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What are the reference examples for a 3000-word college art appreciation paper?

Art appreciation is a kind of visual art. It plays an irreplaceable role in developing students' visual perception, obtaining visual-based aesthetic experience, cultivating aesthetic sentiment, and improving the quality of life. The following is the content of a 3000-word essay on art appreciation that I have compiled for you. Welcome to read and refer to it! 3000-word essay on art appreciation essay 1

A brief discussion of Chinese painting art

Broad and profound, Long standing is often the best word to describe our country’s ancient art culture and long history. A line, an outline, a touch of color, seemingly a few simple strokes, but the painter can use techniques such as echoing distance and contrasting movement and stillness to express characters and landscapes vividly and vividly. This is our ancient Chinese painting The essence of it!

From the ancient ceramic paintings, to the painted bricks in the tombs of the Wei and Jin Dynasties, to the murals of the Sui and Tang Dynasties, I personally feel that compared to the rigidity of Western oil paintings, our Chinese art pays attention to form and dispersion. With the gathering of gods, painters can express their attitudes and views on characters and things with just a flick of their hands and ink? Whether it is a kind of witchcraft, satirizing bureaucracy, expressing the suffering of people's livelihood, or depicting a certain animal in detail, etc. Through these elective courses, I feel that ancient painters were not just painters. They were often able to use pen and ink to criticize reality or express certain wishes or ambitions. In short, the purpose of painting has gone far beyond appreciation. We can learn from many We can feel the beauty of connotation and artistic conception brought by them in paintings. This is also a place worth appreciating and studying!

In the course of art appreciation, the one who impressed me most was Master Gu Kaizhi . Gu Kaizhi, courtesy name Changkang, was born in Wuxi, Jinling (now Wuxi, Jiangsu Province). Gu Kaizhi was erudite and talented, good at poetry, calligraphy, and especially good at painting. He was good at portraits, Buddha statues, animals, landscapes, etc. People at that time called him the three masters: painting, writing and infatuation. Xie An took it seriously, thinking that it had never happened before. Gu Kaizhi, Cao Buxing, Lu Tanwei, and Zhang Sengyao are collectively known as the "Four Great Masters of the Six Dynasties".

Gu Kaizhi’s paintings were intended to express the spirit, and his imagination and imagination were so wonderful that he could express the spirit with form. These arguments laid the foundation for the development of traditional Chinese painting. The teacher carefully told the story of Luo Shen Fu in class. "Luo Shen Fu" is a sentimental poem "Luo Shen Fu" written by Cao Zhi, a famous ancient poet, who used mythology as a metaphor for lost love. It is an important work in ancient Chinese literature. The woman Cao Zhi loved, Zhen, was taken away by his brother Cao Pi at the decision of his father Cao Cao. Zhen died miserably without finding a stable love with Cao Pi. After her death, Cao Pi gave Cao Zhi the jade and gold pillow left by Zhen. Cao Zhi passed through Luoshui on the way back to his own fiefdom. At night, he dreamed of Lady Zhen coming to meet him. In his grief, he wrote a "Ode to Zhen", which created a touching image of the Goddess of Luo, who was the lover he beautified. Zhen's son Cao Rui renamed it "Luo Shen Fu".

Kaizhi is knowledgeable and talented, good at poetry, calligraphy, and especially painting. Statues of workers, Buddha statues, animals, landscapes, etc. At that time, he was known as "unparalleled in talent, painting, and crazy". His painter, Fa Wei Xie, has made some changes. His paintings have the characteristics of applied dyeing and slight embellishment with thick colors without seeking halo. The handwriting is careful and tight, like spring silkworms spinning silk and spring clouds floating in the sky. In history, Cao Buxing, Gu Kaizhi, Lu Tanwei, and Zhang Sengyao are collectively known as the "Four Great Masters of the Six Dynasties". He is proficient in painting theory, and his arguments such as "transformation of imagination is wonderful" and "describing spirit with form" have a great influence on the development of traditional Chinese painting.

In the Tang Dynasty, which was the heyday of ancient my country, there were also many outstanding works. For example, in the "Moving Chariot Picture", Emperor Taizong of the Tang Dynasty was surrounded by a group of palace ladies, and even the seats were lifted up by the palace ladies. This probably showed Yan Liben's dissatisfaction and dissatisfaction with Emperor Taizong and the entire Tang Dynasty at that time. It is ironic, but at the same time, the clothes and respectful expression of Chang Shi, as well as the richness, deep eyes, and majestic yet kind expression of Emperor Taizong of the Tang Dynasty can fully reveal the style of the wise king of the prosperous Tang Dynasty, a kind of sacred and inviolable majesty. It can be said that it not only showed contempt for Tubo, but also expressed his views and irony on the Tang Dynasty's fear of confronting Tubo while showing the style of Emperor Taizong of the Tang Dynasty.

Ancient paintings leave endless aftertaste for me, and the works of contemporary masters can also show the soul of the Chinese nation.

? Obsessed with painting and able to write. Occasionally, I write poems to express my feelings. Good reading, a brief introduction to the changes in ancient and modern times. ?Fan Zeng, a famous calligrapher and painter of the generation, used these twenty-four words to evaluate himself.

Fan Zeng, also known as Shiyi, is the master of Baochong Zhai, a native of Nantong, Jiangsu Province. He is a famous master of traditional Chinese painting in contemporary China and the pioneer of figure painting. The work combines mountains, water, flowers, birds, and figures, and integrates poetry, calligraphy, and painting. It is innovative in painting language and has extraordinary skills. Those who know his ancient figure paintings say that they are vivid, full of spirit, exquisite and skillful, with strong brushwork, concise lines and vivid images.

The painting "Zhong Kui's Elegant Interesting Picture" on the back cover of "The Genius Fan Zeng" is a concentrated expression of Mr. Fan's "genius". Fan Lao is good at painting freehand figures and splash-ink figures, emulating those of ancient Liang Kai and Fachang, with rich brushwork and vivid shapes. He inherited the technique of simple brushwork and splashing ink since Liang Kai in the Southern Song Dynasty, and formed his own unique style.

The vividness of his character works is due to his talent, sensitivity, erudition and thoughtfulness. As for the charm of his pen and ink, it should be due to his perseverance and hard work. This "Zhong Kui's Elegant and Interesting Picture"

1. The brushwork is concise and the image is vivid and bold. A few simple strokes are well-formed, bold and bold, and the lines are neat and vivid. The concise brushwork of Zhong Kui's chest-baring cardigan depicts a strong and free-spirited image in a profound way. The silkworm-like eyebrows, red face and long beard make Zhong Kui's aggressiveness gradually disappear, and his heroic spirit and intelligence are revealed a little bit, which can be said to be lifelike. The clean lines of the neck, shoulders and hands make the characters more textured and vivid on the paper.

2. Use ink wisely and change the shades appropriately, so the ink color will be lively, lustrous and interesting. It is not unreasonable for predecessors to talk about painting as "vivid and vivid", and often take the quality of ink as the main criterion. Of course, whether a painting achieves "vivid charm" also includes the inner spiritual portrayal of the painting, the transmission of the author's emotions, and whether the pen can appropriately reproduce the harmony of the subject and object. All of these are ultimately reflected by the changes in ink color.

The use of ink in this "Zhong Kui's Elegant and Interesting Picture" is also very delicate. The ink is rich in color, and the ink is divided into five colors, showing both variation and unity. Zhong Kui's clothes are mainly light and medium ink colors, and the folds and light and shadow differences of the white shirt are expressed in a smooth and flowing way that is different from Western sketches. And the thick beard shows Fan Lao's good skills in using ink. It is tangled and thick but not messy, wanton and flamboyant but not complicated. The gradient and layering are revealed in a unique way, and the strokes are like strolling in the garden in one go. The most admirable thing is Fan Lao's brushstrokes and composition of the entire figure. The figure has bones and flesh, many muscles and muscles, and a full image.

3 The idea is exquisite, the composition is concise and crisp, the characters are expressive and interesting. Fan Lao often painted Zhong Kui, but this one has attracted much attention. This has a lot to do with the uniqueness of Zhong Kui in this painting. It is Fan Lao's "ghost spirit" that gives this painting a different feeling. Fan Lao broke with tradition and changed the folk image of Zhong Kui as a ferocious god. With the purpose of elegance and interest, he portrayed Zhong Kui as an alternative person with a temperament between a scholar and a military commander, which made people feel new. The kid on the right shoulder no longer hugged his head and ran around, but stood on the shoulder and scratched him. Zhong Kui, the ghost judge who used to fight ghosts and capture monsters, appears in these paintings with these emotions. Some people are surprised, some are confused, and some are helpless. In the end, he turns into a smile, and he has a different taste. This kind of work that transcends traditional rigidity is worthy of being the work of a genius.

In fact, I personally think that Chinese painting is the historical product that best demonstrates the characteristics of our country’s culture. Our country has a profound heritage of five thousand years, which not only includes history, but also includes five thousand years of our country’s history. cultural accumulation.

In the face of culture, we must have a sense of mission to maintain our country’s cultural heritage and inherit our country’s cultural treasures; in the face of art, we must have a positive attitude, discover the beauty of life, and feel the power that comes from art. Power; when facing art, we must have an appreciation mind, discover the differences in life, and feel the infinite charm from art. Art Appreciation Essay 3000 Word Model Essay 2

A brief discussion on college art appreciation

Abstract: The art appreciation class brought me to a whole new world, to a place I had never set foot in before. The field brought me to the palace of art. I can tell the stories of those beautiful works. It makes me discover that the world is so beautiful, that a person's thoughts can be expressed in this way, and that the ancestors are so wise. Art appreciation is an activity that uses perception and experience to feel, experience, associate, analyze and judge art works, gain aesthetic enjoyment, and understand art works and art phenomena. Art appreciation activities can help us gradually improve our aesthetic ability in the process of appreciating, identifying and evaluating art works, and form emotions and attitudes that love our own national culture and respect the world's diverse cultures.

Keywords: painting, Van Gogh, Chinese architecture, appreciation

1. Appreciation of painting

Painting is the most important art among plastic arts form. It refers to an art form that uses artistic languages ??such as lines, colors and shapes to create a static visual image in a two-dimensional space (i.e. plane) through artistic means such as modeling, coloring and composition to express the author's aesthetic feelings.

Just like Van Gogh’s art was great but was not recognized by society during his lifetime. His works contain a profound sense of tragedy. His strong personality and unique pursuit of form were far ahead of the times and were indeed difficult to be accepted by people at the time. He used the environment to grasp the object and re-changed reality to achieve tangible reality, which contributed to the birth of expressionism. When people misunderstood him the most, it was when he was most confident in his creation. Therefore, he left behind an eternal work of art. He directly influenced French Fauvism and German Expressionism, leading to the emergence of lyrical abstract portraiture in the early 20th century. "Sunflower" was written in the sunny and bright south of France. The painter is like a blazing flame, full of fiery passion, making the brushstrokes feel as if they are rotating and moving, so thick and powerful, and the contrast of the colors is pure and strong. However, this roughness and simplicity are full of wisdom and aura.

When viewers look at this painting, they will feel their souls tremble due to the exciting visual effect, and their passion will burst out, and they will all be eager to try it out. Together, they will be integrated into Van Gogh's rich subjective emotions.

In short, the sunflowers described by Van Gogh are not just plants; they are living creatures with primitive impulse and passion. I prefer to look at the field of sunflowers outside the window and their bright smiles in the sunshine. I don’t dare to show the real me, and I don’t know what the real me is like. In front of the sunflowers, I feel confident, showing the successful and brand-new me; when I see the sunflowers, I always have a warm feeling in my heart. I saw Van Gogh carrying a painting folder and concentrating on painting the passionate sunflower among the sunflower bushes. I looked at Sunflower's bright face, and my eyes lit up. I shouted to Van Gogh: "You must face yourself and never escape." No matter how difficult it is and how much courage it takes!? In fact, this sentence is not only said to Van Gogh, but also to me. Although Van Gogh is a thing of the past, I can change. I want to thank not only that window, but also the wonderful world outside the window for bringing me beautiful reverie.

2. Appreciation of Chinese Architecture

Chinese architecture has a long historical tradition and glorious achievements. It is one of the oldest architectural systems in the world, with a history of more than 7,000 years. History that can be tested in kind. 3,000 years ago, a unique style with wooden frames as the main structure and closed courtyards as the basic group layout was formed. Its development has never been interrupted and has an important influence on architecture in Korea, Japan and throughout Southeast Asia. It has a history of six or seven thousand years from the square or round shallow cave-style houses excavated at the Banpo site in Shaanxi to the present. The Great Wall, built on high mountains and winding for thousands of miles, is a miracle in the history of human architecture; the Anji Bridge in Zhao County, Hebei Province, built in the Sui Dynasty, has long been at the forefront of the world's bridge science in terms of the perfect combination of science, technology and art. ; The existing 67.1-meter-high wooden pagoda of Fogong Temple in Yingxian County, Shanxi Province is the tallest existing wooden structure in the world; the Forbidden City in Beijing during the Ming and Qing Dynasties is the largest existing large-scale, beautifully constructed and well-preserved building in the world. Building complex. As for my country's classical gardens, its unique artistic style makes it a pearl in China's cultural heritage. This series of existing buildings with superb technology, exquisite art and unique style are self-contained and unique in the history of world architecture. They are an important part of the splendid culture of ancient my country. They are like history books carved on stone, allowing us to review the history and culture of our motherland, stimulating our patriotic enthusiasm and national self-confidence. At the same time, it is also an art for people to appreciate, giving people beautiful enjoyment. Therefore, The architectural art of ancient my country is also an important object of art appreciation.

The Chinese architectural system is an independent architectural art characterized by wooden structures. It has made brilliant achievements in urban planning, building groups, individual buildings, and artistic processing of materials and structures. Various roof shapes, cornices, painted brackets, golden domes, interior and exterior decorative doors and garden scenes in traditional architecture fully reflect the sophistication and appeal of Chinese architectural art. Seven thousand years ago, the Hemudu culture had the practice of mortise and tenon and tongue and groove.

Banpo Village has been divided into front hall and back room. During the Shang and Yin Dynasties, tall palaces appeared. In the Western Zhou Dynasty, bricks and tiles were used and the courtyard layout was established. There are even more architectural drawings handed down from the Spring and Autumn Period and the Warring States Period. The indoor and outdoor beams, pillars and altars of Taixie Palace in Jingyi are all decorated, and the walls are decorated with murals. During the Qin and Han Dynasties, wooden architecture became increasingly mature, with magnificent buildings, rich decorations, and graceful stretches. Huge building groups such as Epang Palace and Weiyang Palace appeared. During the Wei, Jin, and Southern and Northern Dynasties, Buddhist temples and pagodas developed rapidly in various forms, and owl-shaped ornaments appeared on the roof ridges. During the Sui and Tang Dynasties, the buildings used glazed tiles and were even more magnificent. The main hall of Nanchan Temple and the main hall of Foguang Temple built at that time still exist today and attract worldwide attention. During the Five Dynasties and the Song Dynasty, urban architecture flourished, and commerce flourished. Luxurious restaurants and shops each had flying pavilions and sills, and were beautiful in style. Many palaces, gardens and private gardens from the Ming and Qing Dynasties have been preserved to this day, and the buildings are more gorgeous, complicated, and majestic than those in the Song Dynasty. comfortable. Modern Chinese architectural art continues to develop and innovate in the practice of inheriting excellent traditions and absorbing the advantages of architectural art in the world today.

The artistic achievements of ancient Chinese architecture amaze people all over the world, due to its unique structure. Let's take a look at the characteristics of ancient architecture. Below is information about ancient architecture that we gathered from the internet and libraries.

The characteristics of ancient Chinese architectural art are multifaceted. From the perspective of art appreciation, the following characteristics should be understood:

1. Ingenious and scientific frame structure

This is the most important architectural structure of ancient Chinese architecture a characteristic of. Because ancient Chinese buildings are mainly wooden frame structures. The old proverb "The house will not collapse even if the wall falls down", summarizes the most important characteristics of the frame structure of Chinese architecture. This structure allows the house to meet the ever-changing functional requirements of life and production under different climate conditions. . This component not only supports the load beam, but also has a decorative effect. However, after the Ming and Qing Dynasties, due to the simplification of the structure, the beams were placed directly on the columns, causing the structural role of the brackets to almost completely disappear, turning them into almost pure decorations.

2. Courtyard-style group layout

From the records of ancient documents, the images of ancient buildings in paintings to the existing ancient buildings, there are certain differences in the plane layout of ancient Chinese buildings. This is a simple organizational law, which is that every residence, palace, government office, temple and other buildings are composed of several single buildings and some corridors, walls and the like surrounded by courtyards. Generally speaking, most courtyards are connected from front to back, and you can reach the backyard through the front yard. This is the product of the ideology of Chinese feudal society of "ordering the young and old, and distinguishing the inside and outside." The main characters in the family, or those who should be isolated from the outside world (such as girls from aristocratic families), often live in courtyards far away from the outer gate, which forms a deep spatial organization of courtyards. Ouyang Xiu's poem "Butterfly Loves Flowers" in the Song Dynasty contains the words "How deep is the courtyard?". The ancients once described the residence of big bureaucrats as "The Marquis is as deep as the sea", which vividly illustrates the importance of the layout of Chinese architecture. feature.

The artistic effect created by China's courtyard-style group layout has its unique artistic charm compared with European architecture. Generally speaking, a European building is relatively self-explanatory. However, China's ancient buildings are like a long scroll of Chinese painting, which must be viewed step by step, and it is impossible to see them all at the same time. When entering an ancient Chinese building, you can only walk from one courtyard to another. You must walk through them all to see it all. The Forbidden City in Beijing is the most outstanding example. When people enter from Tiananmen, every time they pass through a door, they enter another courtyard; walking from one end of the courtyard to the other, the scenery changes step by step, giving people a profound impression. feelings. The artistic image of the Forbidden City has remained deeply in people's minds.

3. Rich and colorful artistic images

As mentioned before, architecture is not only a technical science, but also an art. After a long period of hard work, ancient Chinese architecture also absorbed the characteristics of other traditional Chinese arts, especially painting, sculpture, arts and crafts and other plastic arts, creating a rich and colorful artistic image, and formed many characteristics in this regard. Among them, the following three aspects are more prominent:

1. Decorative roofs

2. Application of foil buildings

3. Color Application

The great Chinese nation has a civilization that has been passed down for thousands of years. Chinese architecture, a symbol that represents the glorious achievements of the Chinese nation, has left a glorious page in the long history of history. Along with this comes a deep admiration for working people. Our research is coming to an end. The artistic achievements of ancient architecture are the pride of every Chinese. Let us look forward to a better tomorrow for China.

Conclusion

Art appreciation class can better train us, improve our quality, and most fundamentally improve our spiritual realm. The ultimate significance of art appreciation is to cultivate college students' emotions, purify their thoughts, and perfect their character, so that their body and mind can develop harmoniously, their spiritual realm can be sublimated, and they can be beautified. Art appreciation is beneficial to the sculpture of our soul and the perfection of personality. Art education focuses on developing and tapping people's own potential, and is committed to cultivating people's self-esteem, self-confidence, self-love, self-reliance, and self-improvement, and constantly improving people's spiritual and cultural tastes and lives. Quality, thereby continuously improving people's ability to survive and develop, and promoting people's all-round development and perfection.

The all-round development of human beings, as Engels believed, includes intelligence, physical strength, thought, morality, will, belief, emotion and other aspects. All-round development is a quality-based development that is specialized in multiple abilities. In view of this, the artistic literacy of college students has increasingly integrated into the trend of the times, and has attracted much attention and attention. As a means of aesthetic education, college students' art appreciation plays an important role in promoting the overall development of college students' soul sculpture and personality perfection.

To meet the aesthetic needs of college students and improve and cultivate their aesthetic abilities. In art appreciation classes, through a large number of and extensive appreciation of excellent works of art, they will gradually develop and improve their ability to feel and understand beauty. It is not just a matter of improving our appreciation level but how to develop our value orientation. Improve our understanding of the meaning of art, cultivate our correct aesthetic ideals, healthy aesthetic taste, and improve our sensitivity, appreciation, expression and creativity to beauty. Cultivation of our thoughts and sentiments, improve our spiritual realm.

Acknowledgments:

By studying this course, we can learn more about art knowledge, improve our art appreciation ability, and cultivate our artistic aesthetic interest, which will help us improve our The overall quality of students plays a very important role.

References:

Book title, author, publisher, date of publication

1. "Appreciation of Chinese and Foreign Art" Xu Gai, Liu Chen Tsinghua University Press 2009-08 -01

2. "Art Appreciation" Li Xinping, Cheng Wenguang Harbin Engineering University Press 2009-07-01

3. "History of Chinese Architecture" Liang Sicheng China Construction Industry Press 2005 Annual Edition

4. "History of Western Art" Li Chun Shaanxi People's Fine Arts Publishing House 2002 Edition Art Appreciation Essay Model 3,000 Words 3

A brief discussion on the art appreciation class under the new curriculum reform Emotional teaching

Abstract: The implementation of new curriculum standards pays more and more attention to the development and improvement of students' personal abilities and personal qualities. The same is true for art teaching. In art teaching, teachers should give full play to students' sense of protagonist and allow students to actively participate in teaching, which is inseparable from the use of emotions. Using emotions to carry out art teaching can effectively shorten the psychological distance between teachers and students, making students love art learning more and participate in art teaching more actively. This article is a summary of some of my experiences in using emotions to carry out art teaching in actual teaching. I hope it can serve as a starting point.

Keywords: Appreciate students’ sincerity with love

? Treat others how you want others to treat you. Similarly, if you want others to love you and respect you, you We must also love and respect others first. ?I used to hear this sentence all the time, but I really realized the meaning of this sentence during my two years of teaching career. I truly realize: Love is the most beautiful language for teachers. As long as you love students sincerely, discover the shining points of students, communicate with students attentively, and encourage students with love. ?This is the prerequisite for developing emotional education and using emotional education to promote art teaching. We must strengthen communication and understanding with students, and establish a good teacher-student relationship with students, so as to achieve a teaching effect in which teachers believe in their teachings. So, how should we implement emotional education in actual teaching? The author believes that the following points should be mainly achieved.

1. Use your sincerity to communicate with students and build trust

Whoever loves children will love them; only those who love children can educate them well. . ?I appreciate this famous saying very much. In their educational work, teachers not only care about students' learning, but also care about their lives and be their close friends. ?There is no education without love? The success of teaching not only has a lot to do with teachers, but also has a lot to do with students. For students, they can quickly accept and master any education given by their favorite teachers. Even criticism can be accepted happily. This is what students say they fall in love with the teacher's class they like. Students who don't like the teacher often have resistance and do not fall in love with the course. Therefore, we must use love to establish an emotional magnetic field so that teaching can produce good results.

In an art appreciation class in the first grade of high school, I was giving a lecture. A student kicked in the door and looked at me provocatively. Then he walked to the seat and lay down on his stomach, as if to say: ?Let’s see what you can do to me. Facing this thorny student, I didn’t get angry and continued teaching. After the lecture, I walked to his seat and said to him: What's wrong? Are you feeling uncomfortable? Do you want to go to the infirmary? The student sat up straight and said: It's okay. ?I continued: ?Since there is no physical reason, then you don’t like my class? Then tell me why you don’t like my class? The student felt a little embarrassed at this time and said: ?No, teacher, it is. I was wrong. ?From then on, every time I attended their class, he always listened carefully and nothing like this happened again. I think this is the harvest of emotion and the harvest of love. For students, only by being close to their teachers can they believe in their teachings. Only when students truly trust you will they accept and believe your principles. If teachers and students establish real emotions and reach a level of trust, they will become a huge educational force.

2. Encourage with heart and build self-confidence with love.

If a student lives in praise, he will learn to be grateful; if a student lives in encouragement, he will learn to be grateful. I learned to be confident. Self-confidence is a kind of spiritual energy and the internal driving force for human behavior. When a person has confidence, his mental activities will be positive and stable, and he will achieve his set goals with lasting perseverance. Therefore, cultivating students' self-confidence is very important, but it is also an arduous and sacred mission. During the teaching process, students always hope for affirmation from teachers, whether they are completing works or answering questions. This is what a psychologist once said: The deepest need of human nature is the desire for the appreciation of others. ?Appreciation is the most important and effective way to build students' self-confidence. Timely and motivating evaluation of students is a key measure to increase students' emotional growth.

Students will inevitably fail in the learning process. Teachers must first express appreciation for students' active participation, and then make specific comments and analysis on students' problems to help students find bright spots in their failures. , conduct motivating evaluations in a timely manner so that students can experience warmth, which not only protects students' enthusiasm for learning, but also helps students understand their own shortcomings, encourages students to increase their confidence and strive for success. When students achieve success, motivational evaluations are also conducted on students in a timely manner, so that students can experience the joy of success and transform it into motivation for learning. Encouraging students is a concrete manifestation of a teacher's love. So, how can we make students feel your encouragement and care? In fact, the method is very simple: a simple action, a affirmative look, and a simple word? They will all play a wonderful role inadvertently.

3. Praise students frequently and let them fully feel the charm of love

Many examples in real life also tell us that in the education of students, there are different methods of censure and appreciation. The results are also very different. Regularly appreciating students and paying attention to them with appreciation and approval will often result in better educational results. When a teacher truly loves students, his attention will no longer be on the students' wrong behaviors, but on the behaviors that he likes and appreciates. Appreciation will naturally occur in this process. When we sincerely praise students, students will naturally show a friendly and cooperative attitude and stimulate their enthusiasm for learning.

Once, a student in an art class came to me and said, "Teacher, I have something to ask you, but you have to promise me not to tell anyone else." ?I said: ?Okay. ?He said: ?I like a girl in our class. I don’t know whether to confess to her or not. I am very distressed. ?When I heard that this was puppy love, the first reaction in my mind was to persuade him to let go of puppy love and devote his energy to studying, but I couldn't say it directly. So, I said: "Can you tell me which girl it is?" He told me the girl's name. When I heard it, it turned out to be the most beautiful girl. So I said: "I have to praise you! Look, the girl you like is the most beautiful in the class, which shows that your aesthetic ability is very high! Tell me, besides liking her beauty, what else do you like about her? He I talked about several advantages of this girl.

I agreed and continued: What you see are her advantages. As a person, she will have advantages and disadvantages. You go and observe her shortcomings, and I will tell you whether you should express your love. ?A month later, he came to me again. This time he said: ?Teacher, I don’t want to confess anymore!? I said: ?Why did I observe her shortcomings as you said? I found more than ten, and Some things I can’t tolerate! I said: Look, your troubles have been solved by yourself now, and you don’t need my help at all! However, people all have their advantages and disadvantages, and lovers should be able to tolerate them all. Only the shortcomings of a person can be called a lover. If you can't tolerate her, it means she is not suitable for you. So, let this article go and you should treat her like a friend from now on. ?Thank you, teacher! When I started to tell you, you did not criticize me, but praised me. I am very grateful to you!? Later, this student was admitted to a very good university.

When appreciating students, the feelings of the soul are very important. This is why people have to be very loud when they quarrel, because their hearts are far away. The louder they are, the farther away their hearts are. Lovers always speak softly when they talk sweetly, because their hearts are very close. Therefore, I only need to use my passionate heart to get close to students, communicate with students with my heart, and establish a harmonious teacher-student relationship, so that every student can love art learning and achieve their own success.

Art teaching should fully reflect the student-centered teaching philosophy required by the new curriculum standards, and teach from the student's perspective. The application of emotional education reflects this point. Emotional communication is also a teaching method. It not only respects people, but also promotes and supplements our art teaching. As art teachers, while we study basic art knowledge and complete art teaching design, we must also pay attention to the research and practice of emotional education, and use emotional education to enrich and enrich our teaching classrooms. Only in this way can we complete the art teaching tasks while promoting the overall improvement of students' personal qualities and abilities.

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