spring night" "Hibiscus is like a face and willows are like eyebrows" "Tang Yin has a peach blossom with a human face, red plum blossoms and moss-covered steps and green branches. Du Yu's voice is sad! After a short period of intercourse, they separated again. The colorful phoenix flew alone, and the colorful phoenix lived alone. How long will it take to miss each other after we say goodbye? It’s hard to know what will happen next? Will it be difficult in the future? How can this feeling express lovesickness? A love word, a love poem.

The pear blossoms are shut behind closed doors when the rain hits them, and they live up to their youth and live up to their youth! Enjoyable things, who cares? Ecstasy under the flowers, ecstasy under the moon. The eyebrows are full of sorrow, and the sun is frowning, and there are thousands of cry marks, and ten thousand cry marks; I look at the sky at dawn and the clouds at dusk, and I miss you when I walk! Sitting there, I miss you.

Tang Yin's Song of Jealous Flowers Last night it rained on the begonias for the first time, and several of them were light and tender, ready to rain; the beautiful woman came out of the orchid room at dawn, and turned to the mirror to compare her red clothes. Asking the man, "Flowers are beautiful and beautiful," the man said, "It's not as good as flowers."

The beautiful woman became jealous at the words, not believing that a dead flower was better than a living person; she crushed the flower and threw it in front of him, asking him to Sleep with flowers tonight. (Comments by Yuan Zhonglang) Able to paint a picture of chrysanthemums written by Tang Yin. The yellow flowers have no owner and are left in the winding paths. They only use money to buy powder, and their color will be paid to the west wind throughout their lives.

Tang Yin and Shen Shitian's Poems on Falling Flowers, Part 1: Today's spring is better than yesterday's, and Northern Ruan is translated into Southern Ruan and poor; I ask the shepherd boy whether he should set up some wine, and try to taste the plums, which will make them more benevolent. Liu Rugao sent his concubine to Qiantang, and it took eight fights to meet the God of Luo Water; so many good flowers were all gone, and no one ever met the flower admirer.

Part 2: Spring is over, full of sorrow and illness, the flower branches are exposed to rain and wind; the old white on the temples is replaced by new white, and the dark red at the bottom of the tree is replaced by light red. The leaked guest has already followed the incense and sealed the seal, and the money bag is empty for the wine glass; I have always been enjoying myself by the east city, and the green grass pond is busy in the East.

Part 3 Spring comes and goes in a hurry, and the dazzling prosperity disappears in the blink of an eye; the apricots have just taken off their single shirt to keep warm, and the pear blossoms are windy in the courtyard. Burning lamps and sitting for a long golden night, thinking about the red wine in vain; If Dong Jun asked the fish and geese, his mood would be revealed in the sound of rain.

Part 4: The peach blossoms are all gone, and the apricot blossoms are empty. They bloom and fall almost the same every year; Since the festival is approaching the evening of March, why should people hate the fifth watch wind? The fluttering eaves are straight and broken, the curtains and clothes are green, and the top bricks are as bright as brocade on the ground. When I pick up the square paris in Cala Luo, a pair of mandarin ducks are right in the middle. Li Qingzhao Like a Dream Ling It rained and the wind blew violently last night, and I couldn't get rid of the remaining wine after a deep sleep.

When I asked the person behind the curtain, I found that Begonia remained the same. Do you know? Do you know? It should be green, red and thin.

Li Qingzhao Good things are coming soon. The wind is setting and the flowers are falling deeply. There are red piles of snow outside the curtain. I always remember that after the begonias bloom, it is the time of spring.

After the singing in the wine stall, the jade statue is empty, and the green vat is dark and bright. The soul's dream is filled with resentment, and there is a cry () (left "Jue", right half, right "Bird").

Qing Ping Le by Li Qingzhao Every year in the snow, I often insert plum blossoms to get me drunk, but I remove all the plum blossoms without any good intentions, and win the tears all over my clothes! This year, everywhere in the world, Xiao Xiao’s temples are blooming. Depending on the wind coming in late, plum blossoms should not be visible.

Li Qingzhao Linjiang Fairy Plum The courtyard is a little deeper, the spring is late in the cloud window and foggy pavilion, who is haggard and loses her beauty. It's good to have clear dreams at night, and it should be from Nanzhi.

The jade is thin and the sandalwood is light and infinitely hateful. The Qiang pipes in the south tower are no longer playing. Who knows when the strong fragrance blows away? The warm wind will be delayed by the sun, but it will not reach the fatness of the apricot blossoms.

47. Traveling on the Shasha·Picture of Lady with Hairpin Send away loneliness and welcome prosperity. Who are you fighting for to be beautiful and popular for whom? Blossoms are filled with tears of lovesickness. Blossoms accompany me to wander the world.

Say goodbye to the cold night and welcome the dawn. The fragrance of flowers fills the city.

Every trace is love, and the branches and leaves are always related to love.

The jade belt was hung in the forest, and the gold hairpin was buried in the snow. (Referring to Daiyu & Baochai) Baoyu was still puzzled after looking at it. When he wanted to ask, he knew that he would not reveal it. When he was about to leave it, he was reluctant to let it go. So he went again. When I looked back, I saw a bow with a citron hanging on it. There is also a lyric that goes: Twenty years of distinguishing between right and wrong, the pomegranate blossoms are blooming to illuminate the palace. Three springs compete for the early spring scene, tigers and tigers meet each other, and the big dream returns. . (Yuan Chun) Later, there is a painting of two people flying a kite, a sea, a big boat, and a woman in the boat covering her face and crying. There are also four sentences: Talent comes from being shrewd, ambition from high, born in the end of the world, luck has faded . I shed tears on the Qingming Festival and look at the riverside. The east wind of thousands of miles away is just a dream away. (It seems to be exploring spring.) Behind it, I draw a few wisps of flying clouds and a bay of passing water. The poem says: What is wealth and honor? Parents violate it when they are infancy. Open your eyes. Hanging the slanting light, the water of the Xiangjiang River passes by and Chu Yunfei. (Xiang Yun) There is another piece of beautiful jade painted on the back, falling into the dirt. Its conclusion goes: "Want to be clean." 4. Quotes about the tragic fate of women

- Starting from the typical images of women in Chinese classical literature

In the long-term survival and reproduction of human beings, women have played a crucial role. important role. The history of the development of human civilization initially began with matrilineal clan society. However, with the development of human civilization and the evolution of society, women gradually became the vassals of men. Especially in the long feudal society, women were even more insulted and marginalized. damaged status. This article attempts to analyze the tragic fate of ancient Chinese women by taking the female images in ancient Chinese literary works as examples.

1. The expression of the tragic fate of women in ancient China

Starting from the "Book of Songs", my country's first collection of poems, women have always been the protagonists of various genres, whether in poems, dramas or novels and legends. Literary genres and important content expressed in literary works. The tragic fate of ancient Chinese women has also been fully exposed in these literary works. Generally speaking, there are three main forms of expression of the tragic fate of women in ancient China:

l. Victims of the social system.

The image of abandoned women created in "The Book of Songs: Meng", my country's first poetry collection, vividly reflects the heavy blow and unfortunate fate suffered by ancient women under the social system where men were superior to women. The abandoned wife in the poem is an infatuated, kind, hardworking, and strong woman, but such a virtuous wife ended up in the tragic experience of being abandoned by her husband and ridiculed by her family. The poem profoundly reflects the oppression and damage caused to women by the social marriage system at that time, and also vividly reflects the passive and low status of women in marriage and family at that time. Du Shiniang in "Du Shiniang Sinks the Treasure Box in Anger" written by Feng Menglong of the Ming Dynasty is a strong woman with self-respect and self-love who would rather bend than bend. She is at the bottom of society and has been bullied during her long life as a prostitute. When she finally rehabilitated herself after hard work, she was deceived, sold, and abandoned, until she embarked on the road of fighting to the death. Du Shiniang's tragedy may have a certain degree of chance in terms of plot, but in fact, this chance is an inevitable result of the social environment at that time. The dependent status of women in traditional moral concepts and the humble social status of prostitutes are the main culprits that ultimately caused Du Shiniang's tragic fate.

I hope you will adopt it, thank you~ 5. Regarding the description of the woman

She is wearing a light pink dress that is as long as the floor. Holding it, there is a seven-treasure coral hairpin in the hair, which makes the face look like hibiscus.

Her face is extremely gorgeous, with a pair of phoenix eyes that are naturally charming but also majestic. Her black hair is combed into a gorgeous bun, which is gorgeous and graceful. The little finger-sized pearl is as bright as snow, with stars dotted in her hair. Twinkling, the lotus flower moved to the front of the palace, leaned down softly, and waved the ceremonial daughter Li Shangluo to greet the emperor. May the emperor be blessed. A large peony and emerald green smoke gauze, a meandering pink narcissus flower and green leaf skirt that sweeps the floor, and a thin gold silk smoke and emerald green gauze.

The low-hanging temples are slanted with pearls and jasper embedded in them, and her face is filled with water and hibiscus. He stepped forward, bowed and gently picked up the silver strings with his jade hands, and played the guqin with both hands. The sound was pleasant and rhythmic, just like the sound of nature. After a long time, he finished playing the song and slowly stood up, delicate and black. The long hair, often draped over the shoulders, is slightly soft, and sometimes the long hair is loosely counted, showing a different kind of style, suddenly turning from mature to cute, making people feel new love and pity, and the white skin is like Freshly peeled eggs, big eyes twinkling as if they could talk, small red lips and white skin, more distinct, a pair of small dimples evenly distributed on both sides of the cheeks, a slight smile, dimples on the cheeks Faintly visible, as cute as a fairy.

She wore a dark blue brocade long skirt with white plum blossoms embroidered on the skirt. She tied up her uncontrollable slender waist with a white brocade belt and tied up her black hair. It was tied into a wishful bun, with only a plum blossom white jade hairpin inserted. Although it was simple, it looked fresh and elegant. She was washing herself in the mirror. She applied a thin layer of powder on her face, and wore a light blue silk double-cupped Yunyan palace dress, with a hairpin on her head. The newly picked white plums were only tied with an exquisite jasper hairpin, decorated with thin silver beaded tassels. Taking lotus steps, she put on a pale pink dress and a plain white gauze dress. It is also a standard show girl makeup, an extremely elegant outfit, slightly thin when blown by the wind, and also contains a hint of sadness. A green smoked sweater, a pleated skirt with scattered flowers, mist and green grass, and a thin veil of green water on the shoulders. If it is cut into a waist, it will be as if it is plain, and the muscles will be like condensed fat and the air will be like blue. Charming, boneless and gorgeous.

The green snail eyebrows are long and dark, and the beaded flower tassels are abandoned. The three thousand green silk threads are only tied up with a finely carved plum hairpin, which is lightly tinged with lead. Her eyebrows are blooming and her eyebrows are spread far away, and her green temples are dyed thick with spring smoke, giving her a spiritual aura like the clouds of Wushan Mountain.

After hearing the announcement that he had entered the palace, he immediately gathered up his skirt and moved lightly with lotus steps: He wore a purple gold crown with hair tied with jewels on his head, two dragons on his eyebrows tied together with gold beads, and his forehead was wiped with gold. He wore a The two-color golden butterfly wears bright red arrow sleeves with flowers, and is tied with a palace ribbon with multicolored silk and long tassels. It is covered with an azure-flowered eight-piece Japanese forged tasseled gown, and green satin powder-soled court boots. The face is like the moon of the Mid-Autumn Festival, the color is like the flowers of spring dawn, the temples are like knife cuts, the eyebrows are like ink paintings, the face is like peach petals, and the eyes are like autumn waves.

Although he is angry and sometimes smiles, he looks at him with affection. There was a faint flow of luster on the skin, and a thousand kinds of glazed light flashed in the eyes.

The appearance is picturesque, so beautiful that it does not look like a real person at all. This kind of appearance and this kind of demeanor have simply surpassed all human beauty. Even if he wears a robe casually, he feels that even an immortal will never be more beautiful than him.

This kind of transcendent men and women, transcending the beauty of the world, can no longer be described in words. He is extremely handsome, his face is as clear as a sculpture, and his angular face is extremely handsome.

On the outside, he looks unrestrained, but the sparkle in his eyes is something that people dare not look down upon. Her thick black hair is pulled up high by a golden crown, and under a pair of sword-shaped eyebrows are a pair of slender peach blossom eyes, which are full of amorous feelings and can make people fall in love with her if they are not careful.

The tall nose and moderately thick red lips now revealed a dazzling smile. After leaving the court early, he took off his dragon robe and put on a clean and bright white brocade suit, which was loose at the inside and tight at the outside. It fit perfectly, and his hair was tied up with a fine flawless jade crown.

The eyes are very beautiful, as deep and blue as the late night sea, and should also be as cold as the late night sea. The nose is like a hanging bridge, the lips are like elixir, and the skin is like gelatin.

The capital is an apricot orchard with warm smoke, blooming flowers, fragrant snow, green grass and long willows. These days, the matter of conferring a concubine has really caused me a headache. After approving the papers, I took a small path to accompany me to the imperial garden to relax. In the early spring, catkins were flying, and a few were stained on the black silk robe embroidered with gold dragons. , brushing it away] (The rainy season in the south of the Yangtze River has come unexpectedly again, just like the women from the south of the Yangtze River, gentle and affectionate.

Standing on the bow of the boat with his hands behind his back, wearing a moon-white robe embroidered with gold dragons It makes people feel a little poetic. Xiaoluzi holds an umbrella for me behind him, and the sound of singing vaguely floats in his ears. Hearing the words, he turns his head and raises his eyebrows slightly) This singing... (thinking briefly) Let's go and have a look. Guan Guan Jujiu, in the river island. A graceful lady, a gentleman is fond of quarrels.

The waterlilies are mixed and flowing from left to right. A graceful lady, I long for her.

I can’t get what I want, so I sleep hard and think about it. Leisurely leisurely, tossing and turning.

Pick the waterlilies from left and right. A graceful lady, she is a friend of the piano and the harp.

There are various water-lilies, left and right. The fair lady is played with bells and drums.

——Spring and Autumn Book of Songs (one of the "National Style") Zhou Nan Guan Ju Shangxie! I want to know you and live a long life. There are no mausoleums in the mountains, the rivers are exhausted, the winter thunders tremble, the summer rains and snows, the heaven and the earth are united, I dare to be with you! ——Han Han Dynasty Yuefu Shangxie Red beans grow in the southern country. How many branches will grow when spring comes? I hope you will pick more of them, this is the most loved thing.

—— Wang Wei of the Tang Dynasty Lovesickness Last year, today, in this door, the faces of the people and the peach blossoms reflected each other's red. The human face has gone nowhere, but the peach blossoms still smile in the spring breeze.

——Cui Hu of the Tang Dynasty wrote about Nanzhuang in the capital city. The willows are green and the Qingjiang River is at the same level. I hear the singing on the Langjiang River. The sun rises in the east and rains in the west. It is either sunny or sunny.

——Liu Yuxi of the Tang Dynasty, Zhuzhi Ci (3) Once upon a time, the sea was difficult to overcome, except for Wushan, it was not a cloud. I look back lazily at the flowers, half destined to practice Taoism and half destined to be a king.

——Li Si, Yuan Zhen of the Tang Dynasty Pingping curled up for more than thirteen years, and the cardamom sprouts were in early February. The spring breeze is ten miles away on Yangzhou Road, and I don’t know if the bead curtain is rolled up.

Passionate but always seem to be ruthless, only Jue Zun can't laugh in front of him. The candle bids farewell with intention and sheds tears until dawn.

——Du Mu of the Tang Dynasty Farewell (two poems) It is difficult to say goodbye when we meet, the east wind is powerless and the flowers are withered. The spring silkworm's silk will not be used up until it dies, and the wax torch will not dry until it turns to ashes.

When I look in the mirror at dawn, I am worried about the clouds on my temples. When I sing at night, I should feel the cold moonlight. There is not much way to get to Pengshan, and the blue bird is diligent in visiting.

——Li Shangyin of the Tang Dynasty, Untitled Last night, the stars and the wind were on the west side of the painting building and on the east side of Guitang. There is no colorful phoenix flying wings in the body, but there is a clear understanding in the heart.

Separate seats are provided with spring wine to warm them, and the partitions are covered with wax-covered lamps. I sighed and listened to the drum.